Centro Coreografico Nazionale / Aterballetto

HUMAN BEHAVIOUR
2022-07-12 21:30 - 23:00 (Europe/Rome)
The Greek National Opera Ballet presents a modern dance triptych composed of Point of No Return by Ioannis Mandafounis, Lieder ohne Worte by Konstantinos Rigos, director of the ensemble, and Plan B by Ermira Goro. The choreographies move between classical and modern styles, giving the dancers the opportunity to experiment with new dance forms, accompanied by the music of Giorgos Koumendakis, Dimitri Terzakis and Dimitra Trypani.

Lead Donor of the Greek National Opera

Aegean Airlines
Official Air Carrier

The performance is within the summer festival DANZA AI CHIOSTRI curated by Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia.

POINT OF NO RETURN
Choreographer, costume supervisor: Ioannis Mandafounis
Music: Giorgos Koumendakis
Lighting designer: Christos Tziogkas
Human Behaviour_Point of No Return_Photo Andreas Simopoulos
In Point of No Return, the internationally recognised dancer and choreographer Ioannis Mandafounis composes a modern piece out of dance elements deeply rooted in the tradition of classical ballet. In tune with the music of Giorgos Koumendakis, the GNO Ballet dancers focus on the transparency and authenticity of their moves via the arsenal of classical ballet steps. Although the group experience of their bodies reveals an extremely classical choreographical approach, one may discern the personal identity of the performers as well as a particularly modern treatment of presence and interpretation of movement – obvious elements that indicate the choreographer’s regular touch.
“Guided by the title Point of No Return, this dance piece highlights classical technique as performed by a dancer of today, without falsifying it. Joy, communication, complex choreography and performing immediacy are some of the elements presented by the dancers and shared with the public,” according to Ioannis Mandafounis. Giorgos Koumendakis’ music follows the example of the “anonymous” folksong creators, “recasting or recomposing traditional musical themes while retaining their energy and subtlety, the authenticity of their primordial model, their pulse and their soul.”
The choreography Point of No Return is a co-production of the GNO and the CIE Ioannis Mandafounis. The CIE Ioannis Mandafounis benefits from the joint support of the City of Geneva, the State of Geneva and the Pro Helvetia – Swiss Art Council for the 2018-2023 period.
Lieder ohne Worte
Choreographer, set designer: Konstantinos Rigos
Music: Dimitri Terzakis
Costume designer: Yiorgos Mesimeris
Lighting designer: Christos Tziogkas
Associate architect: Mary Tsangari

The GNO Ballet director Konstantinos Rigos bases his choreography for the second part of this “alternative journey” on three works by the accomplished Greek-German composer Dimitri Terzakis, inspired by modern Greek history and the legacy of ancient Greece. The delicate Sprüche im Wind consists of ten brief, succinct “haikus” for violin and piano. The work Der Hölle Nachklang I constitutes the composer’s emotionally charged reaction to his unbearable childhood memories of the German Occupation of Greece during his early childhood in Athens in the years 1941-1944, while the third piece, Lieder ohne Worte, is an apotheosis of melody based on the musical system of antiquity.
The composer notes: “To present the infinitesimal melodic nuances and rapidly changing characters, the interpretation of this composition may and must be endlessly free, poetic, song-like, speech-like and, yes, ‘old-fashioned’ – like in the theatre of ancient Greece.”
PLAN B
Choreographer: Ermira Goro
Music: Dimitra Trypani
Set & costume designer: Christos Delidimos
Lighting designer: Christos Tziogkas

Ermira Goro, a movement and dance theatre artist always in search for new forms of researching and communicating her ideas, says about the choreography of Plan B:
“Plan B is a choreographic experiment on rigorously structured, asymmetrical sonic forms. The dancers move through space in a constantly shifting flux from the particular to the abstract and vice-versa. Plan B, because Plan A proved impossible and Plan C is already taking place.” In tandem, the composer Dimitra Trypani likens her music to a “sonic impression of an imaginary videogame in a single-level environment which is to be traversed by the player. However, within this level, there are many ‘trap-rooms’ in quick, unexpected succession, often without warning. The player’s goal, of course, is to survive until they exit the last ‘trap-room’ of the game.”
Info&Tickets
The performance takes place at the Chiostro Grande of the Chiostri di San Pietro complex.
TICKETS
Single seat 10 €.
The performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at € 8 instead of € 10
INFO & TICKET RESERVATION
info@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp)
TICKET PURCHASE
Online www.biglietteriafonderia39.it
At the Chiostri San Pietro: from one hour before the start of the performance

AN IDEAL CITY / MICRODANZE
2022-07-15 18:30 - 23:00, 2022-07-16 18:30 - 23:00, 2022-07-17 18:30 - 23:00
A project by FONDAZIONE NAZIONALE DELLA DANZA /ATERBALLETTO
in co-production with FONDAZIONE PALAZZO MAGNANI
MICRODANZE is a production within AN IDEAL CITY, a project in partnership with
LES HALLES DE SCHAERBEEK – BRUSSELS and GREEK NATIONAL OPERA – ATHENS,
co-funded by the CREATIVE EUROPE programme of the European Union.
DANZA&DANZA “Special Project” Award 2021

A dance exhibition in the magnificent complex of the Chiostri di San Pietro. 15 choreographers – Italian and international – have conceived MicroDances, short pieces to be danced in a tiny space, to be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage, the distance that separates the spectator from the performer, creating a continuum between the viewer and the one being watched. An emotional and aesthetic experience as varied as it is original.

The MicroDances are danced by the Compagnia Aterballetto and the Greek National Opera Ballet within two exhibition routes curated by Fabio Cherstich.
Route A – duration 1h 30′
Route B – duration 1h 30′
Both routes will start at the same time:
Friday 15 July 6.30 pm – 8.15 pm – 10 pm
Saturday 16 July 6.30 pm – 8.15 pm – 10 pm
Sunday 17 July 6.30 pm – 8.15 pm – 10 pm
You can see route A and route B by choosing different times and/or days
The performance is part of the summer festival DANZA AI CHIOSTRI organised by the Fondazione Nazionale della Danza / Aterballetto and Fondazione I Teatri di Reggio Emilia.

ROUTE A
1. Shelter by Saul Daniele Ardillo with Minouche Van De Ven
2. The bell jar by Fernando Melo with Ina Lesnakowski
3. Kepler by Diego Tortelli with Leonardo Farina, Sandra Salietti Aguilera, Jamal Uhlmann
4. Carne da eroe 2.0 by Roberto Zappalà with Giulio Pighini
5. Inside by Norge Cedeño Raffo with Estelle Bovay
6. The Wound. Archive of Western Images by Pietro Marullo with Arianna Kob
7. Afterimage by Philippe Kratz with Thomas Van De Ven
8. Turn the tide by Roberto Tedesco with Serena Vinzio and Matteo Fiorani
FND Aterballetto – MicroDanze – Shelter – chor Saul Daniele Ardillo – ph. Celeste Lombardi
FND Aterballetto – MicroDanze – The bell jar – chor Fernando Melo – ph. Celeste Lombardi
FND_Aterballetto – MicroDanze – Carne da eroe 2.0 – install. Roberto Zappalà – dancer Giulio Pighini – Athens SNFCC ph. Valeria Isaeva
FND_Aterballetto – MicroDanze – Inside – chor. Norge Cedeno Raffo – dancer Estelle Bovay – Athens EMST Museum – Valeria_Isaeva-03
FND Aterballetto – MicroDanze – Wound… – chor Pietro Marullo – ph. Celeste Lombardi
FND Aterballetto – MicroDanze – Afterimage – chor Philippe Kratz – ph. Celeste Lombardi
FND Aterballetto – MicroDanze – turn the Tide – chor Roberto Tedesco – ph. Celeste Lombardi
ROUTE B
1. Eppur si muove by Francesca Lattuada with Clément Haenen
2. Pensieri di carta by Hélias Tur-Dorvault with Martina Forioso
3. Platform 02 by Ina Lesnakowski with Saul Daniele Ardillo
4. Active motivation by and with Elena Kekkou
5. Knight riderby Yannis Nikolaidis with Margarita Kostoglou
6. Near life experience by Angelin Preljocaj with Ivana Mastroviti and Hélias Tur-Dorvault
7. Forget me notby Konstantinos Rigos with Vaggelis Bikos, sax Guido De Flaviis
FND_Aterballetto – MicroDanze – Eppur si muove – chor. Francesca Lattuada – dancer Clement Haenen – Athens Acropolis Museum – Ioannis Kampanis

