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DTSTART;TZID=Europe/Rome:20220122T193000
DTEND;TZID=Europe/Rome:20220122T211000
DTSTAMP:20260408T181924
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
UID:10002257-1642879800-1642885800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-22/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220123T143000
DTEND;TZID=Europe/Rome:20220123T161000
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-23/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20220123T180000
DTEND;TZID=Europe/Rome:20220123T190000
DTSTAMP:20260408T181924
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LAST-MODIFIED:20220105T111301Z
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SUMMARY:ARA! ARA! - OPEN REHEARSAL
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza \n  \nOPEN REHEARSAL\nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio  \nARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \n  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/ara-ara-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T203000
DTEND;TZID=Europe/Rome:20220123T213000
DTSTAMP:20260408T181924
CREATED:20220105T102835Z
LAST-MODIFIED:20220110T161208Z
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SUMMARY:ARA! ARA!
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio \nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \nARA! ARA!is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Foundry is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ara-ara-panzetti-ticconi-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220127T180000
DTEND;TZID=Europe/Rome:20220127T213000
DTSTAMP:20260408T181924
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002309-1643306400-1643319000@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-27/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220128T180000
DTEND;TZID=Europe/Rome:20220128T213000
DTSTAMP:20260408T181924
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002310-1643392800-1643405400@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-28/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220129T180000
DTEND;TZID=Europe/Rome:20220129T213000
DTSTAMP:20260408T181924
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002311-1643479200-1643491800@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-29/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220130T180000
DTEND;TZID=Europe/Rome:20220130T213000
DTSTAMP:20260408T181924
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002312-1643565600-1643578200@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-30/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220208T210000
DTEND;TZID=Europe/Rome:20220208T214000
DTSTAMP:20260408T181924
CREATED:20211014T135755Z
LAST-MODIFIED:20211014T135837Z
UID:10002239-1644354000-1644356400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Cesena Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-28/
LOCATION:Teatro Alessandro Bonci\, Piazza Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/FND-Aterballetto-Don-Juan-ph.-Celeste-Lombardi-3-Don-Juan-Saul-Daniele-Ardillo-Tisbea-Martina-Forioso.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T180000
DTEND;TZID=Europe/Rome:20220209T190000
DTSTAMP:20260408T181924
CREATED:20220105T122314Z
LAST-MODIFIED:20220105T122927Z
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SUMMARY:NUBIVAGO - Open Rehearsal
DESCRIPTION:Equilibrio Dinamico Dance Company – Continuum – ph. Stefano Sasso \nOPEN REHEARSAL\nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, inRoberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy.\n \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n  \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220209T203000
DTEND;TZID=Europe/Rome:20220209T220000
DTSTAMP:20260408T181924
CREATED:20220105T115716Z
LAST-MODIFIED:20220110T161254Z
UID:10002293-1644438600-1644444000@www.fndaterballetto.it
SUMMARY:NUBIVAGO
DESCRIPTION:Equilibrio Dinamico Dance Company – Simple Love – ph. Stefano Sasso \n  \nNubìvago\, a term that evokes suspension and magic\, describes those who wander through their thoughts\, through the clouds of the imagination\, being fascinated by the views they can see. Those who are nubìvago do not get lost\, but take pleasure in a journey that takes place between reason and dream.