Centro Coreografico Nazionale / Aterballetto

Don Juan
2021-06-22 21:30 - 23:00, 2021-06-23 21:30 - 23:00 (Europe/Rome) | Teatro Alighieri, via Mariani, 2, Ravenna, 48121, Italia
Don Juan, choreography by Swedish Johan Inger and winner of the Danza&Danza ‘Best Production 2020’ Award, finally reaches Ravenna Festival, where it was due to première last year.
The choreography is born from Inger’s desire to “face” Don Juan/Don Giovanni, an ancient and still contemporary, truly paradigmatic myth. Some of the works that inspired the choreographer are Tirso de Molina’s original comedy and the plays by Molière, Bertold Brecht and Suzanne Lilar. Inger, together with the playwright Gregor Acuña-Pohl, thoroughly read twenty-five different texts inspired by Don Juan.
This Don Juan features all the characters of the story, from Doña Elvira to Doña Ana to Zerlina and Masetto. The Don Juan is a Kammerspiel, where the dance is a magnifying glass for each of the characters revealing in a refined and clear way the inner world of men and women on stage.
Ravenna Festival is one of the co-producers of the choreography.

CIRCUS 1 - OPEN REHEARSAL
2021-06-23 16:00 - 17:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
Circus is a dance show enriched by surprising physical skills and an imagery that takes us back to the magic of the circus and its inhabitants.
Acrobatics and dance, juggling, eccentric comedy and clownish art are some of the ingredients that go to make up a rich and energetic fresco, the result of collaboration between different arts and performers. Thanks to this union of elements, Circus becomes a powerful kaleidoscope of colours and music, costumes and images, which together celebrate a tradition that is both ancient and contemporary, capable of enchanting adults and children alike.
CREDITS
Choreography, dirction Monica Casadei
Music Nino Rota
In partnership with Festival Al Levar dell’Ombra da Terra
Production Compagnia Artemis Danza
Co-Production Festival Danza Estate
COMPAGNIA ARTEMIS DANZA
Originally from Ferrara, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast, she takes to studying classic and modern dance, at first in Italy, then in London, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido.
In France, she founds the company Artemis Danza, with which she later moves to Italy, in 1997, giving birth to a fervent production activity that amounts, nowadays, to over 40 original creations.
From 1998 to 2007, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas, from 2014 up to this day, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals.
Pivotal elements in Monica Casadei’ s artistic research are the influences from different artistic, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances.
Alongside the production activity, Artemis funds, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience.
artemisdanza.com
INFO & TICKETS
TICKETS
Full price: 3 euro
Under 8: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter and you must fill in the Covid self-certification form.
In order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.
Download Covid self-certification

Frammenti d’Inferno_1 - OPEN REHEARSAL
2021-06-23 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
Frammenti d’Inferno_ 1 brings the author’s focus to the representation of the demons and damned of the infernal hosts, to the investigation of the characters that the Poet encounters on his journey and the torments reserved for them. A succession of choreographic pictures, with different music and atmospheres. Characters chosen by the choreographer to investigate the human soul and compose a poetic and fascinating picture, perturbing, in which every archetype of the collective unconscious finds its own carnal and earthly manifestation. Dissipating, as Dante did, the darkness that envelops these famous damned souls and bringing them to the light, literally under the spotlight, Monica Casadei chooses to follow them along a path of sin, awareness, acceptance, where the point of arrival is no longer punishment but the expressive power of the Ego, in its fullness and truth.
CREDITS
Choreography, direction Monica Casadei
Music Giuseppe Verdi
Sound design Luca Vianini
Production Compagnia Artemis Danza
Co-production FIND Festival

COMPAGNIA ARTEMIS DANZA
Originally from Ferrara, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast, she takes to studying classic and modern dance, at first in Italy, then in London, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido.
In France, she founds the company Artemis Danza, with which she later moves to Italy, in 1997, giving birth to a fervent production activity that amounts, nowadays, to over 40 original creations.
From 1998 to 2007, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas, from 2014 up to this day, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals.
Pivotal elements in Monica Casadei’ s artistic research are the influences from different artistic, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances.
Alongside the production activity, Artemis funds, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience.
artemisdanza.com
INFO & TICKETS
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter and you must fill in the Covid self-certification form.
In order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.
Download Covid self-certification

LES MISERABLES - OPEN REHEARSAL
2021-06-26 21:30 - 22:15 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
©Piero Tauro
OPEN DRESS REHEARSAL_C&C Company
Ladies and Gentlemen! Consider the creature as God first made it; nothing, just nothing. Add civilization and see what you’ve got: walks upright, wears trousers and carries a cane. It’s all education, he’s got animal brains, or rather: brainy animality, he’s not the pig-stupid sort like some people … The monkey’s already a soldier, though that’s not saying much-the bottom-most species of human kind!
Woyzeck – Georg Büchner

Credits
Original creation: Carlo Massari / C&C Company
Original cast: Martina La Ragione, Carlo Massari, Alice Monti, Daniele Monti
Vocal coaching: Chiara Osella
Audio and lighting design: Francesco Massari

