Centro Coreografico Nazionale / Aterballetto

MicroDanze
2022-01-16 15:00 - 18:00 (Europe/Rome) | Palazzo da Mosto, via Mari, 8, Reggio Emilia, 42121, Italia
Due to several cases of dancers testing positive for Covid, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.

However, the visiting hours for the exhibition have been extended, from 10 a.m. to 7 p.m. on Fridays, Saturdays and Sundays.
The appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project, multimediality and internationality – is only postponed to next summer, when they will be protagonists on the Reggio Emilia scene.
Spectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.

Six of the thirteen MicroDances will be performed for the last time in Italy, in Reggio Emilia, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality, produced by Palazzo Magnani Foundation and curated by Marina Dacci, in the historical Palazzo da Mosto. The project combines visual, performing arts and technology in a continuous exchange: the MicroDances, in fact, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition:

14, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)
16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)

Live performance:
Shelter by Saul Daniele Ardillo, Kepler by Diego Tortelli, Afterimage by Philippe Kratz, Platform02 by Ina Lesnakowski, Near Life Experience by Angelin Preljocaj
Virtual reality:
Meridiana by Diego Tortelli

Shelter
chor. Saul Daniele Ardillo
Read more
Kepler
chor. Diego Tortelli
Read more
Afterimage
chor. Philippe Kratz
Read more

Platform02
chor. Ina Lesnakowski
Read more
Near Life Experience
chor. Angelin Preljocaj
Read more
Meridiana
chor. Diego Tortelli
Read more

Don Juan
2022-01-20 19:30 - 21:10, 2022-01-21 19:30 - 21:10, 2022-01-22 19:30 - 21:10, 2022-01-23 14:30 - 16:10 | Theater Winterthur, Theaterstrasse 4-6, Winterthur, 8402, Svizzera
Aterballetto performs in Winterthur Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation, we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

ARA! ARA! - OPEN REHEARSAL
2022-01-23 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza

OPEN REHEARSAL
Ginevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag.
ARA! ARA! is the definition of a symbol of rising power, a bird that is not powerful and threatening but cheerful and vivacious, an exotic, acrobatic icon, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice, understood here as a mechanism generating death, inflicted as a gift to those who were recognised as having the highest power.

CREDITS
Choreography, performance, visual conception – Ginevra Panzetti / Enrico Ticconi
Sound design, composition – Demetrio Castellucci
Snare, percussions, recording – Michele Scotti
Light design – Annegret Schalke
Set design realization – Laila Rosato
Flag design – Ginevra Panzetti
Costume realization – Julia Didier
Flag-waving coach – Carlo Lobina / Flag-wavers of Arezzo
Technical care – Paolo Tizianel
Touring / distribution – Aurélie Martin
Italian production management – VAN (Federica Giuliano, Eleonora Cavallo)
German production management – Monica Ferrari
Production : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN
Funded by: Hauptstadtkulturfonds (German Cultural Capital Fund)
Supported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program
Co-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.
Supported through: Programme Etape Danse, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse, in partnership with Maison CDCN Uzès Gard Occitanie, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine, Fabrik Potsdam, with the help of DGCA – ministère de la Culture et de la Communication, and the city of Potsdam, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.
Artistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.
Thanks to: Teatro Comandini – Societas; Anghiari Dance Hub.
Ginevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative
Preview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)
Italian Premiere 21 May 2021 / Interplay – Torino (IT)
German premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE)
Duration: 50′
SYNOPSIS
As slipping out of the cloth of constantly fluttering flags, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield.
In ancient times, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms, systems of signs, shapes and colors organized in a form, often that of a shield. They were used to reveal, according to a precise sign alphabet, the identity of a person, a family, a whole community. In the form of vivid colors and fantastic beasts, those emblems hint at political tensions, expressions of belonging, dominance and power.
Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio
ARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle, an animal often used as a heraldic symbol of power. On the contrary, a bird that communicates fun and quietness by becoming, according to a popular western look, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation, made it a perfect animal for entertainment in captivity.
ARA! ARA! represents a seductive power for its friendly and festive appearance that, like the bird, imitates and repeats, bringing back patterns from the past, ignoring contents and effects.
Second part of a diptych started with AeReA, ARA! ARA! continues to investigate the symbolic power of the flag, drawing on the folkloristic tradition of flag waving.
Present in both titles, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice, here meant as a mechanism generating death, inflicted as a gift to those who were recognized the highest power.

PANZETTI/TICCONI
Ginevra Panzetti and Enrico Ticconi, based in Berlin and Torino, have been working as a duo since 2008. Their artistic research interlaces dance, performance and visual art. Deepening themes related to the historical union between communication, violence and power, they draw on ancient imaginaries, creating hybrid figures or images between history and contemporaneity.
Both graduated from the Academy of Fine Arts in Rome and attended Stoà, School for rhythmic movement and philosophy in Cesena, led by Claudia Castellucci.
In 2010 they moved to Germany and delved into individual, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance, Context, Choreography at the Inter-University Center for Dance (HZT) in Berlin.
In 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.
With the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020.
panzettiticconi.com
Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza

INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

ARA! ARA!
2022-01-23 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio
Ginevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag.
ARA! ARA! is the definition of a symbol of rising power, a bird that is not powerful and threatening but cheerful and vivacious, an exotic, acrobatic icon, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice, understood here as a mechanism generating death, inflicted as a gift to those who were recognised as having the highest power.

