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SUMMARY:Breathing Room
DESCRIPTION:Girls just wanna have…AIR \nBreathing Room by Salvo Lombardo feat. Luna Cenere closes Dance Week\, celebrating female creativity.\n \n\n\n\n\n\n\n\n\nA performance that transforms breath into a poetic act: an expanded space in which to lose control\, listen to the voice\, and inhabit an environment in constant construction—between body\, sound\, and meditation. \n\n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\n\n\n\n\nConcept\, texts\, voice\, and environment: Salvo LombardoDramaturgy inspired by Il silenzio è cosa viva by Chandra Livia CandianiWords offered as a gift by Fabio Acca\, Michele Di Stefano\, Carlo Lei\, Cristina Kristal Rizzo\, Alessandro Sciarroni\, Alessandro TollariFeaturing (in alphabetical order): Philippe Barbut\, Marta Ciappina\, Marco D’Agostin\, Nicola Galli\, Silvia Gribaudi\, Matteo Marchesi\, Francesca Pennini\, Cristina Kristal Rizzo\, Irene RussolilloSound design: Fabrizio AlvitiMusical quotations from Ira by Iosonouncane \nProduction: ChiasmaWith the support of Lavanderia a Vapore (Collegno)With the contribution of MIC – Ministry of Culture \nYear: 2022Duration: 45 minutes \n\n\n\n\n\n\n\n\n\n\n\nDISCOVER MORE \n\n\n\n\nWhat moves breath between things: that through-breathing\, that narrow opening between taking and giving\, between stealing fragments of the world and releasing breath back into a world in pieces? \n\n\n\n\n\n\n\n\n\nWith Breathing Room\, Salvo Lombardo leans into breath\, approaching it as a poetic act. The work primarily consists in the invention of an ideal\, expanded space in which to “catch one’s breath” and to practice the loss of the artist’s control over the artistic act itself. \nThe dramaturgy—drawing inspiration from Il silenzio è cosa viva by Chandra Livia Candiani—is shaped by a series of prompts and suggestions that Salvo Lombardo has received over time as gifts from different people\, colleagues\, and friends. These contributions help train breath as a substance of meaning and as an open field of signification. \nConceived as an environment in constant construction\, Breathing Room is a performance grounded in voice as well as in the body: a room\, an ideal perimeter of relationship\, informed by a voice that projects speech and evokes action—somewhere between oral meditation\, guided practice\, environmental sound installation\, and performative podcast. \nEach activation of this “breathing apparatus” constitutes a unique\, non-reproducible event. It is based on an invitation to an artist from the field of dance and performance to inhabit this relational perimeter together with the audience\, through the activation of a performance determined in real time—without rehearsals\, previews\, or future repetitions—made possible by the combination of suggestions from the ambient voice and those the performer receives through headphones\, deciding how and whether to act upon them. \nIn this way\, the invitation becomes an act of complicity as well as a radical expression of being-now\, and an opportunity to question—through breathing—the principles of authority and individual power that underpin the art production system. An invitation to be carried along\, an attitude of listening\, an exercise in vulnerability and relationality that can suggest an act of mutual care. \nBreathing Room is part of an ongoing reflection on “care” developed together with Lavanderia a Vapore in Collegno\, where Salvo Lombardo is an associated artist. \n\n\n\n\n\n\n\n\n  \n\n\n\nSalvo Lombardo \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSalvo Lombardo is a performer\, choreographer\, multimodal artist\, and curator of performative projects. Over the years\, he has developed a research practice spanning dance\, theatre\, and visual arts\, with particular attention to video languages and relational art. Since 2016\, he has been Artistic Director of Compagnia Chiasma. He is currently an associated artist of the MilanOltre Festival and Lavanderia a Vapore. \nHis works and research projects have involved collaborations with numerous festivals\, theatres\, museums\, and independent spaces in Italy and abroad\, including the Théâtre National de Chaillot (FR)\, Attakkalari Dance Company (IN)\, Triennale Milano\, Aura Dance Theatre (LT)\, Romaeuropa Festival\, Teatro di Roma\, Museo Ara Pacis\, GAM Roma\, MAXXI L’Aquila\, Pirelli Hangar Bicocca\, Museo del Novecento Milano\, Museo Nazionale Scienza e Tecnologia\, BE Festival (UK)\, Fondazione H401 (NL)\, La Briqueterie CDCN (FR)\, Dans Brabant (NL)\, Tanec Praha Festival (CZ)\, the Conservatoire national supérieur de musique et de danse de Paris (FR)\, Teatro Nazionale della Toscana\, Aterballetto\, Scenario Pubblico\, ORBITA\, MART\, Short Theatre Festival\, Polo del ‘900\, Anghiari Dance Hub\, Attraversamenti Multipli Festival\, Kilowatt Festival\, and Teatri di Vetro. \nFrom 2012 to 2015\, he was co-director and director of Clinica Mammut. He collaborated extensively with Fabbrica Europa until 2020. In 2017–2018\, he was an associated artist of the Oriente Occidente Festival. From 2019 to 2021\, he co-curated Resurface Festival\, focused on decolonial practices and the relationship between colonial imaginaries and contemporary representations. \nIn 2020\, he was among the founding members of Ostudio\, an independent space for artistic cohabitation and multimedia research. Since 2021\, he has been Artistic Director of Interazioni Festival. In 2021–2022\, he was selected for the European project MMDD – Micro and Macro Dramaturgies in Dance. In 2021\, he was selected by the European network BeSpectActive!\, for which he conceived Punctum\, a community-based and interactive work investigating large-scale spectatorship dynamics across 12 European countries. In 2022\, he was among the artists involved in the May Town project at Schaubühne Lindenfels (DE)\, focusing on the postcolonial re-mediation of the 1897 Leipzig Industrial Exhibition. In 2023\, he was invited by the Department of Humanities of the University of Turin to develop a research project around his works Excelsior – Amor – Sport. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/breathing-room/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260308T210000