FND Aterballetto – MicroDanze – Pensieri di carta – chor. Hélias Tur-Dorvault – ph. Celeste Lombardi (2)
FND Aterballetto – MicroDanze – Platform02 – chor Ina Lesnakowski – ph. Celeste Lombardi (9)
GNO Ballet – MicroDanze – Active Motivation – chor. Elena Kekkou – dancer Elena Kekkou – Athens Acropolis Museum ph. Valeria Isaeva
GNO Ballet – MicroDanze – Knight Rider – chor. Yannis Nikolaidis – dancer Margarita Kostoglou – Athens Acropolis Museum ph. Valeria Isaeva
FND_Aterballetto – MicroDanze -Near Life Experience -chor. A.Preljocaj -dancers I. Mastroviti, H. Tur-Dorvault – Palazzo da Mosto -ph Alice Vacondio

GNO Ballet – MicroDanze – Forget me not-chor. Konstantinos Rigos – dancer Danilo Zeka-Athens Acropolis Museum ph. Ioannis Kampanis
INFO&TICKETS
Route A – duration 1 hour
Route B – duration 1 hour
Both routes will start at the same time:
Friday 15 July 6.30 pm – 8.45 pm – 10 pm
Saturday 16 July 6.30 pm – 8.45 pm – 10 pm
Sunday 17 July 6.30 pm – 8.45 pm – 10 pm
You can see route A and route B by choosing different times and/or days
TICKETS
Route A: 8 €

Route B: 8 €

Route A + Route B: 13 € (the second route gives the reduced ticket at 5 €. So 1 full ticket at 8 € + 1 reduced ticket at 5 €)
INFO & TICKET RESERVATION
info@aterballetto.it / 0522 273016 / 334 1023554 (Whatsapp)
TICKET PURCHASE
Online www.biglietteriafonderia39.it
At San Pietro Cloisters: from one hour before the start of the performance

Shoot me - Secus
2022-07-22 21:20 - 22:30 | Teatro al Castello “Tito Gobbi”, Piazza Castello Ezzelini, Bassano del Grappa, (VI), 36061, Italia
Aterballetto is back in the spotlight at the Operaestate festival in Bassano del Grappa with SHOOT ME and Secus, two choreographies that between plasticity and energy seem to translate Canova’s work into movement.
For the creation SHOOT ME, choreographer Diego Tortelli reinterprets the idea of the concert-ballet in a contemporary key: music and dance thus accompany each other in a composition without narrative, but which guides the spectator to create open imagery and to feel emotions, inspired by the imagery of demonstrations, pride, catwalks… everything that connects in a group and that at the same time allows one not to lose one’s own voice. A work that puts the dancers on stage and the audience in the stalls in direct contact: a game of seduction, of glances, an assault on the senses and an ode to the body.

Secus, on the other hand, is a creation by Ohad Naharin, boasting a musical collage that stretches from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai, to the resonant harmonies of the Beach Boys. An adventurously eclectic mix, which serves as a backdrop for a daring and extravagant choreography: in which a human alphabet is composed of runs, solos, terse and clean gestures, interrupted duets, which, through precise and sudden gestures, expresses pure emotions and feelings without becoming sentimental. Joy, vulnerability, fear, innocence, confusion and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration.

MicroDanze - urban setting
2022-07-23 18:30 - 20:00 | Piazza Libertà, Piazza Libertà, Bassano del Grappa, VI, 36061, Italia
As part of the Operaestate Festival we offer the urban version of MicroDances.
Some MicroDances are at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version.
The result is a project that creatively wanders among very different contexts – historical centers, industrial areas, residual spaces, symbolic places of the cities – defining unusual stages and creating radically new opportunities to meet the public. The leitmotif of the three experiments is research into dance as a form of living, in relation to contemporary artistic practices that are rooted in the territory.
The micro/macro relationship established by the confrontation with the urban space is the same that articulates the conceptual space of the choreography and the lived space, as well as the dialectic I/other, activated by the transmission of the choreographies to the dancers in training who become mediators of an unprecedented experience.
The binary gaze that links spectator↔artwork becomes a performer-spectator-urban landscape triangulation.
MicroDances performed at Operaestate festival are: Turn the Tide by Roberto Tedesco, Eppur si muove by Francesca Lattuada, Pensieri di Carta by Hélias Tur-Dorvault, Strôma by Giovanni Insaudo.
MicroDanze reenactment -Strôma di Giovanni Insaudo

Stanze / Rooms
2022-07-24 18:30 - 21:30 | Castello del Buonconsiglio, Via Bernardo Clesio, 5, Trento, 38122, Italia
Stanze Rooms
A site-specific itinerant performance
The original creation by Diego Tortelli, created for the rooms of the Pinacoteca Tosio Martinengo in Brescia, comes to life in the halls of the Castello del Buon Consiglio in Trento. Spectators will enter into an exciting close relationship with the dancers, accompanied by Daniela Savoldi‘s cello, and experience the sumptuous residence of the prince-bishops in a special way.
CREDITS
Choreography and concept: Diego Tortelli
Music: Daniela Savoldi
Cello: Daniela Savoldi
Sound design: Federico Bigonzetti
Costumes: Diego Tortelli in collaboration with Nuvia Valestri
Dancers: Fabio Calvisi, Marta Castelletta, Cristian Cucco, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Promoted by Comune di Brescia and Fondazione Brescia Musei
Production: Fondazione Nazionale della Danza / Aterballetto
Production partnership: Fondazione I Teatri Reggio Emilia
In collaboration with Centro Teatrale Bresciano
INFO AND TICKETS
Performance times:
Sunday, 24 July, 6.30 p.m., 8 p.m., 9.30 p.m.
Duration of each performance:
30′
Tickets:
https://www.centrosantachiara.it/spettacoli/spettacoli/stanze-rooms-aterballeto-dicastelincastello

A Poetry Abstraction
2022-07-27 16:00 - 16:30 | Museo Poldi Pezzoli, Via Manzoni 12, Milano, 20121, Italia
A Poetry Abstraction, a performance by Diego Tortelli with four dancers and a cello, is at the Museo Poldi Pezzoli in Milan to celebrate the bicentenary of the birth of its founder, Gian Giacomo Poldi Pezzoli. Organised in collaboration with the Fondazione Ravasi Garzanti, this is the first time the Museum has presented a dance performance.
Admission is free with limited places (max 30). It will only be possible to enter after reservation at the following e-mail address: info@museopoldipezzoli.org