CREDITS
Choreography, performance, visual conception – Ginevra Panzetti / Enrico Ticconi
Sound design, composition – Demetrio Castellucci
Snare, percussions, recording – Michele Scotti
Light design – Annegret Schalke
Set design realization – Laila Rosato
Flag design – Ginevra Panzetti
Costume realization – Julia Didier
Flag-waving coach – Carlo Lobina / Flag-wavers of Arezzo
Technical care – Paolo Tizianel
Touring / distribution – Aurélie Martin
Italian production management – VAN (Federica Giuliano, Eleonora Cavallo)
German production management – Monica Ferrari
Production : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN
Funded by: Hauptstadtkulturfonds (German Cultural Capital Fund)
Supported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program
Co-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.
Supported through: Programme Etape Danse, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse, in partnership with Maison CDCN Uzès Gard Occitanie, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine, Fabrik Potsdam, with the help of DGCA – ministère de la Culture et de la Communication, and the city of Potsdam, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.
Artistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.
Thanks to: Teatro Comandini – Societas; Anghiari Dance Hub.
Ginevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative
Preview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)
Italian Premiere 21 May 2021 / Interplay – Torino (IT)
German premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE)
Duration: 50′
SYNOPSIS
As slipping out of the cloth of constantly fluttering flags, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield.
In ancient times, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms, systems of signs, shapes and colors organized in a form, often that of a shield. They were used to reveal, according to a precise sign alphabet, the identity of a person, a family, a whole community. In the form of vivid colors and fantastic beasts, those emblems hint at political tensions, expressions of belonging, dominance and power.
Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza
ARA! ARA!is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle, an animal often used as a heraldic symbol of power. On the contrary, a bird that communicates fun and quietness by becoming, according to a popular western look, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation, made it a perfect animal for entertainment in captivity.
ARA! ARA! represents a seductive power for its friendly and festive appearance that, like the bird, imitates and repeats, bringing back patterns from the past, ignoring contents and effects.
Second part of a diptych started with AeReA, ARA! ARA! continues to investigate the symbolic power of the flag, drawing on the folkloristic tradition of flag waving.
Present in both titles, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice, here meant as a mechanism generating death, inflicted as a gift to those who were recognized the highest power.
PANZETTI/TICCONI
Ginevra Panzetti and Enrico Ticconi, based in Berlin and Torino, have been working as a duo since 2008. Their artistic research interlaces dance, performance and visual art. Deepening themes related to the historical union between communication, violence and power, they draw on ancient imaginaries, creating hybrid figures or images between history and contemporaneity.
Both graduated from the Academy of Fine Arts in Rome and attended Stoà, School for rhythmic movement and philosophy in Cesena, led by Claudia Castellucci.
In 2010 they moved to Germany and delved into individual, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance, Context, Choreography at the Inter-University Center for Dance (HZT) in Berlin.
In 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.
With the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020.
panzettiticconi.com
Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza

INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Foundry is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

MicroDanze VR
2022-01-27 18:00 - 21:30, 2022-01-28 18:00 - 21:30, 2022-01-29 18:00 - 21:30, 2022-01-30 18:00 - 21:30 | Italy Pavilion Expo 2020, Hope Avenue, Dubai, Emirati Arabi Uniti
From 27 to 30 January, in the frame of Expo Dubai 2020, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation, an experiment that combines dance and technology through the use of VR and 360° video. The performances, presented through oculus (Shelter by Saul Daniele Ardillo, Kepler and Meridiana by Diego Tortelli), nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work, of a digital but never abstract dance.
Event promoted and supported by the Emilia-Romagna Region.

Shelter
chor. Saul Daniele Ardillo
Discover more
Kepler
chor. Diego Tortelli
Discover more
Meridiana
chor. Diego Tortelli
Discover more

Don Juan
2022-02-08 21:00 - 21:40 | Teatro Alessandro Bonci, Piazza Guidazzi, 8, Cesena, 47521, Italia
Aterballetto performs in Cesena Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

NUBIVAGO - Open Rehearsal
2022-02-09 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Equilibrio Dinamico Dance Company – Continuum – ph. Stefano Sasso
OPEN REHEARSAL
Nubìvago, a term that evokes suspension and magic, describes those who wander through their thoughts, through the clouds of the imagination, being fascinated by the views they can see. Those who are nubìvago do not get lost, but take pleasure in a journey that takes place between reason and dream.
The sensations evoked by the word Nubìvago link, inRoberta Ferrara‘s vision, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos, questions, emotions and empathy.

WALKING AND TALKING
Choreography/Set Concept: Jiří Pokorný
Lighting design: Jiří Pokorný
Costume design: Enzo Toma
Production: Equilibrio Dinamico
Duration: 20′
Realized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese, Regione Puglia -Fondi Fesr 2007-2013.
No journey is completed in solitude, because thought, never immobile, torments our journey. An incoherent dialogue pushes, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes.