\nThe sensations evoked by the word Nubìvago link\, in Roberta Ferrara‘s vision\, the three titles brought on stage by Equilibrio Dinamico: three choreographies creating cosmos\, questions\, emotions and empathy. \n  \n\n  \n  \nWALKING AND TALKING \nChoreography/Set Concept: Jiří Pokorný\nLighting design: Jiří Pokorný\nCostume design: Enzo Toma\nProduction: Equilibrio Dinamico\nDuration: 20′\nRealized during the choreographic residence “Experimental” supported by Teatro Pubblico Pugliese\, Regione Puglia -Fondi Fesr 2007-2013. \nNo journey is completed in solitude\, because thought\, never immobile\, torments our journey. An incoherent dialogue pushes\, shifts and stops the pace. The rhythm falters moment by moment. Life passes while thoughts evolve\, flow and drag us away. Can contradictions be believed in? Jiří Pokorný’s answer is yes. \n\n  \nCONTINUUM \nChoreography/set concept: Matthias Kass & Clément Bugnon\nLighting design: Matthias Kass & Clément Bugnon\nCostume design: Matthias Kass & Clément Bugnon\nDuration: 15′ \nTime is constantly invoked: ‘do you have time to talk to me’ or ‘I don’t have enough time to finish this work’. What is invoked\, however\, is merely an interval\, a window of time that circumscribes the completion of actions. Sunrise and sunset\, night and day\, follow one another without us really understanding how quickly we are running out of time. If we then look at a broader horizon\, everything becomes elusive\, and the complexity of time leaves us totally powerless. \n\n  \nSIMPLE LOVE \nChoreography/Set Concept: Roberta Ferrara\nLighting design: Roberta Ferrara\nMusical consultation: Vito Causarano\nCostume design: Franco Colamorea\nDuration: 20′ \nWinning performance at Festival InDivenire 2018 in the dance category \nBest female and best male dancer Award \nA song of lost love\, a fragile and celebratory tale. Gestures take the place of words and tell of bodies that impetuously unwind\, confront each other\, wait for each other and observe each other. A vortex\, a challenge of balances and compromises to be found with the body\, the heart and the mind. \n\nEQUILIBRIO DINAMICO \nThe Equilibrio Dinamico company was founded in Apulia in 2011 by Roberta Ferrara\, a choreographer\, in order to offer a selected group of dancers from Southern Italy the opportunity to compete in an eclectic repertoire of international standing. The openness to quality experimentation\, a painstaking and effective dramaturgical work\, define the production of Ferrara herself and of the choreographers called to collaborate with Equilibrio Dinamico. In 2014 Vincenzo Losito joined the company\, taking on the role of organisational and production manager\, and contributing to increasing the group’s international visibility. Thanks to an effective network of exchanges with Europe and Asia\, supported by the Teatro Pubblico Pugliese and\, among others\, the Italian Cultural Institutes of Cologne\, Mexico\, New York\, Athens\, Sao Paulo of Brazil\, San Francisco and Zagreb\, the company performs in countries such as the United States\, Mexico\, Singapore\, Belgium\, Germany\, Greece\, Albania\, Kosovo\, India\, Japan\, Spain\, Brazil\, ODT International – Singapore\, Korea Ballet House – Seoul\, Staatstheater Ballet Augsburg – Germany and Teatrul De Balet Sibiu – Romania. \nequilibriodinamico.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/nubivago/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/SIMPLE-LOVE4-PH@Stefano-Sasso.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220212T173000
DTEND;TZID=Europe/Rome:20220212T183000
DTSTAMP:20260408T181924
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002283-1644687000-1644690600@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-12/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2019/12/40.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220213T173000
DTEND;TZID=Europe/Rome:20220213T183000
DTSTAMP:20260408T181924
CREATED:20220105T143339Z
LAST-MODIFIED:20220105T155446Z
UID:10002284-1644773400-1644777000@www.fndaterballetto.it
SUMMARY:PATCHWORK\, UN MOSAICO DI STORIE
DESCRIPTION:  \nPatchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \n\n  \nCREDITS \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nTHE INSPIRATION \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nPatchwork\, un mosaico di storie – ph. Gianluca Bonazzi  \nTHE PLOT \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \nPatchwork\, un mosaico di storie – ph. Leon Biagi  \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie-2/2022-02-13/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220219T204500
DTEND;TZID=Europe/Rome:20220219T222500
DTSTAMP:20260408T181924
CREATED:20210928T163711Z
LAST-MODIFIED:20220105T163351Z
UID:10001816-1645303500-1645309500@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Vicenza Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-31/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VCALENDAR