MicroDanze - urban setting
2022-07-29 19:30 - 21:00 | Palazzo Lanfranchi, Piazzetta Pascoli, 1, Matera, 75100, Italia
At Palazzo Lanfranchi in Matera, within Artfest, we present the urban version of MicroDances.
Some MicroDances are at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version.
The result is a project that creatively wanders among very different contexts – historical centers, industrial areas, residual spaces, symbolic places of the cities – defining unusual stages and creating radically new opportunities to meet the public. The leitmotif of the three experiments is research into dance as a form of living, in relation to contemporary artistic practices that are rooted in the territory.
The micro/macro relationship established by the confrontation with the urban space is the same that articulates the conceptual space of the choreography and the lived space, as well as the dialectic I/other, activated by the transmission of the choreographies to the dancers in training who become mediators of an unprecedented experience.
The binary gaze that links spectator↔artwork becomes a performer-spectator-urban landscape triangulation.
Friday 29 July
h 19.30-20.30-21.30
Palazzo Lanfranchi

MicroDanze urban setting
2022-09-17 11:30 - 20:30, 2022-09-18 11:30 - 20:30 | Palazzo Schifanoia, via Scandiana, 23, Ferrara, 44121, Italia
The Renaissance Palazzo Schifanoia in Ferrara is the venue for the first show of the 2022-23 season of the Centro Coreografico Nazionale.
In the frame of the Contemporary Dance Festival of the Teatro Comunale di Ferrara, in collaboration with Interno Verde, we present MicroDanze – urban setting.
17th September 2022 – 11.30 a.m. / 4 p.m. / 7 p.m.
18th September 2022 – 11.30 a.m. / 4 p.m. / 7 p.m.
MicroDanze - urban setting
MicroDanze is an ambitious project of “danced” performances. Conceived by Gigi Cristoforetti, the project stems from an invitation by the Fondazione Palazzo Magnani in Reggio Emilia to develop and explore different ways of enjoying dance performance.
Choreographers – national and international – have conceived short pieces (six to eight minutes, to be danced in a minuscule space), which can be watched in succession as if one were visiting a museum. A project that eludes the dynamics of the stage, the distance separating the spectator from the performer, creating a continuum between the onlooker and the watched, soliciting an emotional and aesthetic experience as varied as it is original
Some MicroDances have been the focus of a reenactment process: a transposition of the original versions for young dancers and public spaces aimed at creating an urban version.

The result is a project that creatively wanders through very different contexts – historical centres, industrial areas, residual spaces, symbolic places in cities – defining unusual stages and creating radically new opportunities to meet the public. The leitmotif is research on dance as a form of living, in relation to contemporary artistic practices rooted in the territory.
In Ferrara, the MicroDances route, curated by Lara Guidetti, runs through the spaces of Palazzo Schifanoia, including the inner garden. It starts from the side entrance, passing through the garden, and then rejoins the visitors’ route from the upper rooms and the Salone dei Mesi. The itinerary allows for different experiences of the space including more concrete and essential outdoor green areas, and the historical halls whose works sometimes resonate in the choreographies.
MicroDanze reenactment -Strôma di Giovanni Insaudo
Punch 24
PERFORMANCE CANCELLED FOR ORGANISATIONAL REASONS RELATED TO THE FESTIVAL
choreography Roberto Tedesco
music Not Waving
costumes Waxman Brothers
dancers Antonello Amati, Laila Luchetta Lovino
The end is the beginning and the beginning is the end.
A circle, a journey that comes to an end only after returning to its starting point, containing countless roads and suggestions. Punch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape, the awareness that every movement, every sound, every glance can be variable and endlessly multipliable. Punch24 is a series of independent scenes, a game of entrances and exits, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other, offering the audience the possibility to visualize each time a different performer.
Roberto Tedesco

MicroDanze urban setting | Punch 24
2022-09-18 11:30 - 20:30 | Palazzo Schifanoia, via Scandiana, 23, Ferrara, 44121, Italia
The Renaissance Palazzo Schifanoia in Ferrara is the venue for the first show of the 2022-23 season of the Centro Coreografico Nazionale.
In the frame of the Contemporary Dance Festival of the Teatro Comunale di Ferrara, in collaboration with Interno Verde, we present MicroDanze – urban setting and Punch 24.
17th September 2022 – 11.30 a.m. / 4 p.m. / 7 p.m.
18th September 2022 – 11.30 a.m. / 4 p.m. / 7 p.m.
MicroDanze - urban setting
MicroDanze is an ambitious project of “danced” performances. Conceived by Gigi Cristoforetti, the project stems from an invitation by the Fondazione Palazzo Magnani in Reggio Emilia to develop and explore different ways of enjoying dance performance.
Choreographers – national and international – have conceived short pieces (six to eight minutes, to be danced in a minuscule space), which can be watched in succession as if one were visiting a museum. A project that eludes the dynamics of the stage, the distance separating the spectator from the performer, creating a continuum between the onlooker and the watched, soliciting an emotional and aesthetic experience as varied as it is original
Some MicroDances have been the focus of a reenactment process: a transposition of the original versions for young dancers and public spaces aimed at creating an urban version.

The result is a project that creatively wanders through very different contexts – historical centres, industrial areas, residual spaces, symbolic places in cities – defining unusual stages and creating radically new opportunities to meet the public. The leitmotif is research on dance as a form of living, in relation to contemporary artistic practices rooted in the territory.
In Ferrara, the MicroDances route, curated by Lara Guidetti, runs through the spaces of Palazzo Schifanoia, including the inner garden. It starts from the side entrance, passing through the garden, and then rejoins the visitors’ route from the upper rooms and the Salone dei Mesi. The itinerary allows for different experiences of the space including more concrete and essential outdoor green areas, and the historical halls whose works sometimes resonate in the choreographies.
MicroDanze reenactment -Strôma di Giovanni Insaudo
Punch 24
choreography Roberto Tedesco
music Not Waving
costumes Waxman Brothers
dancers Antonello Amati, Laila Luchetta Lovino
The end is the beginning and the beginning is the end.
A circle, a journey that comes to an end only after returning to its starting point, containing countless roads and suggestions. Punch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape, the awareness that every movement, every sound, every glance can be variable and endlessly multipliable. Punch24 is a series of independent scenes, a game of entrances and exits, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other, offering the audience the possibility to visualize each time a different performer.
Roberto Tedesco

People - Open Rehearsal
2022-10-06 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL

Open rehearsals are unique moments in which it is possible to experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.
People is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings, members of a race that in contemporary society is increasingly exposed to a fictitious contact, made up of sharing photographic, of judgments, of liking, of following and status, invented and proportionally more and more limited – often exiled – to a social solitude.
Dacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group, often a guest at international festivals and reviews, has for some years been one of the realities associated with Naturalis Labor.
CREDITS

Concept and choreography: Marisa Ragazzo and Omid Ighani
Performers: Davide Angelozzi, Elda Bartolacci, Alessandro Marconcini, Graziana Marzìa, Jenny Mattaioli, Afshin Varjavandi
DaCru Dance Company / associate artist

A production Compagnia Naturalis Labor
Supported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza
World premiere Friederichshafen (D), 11 August 2021

Duration: 50′
INSIGHTS
Room. Home. Body. Mind.
The perimeter of everything, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D, far from contact and shared thoughts in shared spaces.
space
/speɪs/
[from Latin spatium, possibly der. from patēre “to be open”].
Circumscribed perimeters, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience.
PEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings, members of a race that in contemporary society is increasingly exposed to a fictitious contact, made up of sharing photographic, of judgments, of liking, of following and status, invented and proportionally more and more limited – often exiled – to a social solitude.