CONTINUUM
Choreography/set concept: Matthias Kass & Clément Bugnon
Lighting design: Matthias Kass & Clément Bugnon
Costume design: Matthias Kass & Clément Bugnon
Duration: 15′
Time is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked, however, is merely an interval, a window of time that circumscribes the completion of actions. Sunrise and sunset, night and day, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon, everything becomes elusive, and the complexity of time leaves us totally powerless.

SIMPLE LOVE
Choreography/Set Concept: Roberta Ferrara
Lighting design: Roberta Ferrara
Musical consultation: Vito Causarano
Costume design: Franco Colamorea
Duration: 20′
Winning performance at Festival InDivenire 2018 in the dance category
Best female and best male dancer Award
A song of lost love, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind, confront each other, wait for each other and observe each other. A vortex, a challenge of balances and compromises to be found with the body, the heart and the mind.

EQUILIBRIO DINAMICO
The Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara, a choreographer, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation, a painstaking and effective dramaturgical work, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company, taking on the role of organisational and production manager, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia, supported by the Teatro Pubblico Pugliese and, among others, the Italian Cultural Institutes of Cologne, Mexico, New York, Athens, Sao Paulo of Brazil, San Francisco and Zagreb, the company performs in countries such as the United States, Mexico, Singapore, Belgium, Germany, Greece, Albania, Kosovo, India, Japan, Spain, Brazil, ODT International – Singapore, Korea Ballet House – Seoul, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania.
equilibriodinamico.org
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

NUBIVAGO
2022-02-09 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Equilibrio Dinamico Dance Company – Simple Love – ph. Stefano Sasso

Nubìvago, a term that evokes suspension and magic, describes those who wander through their thoughts, through the clouds of the imagination, being fascinated by the views they can see. Those who are nubìvago do not get lost, but take pleasure in a journey that takes place between reason and dream.
The sensations evoked by the word Nubìvago link, in Roberta Ferrara‘s vision, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos, questions, emotions and empathy.

WALKING AND TALKING
Choreography/Set Concept: Jiří Pokorný
Lighting design: Jiří Pokorný
Costume design: Enzo Toma
Production: Equilibrio Dinamico
Duration: 20′
Realized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese, Regione Puglia -Fondi Fesr 2007-2013.
No journey is completed in solitude, because thought, never immobile, torments our journey. An incoherent dialogue pushes, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes.

CONTINUUM
Choreography/set concept: Matthias Kass & Clément Bugnon
Lighting design: Matthias Kass & Clément Bugnon
Costume design: Matthias Kass & Clément Bugnon
Duration: 15′
Time is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked, however, is merely an interval, a window of time that circumscribes the completion of actions. Sunrise and sunset, night and day, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon, everything becomes elusive, and the complexity of time leaves us totally powerless.

SIMPLE LOVE
Choreography/Set Concept: Roberta Ferrara
Lighting design: Roberta Ferrara
Musical consultation: Vito Causarano
Costume design: Franco Colamorea
Duration: 20′
Winning performance at Festival InDivenire 2018 in the dance category
Best female and best male dancer Award
A song of lost love, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind, confront each other, wait for each other and observe each other. A vortex, a challenge of balances and compromises to be found with the body, the heart and the mind.

EQUILIBRIO DINAMICO
The Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara, a choreographer, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation, a painstaking and effective dramaturgical work, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company, taking on the role of organisational and production manager, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia, supported by the Teatro Pubblico Pugliese and, among others, the Italian Cultural Institutes of Cologne, Mexico, New York, Athens, Sao Paulo of Brazil, San Francisco and Zagreb, the company performs in countries such as the United States, Mexico, Singapore, Belgium, Germany, Greece, Albania, Kosovo, India, Japan, Spain, Brazil, ODT International – Singapore, Korea Ballet House – Seoul, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania.
equilibriodinamico.org
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

PATCHWORK, UN MOSAICO DI STORIE
2022-02-12 17:30 - 18:30, 2022-02-13 17:30 - 18:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Patchwork, un mosaico di storie, written and directed by four hands, is the result of an international co-production.
The production has two twin castles, one Italian and one Canadian. The show, more visual and expressive than words, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian, English and French without hindering the understanding of the story.

CREDITS
Text and direction Cristina Cazzola and Carol Cassistat
Written in collaboration with Lucio Diana
With Sara Zoia and Daniele Tessaro
Set and Lighting Design Lucio Diana
Original music Nicolas Jobin
Production Accademia Perduta/Romagna Teatri, Théâtre du Gros Mécano (Québec City), Signs of Childhood Association, Atrium de Chaville (Paris), Musée national des beaux arts du Québec (Paris), Museo Benaki (Athens)
Duration 55′
Recommended age from 5 years old and up
THE INSPIRATION
Who are we?
How do we create our identity?
We started with an image.
A patchwork blanket, a courtepointe as they call it in Québec, made of many different pieces of fabric.
Often woven by several hands, it can tell the story of a person, an event, an entire family or a generation. It speaks of the identity made up of many different fragments, it speaks of us, and of our being multicultural, of humanity that is increasingly multicolored and multi-ethnic, but with intertwining roots.
Family stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes, the fruit of a thousand migrations.
And so our private history, our identity, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus, retraces the great journeys of humanity.
Patchwork, un mosaico di storie – ph. Gianluca Bonazzi
THE PLOT
Two characters meet in a place without space or time.
He’s an anthropologist, she’s a seamstress and they meet for work in a place of passage, an airport.
They do not speak the same language but by communicating with looks, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun.
Every detail of their luggage tells something, some objects bring them together, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from.
An amusing journey back through the branches of family trees and the migrations that have built the history of humanity, to discover that, since ever, our identity is a patchwork, part of a larger story where each of us is a unique and indispensable piece.
Patchwork, un mosaico di storie – ph. Leon Biagi
INFO & TICKETS
TICKETS
Price: 6 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-02-19 20:45 - 22:25, 2022-02-20 18:00 - 19:40 | Teatro Comunale, Viale Mazzini 39, Vicenza, 36100, Italia
Aterballetto performs in Vicenza Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