Production: C&C Company
Co-production: Teatri di Vetro/Triangolo Scaleno; Teatro Comunale Città di Vicenza
Production 2019/2020
Insights
A ruthless and immoral fresco on today, a middle-class contemporary drama at times familiar, resonates, we are “involuntarily” complicit in it. An overview of stereotypes, of already seen, already said, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes, or perhaps an operetta by Offenbach, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent, evident collapse (physical, political, social, environmental…). We can’t do anything about it, too late, game over; we watch helplessly, we take note of it, we shrug, sigh and turn around again.
In the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision, which puts Culture and Art at the centre of change.
A creation that once again leads the Company to investigate contemporary social issues, through an amphibious language of strong impact and a complex dramaturgical level in support of the work.
C&C Company
C&C Company was born from the union between Carlo Massari and Chiara Taviani, performers with an eclectic background, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language, strongly dramaturgical, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”, “Tristissimo” (AnticorpiXL), “012”, “Peurbleue”, “Don’t Be Afraid”, “Dead Weight”, “Beast Without Beauty”. They have received prestigious awards, among them: “1st” Hiver Oclytes/Les Hivernales (F), “2nd” Hannover International Choreographers Competition (D), “2nd” Zawirowania Competition (PL), “Audience Award” Konzert Theater Berne (CH), “Finalist” Machol Shalem Dance Competition (I), “Special Mention” Premio Roma Danza (IT), “2nd” Corto in Danza (IT), Premio Palco Aperto (IT), “1st” E “Premio del Pubblico” CrashTest, “1°” Premio Twain.
In these years, in parallel with the production activity, have taken life performative projects with public participation: ContaminAzioni, SpringRoll (RomaEuropa ’16), Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”, which sees within it the alternation of social projects and international co-productions.
Since 2017 the artistic direction of the Company has been entrusted to Carlo Massari.
ceccompany.org
INFO & TICKETS
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter and you must fill in the Covid self-certification form.
In order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.
Download Covid self-certification

Les Miserables
2021-06-27 21:30 - 22:15 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
©Piero Tauro
Les Miserables_C&C Company
Ladies and Gentlemen! Consider the creature as God first made it; nothing, just nothing. Add civilization and see what you’ve got: walks upright, wears trousers and carries a cane. It’s all education, he’s got animal brains, or rather: brainy animality, he’s not the pig-stupid sort like some people … The monkey’s already a soldier, though that’s not saying much-the bottom-most species of human kind!
Woyzeck – Georg Büchner

Credits
Original creation: Carlo Massari / C&C Company
First cast: Christian Leveque, Carlo Massari, Luigi Monfredini, Alice Monti, Luca Sansoè
Vocal coaching: Chiara Osella
Audio and lighting design: Francesco Massari

Production: C&C Company
Co-production: Teatri di Vetro/Triangolo Scaleno Teatro, Festival Danza in rete/Teatro Comunale di Vicenza
With the support of Fondazione Nazionale della Danza / Aterballetto, CLAPS – Spettacolo dal vivo
Insights
A ruthless and immoral fresco on today, a middle-class contemporary drama at times familiar, resonates, we are “involuntarily” complicit in it. An overview of stereotypes, of already seen, already said, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes, or perhaps an operetta by Offenbach, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent, evident collapse (physical, political, social, environmental…). We can’t do anything about it, too late, game over; we watch helplessly, we take note of it, we shrug, sigh and turn around again.
In the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision, which puts Culture and Art at the centre of change.
A creation that once again leads the Company to investigate contemporary social issues, through an amphibious language of strong impact and a complex dramaturgical level in support of the work.
C&C Company
C&C Company was born from the union between Carlo Massari and Chiara Taviani, performers with an eclectic background, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language, strongly dramaturgical, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”, “Tristissimo” (AnticorpiXL), “012”, “Peurbleue”, “Don’t Be Afraid”, “Dead Weight”, “Beast Without Beauty”. They have received prestigious awards, among them: “1st” Hiver Oclytes/Les Hivernales (F), “2nd” Hannover International Choreographers Competition (D), “2nd” Zawirowania Competition (PL), “Audience Award” Konzert Theater Berne (CH), “Finalist” Machol Shalem Dance Competition (I), “Special Mention” Premio Roma Danza (IT), “2nd” Corto in Danza (IT), Premio Palco Aperto (IT), “1st” E “Premio del Pubblico” CrashTest, “1°” Premio Twain.
In these years, in parallel with the production activity, have taken life performative projects with public participation: ContaminAzioni, SpringRoll (RomaEuropa ’16), Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”, which sees within it the alternation of social projects and international co-productions.
Since 2017 the artistic direction of the Company has been entrusted to Carlo Massari.
ceccompany.org
INFO & TICKETS
TICKETS
Full price: 9 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65: 6 euro
Reduced under 8: 3 euro
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter and you must fill in the Covid self-certification form.
In order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.
Download Covid self-certification

Storie
2021-06-30 21:30 - 23:00 | Chiostro Grande Santa Maria Novella, Piazza Santa Maria Novella, 18, Firenze, 50123, Italia
THE PERFORMANCE WAS CANCELLED FOR REASONS RELATED TO THE HEALTH EMERGENCY.
Aterballetto dances at Florence Dance Festival and presents Storie for the first time.
Storie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the bill, is a love letter to the body for five dancers on Nick Cave music, Another story is a duo about the impossible gesture of 2020, the hug.
Between past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt, or will it become serial and alienated?
Alpha Grace, a creation for six dancers at the end of the bill, is a reflection on empathy, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times.

Alpha Grace - Another Story - Secus
2021-07-07 21:30 - 22:45, 2021-07-08 21:30 - 22:45
CANCELLATION OF PERFORMANCES 7 AND 8 JULY

Dear audience,
it is with great regret that we inform you that the Aterballetto performances scheduled for 7 and 8 July at the Chiostri di San Pietro are cancelled.
During the regular health checks on the artists, a positive case of Covid19 has emerged. Therefore, in accordance with health emergency protocols, the company is in quarantine.
Those who bought their tickets at the Fondazione I Teatri will be able to obtain a refund by going to the Ticket Office by 10 July, during the opening hours indicated at the end of the news.
On the other hand, those who purchased their tickets through Vivaticket will not have to go to the Ticket Office, but will receive an automatic refund by July 10th.