The company reflects on the extraordinary power of ‘social distances’, a theme that is dear to them and has already been dealt with in [zerocentimetri], the last production staged in 2019, which, in a predictive manner, introduced what later became an undeniable fact.
And so, in a limited and delimited space, each breath becomes a quest, a small land to conquer where all the dancers occupy their comfort zone, blind to everything that lives outside.
A simple and bare scene, few objects related to everyday life, small rooms drawn in an open space.
An extraordinary dense crowd of living beings, separated but too close not to secretly wish the opposite.
Have you ever felt lonely?
solitude
/ˈsɒlɪtjuːd/
Origin from Latin solitudo -ĭnis, der. from solus ‘alone’

DACRU DANCE COMPANY
Marisa Ragazzo and Omid Ighani began their artistic collaboration in 1996, systematically mixing their personal artistic curiosities, backgrounds and talents, careful to keep their differences intact and often succeeding in enhancing them.
Their different artistic backgrounds, academic for Marisa (Prebil, Trayanova, Lupov, Peter Goss, Sebron) and street for Omid (freestyler, like many talents born and bred in the hip hop culture of the 1980s), produce a highly innovative and certainly singular artistic code.
Both in love with extreme experimentation and the contamination of styles and languages, they create an unusual choreographic dimension, while remaining absolutely attainable. They love speed, technical virtuosity, and the fusion of the theatrical space with the artistic code of the street, from which they draw their drives towards art in its various aspects, which often leads them to collaborate with underground musicians and visual artists.
Their primary goal remains to break out of conventional spaces through originality, invention, innovation and research.
In 1996, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools, still active today, in Lazio and Sardinia, to which they added, over the years, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan, Verona, Jesi, Florence, Rome, Bari, Catania, Cagliari), and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome).
In addition to professional schools, they carry out an intense teaching activity, in Italy and abroad.

Dacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group, often a guest at international festivals and reviews, has for some years been one of the realities associated with Naturalis Labor.

INFO & TICKETS
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5.30 p.m.
Tickets are not numbered.
CONTACTS
Tel 0522273016
Mobile and whatsapp 3341023554

People
2022-10-06 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
People is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings, members of a race that in contemporary society is increasingly exposed to a fictitious contact, made up of sharing photographic, of judgments, of liking, of following and status, invented and proportionally more and more limited – often exiled – to a social solitude.
Dacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group, often a guest at international festivals and reviews, has for some years been one of the realities associated with Naturalis Labor.
CREDITS

Concept and choreography: Marisa Ragazzo and Omid Ighani
Performers: Davide Angelozzi, Elda Bartolacci, Alessandro Marconcini, Graziana Marzìa, Jenny Mattaioli, Afshin Varjavandi
DaCru Dance Company / associate artist

A production Compagnia Naturalis Labor
Supported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza
World premiere Friederichshafen (D), 11 August 2021

Duration: 50′
INSIGHTS
Room. Home. Body. Mind.
The perimeter of everything, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D, far from contact and shared thoughts in shared spaces.
space
/speɪs/
[from Latin spatium, possibly der. from patēre “to be open”].
Circumscribed perimeters, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience.
PEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings, members of a race that in contemporary society is increasingly exposed to a fictitious contact, made up of sharing photographic, of judgments, of liking, of following and status, invented and proportionally more and more limited – often exiled – to a social solitude.

The company reflects on the extraordinary power of ‘social distances’, a theme that is dear to them and has already been dealt with in [zerocentimetri], the last production staged in 2019, which, in a predictive manner, introduced what later became an undeniable fact.
And so, in a limited and delimited space, each breath becomes a quest, a small land to conquer where all the dancers occupy their comfort zone, blind to everything that lives outside.
A simple and bare scene, few objects related to everyday life, small rooms drawn in an open space.
An extraordinary dense crowd of living beings, separated but too close not to secretly wish the opposite.
Have you ever felt lonely?
solitude
/ˈsɒlɪtjuːd/
Origin from Latin solitudo -ĭnis, der. from solus ‘alone’

DACRU DANCE COMPANY
Marisa Ragazzo and Omid Ighani began their artistic collaboration in 1996, systematically mixing their personal artistic curiosities, backgrounds and talents, careful to keep their differences intact and often succeeding in enhancing them.
Their different artistic backgrounds, academic for Marisa (Prebil, Trayanova, Lupov, Peter Goss, Sebron) and street for Omid (freestyler, like many talents born and bred in the hip hop culture of the 1980s), produce a highly innovative and certainly singular artistic code.
Both in love with extreme experimentation and the contamination of styles and languages, they create an unusual choreographic dimension, while remaining absolutely attainable. They love speed, technical virtuosity, and the fusion of the theatrical space with the artistic code of the street, from which they draw their drives towards art in its various aspects, which often leads them to collaborate with underground musicians and visual artists.
Their primary goal remains to break out of conventional spaces through originality, invention, innovation and research.
In 1996, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools, still active today, in Lazio and Sardinia, to which they added, over the years, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan, Verona, Jesi, Florence, Rome, Bari, Catania, Cagliari), and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome).
In addition to professional schools, they carry out an intense teaching activity, in Italy and abroad.

Dacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group, often a guest at international festivals and reviews, has for some years been one of the realities associated with Naturalis Labor.

INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced for under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 7.30 p.m.
Tickets are not numbered.
CONTACTS
Tel 0522273016
Mobile and whatsapp 3341023554

Don Juan
2022-10-11 20:00 - 22:00, 2022-10-12 20:00 - 22:00 | Teatrul Naţional „I.L. Caragiale” din Bucureşti, Bulevardul Nicolae Bălcescu 2, Bucharest, 010051, Romania
Aterballetto’s first performance of the 2022-23 season is in Bucharest with Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.
Danza&Danza Award ‘Best Production’ 2020

FOUR SEASONS in Different Seasons - open rehearsal
2022-10-13 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
Open rehearsals are unique moments in which it is possible to experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.
“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music, rewritten by Max Richter, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme, creating a unique expression: EMOTION.

CREDITIS
Direction: Rezart Stafa
Choreography: Edi Blloshmi, Hektor Budlla, Beatrice Bodini and Saul Daniele Ardillo
Music: Antonio Vivaldi recomposed by Max Richter
Lighting design: Gessica Germini
Costumes: Nuvia Valestri and Nuovo Balletto Classico
Production: Nuovo Balletto Classico
SYNOPSIS
Each season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical, Hektor Budlla‘s Summer, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary.

Le stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo.
Nuovo Balletto Classico

In July 2016, the high training school of Ballet NUOVO BALLETTO CLASSICO, directed by Grori Dorian, Stafa Rezart, Casolari Elena and Stefanescu Nicoletta, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art, which is dance, to prepare not only dancers and teachers, but people with a high sensitivity towards others.
nuovoballettoclassico.it

INFO & TICKETS
TICKETS
Full: 3 euro
under 6: free
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5.30 pm.
Tickets are not numbered.
CONTACTS
Tel +39 0522 273016
Mobile and whatsapp +39 334 1023554

FOUR SEASONS in Different Seasons
2022-10-13 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
DANCE RIPENS IN EVERY SEASON AND BECOMES DAILY.
“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music, rewritten by Max Richter, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme, creating a unique expression: EMOTION.