ANTIdoti - OPEN REHEARSAL
2022-02-20 18:00 - 18:45 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
OPEN REHEARSAL
ANTIdoti remedies for contemporary cultural decadence

6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake.
CREDITS
Choreography and direction Afshin Varjavandi
with INC innprogress collective: Giorgia Aluigi, Jenny Mattaioli, Chiara Morelli, Gioele Papa, Chiara Parretta, Emma Viceconti
Music editing Francesco Fiorucci Chiskee
Art-work Sara Lanzi
with the support for the performing space CentroDanza Perugia
Duration: 45’
SYNOPSIS
6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake. Young and powerful, the dancers constantly run physics and metaphysics, in a dance of urban roots, deconstructed and recomposed in a movement research free from definitions of genders, going through a plastic state from which they often wake up in the intimacy of their real identity.
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
They also become heroes of a historical phase, the present, that forced them to distance themselves from everything and everyone, perhaps forcing them to look within themselves and to find remedies for the cultural decay of the contemporary era.
Or more simply to find an answer to how to live in a world insecure between cliché and unconventional desire.

INC InNprogressCollective
INC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances, visual art and performing art.
It was founded in 2006 following the creation of “HEIM“, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto, attracting the interest of Elisabetta Terabust, Prof. Alberto Testa, Susan Sentler, Clarissa Mucci, Gigi Caciuleanu, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals, including Amores (Bologna), Cross Roads (Florence), Giffoni Film Festival (Giffoni), Notte Bianca (Rome), Fringe Festival (Spoleto).
Hence the idea of setting up a stable group of young artists, promoters of new forms of contemporary street art, urban dances and trends.
Productions followed:
Departure (2007), Underskin (2008, winner of the Spoleto International Dance Week), Protest! (2009-2010, winner of S.I.D. Spoleto, LatinArte, UISP award, Positano Leonide Massine award), Oceania (2012, in production with LaMaMa Umbria, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York).
In 2015, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto, and was sold-out for all three performances.
Director Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“, to be released in cinemas in January 2016.
innprogresscollective.com
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

ANTIdoti
2022-02-20 20:30 - 21:15 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
ANTIdoti remedies for contemporary cultural decadence

6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake.

CREDITS
Choreography and direction Afshin Varjavandi
with INC innprogress collective: Giorgia Aluigi, Jenny Mattaioli, Chiara Morelli, Gioele Papa, Chiara Parretta, Emma Viceconti
Music editing Francesco Fiorucci Chiskee
Art-work Sara Lanzi
with the support for the performing space CentroDanza Perugia
Duration: 45’
SYNOPSIS
6 dancers, 6 very different personalities become the mirror of contemporary youth who, together with the choreographer, explore and question themselves on “face” and “contents”, making themselves spokespersons of a collective intelligence, or a state of awareness, at times rare, through which to be able to identify reality and mistake. Young and powerful, the dancers constantly run physics and metaphysics, in a dance of urban roots, deconstructed and recomposed in a movement research free from definitions of genders, going through a plastic state from which they often wake up in the intimacy of their real identity.
INC InNprogressCollective – ANTIdoti – ph. Francesco Agnello
They also become heroes of a historical phase, the present, that forced them to distance themselves from everything and everyone, perhaps forcing them to look within themselves, and to find remedies for the cultural decay of the contemporary era.
Or more simply to find an answer to how to live in a world insecure between cliché and unconventional desire.
INC InNprogressCollective
INC InNprogressCollective dance | visual | urban art is an independent group that deals with urban dances, visual art and performing art.
It was founded in 2006 following the creation of “HEIM“, which will be the sole winner of the Settimana Internazionale della Danza di Spoleto, attracting the interest of Elisabetta Terabust, Prof. Alberto Testa, Susan Sentler, Clarissa Mucci, Gigi Caciuleanu, Luc Bouy and people in the sector. The Heim choreography has been hosted in the biggest Italian festivals, including Amores (Bologna), Cross Roads (Florence), Giffoni Film Festival (Giffoni), Notte Bianca (Rome), Fringe Festival (Spoleto).
Hence the idea of setting up a stable group of young artists, promoters of new forms of contemporary street art, urban dances and trends.
Productions followed:
Departure (2007), Underskin (2008, winner of the Spoleto International Dance Week), Protest! (2009-2010, winner of S.I.D. Spoleto, LatinArte, UISP award, Positano Leonide Massine award), Oceania (2012, in production with LaMaMa Umbria, presented at LaMaMa Moves Festival at Ellen Stewart Theater in New York).
In 2015, the latest toPRAY production debuted at the 58th edition of the Festival dei Due Mondi in Spoleto, and was sold-out for all three performances.
Director Giuseppe Tornatore chose the INC company for a dance scene in his latest film “La Corrispondenza“, to be released in cinemas in January 2016.
innprogresscollective.com
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-02-28 20:30 - 22:10 | Teatro Verdi, Viale Martelli, 2, Pordenone, 33170, Italia
At Teatro Verdi in Pordenone, Aterballetto dances Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