We would like to remind you that the Aterballetto performance scheduled for 14 July at the Chiostri di San Pietro is still on the bill.

Also this year Aterballetto dances at Chiostri di San Pietro di Reggio Emilia within the summer programme Restate, coordinated by Municipality of Reggio Emilia and Fondazione Palazzo Magnani.
On stage an evening of three choreographies. Another story by Diego Tortelli is a duet on the impossible gesture of the last year: the embrace. Between past and future Alpha Grace by Philippe Kratz: a reflection on empathy, a form of gentle communication between people. The programme closes with Secus, a creation by Ohad Naharin with an unusual musical style, combining electronic sounds and Indian melodies with the harmonies of the Beach Boys.
Tickets
Tickets
Full 12 euros, Reduction Under 20 10 euros

Box Office
The ticket office is managed by Fondazione I Teatri di Reggio Emilia.
On the evening of the shows on site there will be no ticket office.

Booking and Purchasing tickets
Purchase and booking of tickets compulsory:
– online (full price ticket only)
– Fondazione I Teatri ticket office (full and reduced tickets) – Piazza Martiri del 7 luglio, Reggio Emilia
– Telephone reservations on Mondays from 9 to 13 (Tel. 0522.458854)

Ticket office hours Fondazione I Teatri
Tuesdays, Wednesdays, Fridays and Saturdays from 10 am to 12.30 pm and from 5 pm to 7 pm.
Thursday from 10 am to 12.30 pm.

Contacts
Tel. 0522.458811 – through-dial switchboard
Tel. 0522.458854 Telephone bookings (Mondays 9.00 – 13.00)
biglietteria@iteatri.re.it

Another Story
2021-07-10 20:00 - 20:15 | Giardino Pomario del Castello dell’Acciaiolo, via Pantin 63, Scandicci, FI, 50018, Italia
CANCELLED PERFORMANCE
The performance has been cancelled due to some positive cases among the dancers, in compliance with prevention and safety measures to combat and contain the spread of Covid.
Another Story, the duet by Diego Tortelli, is at Scandicci, near Florence, for the festival Nutida.
Starring Ina Lesnakowski and Hélias Tur-Dorvault.
Another Story tells the new story of the most feared and at the same time desired gesture of 2020: the hug. A gesture as simple as a hug has been transformed into the most hidden desire and at the opposite into an almost “terrorist” act, without losing its deep meaning of carnal sharing. Another Story becomes a solitary, shared, violent, painful, tiring and also desired, hidden, intimate embrace. What choreographer Diego Tortelli intends to do is to write another story to be mutually felt and observed by performer and spectator.

Storie
2021-07-10 21:30 - 23:00 | Teatro Sociale Capovolto, Piazza Cesare Battisti, Trento, 38122, Italia
CANCELLED PERFORMANCE
The performance has been cancelled due to some positive cases among the dancers, in compliance with prevention and safety measures to combat and contain the spread of Covid.
Aterballetto dances Storie at Teatro Sociale Capovolto inTrento.

Storie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the bill, is a love letter to the body for five dancers on Nick Cave music, Another story is a duo about the impossible gesture of 2020, the hug.
Between past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt, or will it become serial and alienated?
Alpha Grace, a creation for six dancers at the end of the bill, is a reflection on empathy, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times.

Corpi/Bodies
2021-07-12 19:45 - 21:00 | Arena Teatro India, Lungotevere Vittorio Gassman, 1, Rome, 00146, Italia
Aterballetto dances in Rome, within Fuori Programma Festival.
On scene Corpi/Bodies, evening composed of works by Diego Tortelli, our resident choreographer.
The evening will be opened by Diego Tortelli himself, who together with the complicity of Gaia Clotilde Chernetich, dramaturg and dance researcher, will tell the audience how a creative idea can be transformed into dance. The choreographer will show live, in a simple and engaging way, the creative process of a choreography, accompanied by Aterballetto dancer Sandra Salietti Aguilera.
To follow MAUDIT Reloaded, Sonata in trio, Another Story, Preludio.

MAUDIT reloaded
Choreography Diego Tortelli
Music Spiritualized (Rated X)
Dancer Sandra Salietti Aguilera
Duration 6’
Choreography created for Grace Lyell with the projetc In/Finito

The life of our city is full of poetic and marvellous subjects. We are wrapped and enveloped in an atmosphere that has much that is wonderful, but we aren’t aware of it.
Don’t disregard anyone’s sensitivity. Each person’s sensitivity is their genius.
Charles Baudelaire