CREDITS
Direction: Rezart Stafa
Choreography: Edi Blloshmi, Hektor Budlla, Beatrice Bodini and Saul Daniele Ardillo
Music: Antonio Vivaldi recomposed by Max Richter
Lighting design: Gessica Germini
Costumes: Nuvia Valestri and Nuovo Balletto Classico
Production: Nuovo Balletto Classico
SYNOPSIS
Each season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical, Hektor Budlla‘s Summer, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary.

Le stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo.
Nuovo Balletto Classico
In July 2016, the high training school of Ballet NUOVO BALLETTO CLASSICO, directed by Grori Dorian, Stafa Rezart, Casolari Elena and Stefanescu Nicoletta, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art, which is dance, to prepare not only dancers and teachers, but people with a high sensitivity towards others.
nuovoballettoclassico.it
INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5.30 pm.
Tickets are not numbered.
CONTACTS
Tel +39 0522 273016
Mobile and whatsapp +39 334 1023554

LOVE POEMS - OPEN REHEARSAL
2022-10-18 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL

Open rehearsals are unique moments in which one can experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.
Under the title LOVE POEMS, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary:
– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC
– BRUTAL LOVE POEMS by THOMAS NOONE
– VIVALDI UMANE PASSIONI by MICHELE MEROLA.
The three works are performed by eight dancers from MMCDC, a reality of excellence in Italian dance, with a consolidated activity of performances throughout the country.
The choreographies of the programme, linked by the common denominator of a distinctive musicality, are characterised by a strong implication as much interpretative as technical, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next, the dance will become one with the music, marrying its compositional richness thanks to choreographies that emphasise movement, plasticity, but also the importance of the single gesture.

DUETTO INOFFENSIVO
Excerpt from ‘Rossini Cards
Choreography: Mauro Bigonzetti
Music: Gioachino Rossini
Assistant to choreography: Roberto Zamorano
Lighting design: Carlo Cerri
Costumes: Helena De Medeiros
With 2 dancers
A passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing, understanding, but also disagreement, and we find condensed the characters and stories of several female characters. Their encounter, in a continuous repetition and alternation of complicity and conflict, gives rise to an exchange of energies, feelings and emotions linked to the disappointments of love.

BRUTAL LOVE POEMS
Choreography: Thomas Noone
Music: Jim Pinchen
With 4 dancers
“I love you so much that I am in pain. I hope you suffer as much as I do …”
Raw and dynamic, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation, of our most primordial, terrible and brutal being, is perhaps only ever manifested in front of those closest to us, the person we love.
An abstract, non-narrative work, in which the resonance of movements echoes and combines to form a whole, seeking to entertain, provoke and seduce.

VIVALDI UMANE PASSIONI
Choreography: Michele Merola
Music: Antonio Vivaldi
Lighting design: Cristina Spelti
Costumes: Carlotta Montanari
With 7 dancers
Co-production Teatro Ristori di Verona
National Premiere: 1 February 2019 – Teatro Ristori, Verona
With each creation, Michele Merola aims higher, convinced that it is possible to express, in dance, joys, tenderness, anger, expectations, impulses, torments. For the choreographer, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives, symmetries, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire, for a new production where ‘the relationship between music and movement plays the lion’s share’, says Merola.
Starting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music, I rediscover a love for pure choreographic design, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915), On the City (1918), Love on the Scene (1920), Introduction to Jewish Theatre (1920) – , has guided my work towards human passions, the evasion from the everyday to detach oneself from the ground, listening to inner emotions. In both artists, I sense a great desire for life, beauty, elegance in living’.
Some of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia, L’Inquietudine, L’Estro Armonico, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace, the vortex of sonorous intensity and richness of timbre, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’, and of its most secret recesses, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts, the dialogue that is created, intense, balanced in terms of the balance of forces, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other, confront each other, overlap, in a representational dynamic that the union makes even more intense.
Ermanno Romanelli

MM Contemporary Dance Company
La MM Contemporary Dance Company è una compagnia di danza contemporanea diretta dal coreografo Michele Merola, nata nel 1999 come centro di produzione di eventi e spettacoli e come promotrice di rassegne e workshop con l’obiettivo di favorire scambi e alleanze fra artisti italiani e internazionali, testimoni e portavoce della cultura contemporanea.
Il repertorio della compagnia, che ha sede a Reggio Emilia, è ricco e variegato, grazie ai lavori di Michele Merola e alle creazioni firmate da coreografi europei e italiani come Maguy Marin, Mats Ek, Mauro Bigonzetti, Thomas Noone, Gustavo Ramirez Sansano, Karl Alfred Schreiner, Eugenio Scigliano, Emanuele Soavi, Enrico Morelli, Daniele Ninarello, Ginevra Panzetti ed Enrico Ticconi, Roberto Tedesco, Camilla Monga.
Nel 2010 la MM Contemporary Dance Company ha vinto il prestigioso Premio Danza&Danza come migliore compagnia emergente e oggi, è, a tutti gli effetti, una realtà di eccellenza della danza italiana, con una consolidata attività di spettacoli su tutto il territorio nazionale. Da alcuni anni ha conquistato un mercato internazionale con spettacoli in paesi europei ed extraeuropei (Corea, Colombia, Canada, Germania, Russia, Marocco, Belgio, Spagna, Slovenia…).
Nel 2017 la MM Contemporary Dance Company ha vinto il Premio Europaindanza 2017 – Premio al Merito alla coreografia, per lo spettacolo Bolero di Michele Merola.
Il 1° gennaio 2021 e il 1° gennaio 2022 la MMCDC è stata presente su RAI 1 nella trasmissione “Danza con me” di Roberto Bolle interpretando coreografie di Mauro Bigonzetti e Lorca Massine.
Per il triennio 2018-20, per il 2021 e per il triennio 2022-24 la MM Contemporary Dance Company è compagnia associata del Circuito InDanza del Trentino Alto Adige.
La MMCDC è sostenuta dal Ministero della Cultura, Regione Emilia-Romagna, Fondazione Nazionale della Danza/Aterballetto, Centro Permanente Danza Danza/Reggio Emilia.
michelemerola.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service in the Foundry is open from 5.30 pm.
Tickets are not numbered.
CONTACTS
Tel +39 0522273016
Mobile and whatsapp +39 3341023554

LOVE POEMS
2022-10-18 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Under the title LOVE POEMS, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary:
– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC
– BRUTAL LOVE POEMS by THOMAS NOONE
– VIVALDI UMANE PASSIONI by MICHELE MEROLA.
The three works are performed by eight dancers from MMCDC, a reality of excellence in Italian dance, with a consolidated activity of performances throughout the country.
The choreographies of the programme, linked by the common denominator of a distinctive musicality, are characterised by a strong implication as much interpretative as technical, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next, the dance will become one with the music, marrying its compositional richness thanks to choreographies that emphasise movement, plasticity, but also the importance of the single gesture.