Quel che resta - Open rehearsal
2022-03-08 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
OPEN REHEARSAL
A choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth, the organism multiplies its directions and continually makes possible new balances and new links, without avoiding the occurrence of mutations.
Quel che resta (What remains) is a journey towards the wonder of movement, made up of moments in which dance freezes in a gesture and surprising explosions, sudden bursts, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures.

CREDITS
Concept and choreography: Simona Bertozzi
Dance: Marta Ciappina, Simona Bertozzi
Music: Stravinsky: Diversions, Ray Chen, Timothy Young Divertimento: IV. Pas de deux, Coda Presto
Soundscape: Roberto Passuti
(with an excerpt from the documentary Big Animals survival strategies)
Lighting design: Giuseppe Filipponio
Organization: Chiara Boscariol
Press: Michele Pascarella
Photo and video: Luca Del Pia
Duration: 45’
Production: Nexus 2021
With the contribution of Mic, Regione Emilia-Romagna, Comune di Bologna
With the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze
Creative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro, Artists in ResidenSì Bologna, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021, CSS Teatro stabile di innovazione del FVG, Almastudios Bologna.
SYNOPSIS
Since the beginning of my journey with Marta, I have tried to attribute to the space environmental characteristics that could generate visions, change the density of the air and generate the unexpected ability to cross. Unusual ways of being.
All this so that we could meet in a boundless dance, able to reverberate beyond the awareness of our actions and surprise us, almost despite ourselves, in attitudes of affection and irresistible resonance.
Quel che resta (What remains) was, at first, one of the territories of the map and of the practices, between glaciation, skins, escapes, and then became the overlying image, the bubble, the necessary degree of presence, the shared gaze, the inevitable questioning on which to pause, to find the subtle breath and transit from one dance to another.
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
From a section of space, Quel che resta has become the whole organism, the living, a multiplication of vectors, perspectives, anatomical flexions, rhythm and time.
It has made us connective tissues, to imagine and welcome other inhabitants, to make temperatures and origins reverberate, to generate multiform agreements of entry into movement, looking for unexpected capacities to make the world. To generate amazement.
Quel che resta is the impetuosity and the lingering of bodies, the weightless touch: it extends a vocabulary of waits and starts, of repeated geometries, of figurines, ice, resistance, epidermis and pupils and of refrains. To be hooked.
SIMONA BERTOZZI
Simona Bertozzi, dancer and choreographer, a graduate from DAMS in Bologna, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company.
Over the years, her projects have been supported and hosted by important Italian and European circuits, through co-productions and choreographic residencies.
Her most recent works include: And it burns, burns, burns finalist at the 2017 UBU Awards as Best Dance Performance, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza, MilanOltre, Nexus and Festival Est Ovest.
Since 2014 the creation path has also addressed young performers, involving children and teenagers.
In 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award.
simonabertozzi.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Don Juan
2022-03-08 19:30 - 21:10 | Theater im Pfalzbau, Berliner Straße 30, Ludwigshafen, D – 67059, Germania
Aterballetto performs in Ludwigshafen Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation, we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

QUEL CHE RESTA
2022-03-09 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia

A choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth, the organism multiplies its directions and continually makes possible new balances and new links, without avoiding the occurrence of mutations.
Quel che resta (What remains) is a journey towards the wonder of movement, made up of moments in which dance freezes in a gesture and surprising explosions, sudden bursts, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures.