Using a fragmented movement a dancer wants to tell the tragedy and constant innovation of the Body, a dance that doesn’t wait for time to flow, but shapes it at its will by speeding up and slowing the hours to reveal their skill, beauty, distortion and memory. Freedom of corporal expression of this poetic is achieved by a total embrace of the body’s folly just as the “maudit” deals with his place in society by destroying every rational connection before letting his own experience take over, without constraints. The dancer will face the reflection of her image portrayed in the photograph, breathing life, folly and imagination into the place where her portrait was made and constantly recreating herself and providing the city with a body and a sensitivity as it too is a poetical and marvellous subject.
Diego Tortelli
SONATA IN TRIO
Choreography Diego Tortelli
Music Eugène Ysaye, Georges Ivanovitch Gurdjieff, ambienti sonori di Colombo Taccani
Dancers Saul Daniele Ardillo, Martina Forioso, Clément Haenen
Duration 8’
FND/Aterballetto – Sonata in trio – ph. Celeste Lombardi
Another story
Choreography Diego Tortelli
Music Spiritualized
Music consultant Federico Bigonzetti
Lighting design Carlo Cerri
Dancers Ina Lesnakowski, Hélias Tur-Dorvault
Duration 13’
Another story wants to tell the new story of the most feared and at the same time desired gesture of 2020, suffering from a global epidemic: the hug.
A gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning, transforming itself into the most hidden desire and, on the other side, into an almost “terrorist” act, without losing its deep meaning of actual carnal sharing.
Another story thus becomes a solitary hug, a shared hug, a violent, painful, tiring and also desired, hidden, intimate, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator.
Preludio
Choreography Diego Tortelli
Music Nick Cave
Lighting design Carlo Cerri
Assistant to the choreographer Casia Vengoechea
Dancers Clément Haenen, Ivana Mastroviti, Sandra Salietti Aguilera, Roberto Tedesco, Hélias Tur-Dorvault
Duration 18’
PRELUDIO is a creation for 5 performers designed around some of the most intense songs by Australian singer-songwriter Nick Cave, one of the greatest exponents of Post Punk.
In his songs, Cave explores the interplay of themes such as love, “belief”, addiction, obsession and loss, crossing over each other as if he were telling a story, an experience that can be perceived by everyone through his use of notes or tone of voice. His strength is that it is not essential to fully understand the content or the source of inspiration in order to ‘hear’ and ‘be heard’. Through his work, Cave argues that we should not go to the theatre, to a concert, to a museum, in order to understand, but in order to ask questions and to enrich ourselves, to analyse ourselves.
In one of his pieces I found the question I wanted to ask myself for this creation: MAH SANCTUM (my belief).
What do I believe in? I believe in the ‘body’, I believe in its fragility and strength, in its limitation and expansion, in its capacity for change and constant transformation, I believe in its contemporaneity, but also in its capacity to continue to feel those emotions that have been handed down to us; I believe in its violent beauty and frightening fragility. In this work I research above all on these obsessions, compulsions, addictions, contrasts, transforming the bodies of the five dancers not into men and women, but into emotional impulses; impulses that are part of written poems of which it would be enough to understand that they do not end there on the stage.
PRELUDIO is my profane prayer, my love letter to the body, my credo for today.

Diego Tortelli

Storie
2021-07-13 21:00 - 22:30 | Giardini Ducali, Parco Giardino Ducale Estense, Modena, 41121, Italia
CANCELLED PERFORMANCE
Aterballetto’s performance “Storie”, scheduled for Tuesday 13 July at the Parco Ducale as part of the “Giardini d’Estate” festival, has been cancelled following a number of positive cases among the dancers, in compliance with prevention and safety measures to combat and contain the diffusion of Covid.
You can ask for the refund of the tickets purchased until July 31, 2021 at the box office of the Storchi Theatre.
Opening hours: Tuesday to Saturday from 10 a.m. to 2 p.m. On Saturdays also from 4.30 p.m. to 7 p.m.
Telephone and email: 059 2136021 – biglietteria@emiliaromagnateatro.com
Translated with www.DeepL.com/Translator (free version)

Aterballetto dances at Giardini Ducali in Modena and presents Storie.

Storie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the bill, is a love letter to the body for five dancers on Nick Cave music, Another story is a duo about the impossible gesture of 2020, the hug.
Between past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt, or will it become serial and alienated?
Alpha Grace, a creation for six dancers at the end of the bill, is a reflection on empathy, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times.
The review ‘Giardini d’estate’, promoted by the Municipality of Modena, is entrusted to Emilia Romagna Teatro Fondazione in collaboration with Teatro Comunale di Modena, with the support of Fondazione di Modena, Gruppo Hera and with the patronage of Regione Emilia-Romagna.

Stabat Mater
2021-07-14 21:30 - 22:30
Also this year Aterballetto dances at Chiostri di San Pietro di Reggio Emilia within the summer programme Restate, coordinated by Municipality of Reggio Emilia and Fondazione Palazzo Magnani.
Aterballetto presents a preview of excerpts from Stabat Mater, a new creation by Cuban choreographer Norge Cedeño Raffo based on the homonymous piece by Arvo Pärt. Starring 3 dancers from the company, 3 singers and 3 musicians from the Istituto Peri. During the evening there will be the screening of the docufilm produced by Rai5 that tells the artistic experience from the arrival of the choreographer in Reggio Emilia from Cuba to the staging at the Teatro Asioli in Correggio.
Tickets
Tickets
Full 12 euros, Reduction Under 20 10 euros

Box Office
The ticket office is managed by Fondazione I Teatri di Reggio Emilia.
On the evening of the shows on site there will be no ticket office.

Booking and Purchasing tickets
Purchase and booking of tickets compulsory:
– online (full price ticket only)
– Fondazione I Teatri ticket office (full and reduced tickets) – Piazza Martiri del 7 luglio, Reggio Emilia
– Telephone reservations on Mondays from 9 to 13 (Tel. 0522.458854)

Ticket office hours Fondazione I Teatri
Tuesdays, Wednesdays, Fridays and Saturdays from 10 am to 12.30 pm and from 5 pm to 7 pm.
Thursday from 10 am to 12.30 pm.