DUETTO INOFFENSIVO
Excerpt from ‘Rossini Cards
Choreography: Mauro Bigonzetti
Music: Gioachino Rossini
Assistant to choreography: Roberto Zamorano
Lighting design: Carlo Cerri
Costumes: Helena De Medeiros
With 2 dancers
A passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing, understanding, but also disagreement, and we find condensed the characters and stories of several female characters. Their encounter, in a continuous repetition and alternation of complicity and conflict, gives rise to an exchange of energies, feelings and emotions linked to the disappointments of love.

BRUTAL LOVE POEMS
Choreography: Thomas Noone
Music: Jim Pinchen
With 4 dancers
“I love you so much that I am in pain. I hope you suffer as much as I do …”
Raw and dynamic, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation, of our most primordial, terrible and brutal being, is perhaps only ever manifested in front of those closest to us, the person we love.
An abstract, non-narrative work, in which the resonance of movements echoes and combines to form a whole, seeking to entertain, provoke and seduce.

VIVALDI UMANE PASSIONI
Choreography: Michele Merola
Music: Antonio Vivaldi
Lighting design: Cristina Spelti
Costumes: Carlotta Montanari
With 7 dancers
Co-production Teatro Ristori di Verona
National Premiere: 1 February 2019 – Teatro Ristori, Verona
With each creation, Michele Merola aims higher, convinced that it is possible to express, in dance, joys, tenderness, anger, expectations, impulses, torments. For the choreographer, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives, symmetries, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire, for a new production where ‘the relationship between music and movement plays the lion’s share’, says Merola.
Starting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music, I rediscover a love for pure choreographic design, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915), On the City (1918), Love on the Scene (1920), Introduction to Jewish Theatre (1920) – , has guided my work towards human passions, the evasion from the everyday to detach oneself from the ground, listening to inner emotions. In both artists, I sense a great desire for life, beauty, elegance in living’.
Some of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia, L’Inquietudine, L’Estro Armonico, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace, the vortex of sonorous intensity and richness of timbre, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’, and of its most secret recesses, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts, the dialogue that is created, intense, balanced in terms of the balance of forces, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other, confront each other, overlap, in a representational dynamic that the union makes even more intense.
Ermanno Romanelli

MM Contemporary Dance Company
The MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists, witnesses and spokesmen of contemporary culture.
The repertoire of the company, which is based in Reggio Emilia, is rich and varied, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin, Mats Ek, Mauro Bigonzetti, Thomas Noone, Gustavo Ramirez Sansano, Karl Alfred Schreiner, Eugenio Scigliano, Emanuele Soavi, Enrico Morelli, Daniele Ninarello, Ginevra Panzetti and Enrico Ticconi, Roberto Tedesco, and Camilla Monga.
In 2010, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today, it is, to all intents and purposes, a reality of excellence in Italian dance, with a consolidated activity of performances throughout the country. For some years now, it has conquered an international market with performances in European and non-European countries (Korea, Colombia, Canada, Germany, Russia, Morocco, Belgium, Spain, Slovenia…).
In 2017, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Merit Award for Choreography, for the performance Bolero by Michele Merola.
On 1 January 2021 and 1 January 2022, MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” interpreting choreographies by Mauro Bigonzetti and Lorca Massine.
For the three-year period 2018-20, for 2021 and for the three-year period 2022-24 the MM Contemporary Dance Company is an associated company of the Trentino Alto Adige InDanza Circuit.
MMCDC is supported by the Ministry of Culture, Emilia-Romagna Region, Fondazione Nazionale della Danza/Aterballetto, Centro Permanente Danza/Reggio Emilia.
michelemerola.it
INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service in the Foundry is open from 7.30 pm.
Tickets are not numbered.
CONTACTS
Tel 0522273016
Mobile and whatsapp 3341023554

Double Side
2022-10-23 18:00 - 19:00 | Teatro Municipale Valli, Piazza Martiri del 7 luglio, Reggio Emilia, 42121, Italia
The Fondazione Nazionale della Danza / Aterballetto premieres its new production Double Side in its hometown Reggio Emilia, in the framework of Festival Aperto.
Baroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto, which features two choreographers from Canada and Cuba who are little known in Italy, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma, its orchestral counterpart from Emilia-Romagna Region, the renowned company brings along a musical ensemble of singers and string players, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt.

Synopsis
The Cuban Norge Cedeño Raffo creates to religious music, of all things. The young, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic, reduced style. The moving effect of this music also characterises the expressive, free and, in the most beautiful sense, pure dance: how can one find hope again in a destroyed world and after such a great loss, how can one go on living, Norge Cedeño Raffo asks himself in his work.

Choreographer Danièle Desnoyers comes from Montréal, the metropolis of modern Canadian dance, where her light, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell.

Credits
STABAT MATER
(Creation for 3 dancers, 3 musicians, 3 singers)
Choreography Norge Cedeño Raffo
Set and lighting design Fabiana Piccioli
Music Stabat Mater by Arvo Pärt
Costume design Norge Cedeño Raffo and Fabiana Piccioli
Assistant to the choreographer Thais Suàrez Fernàndez
WITH DROOPING WINGS
(Creation for 8 dancers, 4 strings)
Choreography Danièle Desnoyers
Music An English Suite by Federico Gon after Henry Purcell
Set and lighting design Fabiana Piccioli
Costume design Danièle Desnoyers
With the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec

Co-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini
Co-production Festspiele Ludwigshafen, Fondazione I Teatri di Reggio Emilia
World-premiere 23 October 2022, Reggio Emilia, Festival Aperto, Teatro Municipale Romolo Valli (I)
German premiere 9-10 December 2022, Ludwigshafen, Theater Im Pfalzbau (D)

Dancers Aterballetto Company
Quartetto Motus for La Toscanini: Giulia Soli, Agnese Rava violin, Dario Carrera viola, Margherita Curti cello
Soprano: Theodora Io Koutsothodoru
Countertenor: Nicolò Balducci
Tenor: Kim Bowoo
Musical coaching: Antonio De Lorenzi
Docufilm Stabat Mater - Danzare oltre i confini

Norge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders).
The docufilm closely reports the artistic and human experience of the young talented choreographer, for the first time in Italy, and shows his creative process, in the setting of the Teatro Asioli in Correggio, a small Italian-style theatre immersed in the Po Valley, one of the most fascinating and evocative.
The filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021, on the occasion of the International Day of Dance.
MEDIA PARTNER

Watch the docufilm

Il piccolo re dei fiori
2022-10-29 17:30 - 18:30, 2022-10-30 17:30 - 18:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
SHOW FOR CHILDREN (4-8 years old)
Il piccolo Re dei Fiori (The Little Flower King) is a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning, however, she sees him, all melancholy, taking care of a small flower bed in front of their house, with that attention that is only given to the deepest desires. It is thus, observing him secretly, that begins to write for him, on little cards, the fairy tale that will lead them to their happy meeting.