DTEND;TZID=Europe/Rome:20260308T220000
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SUMMARY:Preludio / An Echo\, a Wave / Alpha Grace
DESCRIPTION:Aterballetto performs at Scenario Pubblico / Compagnia Zappalà Danza in Catania on 7 and 8 March.\n\n\n\n\n\n\n\n\nCCN/Aterballetto presents an evening that moves through body\, soul\, and memory\, featuring three works that reflect on intimacy\, human fragility\, and the power of shared feeling. Preludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional triggers\, embodying obsessions\, addictions\, and desires in a hymn to the body and its continuous transformation. \nAn Echo\, A Wave by Philippe Kratz draws on the sea’s hypnotic motion—symbol of eternity and a place of encounters\, departures\, and returns: a poetic duet\, fluid as a wave moving through time. \nFinally\, Alpha Grace\, also by Kratz\, is a reflection on empathy—on that ancient\, sacred ability to recognise ourselves in others. Solitudes and individualities gradually transform into a chorus\, into a harmony built on listening and sharing. \n\n\n\n\n\n\n\n\n© Festival de Granada | Fermín Rodríguez \n 
URL:https://www.fndaterballetto.it/en/evento/aterballetto-catania-scenario-pubblico-2026-2/
LOCATION:Scenario Pubblico\, via Teatro Massimo\, 16\, Catania\, 95131\, Italia
CATEGORIES:Aterballetto,Productions,Stagione 25/26,Storie
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DTSTART;TZID=Europe/Rome:20260310T210000
DTEND;TZID=Europe/Rome:20260310T223000
DTSTAMP:20260404T005515
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:From March 10 to 15\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Biondo in Palermo.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more »
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-18/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260311T170000
DTEND;TZID=Europe/Rome:20260311T183000
DTSTAMP:20260404T005515
CREATED:20250901T111916Z
LAST-MODIFIED:20251013T140613Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 10 al 15 marzo 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Biondo di Palermo.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2026-03-11/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260312T170000
DTEND;TZID=Europe/Rome:20260312T183000
DTSTAMP:20260404T005515
CREATED:20250901T111916Z
LAST-MODIFIED:20251013T140613Z
UID:10004084-1773334800-1773340200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 10 al 15 marzo 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Biondo di Palermo.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2026-03-12/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260313T210000
DTEND;TZID=Europe/Rome:20260313T223000
DTSTAMP:20260404T005515
CREATED:20250901T111916Z
LAST-MODIFIED:20251013T140613Z
UID:10004085-1773435600-1773441000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 10 al 15 marzo 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Biondo di Palermo.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2026-03-13/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260314T190000
DTEND;TZID=Europe/Rome:20260314T203000
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 10 al 15 marzo 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Biondo di Palermo.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2026-03-14/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260315T170000
DTEND;TZID=Europe/Rome:20260315T183000
DTSTAMP:20260404T005515
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 10 al 15 marzo 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Biondo di Palermo.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-4/2026-03-15/
LOCATION:Teatro Biondo\, Via Roma 258\, Palermo\, 90133\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260318T203000
DTEND;TZID=Europe/Rome:20260318T220000
DTSTAMP:20260404T005515
CREATED:20250901T111907Z
LAST-MODIFIED:20251111T084335Z
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SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto performs near Saint-Tropez a triptych by Iratxe Ansa & Igor Bacovich\, Crystal Pite\, and Diego Tortelli.\nOn stage: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, a playful and vibrant choreography echoing Gershwin’s famous score. This is followed by Solo Echo by Crystal Pite\, which\, through Brahms’ sonatas for piano and cello\, summons winter to express something essential about acceptance and loss. The evening concludes with Glory Hall\, a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-martigue/
LOCATION:Théâtre des Salins\, 19 Quai Paul Doumer\, Martigues\, BP 60075 – 13692\, France
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260320T200000
DTEND;TZID=Europe/Rome:20260320T213000
DTSTAMP:20260404T005515
CREATED:20250901T111856Z
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SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto performs in Toulon\, in the south of France\, a triptych by Iratxe Ansa & Igor Bacovich\, Crystal Pite\, and Diego Tortelli.\nOn stage: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, a lively and playful choreography echoing Gershwin’s iconic score. This is followed by Solo Echo by Crystal Pite\, which\, through Brahms’ sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. The evening concludes with Glory Hall\, a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-toulon/
LOCATION:Théâtre Le Liberté\, Grand Hôtel\, Pl. de la Liberté\, Toulon\, 83000\, France
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260321T180000
DTEND;TZID=Europe/Rome:20260321T193000
DTSTAMP:20260404T005515
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SUMMARY:Rhapsody in blue / Solo Echo / Glory Hall
DESCRIPTION:Aterballetto performs in Toulon\, in the south of France\, the triple bill featuring works by Iratxe Ansa & Igor Bacovich\, Crystal Pite\, and Diego Tortelli.\n\n\n\n\n\n\n\n\nOn stage is Rhapsody in Blue by Iratxe Ansa and Igor Bacovich—a playful\, vibrant choreography\, like Gershwin’s famous score. Next comes Solo Echo by Crystal Pite\, which\, through Brahms’s sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. The evening closes with Glory Hall\, the new production by Diego Tortelli\, offering the company and the audience a tableau of sensuality and overwhelming vitality.