CREDITS
Concept and choreography: Simona Bertozzi
Dance: Marta Ciappina, Simona Bertozzi
Music: Stravinsky: Diversions, Ray Chen, Timothy Young Divertimento: IV. Pas de deux, Coda Presto
Soundscape: Roberto Passuti
(with an excerpt from the documentary Big Animals survival strategies)
Lighting design: Giuseppe Filipponio
Organization: Chiara Boscariol
Press: Michele Pascarella
Photo and video: Luca Del Pia
Duration: 45’
Production: Nexus 2021
With the contribution of Mic, Regione Emilia-Romagna, Comune di Bologna
With the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze
Creative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro, Artists in ResidenSì Bologna, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021, CSS Teatro stabile di innovazione del FVG, Almastudios Bologna.
SYNOPSIS
Since the beginning of my journey with Marta, I have tried to attribute to the space environmental characteristics that could generate visions, change the density of the air and generate the unexpected ability to cross. Unusual ways of being.
All this so that we could meet in a boundless dance, able to reverberate beyond the awareness of our actions and surprise us, almost despite ourselves, in attitudes of affection and irresistible resonance.
Quel che resta (What remains) was, at first, one of the territories of the map and of the practices, between glaciation, skins, escapes, and then became the overlying image, the bubble, the necessary degree of presence, the shared gaze, the inevitable questioning on which to pause, to find the subtle breath and transit from one dance to another.
Simona Bertozzi / Nexus – Quel che resta – ph. Luca Del Pia
From a section of space, Quel che resta has become the whole organism, the living, a multiplication of vectors, perspectives, anatomical flexions, rhythm and time.
It has made us connective tissues, to imagine and welcome other inhabitants, to make temperatures and origins reverberate, to generate multiform agreements of entry into movement, looking for unexpected capacities to make the world. To generate amazement.
Quel che resta is the impetuosity and the lingering of bodies, the weightless touch: it extends a vocabulary of waits and starts, of repeated geometries, of figurines, ice, resistance, epidermis and pupils and of refrains. To be hooked.
SIMONA BERTOZZI
Simona Bertozzi, dancer and choreographer, a graduate from DAMS in Bologna, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company.
Over the years, her projects have been supported and hosted by important Italian and European circuits, through co-productions and choreographic residencies.
Her most recent works include: And it burns, burns, burns finalist at the 2017 UBU Awards as Best Dance Performance, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza, MilanOltre, Nexus and Festival Est Ovest.
Since 2014 the creation path has also addressed young performers, involving children and teenagers.
In 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award.
simonabertozzi.it
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

NEXT GENERATION CHOREOGRAPHERS
2022-03-13 20:30 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
NEXT GENERATION CHOREOGRAPHERS
10 choreographic studies by the authors of tomorrow
The advanced training course Next Generation Choreographers promoted by Fondazione Nazionale della Danza together with Ecipar- Reggio Emilia ends with a performance.
The twelve selected choreographers put their acquired skills to use by creating ten choreographies for the young dancers of the Agora Coaching Project.
It will be a unique opportunity to attend the creations of the authors of tomorrow.
10 choreographic studies
Choreographies by Nicolò Abbattista, Adriano Bolognino, Fabrizio Calanna, Noemi Dalla Vecchia, Nwagwu Nnamdi, Marta Papaccio, Annalì Rainoldi, Sabrina Rigoni, Danilo Smedile, Federica Sorrentino, Matteo Vignali, Andrea Zardi
With 18 danzatori del corso di perfezionamento Agora Coaching Project

NEXT GENERATION CHOREOGRAPHERS
Next Generation Choreographers is a course organized by Fondazione Nazionale della Danza/Aterballetto and Ecipar- Reggio Emilia that, through four intensive modules between October 2021 and March 2022, is giving twelve emerging choreographers the opportunity to work with some of the most interesting choreographers on the international scene, as well as playwrights, light designers and stage technicians.
The aim of the project is to offer participants all the technical and theoretical tools required to deepen the study of the choreographic composition.
The final part of the program is reserved for a creative workshop in which all participants are asked to create a performance and work with the young dancers of Agora Coaching Project.
AGORA COACHING PROJECT
AGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years, which is based in Reggio Emilia.
Born in 2010, the course is directed by Michele Merola and Enrico Morelli and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market, artists able to respond to requests of different nature, technical/stylistic, which come from this same market.
The course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers, each of whom comes from and works in different realities among the most interesting on the international scene. Agora, in fact, brings the students together with established choreographers of different stylistic orientations, and in recent years has seen the presence of many illustrious names: several teachers, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project
michelemerola.it
INFO & TICKETS
TICKETS
Single ticket: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

.

Don Juan
2022-03-18 21:00 - 22:40 | Teatro Galli, Piazza Cavour, 22, Rimini, Italia
Aterballetto performs in Rimini Don Juan, the full evening production by Johan Inger.
The choreography comes from Inger’s desire to confront Don Juan, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character.
In the creation we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasise nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, subtly but clearly revealing the inner world of the men and women on stage.

IL MONDO ALTROVE - OPEN REHEARSAL
2022-03-19 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Nicola Galli – Il mondo altrove
OPEN REHEARSAL
“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which, to Giacinto Scelsi’s obsessive music full of mysticism, transports us to distant worlds, between West and East, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali, Japanese Nō and the mythical atmospheres of South America.
[…] The dancers, entering through the door at the centre of the stage, concealing an unknown elsewhere, advance like mysterious priests, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”.
Mario Bianchi [ Krapp’s Last Post – 27/07/2021 ]