CREDITS
Fairy tale for music, shadows and dance from The Little Flower King by KVĚTA PACOVSKÁ
A creation by VALERIO LONGO and FABRIZIO MONTECCHI
With Marcello Giovani and Isabella Minosi
Dramaturgy: Enrica Carini and Fabrizio Montecchi
Choreography: Valerio Longo
Direction and sets: Fabrizio Montecchi
Music: Paolo Codognola
Shapes: Nicoletta Garioni and Agnese Meroni (based on drawings by Květa Pacovská)
Costumes: Sara Bartesaghi Gallo and Nicoletta Garioni
Voices: Valeria Barreca and Tiziano Ferrari
Lights: Anna Adorno
Dramaturgy collaboration: Valerio Longo and Francesca Magnini
Realisation of sets and scenic objects: Giovanni Mutti, Nicoletta Garioni and Agnese Meroni
Production: Balletto di Roma, Teatro Gioco Vita
Live Streaming Premiere: 14 February 2021, Teatro Filodrammatici, Piacenza
Audience: from 4 to 8 years old
Duration: 50 minutes
INSIGHTS
Il piccolo Re dei Fiori is the text by Květa Pacovská around which two historical theatre and dance organisations have come together: Balletto di Roma, which in 2020 celebrated sixty years since its foundation, and Teatro Gioco Vita, which in 2021 celebrated its fiftieth anniversary and which, at the end of the 1970s, encountered shadow theatre, making an original contribution to the birth of children’s theatre. The project explores a form of contamination between languages such as dance, shadow and music, conceiving it expressly for children.
Il piccolo Re dei Fiori is a fairy tale. From the fairy tale there is the classic “Once upon a time” and also the unfailing “King” who, however, here is small and curious, lives alone, loves his garden and has pockets full of tulip bulbs. In the fairy tale there is also the theme of ‘waiting’, the King’s long wait before the flowers bloom, and also that of ‘lack’. Lack of what? The King does not know, but he does know that his tulips, though beautiful, cannot make him happy. So here is the ‘journey’ in search of what can fill his lack. A journey that is like a dream, on new routes unknown to the King, that lasts only a day and a night but seems to encompass the time of a lifetime.

In the morning light, the king hears a subtle voice coming from a newly opened tulip flower that repeats ‘I am here, I am here…’. In front of a little princess, the king, full of wonder, asks himself wonders: “Is it you whom I have been searching for so long?”.
As in any self-respecting fairy tale, there is no shortage of ‘and they all lived happily ever after’, which makes us think that, yes, it was indeed her that the King had so long desired.
Il piccolo Re dei Fiori is also a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning, however, she sees him, all melancholy, taking care of a small flowerbed in front of their house, with that attention that is only given to the deepest desires. It is thus, observing him surreptitiously, that she begins to write for him, on little cards, the fairy tale that will lead them to their happy reunion.

Il piccolo Re dei Fiori is a performance in which the theme of the search for happiness is rendered with lightness and poetry, thanks to a simple and essential plot and exuberant and imaginative imagery. With the counterpoint of a few but important words, the tale takes on stage form thanks to a rich musical fabric that accompanies and supports the spectacular shadow images of Teatro Gioco Vita, taken from the splendid illustrations by Květa Pacovská, and the expressive gestures of the two dancers from Balletto di Roma, the result of original choreography by Valerio Longo.
The power of a fairy tale is contained in its ability to be incredibly distant and at the same time close to our daily lives. What is required of us in order to access a fairy tale is to agree to make ourselves small, very small, to pass through magical and unexpected entrances, to know how to wait and, while waiting, to pay attention to every word, every gesture, every shadow in order to be amazed by the fairy tale itself. Thus it is also for us. In this almost archetypal fairy tale, a king, an enchanted garden, waiting, an unknown desire, a journey, a finding oneself in happiness, come alive in the shadows through music and dance, and allow everyone’s feelings to be revealed in it. Thus, as each fairy tale, word after word, animates the desires of those who hear it, so life, unexpectedly, leads them to fulfil them.

Balletto di Roma / Teatro Gioco Vita
Balletto di Roma, founded in 1960 by Franca Bartolomei and Walter Zappolini, has always promoted the production and dissemination of Italian auteur dance in Europe and throughout the world, with a repertoire that today is attentive to innovation and research while maintaining a strong focus on the history and tradition that have made it famous. Over the years, the Roman theatre has seen a succession of prestigious collaborations and multiple creative souls, and the production activity has grown, both in terms of quantity and quality of the works staged during the seasons, with growing public approval. Starting in 2018, general director Luciano Carratoni brings a significant generational change to the top of the structure by appointing Francesca Magnini, a university lecturer at the Sapienza University in Rome, as artistic director. The new artistic figure strengthens the schemes and broadens the objectives of internationalisation by involving bodies and institutions: among the collaborations is also the one with the Department of History, Anthropology, Religions, Arts and Performing Arts of the Sapienza University of Rome.
ballettodiroma.com
Teatro Gioco Vita (artistic director Diego Maj) was founded in 1971 from the experience of theatrical animation and with its peculiar way of doing and experiencing theatre it made an original contribution to the birth of children’s theatre. It met shadow theatre at the end of the 1970s and developed a unique experience that earned it recognition and prestigious collaborations all over the world. The Shadow Company, with Fabrizio Montecchi and Nicoletta Garioni as artistic directors, is engaged not only in the production of performances but also in workshop activities and professional training. Teatro Gioco Vita combines its activities on the territory (Prose Season of the Municipal Theatre of Piacenza, theatre reviews, festivals and other cultural events, hospitality, workshops, training) with an increasingly international dimension that has led its shadow theatre performances to be performed not only in Europe, but also in the United States, Brazil, Mexico, Canada, Japan, China, Israel, Taiwan, Turkey, Jordan and Senegal.
teatrogiocovita.it
INFO & TICKETS
TICKETS
For everybody 6 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5.30 p.m.
Tickets are not numbered.
CONTACTS
Tel 0522273016
Mobile and whatsapp 3341023554

Double Side
2022-11-01 20:30 - 21:30 | Teatro Comunale, Corso Martiri della Libertà, 5, Ferrara, 44121, Italia
At Teatro Comunale in Ferrara Aterballetto presents the new production Double Side.
Baroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto, which features two choreographers from Canada and Cuba who are little known in Italy, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma, its orchestral counterpart from Emilia-Romagna Region, the renowned company brings along a musical ensemble of singers and string players, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt.

Synopsis
The Cuban Norge Cedeño Raffo creates to religious music, of all things. The young, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic, reduced style. The moving effect of this music also characterises the expressive, free and, in the most beautiful sense, pure dance: how can one find hope again in a destroyed world and after such a great loss, how can one go on living, Norge Cedeño Raffo asks himself in his work.

Choreographer Danièle Desnoyers comes from Montréal, the metropolis of modern Canadian dance, where her light, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell.

Credits
STABAT MATER
(Creation for 3 dancers, 3 musicians, 3 singers)
Choreography Norge Cedeño Raffo
Set and lighting design Fabiana Piccioli
Music Stabat Mater by Arvo Pärt
Costume design Norge Cedeño Raffo and Fabiana Piccioli
Assistant to the choreographer Thais Suàrez Fernàndez
WITH DROOPING WINGS
(Creation for 8 dancers, 4 strings)
Choreography Danièle Desnoyers
Music An English Suite by Federico Gon after Henry Purcell
Set and lighting design Fabiana Piccioli
Costume design Danièle Desnoyers
With the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec

Co-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini
Co-production Festspiele Ludwigshafen, Fondazione I Teatri di Reggio Emilia
World-premiere 23 October 2022, Reggio Emilia, Festival Aperto, Teatro Municipale Romolo Valli (I)
German premiere 9-10 December 2022, Ludwigshafen, Theater Im Pfalzbau (D)

Dancers Aterballetto Company
Quartetto Motus for La Toscanini: Giulia Soli, Agnese Rava violin, Dario Carrera viola, Margherita Curti cello
Soprano: Theodora Io Koutsothodoru
Countertenor: Nicolò Balducci
Tenor: Kim Bowoo
Musical coaching: Antonio De Lorenzi
Docufilm Stabat Mater - Danzare oltre i confini
Norge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders).
The docufilm closely reports the artistic and human experience of the young talented choreographer, for the first time in Italy, and shows his creative process, in the setting of the Teatro Asioli in Correggio, a small Italian-style theatre immersed in the Po Valley, one of the most fascinating and evocative.
The filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021, on the occasion of the International Day of Dance.
MEDIA PARTNER

Watch the docufilm

POLLICINO SHOW - Open Rehearsal
2022-11-03 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
CHILDREN’S SHOW (6-11 years)

OPEN REHEARSAL
Open rehearsals are unique moments in which it is possible to experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.
Pollicino is small but, in some ways, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine, food is no longer enough to feed everyone.
The father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins.