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-glory-hall-toulon-2/2026-03-21/
LOCATION:Théâtre Le Liberté\, Grand Hôtel\, Pl. de la Liberté\, Toulon\, 83000\, France
CATEGORIES:Aterballetto,glory hall,Productions,Rhapsody in Blue,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260323T203000
DTEND;TZID=Europe/Rome:20260323T213000
DTSTAMP:20260404T005515
CREATED:20260318T153550Z
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SUMMARY:VISIONI DEL CORPO. MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nOn Monday 23 March\, Aterballetto comes to Fondazione Ferrero with Visions of the Body. Maurizio Cattelan: Seeing Contemporary Art through Auteur Dance.\n  \n\n\n\n\n\n\n\n\nOn Monday 23 March 2026 at 8:30 pm\, Fondazione Ferrero and the Municipality of Alba present Visions of the Body\, an original dialogue between dance and contemporary art in which the body becomes a tool for amplifying the provocative and visionary meaning of Maurizio Cattelan’s work. This is the first in a series of events offered to the local community as stages in a shared journey towards 2027\, the year in which Alba will be the Italian Capital of Contemporary Art. \nConceived by Centro Coreografico Nazionale / Aterballetto\, Visions of the Body fosters dialogue between dance and visual art. The evening will feature Nicolas Ballario\, journalist and cultural communicator\, choreographer Lara Guidetti\, and CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, in a work paying tribute to Maurizio Cattelan. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\n        \nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nRead more \n\n\n\n\n\n\n\n\nAt the heart of the artistic research are Cattelan’s works—irreverent and provocative pieces capable of questioning art and society through biting irony and powerful visual impact. His installations and sculptures become the starting point for an original artistic journey in which dance serves as a tool to amplify their meaning and translate their tensions and contradictions. The performance gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken elements of his works into physical gesture. \nAt the same time\, Nicolas Ballario—journalist\, cultural communicator\, and curator of the dossier that led to Alba being named Italian Capital of Contemporary Art 2027—guides the audience in discovering the story and poetics of Maurizio Cattelan\, tracing a narrative path that intertwines contemporary art and performance\, vision and reflection\, focusing on three works that form the backbone of the evening: HIM (2001)\, Rebel. The Only Prison Is Your Mind (2024)\, and Bidibidobidibù (1996). Each work is introduced by Ballario\, who repeatedly reminds the audience that in Cattelan’s art\, “nothing is ever as it seems.” \nMaurizio Cattelan\, moreover\, will serve as the special curator of the افتتاحural exhibition of the Alba Capitale dell’Arte Contemporanea 2027 programme\, dedicated to Pinot Gallizio\, the painter-pharmacist from Alba who became one of the leading figures of twentieth-century art. \n\n“With Visioni del corpo\, staged at the auditorium of Fondazione Ferrero\, the journey towards 2027 begins\,” says Patrizia Sandretto Re Rebaudengo\, president of the association Le Fabbriche del Vento per Alba Capitale Italiana dell’Arte Contemporanea 2027. “With this special event\, we open a dialogue with the public\, engaging them in a direct and vibrant experience of contemporary art through voice\, dance\, and the storytelling of artworks and artists’ research. Visioni del corpo is the first chapter of Alba Capitale’s Public Program\, which we have imagined as a long conversation with the city and its citizens\, in partnership with its public institutions and private institutions such as Fondazione Ferrero\, long a key player in and supporter of Alba’s cultural life.” \n\n\n“Events such as Visioni del corpo\,” say Alberto Gatto\, Mayor of Alba\, and Caterina Pasini\, Councillor for Culture\, “clearly show the cultural path that Alba is building towards 2027. The dialogue between different artistic languages\, such as dance and contemporary art\, and the collaboration with high-quality institutions such as Fondazione Ferrero\, represent valuable opportunities to engage new audiences and continue to expand the city’s cultural offering. Initiatives of this kind help create an atmosphere of attention\, curiosity\, and participation around contemporary art\, preparing the ground for the programme of Alba Capitale dell’Arte Contemporanea 2027.” \n\n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nLaura Guidetti \n\n\n\n\n\n\n\n\nLara Guidetti graduated in 2006 as a dancer and choreographer from the Theatre-Dance Atelier of the Paolo Grassi School in Milan\, studying with leading national and international masters. She continued her training in the fields of dance and performing arts\, exploring various pedagogical methods and training practices through workshops and productions. \nIn 2008\, she founded the Sanpapié company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her performance LEI won the Premio Bonacina. \nShe collaborates with the JGM company in Lisbon and with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School\, DanceHaus in Milan\, and at the school of the Teatro Stabile di Torino. \nSince 2022\, she has been an associated artist of the MilanOltre Festival and a collaborator of CCN/Aterballetto as a choreographer and curator of site-specific and cultural welfare projects. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nMaurizio Cattelan \n\n\n\n\n\n\n\n\nMaurizio Cattelan (Padua\, 1960) is one of the most internationally renowned and controversial Italian contemporary artists. Famous for his provocative and ironic language\, he has built a career by challenging the conventions of art through works that question themes such as death\, power\, religion\, and identity. Among his most iconic creations are La Nona Ora (Pope John Paul II struck by a meteorite)\, Him (a kneeling Hitler in prayer)\, and Comedian (the banana taped to the wall). His works have been exhibited in some of the world’s most important museums and biennials. In 2011\, he staged a major retrospective at the Guggenheim Museum in New York\, and in 2021 he curated Breath Ghosts Blind at Pirelli HangarBicocca in Milan. In 2025\, he curates the exhibition Endless Sunday at the Centre Pompidou-Metz. Suspended between provocation and poetry\, his work continues to spark debate about art and its role in society. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\nNicolas Ballario \n\n\n\n\n\n\n\n\nNicolas Ballario\, born in 1984\, works on contemporary art in relation to the media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s factory La Sterpaia\, later becoming its cultural manager. He has collaborated with major art institutions and numerous publications\, and in 2016 he became the youngest-ever recipient of the Bassani Prize\, one of the most prestigious awards for journalists distinguished in the cultural and environmental fields. \nHe is currently author and host of contemporary art programmes on Rai Radio 1 and collaborates with L’Espresso (where he writes a weekly column)\, Living del Corriere della Sera\, il Post\, and Il Giornale dell’Arte. In 2019\, he hosted the photography programme Camera Oscura on LA7\, while since 2020 he has hosted the programmes Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe directs the newly founded exhibition production company Piuma and is founder and president of Cucù\, a communication studio dedicated to culture. He also curates exhibitions and catalogues. The magazine Artribune included him among its Best of figures in the art world for two consecutive years: in 2019 for radio and in 2020 for television projects. \n\n  \n\n  \n\n  \n\n  \n\n  \n\n  \n\n\n \n \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-4/