Contacts
Tel. 0522.458811 – through-dial switchboard
Tel. 0522.458854 Telephone bookings (Mondays 9.00 – 13.00)
biglietteria@iteatri.re.it

Feeling Good
2021-07-16 19:30 - 21:00 | Kalamata Dance Megaron, Ο.Τ. 574 Artemidos, Kalamata, 241 00, Grecia
Feeling Good, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer, is at Kalamata Dance Festival in Greece.
For this performance starring Cristian Cucco and Annemieke Mooij.
The creation, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival, as part of EBA Europe Beyond Access, co-funded by the European Union’s Creative Europe Programme, is presented on Mixed Doubles evening, along with three other duets produced by Onassis Cultural Centre (GR), Holland Dance Festival (NL), Skånes Dansteater (SE).
Feeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.

Storie
2021-07-17 21:20 - 22:30 | Teatro al Castello “Tito Gobbi”, Piazza Castello Ezzelini, Bassano del Grappa, (VI), 36061, Italia
Aterballetto dances Storie for the first time within OperaEstate Festival in Bassano del Grappa.
Storie is a small anthology of danced fragments. They are only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the bill, is a love letter to the body for five dancers on Nick Cave music, Another story is a duo about the impossible gesture of 2020, the hug.
Between past and future the two creations by Kratz. The duo “O” offers us two human bodies / robots that force us to question ourselves on how the sense of physical contact might change: will it remain emotional and heartfelt, or will it become serial and alienated?
Alpha Grace, a creation for six dancers at the end of the bill, is a reflection on empathy, a form of gentle communication among people who feel on the same level. It too is severely stretched by the present times.

Golden Days
2021-07-21 22:00 - 23:30 | Théâtre antique, Rue Bernard Noël, Vaison-la-Romaine, 84110, Francia
Aterballetto ends its season at Festival Vaison Danses, at the wonderful ancient theatre in Vaison-la-Romaine.
Golden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland.
All accompanied by the music of Tom Waits, Patti Smith and Keith Jarrett.
“An andante cantabile, an adagio and a rondo. Essentially a concert. Of dance, however, and yet with a great soundtrack.”
Sergio Trombetta, La Stampa, 10.07.2017

A Poetry Abstraction - Eppur si muove
2021-09-10 15:00 - 18:00, 2021-09-11 15:00 - 18:00, 2021-09-12 15:00 - 18:00 | Chiostro Grande di San Paolo, Piazzetta Schiatti 7, Ferrara, 44121, Italia
ph. Jennifer Moyes
Fondazione Nazionale della Danza / Aterballetto opens its season at Contemporary Dance Festival of Teatro Comunale in Ferrara in the framework of the Interno verde Festival, where the secret gardens in town become open-air theatres.
On stage A Poetry Abstraction, creation by Diego Tortelli born in 2019 for Marina Rinaldi by Roksanda capsule, and Eppur si muove by Francesca Lattuada.
The choreographies are danced by specifically selected performers.
These performances are scheduled:

Friday 10 September h 15.00, 16.30, 18.00

Saturday 11 September h 15.00, 16.30, 18.00

Sunday 12 September h 15.00, 16.30, 18.00

A Poetry Abstraction
Choreography Diego Tortelli
Music Modulatori and Cavalcata by Daniela Savoldi, Meditation from Thaïs by Jules Massenet
Cello Daniela Savoldi
Costume design Diego Tortelli
Dancers Fabio Calvisi, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Duration 20’
Production Fondazione Nazionale della Danza / Aterballetto
Creation for the launch of Marina Rinaldi by Roksanda capsule (2019)

In the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019, I am going to draw geometric shapes and patterns through dance and body, following and connecting my work to the designer’s creations, but also from the idea of “opposites”.
I am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress, so the dancing body finds its own narrative sense in the encounter with music.
I imagine therefore an exclusive performance, where the bodies of the dancers intertwine creating plastic figures, broken lines and games of fluid geometries, but always accompanied by the harmonious and poetic sound of a young cellist, to give geometry a soul, a place, a time. Colour, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule, I am going to create an abstract poem of bodies immersed in colour.
A declaration of love to contemporary art, to what defines it: geometry, matter and poetry.
Diego Tortelli
Eppur si muove
Choreography Francesca Lattuada
Music Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)
Costume design Bruno Fatalot
Dancers Arianna Ganassi, Antonio Tafuni
Duration 12’
Production Fondazione Nazionale della Danza / Aterballetto
Wrapped in the elegant and impalpable costume of Bruno Fatalot, a dancer moves solemnly on a barrel-pedestal, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces, as impressive as a prayer song.
An im-mobile dance.
Im-mobility of the secular tree.
Soft movements, invisible to the naked eye.
The blood dripping in the veins, the heart beating.
A sensually funeral dance.
Obstinate Love.
A dance that celebrates an incessant, inexorable, ineluctable flow of the
Life.
Combination of solemnity and simplicity.
«Simplicity is complexity solved.» Constantin Brancusi

Dante Solo Inferno - Open Rehearsal
2021-09-11 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
An intricate forest, swamps and rivers with dark, stagnant water, caves, mud and stones, rains of fire, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia.

CREDITS
Choreography Monica Casadei
Music Franz Liszt, Giuseppe Verdi, Alfred Schnittke, Krzysztof Penderecki
Musical arrangements Luca Vianini
Production Compagnia Artemis Danza
In partnership with Ravenna Festival

Synopsis
In this performance, conceived to celebrate the 700th anniversary of the Poet’s death, the dancers redraw the contours of an inhospitable land, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment, the bodies are shaped in torsions, syncopes, contractures, insoluble weaves. And yet, as in Dante’s Inferno, there are traces of a decayed humanity, souls that preserve memory of themselves and their past, individualities that emerge like spots of colour in the indistinct magma, out of a desire to tell the outside observer about their lives before death.
Some of them cross the stage still wearing their worn-out earthly clothes, remnants of a nobility that is no longer worth anything, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini, Pier Della Vigna in the forest of suicides, Tiresia, Ulysses, Minos… characters that Monica Casadei chooses to investigate the human soul, in a path that from the awareness of sin goes beyond condemnation, towards compassion and acceptance of human nature. There is no lack of moments of sacredness, such as a dance by dervishes in their ample red robes, spinning moved by the wind.
Music contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie, inspired by the composer’s reading of Dante’s Commedia, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki, and the sound atmospheres of Luca Vianini.
Dante Solo Inferno is a constantly evolving journey, part of a wider project of exploration by Monica Casadei of Dante’s Inferno, which has also taken shape in her creations Ombre and Frammenti di Inferno.