CREDITS
Concept ancd choreography: Nicola Galli
Dance: Margherita Dotta, Nicola Galli, Leonardo Maietto, Silvia Remigio
Music: Giacinto Scelsi, 3/4 had been eliminated
Props: Giulio Mazzacurati
Masks and costumes: Nicola Galli
Light and sound: Giovanni Garbo
Production: TIR Danza, stereopsis
Co-production: MARCHE TEATRO / Inteatro Festival, Oriente Occidente
Artistic residences: DID Studio / Ariella Vidach, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt), Oriente Occidente Studio_Passo Nord
With the support of: Rete Almagià
Took part to the process of creation: Nicolas Grimaldi Capitello
Duration: 50′
SYNOPSIS
Il mondo altrove is a choreographic pièce in the shape of dance ritual, which celebrates the motion of an unexplored world according to a scenic mindset.
The pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals, Japanese’s symbols and traditions of Nō theater, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research, focused on a spherical concept of sound.
From the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action.
Nicola Galli – Il mondo altrove
The action takes place at sunset, embraced by the bright colors of gold, cyan and purple, and then it dissolves in a nocturnal gestural dialogue, as expression of mutual support, perpetual gift, universal and celestial communion.
Faced with this physical language, we are invited to decipher the “hieroglyphs” of this unknown, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact, without pre-established hierarchies, with the poetry of an opaque language, whether it belongs to the animal world, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter.
NICOLA GALLI
Nicola Galli (1990, Ferrara) works on body research, stated in artistic pieces and devices that ranges from choreography to performance, from body installations to graphics.
Galli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara), studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance, modern dance, hip-hop and muscular rebalancing workshop ‘Monari Method’.
In 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body, that develops in installations and choreographic pieces. Starting from the natural science, the geometry and the astronomy he is fascinated by anatomy, proportion and details; these elements compose the core of his trasversal scenic imaginary.
In his works, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.
Contextually to artistic research, Nicola Galli creates and manages educational workshops dedicated to children, adults and young dancers, designed to explore the movement, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.
From 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.
Since 2014 he is choreographer supported by TIR Danza.
His works have been presented in: Egypt, France, Germany, Italy, Holland, and via livestreaming in South Korea.
He has also collaborated with important international Institutions: Italian Cultural Institute (Paris), Balletto di Toscana (Florence), MUSE Science Museum (Trento), Scuola Normale Superiore University (Pisa), Fondazione Perugia Musica Classica (Perugia), Institute of the Arts (Seoul), IUAV University (Venice).
AWARDS
• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale
• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura
• 2019: Italian prize “Sfera d’Oro per la danza”
• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device
nicolagalli.it
INFO & TICKETS
TICKETS
Full price: 3 euro
Reduced under 6: free
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

IL MONDO ALTROVE
2022-03-19 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Nicola Galli – Il mondo altrove

“We particularly liked Nicola Galli’s latest creation “Il mondo altrove” (The World Elsewhere) which, to Giacinto Scelsi’s obsessive music full of mysticism, transports us to distant worlds, between West and East, in atmospheres reminiscent of a lost and ancestral world: the paintings and vases of ancient Greece but also the dances of Bali and the Katakali, Japanese Nō and the mythical atmospheres of South America.
[…] The dancers, entering through the door at the centre of the stage, concealing an unknown elsewhere, advance like mysterious priests, giving us back the sense of a lost sacredness that suddenly seems to still belong to us”.
Mario Bianchi [ Krapp’s Last Post – 27/07/2021 ]

CREDITS
Concept ancd choreography: Nicola Galli
Dance: Margherita Dotta, Nicola Galli, Leonardo Maietto, Silvia Remigio
Music: Giacinto Scelsi, 3/4 had been eliminated
Props: Giulio Mazzacurati
Masks and costumes: Nicola Galli
Light and sound: Giovanni Garbo
Production: TIR Danza, stereopsis
Co-production: MARCHE TEATRO / Inteatro Festival, Oriente Occidente
Artistic residences: DID Studio / Ariella Vidach, Centro di Residenza della Toscana (Armunia – CapoTrave / Kilowatt), Oriente Occidente Studio_Passo Nord
With the support of: Rete Almagià
Took part to the process of creation: Nicolas Grimaldi Capitello
Duration: 50′
SYNOPSIS
Il mondo altrove is a choreographic pièce in the shape of dance ritual, which celebrates the motion of an unexplored world according to a scenic mindset.
The pièce traces an ideal path between West and Orient and it’s freely inspired by South America’s indigenous rituals, Japanese’s symbols and traditions of Nō theater, and the composer Giacinto Scelsi’s obsessive – to some extent mystical and eccentric – musical research, focused on a spherical concept of sound.
From the main door – which overlooks the scenic area and hides a elsewhere – four shamanic figures finely adorned move forward to lead a magical and timeless ceremony. The movement of bodies and the features of their faces – veiled and reconfigured according to canons extraneous to Western culture – preserve and offer to our gaze the ritual of a possible different tradition, acted inside a circular bordary which delimits a space still attributable to the sacred and which collects the result of a harmonious coexistence between natural habitat and human action.
Nicola Galli – Il mondo altrove
The action takes place at sunset, embraced by the bright colors of gold, cyan and purple, and then it dissolves in a nocturnal gestural dialogue, as expression of mutual support, perpetual gift, universal and celestial communion.
Faced with this physical language, we are invited to decipher the “hieroglyphs” of this unknown, wild and upside down civilization; we are guests encouraged to train to overcome the border of the known, discovering ourselves as foreigners among foreigners. Welcoming a new world and opening up to an unknown system means to come into contact, without pre-established hierarchies, with the poetry of an opaque language, whether it belongs to the animal world, the plant world or any alternative culture. Accepting the questioning of something about oneself and rediscovering own humanity in the reflection of the encounter.
NICOLA GALLI
Nicola Galli (1990, Ferrara) works on body research, stated in artistic pieces and devices that ranges from choreography to performance, from body installations to graphics.
Galli starts as agonist gymnast and then approaches to the body research at Teatro Nucleo (Ferrara), studying the languages of physical theatre and contemporary dance. Moreover he experiences a lot of heterogeneous disciplines: Renaiassance dance, modern dance, hip-hop and muscular rebalancing workshop ‘Monari Method’.
In 2010 he starts a personal research focused on shape and definition of the “stratification” and “landscape” concepts in connection with the body, that develops in installations and choreographic pieces. Starting from the natural science, the geometry and the astronomy he is fascinated by anatomy, proportion and details; these elements compose the core of his trasversal scenic imaginary.
In his works, the body become the irradiate core of the artistic research which focuses on analytical exploration of movement as a part of different knowledges.
Contextually to artistic research, Nicola Galli creates and manages educational workshops dedicated to children, adults and young dancers, designed to explore the movement, discover new visions and perceptions of the body and new reflections of his own physical and communicative border.
From 2010 to 2014 he worked as dancer and performer in the company Collettivo Cinetico.
Since 2014 he is choreographer supported by TIR Danza.
His works have been presented in: Egypt, France, Germany, Italy, Holland, and via livestreaming in South Korea.
He has also collaborated with important international Institutions: Italian Cultural Institute (Paris), Balletto di Toscana (Florence), MUSE Science Museum (Trento), Scuola Normale Superiore University (Pisa), Fondazione Perugia Musica Classica (Perugia), Institute of the Arts (Seoul), IUAV University (Venice).
AWARDS
• 2018: “Prize Equilibrio” – Fondazione Musica per Roma with the pièce Deserto digitale
• 2018: Prize “Danza & Danza” as best new choreogprapher with the pièce De rerum natura
• 2019: Italian prize “Sfera d’Oro per la danza”
• 2021: Prize “Radicondoli per il teatro in the name of Valter Ferrara” for innovation and use of new technologies in the theater with the performance Genoma scenico | digital device
nicolagalli.it
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASE TICKETS
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.