CREDITS
Direction Cinzia Pietribiasi
Choreography and interpretation Davide Tagliavini
Illustrations Giovanni Copelli
Production Artemis Danza
in collaboration with Compagnia Pietribiasi/Tedeschi
GRUPPO IBRIDO
GRUPPO IBRIDO (Reggio Emilia, 2021) was created by the will of the dancer Davide Tagliavini, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance, voice, video projection, art, sculpture and new technologies. Pollicino is the first work, produced by the Artemis Danza Company.
Davide Tagliavini (1990) works with Luna Cenere, Artemis Danza, Marina Abramović, Gruppo Nanou, Anna Albertarelli, Lara Russo and others. For years he has been conducting dance workshops for children, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory.
Cinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children.
Giovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe.
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free

DARWIN-M/ETA/MORFOSI - Open Rehearsal
2022-11-04 16:00 - 17:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
Open rehearsals are unique moments in which it is possible to experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.

As the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis, man also goes through several stages before making an evolution. From single-celled organisms to Homo Sapiens, from newborns to adults, everything evolves in the continuous search for perfection … but something went wrong! The planet is in danger and humanity is certainly not without faults.
Thus an eccentric scientist tries to tell us what, for better or for worse, has happened to humanity and to the Earth from the Big Bang to today. A multifaceted and ever-changing character, who does not communicate with words but with the body and movement, will help him in the enterprise, emboding the different phases of this crazy metamorphosis.
CREDITS
by / with Francesco Marchi e Christian Pellino
production Artemis Danza ed EUROPA TEATRI
Show for children aged 11 to 14

INFO & TICKETS
TICKETS
Full: 3 euros
Under 6: free

NOVILUNIO - Open Rehearsal
2022-11-04 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
Open rehearsals are unique moments in which it is possible to experience the backstage of a performance, dialogue with the artists and be surprised by the art of dance.

Reflection, empathy, loneliness, sweetness, being always herself while always showing herself different, cyclicality, awareness, beauty… How many things do our wonderful satellite and the human being have in common? How much does this same satellite affect us? Novilunio is the story of an individual’s relationship with the moon but above all with that phase of it in which everything is hidden, in which there is no showing of oneself, being oneself, especially for better or for worse: NEW MOON.
CREDITS
Choreography Salvatore Sciancalepore
Performers Samuele Arisci, Teresa Morisano
Music Ben Frost, Philip Glass & Robert Black, Frederic Chopin
Production Compagnia Artemis Danza
INFO & TICKETS
TICKETS
Full: 3 euro
Under 6: free

Don Juan
2022-11-04 20:30 - 22:00 | Teatro Sociale, Via Bellini, 3, Como, 22100, Italia
At Teatro Sociale in Como Aterballetto dances Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.
Danza&Danza Award ‘Best Production’ 2020

Cosmogony
2022-11-06 19:30 - 20:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
PERFORMANCE CANCELLED
Cosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience in Reggio Emilia and Bologna.
The performance is in partnership with Compagnia della Quarta / Zed Festival and ERT Emilia Romagna Teatro.

CREDITS
Direction Gilles Jobin
Dancers Susana Panadés Diaz, Rudi van der Merwe, Jozsef Trefeli
Lead Dance Artist Susana Panadés Diaz
Lead 3D Artist Tristan Siodlak
Lead Technologist Camilo de Martino
Lead Technical Artist Pierre-Igor Berthet
Motion Capture Pedro Ribot
Mocap cameras Qualisys
Music Tar Pond
Music Arrangement Marky Edelmann, Tommy Vetterli
Mastering Dan Suter – Echo Chamber
Administration Gonzague Bochud
Production manager
Production Cie Gilles Jobi Lucía Díaz-Tejeiron
With the support of the City and Canton of Geneva and the Swiss Arts Council Pro Helvetia

Premiere Singapore International Festival of Arts, 14–16 May 2021
Duration 32′
SYNOPSIS
Cosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience. in Reggio Emilia, Bologna and Turin.
The movements of the dancers are captured in Geneva, sliced up into digital ‘bits’ and sent instantaneously through cyberspace to appear as avatars, on screen and in real time for a live audience, thousands of miles away from the company’s studio.
The dancers’ bodies and their avatars are entangled like particles in a quantum state, performing spooky actions at a distance, their movements instantaneously teleported across the world. The dancers act as the puppeteers of their own bodies, animating their avatars in real time and composing the cosmogony of a world in suspension. In a cosmic space or in the heart of a virtual city, the moving bodies of the dancers break free from the laws of physics to the droning analog sounds of Swiss doom rock band Tar Pond, offering the audience a mesmerizing journey beyond reality.

Cie Gilles Jobin
Since 1995 Cie Gilles Jobin has created more than 20 choreographic projects, which have become references on the world stage. In 2015 Gilles Jobin received the Swiss Grand Award for Dance by the Swiss Office of Culture.
With the 3D film WOMB in 2016, the company started investigating digital possibilities for contemporary dance within the volume of the frame. Discovering the power of motion capture, the company created VR_I, a groundbreaking dance piece in immersive virtual reality that premiered at the 2017 FNC – Festival du Nouveau Cinema in Montreal and won both the Innovation and People’s Choice awards for Most Innovative Work for New Platforms. In 2018 the work featured at the Sundance Film Festival and at the 75th Venice International Film Festival. A world tour followed in more than 50 cities and 20 countries in America, Asia and Europe, making it the most toured VR location-based installation in the world. The company created Dance Trail (AR) at the 2020 Sundance Film Festival and in 2020, La Comédie Virtuelle – live show, a multiuser live performance selected in official competition at the 77th Venice International Film Festival which won the Quebec XR industry award Numix 2021.
gillesjobin.com

INFO & TICKETS
ENTRANCE
Free
RESERVATION

You are required to reserve your place
– by sending an email to biglietteria@aterballetto.it, or;
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CONTACTS
Phone and whatsapp 3341023554

Golden Days
2022-11-09 20:00 - 21:30 | Scène Nat. Grand Narbonne, 2 avenue Maître Hubert Mouly, Narbonne, 11100, Francia
Aterballetto starts its France tour from Narbonne, in Occitania.
Golden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland.
All accompanied by the music of Tom Waits, Patti Smith and Keith Jarrett.
“An andante cantabile, an adagio and a rondo. Essentially a concert. Of dance, however, and yet with a great soundtrack.”
Sergio Trombetta, La Stampa, 10.07.2017