COMPAGNIA ARTEMIS DANZA
Originally from Ferrara, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast, she takes to studying classic and modern dance, at first in Italy, then in London, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido.
In France, she founds the company Artemis Danza, with which she later moves to Italy, in 1997, giving birth to a fervent production activity that amounts, nowadays, to over 40 original creations.
From 1998 to 2007, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas, from 2014 up to this day, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals.
Pivotal elements in Monica Casadei’ s artistic research are the influences from different artistic, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances.
Alongside the production activity, Artemis funds, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience.
artemisdanza.com
INFO & BIGLIETTI
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.

Dante Solo Inferno
2021-09-12 20:30 - 21:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
An intricate forest, swamps and rivers with dark, stagnant water, caves, mud and stones, rains of fire, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia.

CREDITS
Choreography Monica Casadei
Music Franz Liszt, Giuseppe Verdi, Alfred Schnittke, Krzysztof Penderecki
Musical arrangements Luca Vianini
Production Compagnia Artemis Danza
In partnership with Ravenna Festival
Synopsis
In this performance, conceived to celebrate the 700th anniversary of the Poet’s death, the dancers redraw the contours of an inhospitable land, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment, the bodies are shaped in torsions, syncopes, contractures, insoluble weaves. And yet, as in Dante’s Inferno, there are traces of a decayed humanity, souls that preserve memory of themselves and their past, individualities that emerge like spots of colour in the indistinct magma, out of a desire to tell the outside observer about their lives before death.
Some of them cross the stage still wearing their worn-out earthly clothes, remnants of a nobility that is no longer worth anything, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini, Pier Della Vigna in the forest of suicides, Tiresia, Ulysses, Minos… characters that Monica Casadei chooses to investigate the human soul, in a path that from the awareness of sin goes beyond condemnation, towards compassion and acceptance of human nature. There is no lack of moments of sacredness, such as a dance by dervishes in their ample red robes, spinning moved by the wind.
Music contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie, inspired by the composer’s reading of Dante’s Commedia, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki, and the sound atmospheres of Luca Vianini.
Dante Solo Inferno is a constantly evolving journey, part of a wider project of exploration by Monica Casadei of Dante’s Inferno, which has also taken shape in her creations Ombre and Frammenti di Inferno.
COMPAGNIA ARTEMIS DANZA
Originally from Ferrara, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast, she takes to studying classic and modern dance, at first in Italy, then in London, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido.
In France, she founds the company Artemis Danza, with which she later moves to Italy, in 1997, giving birth to a fervent production activity that amounts, nowadays, to over 40 original creations.
From 1998 to 2007, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas, from 2014 up to this day, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals.
Pivotal elements in Monica Casadei’ s artistic research are the influences from different artistic, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances.
Alongside the production activity, Artemis funds, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience.
artemisdanza.com
INFO & BIGLIETTI
TICKETS
Full price: 9 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65: 6 euro
Under 8: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.

Feeling Good
2021-09-12 20:30 - 22:00 | Auditorium Fausto Melotti, Corso Bettini, 43, Rovereto, TN, 38068, Italia
Feeling Good, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer, is at Oriente Occidente Festival in Rovereto, Italy.
For this performance starring Cristian Cucco and Annemieke Mooij.
The creation, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival, as part of EBA Europe Beyond Access, co-funded by the European Union’s Creative Europe Programme, is presented on Mixed Doubles evening, along with three other duets produced by Onassis Cultural Centre (GR), Holland Dance Festival (NL), Skånes Dansteater (SE).
Feeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero.
FND/Aterballetto – Feeling Good – ph. Albert Vidal / Vèrtex Comunicació

Eppur si muove - Punch 24 - A Poetry Abstraction
2021-09-19 16:30 - 17:30, 2021-09-19 18:00 - 19:00, 2021-09-19 19:30 - 20:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
ph. Jennifer Moyes
The Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia.
On stage Eppur si muove by Francesca Lattuada, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers.
Three performances of the programme are scheduled:

h 16.30-17.30
h 18.00-19.00
h 19.30-20.30

Eppur si muove
Choreography Francesca Lattuada
Music Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)
Costume design Bruno Fatalot
Dancers Arianna Ganassi, Antonio Tafuni
Duration 12’
Production Fondazione Nazionale della Danza / Aterballetto
Wrapped in the elegant and impalpable costume of Bruno Fatalot, a dancer moves solemnly on a barrel-pedestal, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces, as impressive as a prayer song.
An im-mobile dance.
Im-mobility of the secular tree.
Soft movements, invisible to the naked eye.
The blood dripping in the veins, the heart beating.
A sensually funeral dance.
Obstinate Love.
A dance that celebrates an incessant, inexorable, ineluctable flow of the
Life.
Combination of solemnity and simplicity.
«Simplicity is complexity solved.» Constantin Brancusi
Punch 24
Choreography Roberto Tedesco
Music Not Waving
Costumes Waxman Brothers
Dancers Antonello Amati, Laila Luchetta Lovino
Duration 12’
Production Fondazione Nazionale della Danza / Aterballetto
PREMIERE
The end is the beginning and the beginning is the end.
A circle, a journey that comes to an end only after returning to its starting point, containing countless roads and suggestions.
Punch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape, the awareness that every movement, every sound, every glance can be variable and endlessly multipliable.
Punch24 is a series of independent scenes, a game of entrances and exits, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other, offering the audience the possibility to visualize each time a different performer.
The initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However, the current pandemic situation has affected my idea, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”, so to speak, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or, to be more precise, a return to a greater number of dancers.
Roberto Tedesco