Dreamers #1
2022-03-23 20:30 - 22:00 | La Maison des Arts du Léman, 4 bis avenue d’Evian, Thonon-les-Bains, 74200, Francia
Aterballetto dances in Thonon-les-Bains the triple bill Dreamers #1, composed of Secus by Ohad Naharin, “O” by Philippe Kratz and BLISS by Johan Inger.
Dreamers #1 offers a unique opportunity to admire the company through shades of contrast, from the joyful concert in dance by Johan Inger to the unstoppable and hypnotic rhythm of Philippe Kratz, to vigorous rituality of Ohad Naharin.

STANZE ROOMS
2022-03-25 18:00 - 21:30 | Pinacoteca Tosio Martinengo, Piazza Moretto, 1, Brescia, BS, 25121, Italia
Stanze Rooms
A site-specific itinerant performance specially conceived for the new setting of the Pinacoteca Tosio Martinengo in Brescia.

The resident choreographer of the Fondazione Nazionale della Danza / Aterballetto, Diego Tortelli, custom-designs an original creation for the spaces of the Pinacoteca Tosio Martinengo. A tribute to a special place in his hometown, somehow linked to the idea of a memory that starts from childhood. An important sign of artistic vitality born from the collaboration between two of the major Italian cultural institutions, Brescia Musei and the Fondazione Nazionale della Danza / Aterballetto.

CREDITS
Choreography and concept: Diego Tortelli
Music: Daniela Savoldi
Cello: Daniela Savoldi
Sound design: Federico Bigonzetti
Costumes: Diego Tortelli in collaboration with Nuvia Valestri
Dancers: Fabio Calvisi, Marta Castelletta, Cristian Cucco, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Promoted by Comune di Brescia and Fondazione Brescia Musei
Production: Fondazione Nazionale della Danza / Aterballetto
Production partnership: Fondazione I Teatri Reggio Emilia
In collaboration with Centro Teatrale Bresciano
STANZE ROOMS
Stanze Rooms is a site-specific travelling performance. Diego Tortelli starts from the suggestions of the new setting up of the rooms of the Pinacoteca and imagines a choreographic and musical path, where history and innovation meet. For the choreographer, the museum is where we keep our memories, and it is to this special place that he wants to entrust all those duets and solos that have never been performed, but which have been a fundamental part of his research. Small choreographic collections that had ended up in a drawer and now come back to life with a new value and a different maturity, surrounded by the works of art and the wonderful places of the Pinacoteca.
The spectators will enter into an exciting close relationship with the dancers, accompanied by Daniela Savoldi‘s cello, and will experience in a special way the significant collection of Brescian and Italian paintings, reorganised through a new exhibition pathway ranging from the late Gothic to the early 19th century.

INFO AND TICKETS
Performance times:
Friday 25 March, 6 p.m., 7.30 p.m., 9 p.m.
Saturday, 26 March, 6.00 p.m., 7.30 p.m., 9.00 p.m.
Sunday, 27 March, 4.30 p.m., 6 p.m., 7.30 p.m., 9 p.m.
Duration of each performance:
30′
Tickets:
Tickets are on sale at the Teatro Sociale box office, every day, Tuesday to Saturday from 4pm to 9pm, at the Centro Teatrale Bresciano point of sale, Piazza della Loggia 6, Tuesday to Friday from 10am to 1pm, or online at ctb.vivaticket.it.
Tickets cost 15 euros.