LOCATION:Fondazione Ferrero\, Strada di mezzo\, 44\, Alba (CN)\, 12051\, Italy
CATEGORIES:Aterballetto,Stagione 25/26
END:VEVENT
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DTSTART;TZID=Europe/Rome:20260324T203000
DTEND;TZID=Europe/Rome:20260324T213000
DTSTAMP:20260404T005515
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LAST-MODIFIED:20260210T153353Z
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SUMMARY:Habemus Naufragium
DESCRIPTION:Silvia Pezzarossi dances the storms of the present at Fonderia.\n \n\n\n\n\n\n\n\n\nIn a world that increasingly struggles to imagine its future in the face of climatic\, social\, and political upheavals\, Habemus Naufragium invites us—with momentum—towards a positive resilience. Choreographer Silvia Pezzarossi\, in duet with dancer Anna-Maria Bayon\, proposes an eccentric shipwreck that carries us through the tempests of our time. \nWith an imagination without limits—at times grotesque and ironic\, at others poetic—their metaphorical dances push solidarity and complicity towards a fluid\, perfect metamorphosis of bodies\, until they become one: a new being\, in full transformation. \nLike a remedy for our eco-anxiety\, this colourful performance offers a dose of creative hope to be taken with eyes wide open. \nStrobe lighting is used. \n\n\n\n\n\n\n\n\nhttps://youtu.be/mni3RFxIr5o \nCREDITS \n\n\n\n\n\n\n\n\nDirection and choreography: Silvia PezzarossiCreation and performance: Silvia Pezzarossi\, Anna-Maria Besnier BayonArtistic assistance and dramaturgy: Simon GillardDramaturgy and performers’ direction support: Maialen ArranoSound creation: Clément Braive\, Raphaël VeninLighting design: Jean-Jacques DeneumoustierTechnical direction: Leo De Neve\, Adele EvansCostumes: Marta Lodoli \nCo-productions: Théâtre Les Brigittines\, Théâtre Delta\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles \nArtistic residencies: Théâtre Les Brigittines\, Théâtre Delta\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles\, Théâtre Marni\, Up Circus and Performing Arts\, Studio Étangs Noir\, Cie 29.27 / SEPT CENT QUATRE VINGT TROIS\, La Briqueterie CDCN Val-de-Marne\, CC Wolubilis\, CC Les Riches Claires\, Akropoditi Dance Centre \nWith the support of: Fédération Wallonie-Bruxelles – Dance Department\, Wallonie-Bruxelles International\, WBTD\, Plastique Palace Théâtre\, Charleroi Danse – Centre Chorégraphique de Wallonie-Bruxelles \n\n\n\n\n\n\n\n\nSilvia Pezzarossi \n\n\n\n\n\n\n\n\nItalian dancer and choreographer Silvia Pezzarossi\, based in Brussels since 2012\, initially trained in classical dance in Reggio Emilia at the Accademia Cosi-Stafanescu\, before continuing her studies in contemporary dance at the Ballet Junior de Genève and at the professional school Modem / Cie Zappalà Danza (Sicily). \nIn Belgium\, she has worked as a dancer and performer with Lies Serdons\, the Poetic Punkers collective\, Cie Marie Martinez\, and the contemporary circus company Les Chaussons Rouges. Internationally\, she has collaborated with Keren Rosenberg\, Roy Assaf\, and Roberto Zappalà. \nSince 2013\, Silvia has been developing her own choreographic work\, creating Mucyclo (2014)\, Waiting for the Fishes (2016)\, En attendant que les poissons passent… (2018)\, and Habemus Naufragium (2024). \nA keen observer of society\, her research explores human behaviour and its dynamics\, with particular attention to energy\, expressivity\, and bodily metamorphosis—balancing poetry and spontaneity. Her works are supported by the Fédération Wallonie-Bruxelles and Charleroi Danse\, and have toured in Belgium\, France\, Greece\, Turkey\, and Italy. \nHabemus Naufragium\, her fourth project\, was selected by the Théâtre des Doms as part of the Belgian programme at the Festival d’Avignon 2025. \nSilvia is currently in the research phase for a new creation scheduled for 2027. \n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETSFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/habemus-naufragium/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260326T204500
DTEND;TZID=Europe/Rome:20260326T221500
DTSTAMP:20260404T005515
CREATED:20250901T111840Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at the Teatro Bellini in Naples from March 26 to 29\, 2026.\n  \nThe dancers of CCN/Aterballetto are the protagonists of a production by multi-award-winning Canadian choreographer Crystal Pite\, now recognized among the leading figures of contemporary dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and by Mark Strand’s poem Lines for Winter. As in Strand’s poem\, Solo Echo summons winter\, music\, and the moving body to express something essential about acceptance and loss. \n  \nReconciliatio is a delicate female duet inspired by a reading of the Apocalypse\, created by one of today’s most important international choreographers\, Angelin Preljocaj. \n  \nThe evening closes with Glory Hall\, a new creation by Diego Tortelli\, offering both the company and the audience a fresco of sensuality and overwhelming vitality. \n\nCREDITS \nSolo Echo\n  \nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and Restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \nGlory Hall\n  \nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-napoli-aterballetto/
LOCATION:Teatro Bellini\, Via Conte di Ruvo\, 14\, Naples\, 80135\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Bellini from 26 to 29 March 2026.\n  \n\n\n\n\n\n\n\n\nThe dancers of CCN/Aterballetto take centre stage in a production by the award-winning Crystal Pite\, a Canadian choreographer now firmly in the pantheon of dance. Solo Echo draws inspiration from two cello-and-piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo calls on winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio is a delicate female pas de deux inspired by readings of the Book of Revelation\, created by one of the most important choreographers on the international scene\, Angelin Preljocaj. \nThe evening closes with Glory Hall\, the new production by Diego Tortelli\, offering the company and the audience a tableau of sensuality and overwhelming vitality. \n\n\n\n\n\n\n  \n\n\n \nCREDITS \nSolo Echo\n  \nCoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and restaging: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza/Aterballetto \n \nGlory Hall\n  \n\n\n\n\n\n\n\n\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n\n  \n\n  \n\n  \n\n  \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-napoli-aterballetto-2/2026-03-27/
LOCATION:Teatro Bellini\, Via Conte di Ruvo\, 14\, Naples\, 80135\, Italia
CATEGORIES:Aterballetto,Productions