A POETRY ABSTRACTION
Choreography Diego Tortelli
Music Modulatori and Cavalcata by Daniela Savoldi, Meditation from Thaïs by Jules Massenet
Cello Daniela Savoldi
Costume design Diego Tortelli
Dancers Fabio Calvisi, Vittoria Franchina, Giovanni Leone, Vanessa Loi
Duration 20’
Production Fondazione Nazionale della Danza / Aterballetto
Creation for the launch of Marina Rinaldi by Roksanda capsule (2019)

In the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019, I am going to draw geometric shapes and patterns through dance and body, following and connecting my work to the designer’s creations, but also from the idea of “opposites”.
I am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress, so the dancing body finds its own narrative sense in the encounter with music.
I imagine therefore an exclusive performance, where the bodies of the dancers intertwine creating plastic figures, broken lines and games of fluid geometries, but always accompanied by the harmonious and poetic sound of a young cellist, to give geometry a soul, a place, a time. Colour, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule, I am going to create an abstract poem of bodies immersed in colour.
A declaration of love to contemporary art, to what defines it: geometry, matter and poetry.
Diego Tortelli
Info & Tickets
TICKETS
Full price: 9 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65: 6 euro
Under 8: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.

HOME Altrove - open rehearsal
2021-09-25 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL

Home Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts, between what is here and what is elsewhere.

CREDITS
by and with Daniele Albanese
voice Eva Karczag
video and technical assistance Salvatore Insana
sound Daniela Cattivelli
light design Alessio Guerra
promotion and curatorship Francesca Divano
production Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo, Regione Emilia Romagna, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche, Teatro il Lavatoio Santarcangelo, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro), ACS Abruzzo
Synopsis
Dance as subtraction and separation, that restrains itself from freeing impulses and piling up gestures and movements, its poses shine with those things they do not produce. _ Maurizio Zanardi
Home Altrove brings into the actual context the shared creation process Elsewhere undertaken together with the historical dancer Eva Karczag and the solo project Home, transforming them into a new way of approaching the scene that carries the signs of the last year’s complex experience.
Starting from the assumption that the process behind the act of performing can be considered ‘home’ as a personal, functional and emotional archive – and therefore as a place of identity – Home Altrove explores shifting, floating languages that flow within a living, heterogeneous environment in which the boundaries – between spaces, languages and directions – are both sources of turbulence and richness.
Over the last year, the project has evolved as a result of a series of events and circumstances, leading to different possible versions on (or off) the stage.
For the debut of the theatrical version, Daniele Albanese is inviting the philosopher Maurizio Zanardi to participate in a discussion that, starting from the questions raised by the work (“In a world of constantly changing and liquid boundaries like the contemporary one, what is home?”), opens up to a wider conversation on the role of dance “in the current society of control”.
“Dance” would therefore be on the one hand the name of the unconditional, absolute gesture-step-passage, and on the other hand the scheme that, both in the dance action and in the organisation of its public use, sometimes excludes it, sometimes anticipates it, sometimes neutralises it while codifying it.
In any case, dance seems to be a practice pervaded by heterogeneous forces that are constantly bringing it into play. So how does dance come into play in today’s society of control? _ Maurizio Zanardi
DANIELE ALBANESE
Daniele Albaneseis a choreographer, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.
Since 1995, while developing his work as an independent author, he has been collaborating with many renowned artists such as Benoit Lachambre, Virgilio Sieni, Nigel Charnock, Jennifer Lacey, Enzo Cosimi, Eva Karczag.

In 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures, in search of a choreographic sign which would be precise and mutable at the same time.
His research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.
His works explore the hybrid forms that arise in the transition from a place to another, from a movement to another, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience, thus leading it to unusual dimensions of perception.
compagniastalker.com
MAURIZIO ZANARDI
Maurizio Zanardi is a philosophy expert and one of the founders of the Cronopio publishing house, for which he has edited: Le lingue di Napoli, 1994; Aporie napoletane. Sei posizioni filosofiche, 2006; La democrazia in Italia, 2011; Comunità e politica, 2011; Sulla danza, 2017. His writings on dance include: Forme radiose, in Virgilio Sieni, La ragazza indicibile, Maschietto Editore 2011; Danzare nella società di controllo, in Altri corpi / Nuove danze, edited by Andrea Porcheddu, Cue Press 2019.
INFO & BIGLIETTI
TICKETS
Full price: 3 euro
Under 6: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.

HOME Altrove
2021-09-26 20:30 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Home Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts, between what is here and what is elsewhere.
The performance will be introduced by a short lecture by the philosopher Maurizio Zanardi and will be followed by an open conversation between the philosopher and Daniele Albanese.