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DTSTART;TZID=Europe/Rome:20260328T190000
DTEND;TZID=Europe/Rome:20260328T203000
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Bellini from 26 to 29 March 2026.\n  \n\n\n\n\n\n\n\n\nThe dancers of CCN/Aterballetto take centre stage in a production by the award-winning Crystal Pite\, a Canadian choreographer now firmly in the pantheon of dance. Solo Echo draws inspiration from two cello-and-piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo calls on winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio is a delicate female pas de deux inspired by readings of the Book of Revelation\, created by one of the most important choreographers on the international scene\, Angelin Preljocaj. \nThe evening closes with Glory Hall\, the new production by Diego Tortelli\, offering the company and the audience a tableau of sensuality and overwhelming vitality. \n\n\n\n\n\n\n  \n\n\n \nCREDITS \nSolo Echo\n  \nCoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and restaging: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza/Aterballetto \n \nGlory Hall\n  \n\n\n\n\n\n\n\n\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n\n  \n\n  \n\n  \n\n  \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-napoli-aterballetto-2/2026-03-28/
LOCATION:Teatro Bellini\, Via Conte di Ruvo\, 14\, Naples\, 80135\, Italia
CATEGORIES:Aterballetto,Productions
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DTSTART;TZID=Europe/Rome:20260329T180000
DTEND;TZID=Europe/Rome:20260329T193000
DTSTAMP:20260404T005515
CREATED:20250901T111830Z
LAST-MODIFIED:20260318T131143Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Bellini from 26 to 29 March 2026.\n  \n\n\n\n\n\n\n\n\nThe dancers of CCN/Aterballetto take centre stage in a production by the award-winning Crystal Pite\, a Canadian choreographer now firmly in the pantheon of dance. Solo Echo draws inspiration from two cello-and-piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem\, Solo Echo calls on winter\, music\, and the moving body to express something essential about acceptance and loss. \nReconciliatio is a delicate female pas de deux inspired by readings of the Book of Revelation\, created by one of the most important choreographers on the international scene\, Angelin Preljocaj. \nThe evening closes with Glory Hall\, the new production by Diego Tortelli\, offering the company and the audience a tableau of sensuality and overwhelming vitality. \n\n\n\n\n\n\n  \n\n\n \nCREDITS \nSolo Echo\n  \nCoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and restaging: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza/Aterballetto \n \nGlory Hall\n  \n\n\n\n\n\n\n\n\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza/AterballettoCo-production: Teatro Comunale di Bologna \n\n  \n\n  \n\n  \n\n  \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-napoli-aterballetto-2/2026-03-29/
LOCATION:Teatro Bellini\, Via Conte di Ruvo\, 14\, Naples\, 80135\, Italia
CATEGORIES:Aterballetto,Productions
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DTSTART;TZID=Europe/Rome:20260330T180000
DTEND;TZID=Europe/Rome:20260330T190000
DTSTAMP:20260404T005515
CREATED:20260310T163056Z
LAST-MODIFIED:20260323T114442Z
UID:10004359-1774893600-1774897200@www.fndaterballetto.it
SUMMARY:T.R.I.P.O.F.O.B.I.A
DESCRIPTION:Pablo Girolami dances through the voids of fear at Fonderia.\n \nMonday 30 March\, 6:00 pm – open rehearsal \nTuesday 31 March\, 9:00 pm – performance – premiere \n \n\n\n\n\n\n\n\n\nThe fear of holes—or rather\, of all those small geometric shapes that\, when clustered together\, create masses of tiny cavities. A play of images based on three-dimensional repetitions and juxtapositions that triggers a sense of disgust and repulsion; the alarm is activated by an intrinsic code\, developed over centuries by our ancestors\, which protects the phobic subject from the danger of infection by parasitic forms or injury from venomous animals. \nAnxiety\, anguish\, fear: hundreds of names for a single existential condition—the fear of losing control over the world\, over our body\, over the other. \nThe medium through which a trypophobic skeleton takes shape is geometry\, which\, through the imaginative contribution of the human mind\, becomes an active gateway to fear\, reflecting human insecurities and paranoias. \n\n\n\n\n\n\n\n\nhttps://www.youtube.com/watch?v=KkMUMq-eNaY \nCREDITS \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCompagnia IVONAChoreography: Pablo GirolamiDancers: Guilherme Leal\, Pablo GirolamiMusic: Jacob Kirkegaard\, Philip Jeck\, Max Richter\, Guilherme Curade and others to be confirmedVideo: xxcxclarissaLighting: Angelo TauroDramaturgy: Karen Stenico \nProduction: House of IVONA\, Nutida Festival – Stazione Utopia\, The Rijeka Port of Dance Festival\, Skopje Dance Festival\, Dance Festival Malta\, TACT Festival in Trieste\, Quinzena de Dança de Almada – International Dance Festival \nWith the support of KOMM TANZ Teatro Cartiera\, Compagnia Abbondanza/Bertoni in collaboration with the Comune di Rovereto; Festival Fuori Programma & Romaeuropa Festival; ResiDanceXL – AnticorpiXL – Network Giovane Danza d’Autore\, coordinated by L’arboreto – Teatro Dimora di Mondaino; Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt); TWAIN Centro di Produzione Danza and PERIFERIE ARTISTICHE; DANCEHAUSpiù\, Milan; Regione Friuli Venezia Giulia; MIC – Italian Ministry of Culture. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPablo Girolami \n\n\n\n\n\n\n\n\nPablo Girolami is a choreographer of Italian-Spanish origin who trained at the Tanz Akademie Zürich\, where he graduated in 2014.He has danced with Hessisches Staatsballett Wiesbaden/Darmstadt and Spellbound Contemporary Ballet\, working with choreographers such as Wayne McGregor\, Hofesh Shechter\, and Marcos Morau. \nHe is currently the artistic director of IVONA and a freelance choreographer. Since 2024\, he has also been the artistic director of the Fagagna Dance Festival. \nPablo has received important awards\, including: \nFirst Prize at the Jerusalem International Choreography Competition;Best Choreography at the Certamen Coreográfico del Distrito de Tetuán – Madrid;Best Choreography at the Linkage Choreographic Competition – Sofia;TWAIN Direzioni_Altre Award 2019 and 2022 – Tuscania;Audience Award at RIDCC – Rotterdam;Audience Award at CortoinDanza Festival – Cagliari;Audience Award at the 33rd Certamen Coreográfico de Madrid;Best Dance Film at the ZED International Videodanza Festival – Bologna;Best Dance Film at Interfaccia Digitale – HangarFest – Pesaro;FeelGood Award at BIGFF – Bari. \nAlongside his work with IVONA\, Pablo has created works for several companies\, including Balletto dell’Opera di Graz\, Jerusalem Dance Theatre\, Club Guy & Roni\, EgriBianco Danza\, and Nuovo Balletto di Toscana. In 2025\, together with Philippe Kratz\, he won the Biennale di Venezia call for projects with the new creation Sisifo Felice\, which premiered at Biennale Danza 2025. \nGirolami has further expanded his presence in the artistic field by taking on roles as movement director and consultant in theatre and multidisciplinary projects\, while also working in education at major institutions such as the Bachelor Program in Zurich and Taipei Art University. \n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS \nOpen rehearsal – Monday 30 March\, 6:00 pmFull price: €3Free admission for children under 6 \nPerformance – Tuesday 31 March\, 9:00 pmFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/t-r-i-p-o-f-o-b-i-a/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260408T190000
DTEND;TZID=Europe/Rome:20260408T200000
DTSTAMP:20260404T005515
CREATED:20260311T105617Z
LAST-MODIFIED:20260323T112138Z
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SUMMARY:Cry Violet
DESCRIPTION:Panzetti / Ticconi: dance between expiation and greenwashing at Fonderia.\n \n\n\n\n\n\n\n\n\nCRY VIOLET\, named after the extinct flower of the same name\, is a choreographic creation by and with Panzetti / Ticconi\, set to a sound composition conceived and performed by Teho Teardo. \nUsing a gestural code that evokes expressions of pain and shame inspired by the iconography of original sin\, the work highlights the human tendency to atone for guilt through practices that attempt either to repair environmental damage already done or to conceal it. Widespread phenomena such as greenwashing\, in fact\, represent deceptive practices that evade real solutions to the damage human action has inflicted on the environment. \nActions such as cleaning merge with crying. In this context\, a common object like a cloth or handkerchief transforms its function—from a cleaning tool into an element that holds pain\, absorbing tears. Echoing Lady Macbeth’s repeated and futile gesture of trying to wash away the mark of guilt from her hands\, the two performers trace the mechanical ritual of cleaning and concealing. It is within this limbo—between genuine attempts and merely superficial efforts to repair the damage—that CRY VIOLET takes shape\, in a shifting complicity between the aestheticisation of guilt and the act of resolving or hiding it\, until guilt itself becomes an appealing\, seductive\, almost promotional material. \n\n“(…) the choreographic elegance of Panzetti/Ticconi meets the musical energy of Teho Teardo. The composer\, musician and sound designer—winner of the David di Donatello for Best Original Score for the soundtrack of Il Divo by Paolo Sorrentino—has long explored stimuli from other artistic forms. He dedicates himself to concert and recording activities\, investigating the relationship between electronic music and traditional instruments\, as well as creating sound installations and composing for cinema\, television series\, and theatre.”\nEsplorazioni-Triennale.org \n\n\n\n\n\n\n\n\n\nhttps://youtu.be/nMbfqoJ_y48?si=CDC4NKCwYyU_1Y-E \nCREDITS \nChoreography\, performance\, costumes: Ginevra Panzetti\, Enrico TicconiSound composition: Teho TeardoGraphic illustration: Ginevra PanzettiOriginally created within: Esplorazioni – a project by Triennale Milano in collaboration with Volvo Car ItaliaWith the support of: Lavanderia a Vapore\, Piemonte dal Vivo – Turin (IT); Rampe – Stuttgart (DE) \nPanzetti / Ticconi \n\n\n\n\n\n\n\n\nGinevra Panzetti and Enrico Ticconi live between Berlin and Turin and have been working as an artistic duo since 2008. Their research unfolds across dance\, performance\, and visual art. By exploring themes connected to the historic relationship between communication\, violence\, and power\, they draw on ancient imaginaries to construct hybrid images suspended between history and contemporaneity. \nTheir work has received numerous international recognitions and has been presented at some of the most prestigious European festivals\, as well as in Japan\, Brazil\, Lebanon\, Jordan\, and the United Arab Emirates. Since 2020\, their choreographic practice as a duo—often involving them as performers of their own creations—has expanded to include the creation of works for other major international companies such as Studio Contemporary Dance Company (HR)\, T.H.E Dance Company (SG)\, Dance On Ensemble (DE)\, and MM Contemporary Dance Company (IT). \nOne of their most recent choreographic works\, INSEL\, premiered in 2023 at the Tanz im August Festival in Berlin. \n\n\n\n\n\n\n\n\nTalk with Michele Pascarella \n\n\n\n\n\n\n\n\nAt the end of both performances\, there will be a moment of meeting and discussion with performers Ginevra Panzetti and Enrico Ticconi\, together with arts and culture communicator Michele Pascarella. \nMichele PascarellaArts and culture communicator.A critic and scholar of theatre\, dance\, and visual arts\, with a curiosity for other artistic fields. His research focuses in particular on the revolutions of the twentieth century and the intersections between different artistic practices. He has written for the magazine Gagarin Orbite Culturali (since 2012) and for Hystrio. Quarterly Journal of Theatre and Performance (since 2014). \n\n\n\n\n\n\n\n\n \nAperitif \n\n\n\n\n\n\n\n\nFrom 6:00 PM to 8:30 PMA selection of local products and wines in collaboration with the Mercato Campagna Amica del Tricolore \n\n\n\n\n\n\n\n\n \nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/cry-violet/2026-04-08/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260408T200000
DTEND;TZID=Europe/Rome:20260408T213000
DTSTAMP:20260404T005515
CREATED:20250908T161212Z
LAST-MODIFIED:20250908T161212Z
UID:10004223-1775678400-1775683800@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:As part of the Belgrade Dance Festival\, Aterballetto performs Notte Morricone by Marcos Morau at the Serbian National Theatre in Novi Sad.\n\n\n\n\n\n\n\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. And so it is that creators and artists always leave us without ever truly leaving — this is how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. \nNotte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind — alone and dazed before his sheets of paper\, jotting down notes and imagining melodies for films that do not yet exist\, reviving stories in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that comes to the spectator in waves — embracing with emotional surges\, capturing through the memory of timeless melodies that have long outlived the images that first inspired them. The choreography\, too\, is exquisite: finely crafted and always poetic\, composed with meticulous attention to detail. Legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \n\n\n\n\n\n\n\nDiscover more » \nDuration: 90 minutes\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-19/
LOCATION:Serbian National Theatre\, Pozorisni trg 1\, Novi Sad\, Serbia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260408T210000
DTEND;TZID=Europe/Rome:20260408T220000
DTSTAMP:20260404T005515
CREATED:20260311T105617Z
LAST-MODIFIED:20260323T112138Z
UID:10004347-1775682000-1775685600@www.fndaterballetto.it
SUMMARY:Cry Violet
DESCRIPTION:Panzetti / Ticconi: dance between expiation and greenwashing at Fonderia.\n \n\n\n\n\n\n\n\n\nCRY VIOLET\, named after the extinct flower of the same name\, is a choreographic creation by and with Panzetti / Ticconi\, set to a sound composition conceived and performed by Teho Teardo. \nUsing a gestural code that evokes expressions of pain and shame inspired by the iconography of original sin\, the work highlights the human tendency to atone for guilt through practices that attempt either to repair environmental damage already done or to conceal it. Widespread phenomena such as greenwashing\, in fact\, represent deceptive practices that evade real solutions to the damage human action has inflicted on the environment. \nActions such as cleaning merge with crying. In this context\, a common object like a cloth or handkerchief transforms its function—from a cleaning tool into an element that holds pain\, absorbing tears. Echoing Lady Macbeth’s repeated and futile gesture of trying to wash away the mark of guilt from her hands\, the two performers trace the mechanical ritual of cleaning and concealing. It is within this limbo—between genuine attempts and merely superficial efforts to repair the damage—that CRY VIOLET takes shape\, in a shifting complicity between the aestheticisation of guilt and the act of resolving or hiding it\, until guilt itself becomes an appealing\, seductive\, almost promotional material. \n\n“(…) the choreographic elegance of Panzetti/Ticconi meets the musical energy of Teho Teardo. The composer\, musician and sound designer—winner of the David di Donatello for Best Original Score for the soundtrack of Il Divo by Paolo Sorrentino—has long explored stimuli from other artistic forms. He dedicates himself to concert and recording activities\, investigating the relationship between electronic music and traditional instruments\, as well as creating sound installations and composing for cinema\, television series\, and theatre.”\nEsplorazioni-Triennale.org \n\n\n\n\n\n\n\n\n\nhttps://youtu.be/nMbfqoJ_y48?si=CDC4NKCwYyU_1Y-E \nCREDITS \nChoreography\, performance\, costumes: Ginevra Panzetti\, Enrico TicconiSound composition: Teho TeardoGraphic illustration: Ginevra PanzettiOriginally created within: Esplorazioni – a project by Triennale Milano in collaboration with Volvo Car ItaliaWith the support of: Lavanderia a Vapore\, Piemonte dal Vivo – Turin (IT); Rampe – Stuttgart (DE) \nPanzetti / Ticconi \n\n\n\n\n\n\n\n\nGinevra Panzetti and Enrico Ticconi live between Berlin and Turin and have been working as an artistic duo since 2008. Their research unfolds across dance\, performance\, and visual art. By exploring themes connected to the historic relationship between communication\, violence\, and power\, they draw on ancient imaginaries to construct hybrid images suspended between history and contemporaneity. \nTheir work has received numerous international recognitions and has been presented at some of the most prestigious European festivals\, as well as in Japan\, Brazil\, Lebanon\, Jordan\, and the United Arab Emirates. Since 2020\, their choreographic practice as a duo—often involving them as performers of their own creations—has expanded to include the creation of works for other major international companies such as Studio Contemporary Dance Company (HR)\, T.H.E Dance Company (SG)\, Dance On Ensemble (DE)\, and MM Contemporary Dance Company (IT). \nOne of their most recent choreographic works\, INSEL\, premiered in 2023 at the Tanz im August Festival in Berlin. \n\n\n\n\n\n\n\n\nTalk with Michele Pascarella \n\n\n\n\n\n\n\n\nAt the end of both performances\, there will be a moment of meeting and discussion with performers Ginevra Panzetti and Enrico Ticconi\, together with arts and culture communicator Michele Pascarella. \nMichele PascarellaArts and culture communicator.A critic and scholar of theatre\, dance\, and visual arts\, with a curiosity for other artistic fields. His research focuses in particular on the revolutions of the twentieth century and the intersections between different artistic practices. He has written for the magazine Gagarin Orbite Culturali (since 2012) and for Hystrio. Quarterly Journal of Theatre and Performance (since 2014). \n\n\n\n\n\n\n\n\n \nAperitif \n\n\n\n\n\n\n\n\nFrom 6:00 PM to 8:30 PMA selection of local products and wines in collaboration with the Mercato Campagna Amica del Tricolore \n\n\n\n\n\n\n\n\n \nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/cry-violet/2026-04-08/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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DTSTART;TZID=Europe/Rome:20260411T203000
DTEND;TZID=Europe/Rome:20260411T220000
DTSTAMP:20260404T005515
CREATED:20250901T111817Z
LAST-MODIFIED:20251111T090249Z
UID:10004098-1775939400-1775944800@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:On April 11\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Regio in Parma.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-teatro-regio-parma/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20260415T210000
DTEND;TZID=Europe/Rome:20260415T223000
DTSTAMP:20260404T005515
CREATED:20260318T142941Z
LAST-MODIFIED:20260324T154937Z
UID:10004370-1776286800-1776292200@www.fndaterballetto.it
SUMMARY:Rhapsody in blue / An echo\, a wave / Reconciliatio / Solo Echo
DESCRIPTION:The CCN/Aterballetto performs at Teatro Sociale di Rovigo on 15 April 2026.\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe evening opens with Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, a playful and vibrant choreography\, much like Gershwin’s iconic score. It is followed by An Echo\, A Wave by Philippe Kratz\, in which the flowing movement of the two dancers evokes the motion of the sea. \nReconciliatio is a delicate female pas de deux inspired by the Book of Revelation\, created by one of the most important choreographers on the international scene\, Angelin Preljocaj. \nThe dancers of CCN/Aterballetto are also the protagonists of a production by the award-winning Canadian choreographer Crystal Pite\, now firmly in the pantheon of dance. Solo Echo draws inspiration from two sonatas for cello and piano by Johannes Brahms and the poem Lines for Winter by Mark Strand. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\nhttps://youtu.be/erHGNRRz6sQ \nCREDITS \nRahpsody in blue \n \nChoreography: Iratxe Ansa and Igor BacovichMusic: George Gershwin\, Rhapsody in Blue; Bessie Jones\, Beggin’ the BluesSet and costumes: Fabio CherstichLighting: Eric Soyer \n \n \nAn echo\, a wave \n \nChoreography: Philippe KratzSound designer: Tommaso MicheliniProduction: Fondazione Nazionale della Danza / Aterballetto \nAn Echo\, A Wave. Ph Alice Vacondio  \nReconciliatio\n \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \n \nSolo Echo\n \n\n\n\n\n\n\n\n\nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n\n\n\n\n\n\n\n\n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/glory-hall-reconciliatio-solo-echo/
LOCATION:Teatro Sociale Rovigo\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/01/CCN-Aterballetto-Solo-Echo-ph.-Christophe-Bernard-144.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260419T160000
DTEND;TZID=Europe/Rome:20260419T173000
DTSTAMP:20260404T005515
CREATED:20260318T141027Z
LAST-MODIFIED:20260318T141027Z
UID:10004369-1776614400-1776619800@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto performs Notte Morricone by Marcos Morau at Teatro Bonci in Cesena on 19 April 2026.\n\n\n\n\n\n\n\n\n\n“I\, Ennio Morricone\, am dead\,” the composer wrote before taking his leave. His music\, however\, cannot die. And this is how creators and artists always leave us without truly leaving us\, and how memory takes care of keeping them alive\, of keeping them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creator\, who\, alone and dazed before his sheets of paper\, jots down notes and imagines melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.”— Marcos Morau\, Director and Choreographer \n\n\n“It is impossible to describe Notte Morricone\, a masterful piece that reaches the audience in waves\, embraces them with emotional surges\, and captures them in the memory of timeless melodies that have long outlived the images that first gave rise to them. Equally enchanting is the finely chiselled and ever-poetic choreography\, composed with obsessive attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.”— Maria Luisa Buzzi\, Danza&Danza \n\nFind out more » \nDuration: 90 minutes \n\n\n\n\n\n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone/
LOCATION:Teatro Bonci\, Piazza Mario Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260419T210000
DTEND;TZID=Europe/Rome:20260419T220000
DTSTAMP:20260404T005515
CREATED:20260310T161051Z
LAST-MODIFIED:20260310T162111Z
UID:10004337-1776632400-1776636000@www.fndaterballetto.it
SUMMARY:STELLA
DESCRIPTION:Luciano Padovani brings the dance of the Years of Lead to Fonderia.\n \n\n\n\n\n\n\n\n\nRome\, Saturday 18 March 1978.An orange commercial envelope is found in an underpass at Largo di Torre Argentina\, containing a Polaroid photograph: the portrait of a man in shirtsleeves\, a flag with a five-pointed star… and communiqué no. 1 of the Red Brigades.The years of desire and lead\, in a danced fragment of republican Italy. \nThe lived experience of choreographer Luciano Padovani becomes\, in STELLA\, material shaped through the bodies and voices of the two performers: Roberta Piazza and Andrea Rizzo. \n\nWith them\, we enter a brigatist hideout—that hideout… an interior scene inhabited and stirred by intense emotions and moments of great humanity and poetry. A warm atmosphere made of illusions and projections\, masterfully suggested by costume designer Lucia Lapolla. \nElisabetta Calvi \n\n\n\n\n\n\n\n\n\nhttps://youtu.be/2Ju8v8nh5lo?si=50WffQBk6J1O9wwD \nCREDITS \n\n\n\n\n\n\n\n\nChoreography and direction: Luciano PadovaniBy and with Luciano Padovani\, Roberta Piazza\, Andrea RizzoCritical eye: Mauro ZocchettaLighting: Thomas HeugerCostumes: Lucia Lapolla \nA production by Compagnia Naturalis Labor \nCo-production: Festival AbanoDanza 2024 \nWith the support of: MIC – Ministry of Culture\, Regione Veneto\, Arco Danza\, Comune di Vicenza \n\n\n\n\n\n\n\n\nLuciano Padovani \n\n\n\n\n\n\n\n\nHe came to dance relatively late\, during his university studies. A decisive encounter was with Carolyn Carlson\, who encouraged him to move abroad. He chose Paris\, where he spent two intense years in the heart of the nouvelle danse française. He then returned to Italy and moved to Milan\, where he worked with Susanna Beltrami’s company and at Teatro alla Scala. Eventually\, he returned to Vicenza and founded Compagnia Naturalis Labor. It was then that he realised that being a choreographer was truly his calling. He describes himself as a “craftsman of the body.” \nWith the company\, he has created dozens of works. He has collaborated on numerous opera productions\, in theatre\, for events\, and has created choreographies for various Italian dance companies. He is the artistic director of Festival AbanoDanza and Visioni di Danza. He lives in Vicenza. \n\n\n\n\n\n\n\n\nINFO & TICKETS \n\n\n\n\n\n\n\n\nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office at Fonderia opens one hour before the start of the performance. \nTickets are unnumbered. \nCONTACTS \nMobile & WhatsApp: +39 334 102 3554
URL:https://www.fndaterballetto.it/en/evento/stella/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio-giugno 2026
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260422T204500
DTEND;TZID=Europe/Rome:20260422T221500
DTSTAMP:20260404T005515
CREATED:20250901T112025Z
LAST-MODIFIED:20251111T090438Z
UID:10004283-1776890700-1776896100@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:From April 23 to 26\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Carignano in Turin for Torinodanza Extra.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-torino-teatro-carignano/2026-04-22/
LOCATION:Teatro Carignano\, Piazza Carignano\, 6\, Torino\, 10123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260423T193000
DTEND;TZID=Europe/Rome:20260423T210000
DTSTAMP:20260404T005515
CREATED:20250901T112025Z
LAST-MODIFIED:20251111T090438Z
UID:10004284-1776972600-1776978000@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:From April 23 to 26\, 2026\, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Carignano in Turin for Torinodanza Extra.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-torino-teatro-carignano/2026-04-23/
LOCATION:Teatro Carignano\, Piazza Carignano\, 6\, Torino\, 10123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260424T204500
DTEND;TZID=Europe/Rome:20260424T221500
DTSTAMP:20260404T005515
CREATED:20250901T111808Z
LAST-MODIFIED:20260129T121223Z
UID:10004288-1777063500-1777068900@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-torino-teatro-carignano-2/2026-04-24/
LOCATION:Teatro Carignano\, Piazza Carignano\, 6\, Torino\, 10123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/CCN-Aterballetto-Notte-Morricone-ph.-Christophe-Bernard-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260425T193000
DTEND;TZID=Europe/Rome:20260425T210000
DTSTAMP:20260404T005515
CREATED:20250901T111808Z
LAST-MODIFIED:20260129T121223Z
UID:10004289-1777145400-1777150800@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-torino-teatro-carignano-2/2026-04-25/
LOCATION:Teatro Carignano\, Piazza Carignano\, 6\, Torino\, 10123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/CCN-Aterballetto-Notte-Morricone-ph.-Christophe-Bernard-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260426T160000
DTEND;TZID=Europe/Rome:20260426T173000
DTSTAMP:20260404T005515
CREATED:20250901T111808Z
LAST-MODIFIED:20260129T121223Z
UID:10004290-1777219200-1777224600@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.\n“Io\, Ennio Morricone\, sono morto”\, scrisse il compositore prima di congedarsi. La sua musica\, invece\, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci\, ed è in questo modo che la memoria si preoccupa di tenerli vivi\, di tenerli al sicuro. Notte Morricone è il mio regalo\, un devoto tributo alla bellezza che ha donato al mondo.\nNotte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo\, che solo e stordito davanti ai suoi fogli\, prende appunti e visualizza melodie per film che non esistono ancora\, riportando in vita storie nell’aria rarefatta della sua stanza.\nMarcos Morau – Regista e coreografo \n\nImpossibile descrivere Notte Morricone\, pezzo magistrale che arriva a flutti allo spettatore\, lo abbraccia con onde emotive\, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica\, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture\, si flettono e scattano ritmicamente come metronomi.\nMaria Luisa Buzzi – Danza&Danza \nScopri di più » \nDurata 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-torino-teatro-carignano-2/2026-04-26/
LOCATION:Teatro Carignano\, Piazza Carignano\, 6\, Torino\, 10123\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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