CREDITS
by and with Daniele Albanese
voice Eva Karczag
video and technical assistance Salvatore Insana
sound Daniela Cattivelli
light design Alessio Guerra
promotion and curatorship Francesca Divano
production Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo, Regione Emilia Romagna, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche, Teatro il Lavatoio Santarcangelo, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro), ACS Abruzzo
Synopsis
La danza come sottrazione e separazione, che si trattiene dal liberare gli impulsi, dall’ammucchiare gesti e movimenti, le cui posture risplendono piuttosto di ciò cui non danno luogo. _ Maurizio Zanardi
Home Altrove ricolloca nel contesto attuale il processo di creazione condivisa Elsewhere intrapreso insieme alla storica danzatrice Eva Karczag e il progetto solista Home, traducendosi in un nuovo modo di affrontare la scena che porti i segni della complessità del vissuto dell’ultimo anno.
A partire dal presupposto che il meccanismo sotteso all’atto performativo può essere considerato ’casa’ in quanto archivio personale, funzionale, emotivo – quindi luogo dell’identità – Home Altrove indaga forme di linguaggio mutevoli, flottanti, che fluiscono all’interno di un ambiente vivo, eterogeneo in cui il confine – tra spazi, linguaggi e direzioni – è luogo di turbolenza, di problematicità ma anche di ricchezza.
Nell’ultimo anno il progetto si è sviluppato per concatenazioni di eventi e contingenze, dando vita a diverse possibilità di traduzione sulla (o fuori dalla) scena.
In occasione del debutto della sua versione più propriamente teatrale, Daniele Albanese invita il filosofo Maurizio Zanardi a un dialogo aperto che, a partire dalle questioni sollevate dal lavoro (“In un mondo dai confini liquidi e in continuo divenire come quello contemporaneo, cos’è casa?”), si apre a un discorso più ampio sul ruolo della danza “nell’attuale società di controllo”.
“Danza” sarebbe, dunque, il nome allo stesso tempo, ma secondo due linee eterogenee, del gesto-passo-passaggio incondizionato, assoluto, e lo schema che, nell’effettuarsi stesso della danza o nella organizzazione del suo uso pubblico, ora lo esclude, ora lo anticipa, ora lo neutralizza codificandolo. In ogni caso, la danza appare come una pratica percorsa da forze eterogenee che la mettono di volta in volta in ballo. Ebbene, come entra in ballo la danza nell’attuale società di controllo? _ Maurizio Zanardi
DANIELE ALBANESE
Daniele Albaneseis a choreographer, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.
Since 1995, while developing his work as an independent author, he has been collaborating with many renowned artists such as Benoit Lachambre, Virgilio Sieni, Nigel Charnock, Jennifer Lacey, Enzo Cosimi, Eva Karczag.

In 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures, in search of a choreographic sign which would be precise and mutable at the same time.
His research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.
His works explore the hybrid forms that arise in the transition from a place to another, from a movement to another, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience, thus leading it to unusual dimensions of perception.
compagniastalker.com
MAURIZIO ZANARDI
Maurizio Zanardi si occupa di filosofia ed è tra i fondatori della casa editrice Cronopio, per la quale ha curato: Le lingue di Napoli, 1994; Aporie napoletane. Sei posizioni filosofiche, 2006; La democrazia in Italia, 2011; Comunità e politica, 2011; Sulla danza, 2017. Tra i suoi scritti sulla danza: Forme radiose, in Virgilio Sieni, La ragazza indicibile, Maschietto Editore 2011; Danzare nella società di controllo, in Altri corpi / Nuove danze, a cura di Andrea Porcheddu, Cue Press 2019.
INFO & BIGLIETTI
TICKETS
Full price: 9 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65: 6 euro
Under 8: free
PURCHASING TICKETS
In compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.
Therefore tickets cannot be booked by phone or by e-mail.
The ticket service in the Fonderia is suspended.
Tickets are not numbered.
ENTRANCE
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested and if the temperature exceeds 37.5°C, you will not be allowed to enter and you must fill in the Covid self-certification form.
In order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.
Download Covid self-certification

MICRODANZE
2021-10-09 11:00 - 18:00, 2021-10-10 11:00 - 18:00 | Acropolis Museum / EMST Museum / Stavros Niarchos Center, Athens, Grecia
MicroDanze, the complex project of the Fondazione Nazionale della Danza / Aterballetto combining dance, visual art, public art and virtual reality, premieres (as far as the “exhibition” dimension is concerned) in Athens on 9 and 10 October, at several relevant cultural venues of the city: the Greek National Opera / Stavros Niarchos Cultural Center, the Acropolis Museum and the EMST Museum.
The project is conceived by the general director and programming manager Gigi Cristoforetti, the choreographies by Norge Cedeño Raffo, Francesca Lattuada, Pietro Marullo, Fernando Melo, Angelin Preljocaj, Roberto Zappalà, Diego Tortelli, Saul Daniele Ardillo, Philippe Kratz, Ina Lesnakowski, Roberto Tedesco, Hélias Tur-Dorvault.

On the occasion of the dates in the Greek capital, the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto are joined by 9 other creations by Greek choreographers and dancers, with the artistic coordination of the Greek National Opera Ballet, directed by Konstantinos Rigos. Among the various artists involved on the Greek side are Lenio Kaklea, Cecilia Bengolea, Yiannis Nikolaidis and Rigos himself. Thus, an exhibition of 21 creations comes to life, celebrating 200 years since the 1821 revolution that led to Greek independence.
The exhibition of the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto is curated by director Fabio Cherstich.
MicroDanze, co-produced by the Fondazione Palazzo Magnani of Reggio Emilia, is part of the project An Ideal City, co-financed by the Creative Europe programme of the European Union and developed by the Fondazione Nazionale della Danza / Aterballetto in partnership with the Greek National Opera in Athens and Les Halles de Schaerbeek in Brussels.
The world premiere in Athens is supported by:
