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DTSTART;TZID=Europe/Rome:20240229T180000
DTEND;TZID=Europe/Rome:20240229T190000
DTSTAMP:20260403T225900
CREATED:20240123T144607Z
LAST-MODIFIED:20240418T143441Z
UID:10003237-1709229600-1709233200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL -LENA
DESCRIPTION:Lena is a performance that arises from an investigation into the gesture of pushing\, understood as a multifaceted relational gesture. \nThe object to which this research refers is the swing: an object of ancestral simplicity of which we all know the sensation and condition. An object capable of providing us with a specific and exclusive dynamic of movement. Starting from these premises and from the investigation around the swing object\, of which the playful dimension is also mentioned\, the performance focuses on the search for that gray area between play and violence\, between playful and sadistic\, between joke and spite. The push\, in its repetition\, changes meaning\, unleashes different imaginaries\, acquires new values: it is a gesture that in the relational sphere often defines roles of power and strength. \nThis research aims to investigate the different meanings that this gesture carries with it\, encapsulating them\, showing them\, and transforming them through the repetition of a dynamic. In this physical dialogue\, a mechanism of pushed and pushing bodies is composed\, a human machine made of actions and reactions\, in which the intention behind the gesture is lost and confused. \n  \nCREDITS \nThe research has developed through the exchange in the studio\, at different moments of the process\, with the performers Teodora Grano\, Chiara Luccisano\, Michael Incarbone\, Erica Bravini\, Daria Greco\, Elena Bastogi\, Luca Della CorteAnd with the Light Designer Francesco Tasselli \nPerformers Giulia Cannas\, Claudio Larena\, Marta Magini\nArtistic Consulting Sofia Naglieri\nSound Designer Lorenzo Minozzi\nLight Designer Francesco Tasselli \nProject supported by Artisti Associati; Associazione Culturale Chiasma; Fondazione Nazionale della Danza / Aterballetto \nAUTHORS \nCLAUDIO LARENA \nA young author and performer who explores the languages of installation\, dance\, and performance. After the studio debut of his first work at the RomaEuropaFestival 2020\, he continues his creative path with the conception of three new projects: -LENA; Le Spinte; Stiamo Lavorando per voi (ci scusiamo per il disagio). He trains by participating in workshops with national and international artists\, with particular attention to the performative field. His authorial projects always take different formats: urban performance and scenic writing; word performance and choreographic research. A craftsman by training\, he often questions the entity of objects\, their meanings\, and the physical\, historical\, or conceptual relationship that arises from our connection with them. \n  \nINFO & TICKETS \nTICKETS\nFull price: three euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-lena/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240302T180000
DTEND;TZID=Europe/Rome:20240302T190000
DTSTAMP:20260403T225900
CREATED:20240220T225105Z
LAST-MODIFIED:20240418T142759Z
UID:10003236-1709402400-1709406000@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - THE RED SHOES
DESCRIPTION:Open rehearsal at 6:00 PM – Performance at 8:30 PM \nDancers from the Nuovo Balletto di Toscana present The Red Shoes\, choreographed by the award-winning German choreographer Philippe Kratz\, dedicated to the homonymous fairy tale by Hans Christian Andersen. \nAs in the tale of the girl Karen and a pair of strange red shoes\, Andersen repeatedly challenges in his works the traditional dichotomy between subject and object. Kratz’s creation\, with music specially composed by Pierfrancesco Perrone\, addresses this strangely indissoluble bond\, which is not determined solely by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of goods and consumption are also reflected by dividing the scenic space in two. In contrast to the fairy tale\, which ends with the violent liberation of the protagonist from the red shoes and her redemption\, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships. \nI don’t perceive Karen as disobedient or vain\, a perspective that is emphasized in the fairy tale. Nowadays\, we are so accustomed to consuming and often see products as a means to an end\, to get noticed by others\, to relate to others\, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. In this\, she fails miserably. Yet\, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.\nPhilippe Kratz \n  \n. \n  \n  \nCREDITS \nChoreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)\nDramaturgy: Sarah Ströbele (Leipzig/Magdeburg)\nMusic: Pierfrancesco Perrone\nLights: Giulia Maria Carlotta Pastore (Light Designer)\nCostumes: Grace Lyell (Paris)\nFirst Performance: October 19\, 2023\, Teatro Sociale Di Trento\nDuration: 60 Minutes\nPerformers: Nuovo Balletto Di Toscana\, 10 dancers (Florence) \nAUTHORS \nNUOVO BALLETTO DI TOSCANA \n\n\n\n\n\n\n\nThe Nuovo Balletto Di Toscana is a strictly professional production structure\, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company\, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini\, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.\n\nFor several years\, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino\, with the representation of full-length ballets\, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola\, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro\, Fernando Cortez choreographed by Alessio Maria Romano\, and Die Fledermaus choreographed by Karl Schreiner.\n\nAt the same time\, the company has been engaged in a new creation by Arianna Benedetti\, staging the show titled Pulcinella\, Uno di Noi\, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma\, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola\, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021)\, Mario Bermùdez Gil’s Quatuor pour la fin du temps\, and Philippe Kratz’s Midnight Youth.\n\n\n\n\nPHILIPPE KRATZ \nWinner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza)\, Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan\, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián\, Nacho Duato\, David Dawson\, invited by the director of the La Scala ballet corps Manuel Legris. \n\n\n\n\n\n\nINFO & TICKETS\n“`html \nTICKETS\nFull price: three euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n“`
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-the-red-shoes/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240302T203000
DTEND;TZID=Europe/Rome:20240302T213000
DTSTAMP:20260403T225900
CREATED:20240216T192728Z
LAST-MODIFIED:20240418T142157Z
UID:10003235-1709411400-1709415000@www.fndaterballetto.it
SUMMARY:THE RED SHOES - NBDT/PHILIPPE KRATZ
DESCRIPTION:  \nOpen rehearsal at 6:00 PM – Show at 8:30 PM \nDancers from the Nuovo Balletto di Toscana present The Red Shoes\, choreographed by the award-winning German choreographer Philippe Kratz\, based on the fairy tale by Hans Christian Andersen. \nLike in the tale of the girl Karen and a pair of strange red shoes\, Andersen repeatedly challenges in his works the traditional juxtaposition between subject and object. Kratz’s creation\, with music specially composed by Pierfrancesco Perrone\, tackles this strangely unbreakable bond\, which is not only determined by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of commodities and consumption are also reflected by dividing the stage space into two. In contrast to the fairy tale\, which ends with the violent liberation of the protagonist from the red shoes and her redemption\, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships. \nI don’t perceive Karen as disobedient or vain; a perspective that is emphasized in the fairy tale. Nowadays\, we are so accustomed to consuming and often see products as a means to an end\, to be noticed by others\, to relate to others\, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. She fails miserably in this. Yet\, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.\nPhilippe Kratz \n  \n. \n  \n  \nCREDITS \nChoreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)\nDramaturgy: Sarah Ströbele (Leipzig/Magdeburg)\nMusic: Pierfrancesco Perrone\nLights: Giulia Maria Carlotta Pastore (Light Designer)\nCostumes: Grace Lyell (Paris)\nFirst Performance: October 19\, 2023\, Teatro Sociale Di Trento\nDuration: 60 Minutes\nPerformers: Nuovo Balletto Di Toscana\, 10 Danzatrici E Danzatori (Florence) \nTHE AUTHORS \nNUOVO BALLETTO DI TOSCANA \n\n\n\n\n\n\n\nThe Nuovo Balletto Di Toscana is a strictly professional production structure\, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company\, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini\, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.\n\nFor several years\, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino\, with the representation of full-length ballets\, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola\, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro\, Fernando Cortez choreographed by Alessio Maria Romano\, and Die Fledermaus choreographed by Karl Schreiner.\n\nAt the same time\, the company has been engaged in a new creation by Arianna Benedetti\, staging the show titled Pulcinella\, Uno di Noi\, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma\, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola\, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021)\, Mario Bermùdez Gil’s Quatuor pour la fin du temps\, and Philippe Kratz’s Midnight Youth.\n\n\n\n\nPHILIPPE KRATZ \nWinner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza)\, Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan\, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián\, Nacho Duato\, David Dawson\, invited by the director of the La Scala ballet corps Manuel Legris. \n\n\n\n\n\n\nINFO & TICKETS\n“`html \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-red-shoes-nbdt-philippe-kratz/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240303T160000
DTEND;TZID=Europe/Rome:20240303T170000
DTSTAMP:20260403T225900
CREATED:20240211T112341Z
LAST-MODIFIED:20240418T141323Z
UID:10003234-1709481600-1709485200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada is in Fidenza (PR)\, at the Teatro Girolamo Magnani.\nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, with which a dancer and a baritone play\, is at the heart of this new creation for children\, signed by the Fondazione Nazionale della Danza / Aterballetto. \nThe almost magical vibrations that emanate from Scialoja’s poems are like the infinite rings that form on the surface of water when a stone is thrown: evocative of unreal or hyperreal images\, carriers of a musicality that blends poetry and nursery rhyme\, making the extraordinary and frightening come together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (excerpted from La mela di Amleto) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano \nIn co-production with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-12/
LOCATION:Teatro Girolamo Magnani\, Piazza Giuseppe Verdi\, 1\, Fidenza\, PR\, 43036\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240305T180000
DTEND;TZID=Europe/Rome:20240305T190000
DTSTAMP:20260403T225900
CREATED:20240223T070110Z
LAST-MODIFIED:20240418T141007Z
UID:10003233-1709661600-1709665200@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - Puccini’s Opera. Voci di donne
DESCRIPTION:  \nCompagnia Artemis Danza\, with this new creation by Monica Casadei\, dedicates its artistic project to the contemporary representation\, investigation\, and interpretation of four captivating heroines of the Lucchese composer: Tosca\, Madama Butterfly\, Mimì \, and Turandot. \nUnderstanding Puccini’s music involves analyzing its deep relationship with the female world. A clear message from the titles chosen for his most celebrated works: Tosca\, Butterfly\, Turandot\, La Bohème. A kaleidoscope of different personalities\, a universe full of facets\, sensitivities. In the four scenes that make up Puccini’s Opera\, recognizable even without any didactic necessity\, we find Casadei’s personal interpretation of the feminine theme\, placed at the center of a process of choreographic\, visual\, and musical reinterpretation. Tragic love\, thwarted and opposed love\, cruel love that annihilates\, the desire for possession that leads to destruction\, live in the faces\, bodies\, and gestures of the Company and continue to make us reflect on the relevance of stories that have moved audiences worldwide. The creation is permeated with a poignant atmosphere\, full of tension and poetic suggestion. \nAgainst Puccini’s orchestral score\, the electronic tracks of composers Luca Vianini and Fabio Fiandrini counterpose\, creating an enveloping and at times apocalyptic sound space. A choral dance\, swollen with impulses and passions\, instinctive and at times wild\, which makes a swirling use of space and appears\, also symbolically\, visually full: solos protected by frames of ensembles in a dynamic accelerated by propulsive forces make the drama and passions of the protagonists live in the body and guts. \n  \n\n  \nCREDITS \nChoreography\, direction\, set design\, lighting\, and costumes by Monica Casadei.\nMusic by Giacomo Puccini.\nMusical elaboration by Fabio Fiandrini. \nProduction by Compagnia Artemis Danza.\nCo-produced with Fondazione Teatro Comunale di Ferrara.\nWith the support of Ministero della Cultura\, Regione Emilia-Romagna – Assessorato alla Cultura\, Comune di Parma. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and whatsapp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-puccinis-opera-voci-di-donne/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240306T180000
DTEND;TZID=Europe/Rome:20240306T190000
DTSTAMP:20260403T225900
CREATED:20240223T071358Z
LAST-MODIFIED:20240418T140711Z
UID:10003232-1709748000-1709751600@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - Corpi violati #DjOperaNoir
DESCRIPTION:Translation leaving HTML code:   \nIn CorpiViolati \, a community of bodies\, both feminine and masculine\, thrives\, thirteen in total\, bound by the memory of a wound. Whether still open or healed\, this wound reverberates on the stage in an incessant dance fueled by impulses\, instincts\, anger\, and pain\, where overwhelming group dances alternate with duets and solos\, and vulnerable bodies stand alongside violent and ruthless bodies of aggressors upon whom a veil of pity never descends\, at least until they themselves become victims. \nBorn from the search for testimonies of rape and abuse victims and from improvisational work in the studio with the dancers\, Monica Casadei constructs a performance oscillating between raw realism and poetry dictated by a possible redemption. At its core\, the victims\, too often blamed and cornered in the lengthy judicial processes faced to obtain justice\, inhabit a bare stage dominated by two defendant benches and a backdrop of gold and black damask. Antithetical colors – on one side\, the brilliance and light of gold; on the other\, the enigmatic darkness of black – create a precious tapestry of an imaginary domestic hearth where respect and love should reign. Musically\, the remixed electronic samples by Fiandrini ebb and flow within the story in melodrama and symphonic music. \n  \n\n  \nCREDITS \nChoreography\, direction\, set design\, lighting\, and costumes by Monica Casadei.\nLive Electronics by Fabio Fiandrini.\nProduction by Compagnia Artemis Danza/Monica Casadei.\nCo-produced with Festival di Danza Contemporanea Teatro Comunale di Ferrara.\nIn collaboration with Comune di Rimini and Teatro Galli.\nWith the support of Ministero della Cultura\, Regione Emilia Romagna\, and Comune di Parma. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and whatsapp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-corpi-violati-djoperanoir/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240310T190000
DTEND;TZID=Europe/Rome:20240310T203000
DTSTAMP:20260403T225900
CREATED:20240215T075139Z
LAST-MODIFIED:20240215T112350Z
UID:10003208-1710097200-1710102600@www.fndaterballetto.it
SUMMARY:YELED / SHOOT ME / RHAPSODY IN BLUE
DESCRIPTION:The Aterballetto Company arrives in the Basque Country\, in San Sebastián\, to open the Feria des Artes Escenicas with a program of three choreographies involving the entire company of 16 dancers. \nThe evening begins with Yeled by Eyal Dadon\, followed by Shoot Me by Diego Tortelli\, and concludes with Rhapsody in Blue\, the new production by Iratxe Ansa and Igor Bacovich\, debuting in February 2024. \nYELED – Eyal Dadon\nYeled\, a Hebrew word meaning “child\,” brings to the stage the reflection that Israeli choreographer Eyal Dadon \, together with the dancers of Aterballetto\, has undertaken on the moment in life when one loses the innocence of childhood. \n\n  \nSHOOT ME – Diego Tortelli\nShoot Me by the resident choreographer of CCN / Aterballetto\, Diego Tortelli\, is a frontal work that establishes a direct exchange relationship between the dancers on stage and the audience in the auditorium. A game of seduction\, gazes\,  sweat\, an assault on the senses\, and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n\n  \nRHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich\n«Rhapsody in Blue by George Gershwin holds various attractions for us. It is beautiful music\, known but perhaps not so frequently heard by newer generations. Introducing this work to the young audience is a good goal\, and it can be a way to provide a less distant and less ‘American’ vision of Gershwin\, going beyond the cultural context in which the rhapsody was created. The rhapsody will naturally dictate the choreographic work\, and the lively\, sparkling changes it offers are fantastic to play with.»– Iratxe Ansa & Igor Bacovich \n\n– \nCREDITS \nYELED \nCreation for 16 dancers of the company \nChoreography by Eyal Dadon Music by Eyal Dadon Set and lights by Fabiana Piccioli Costumes by Bregje Van Balen \nProduction by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia \nWith the contribution of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30’ \n— \nSHOOT ME \nRestaging for 16 dancers of the company \nCreation for 16 dancers of the company\nChoreography by Diego Tortelli Music by Spiritualized Costumes by Marco De Vincenzo Lights by Roman Fliegel \nProduction by Fondazione Nazionale della Danza / Aterballetto Co-production by Fondazione I Teatri di Reggio Emilia \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30’ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography by Iratxe Ansa and Igor Bacovich Music by George Gershwin\, Rhapsody in Blue; Bessie Jones\, Beggin’ the blues Set and costumes by Fabio Cherstich Lights by Eric Soyer \nProduction by Fondazione Nazionale della Danza / Aterballetto In co-production with Fondazione Teatro Regio di Parma With the contribution of Etxepare Euskal Institutua \nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-rhapsody-in-blue/
LOCATION:Victoria Eugenia Antzokia\, Argentinar Errepublika\, 2\, 20004 Donostia-San Sebastian\, Gipuzkoa\, Spagna\, San Sebastián\, 20004\, Spagna
CATEGORIES:Aterballetto,Rhapsody in Blue,Secus,Yeled
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240312T193000
DTEND;TZID=Europe/Rome:20240312T210000
DTSTAMP:20260403T225900
CREATED:20230804T134525Z
LAST-MODIFIED:20240418T140243Z
UID:10003094-1710271800-1710277200@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto dances in Bonn the triple bill Dreamers\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers  offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Ingerto the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-bonn/2024-03-12/
LOCATION:Opernhaus\, Am Boeselagerhof 1\, Bonn\, 53111\, Germania
CATEGORIES:Aterballetto,BLISS,O,Productions,Secus
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240313T193000
DTEND;TZID=Europe/Rome:20240313T210000
DTSTAMP:20260403T225900
CREATED:20230804T134525Z
LAST-MODIFIED:20240418T140243Z
UID:10003096-1710358200-1710363600@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto dances in Bonn the triple bill Dreamers\, composed of Secus by Ohad Naharin\, “O” by Philippe Kratz and BLISS by Johan Inger. \nDreamers  offers a unique opportunity to admire the company through shades of contrast\, from the joyful concert in dance by Johan Ingerto the unstoppable and hypnotic rhythm of Philippe Kratz\, to vigorous rituality of Ohad Naharin. \n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-bonn/2024-03-13/
LOCATION:Opernhaus\, Am Boeselagerhof 1\, Bonn\, 53111\, Germania
CATEGORIES:Aterballetto,BLISS,O,Productions,Secus
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/10/Fondazione-Nazionale-della-Danza-Aterballetto-Secus-by-Ohad-Naharin_ph.-Alice-Vacondio-216-57.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240313T203000
DTEND;TZID=Europe/Rome:20240313T213000
DTSTAMP:20260403T225900
CREATED:20240216T201530Z
LAST-MODIFIED:20240418T140657Z
UID:10003228-1710361800-1710365400@www.fndaterballetto.it
SUMMARY:COL TEMPO - AMBRA SENATORE
DESCRIPTION:Ambra Senatore loves to surprise and mischievously lead the audience along paths\, true or false\, with which she plays and makes fun of the spectator. As always in her choreographies\, characters take shape\, situations and stories develop. Unexpected discrepancies\, absurdity\, and distraction from reality are the main ingredients of her choreographies. Ambra Senatore wants to create amazement\, she sets out to provoke laughter. A keen observer of the human world\, she is always attentive\, being different is her second nature and she gives precise meaning to her dance. That’s why she often breaks the fourth wall\, becoming a confidant of the spectators\, playing with them and engaging them. Ten years after her first group choreography entitled Passo\, Ambra Senatore dedicates herself to a new creation with the complicity of the performers from that time. She now brings together this group of dancers\, now well-seasoned after ten years of working together\, to create a generous and open dance towards the other; a pas de quatre on being a group\, questioning existence and desiring happiness. \n \n                      \n \n \n \n \n \n \n \n \n\n\n  \nCREDITS \nCoreography Ambra Senatore with the participation of the performers\nInterpretation Caterina Basso\, Claudia Catarzi\, Matteo Ceccarelli\, Ambra Senatore \nOriginal Music Jonathan SeilmanLighting Fausto BonviniDuration 1hProduction CNN de Nantes \nCo-production Théâtre de La Ville (Paris)\, Torinodanza Festival/Teatro Stabile – Teatro Nazionale Torino \nCHOREOGRAPHY \n“We started rehearsals at the end of January 2020\, and one of the basic reasons was reflection on the creative act in the historical\, political\, and social context: a reflection also inspired by interesting encounters with scientists and philosophers with different views on the world and the present\, realized through the project Conversation\, dialogue ouvert avec la danse. Being a small community part of a much larger community\, we wondered what our desires were and how to achieve them together. Some of them can be realized on stage. And the others? Not always finding the answers\, we meanwhile played with the questions. Shortly after the start of rehearsals\, time stopped for everyone. For a long time\, compressing. Rehearsal weeks were cut in half. The desires and questions no longer had anything to do with the unexpected experience of the last few months. At the time I write these lines\, the show does not yet exist. It will exist thanks to the encounter with the spectators. Creating a show is like traveling: you prepare\, you rehearse\, but there are always many surprises and unexpected events. We are at the beginning of the journey and I do not know exactly what form it will take. Certainly\, the desire to dance and feel good together is present from the beginning\, with the hope that it will be possible on a large scale.”Ambra Senatore \nAMBRA SENATORE \nAMBRA SENATORE \n\n\n\n\n\n\n\n\nAmbra Senatore\, choreographer and performer\, director of the Centre Chorégraphique National de Nantes. Ambra Senatore’s dance is close to human beings and loves to go out and meet people and places. The choreographer creates works that speak of collectivity and create bonds between people. Relationships are at the heart of all her research. In her work\, everyday life is “observed under a magnifying glass\,” shifted and turned upside down. A lover of surprises\, cuts\, and repetitions reminiscent of cinema\, Ambra Senatore recomposes reality like a film director. In Italy\, she trained with R. Castello and R. Giordano\, with whom she soon collaborated. As a performer\, she has worked with J. C. Gallotta\, G. Rossi\, G. Lavaudant\, and A. Tagliarini. In the early 2000s\, she created pieces in collaboration while completing a doctorate in contemporary dance. In 2004\, she began writing choreographies with solos\, which she performed until 2009\, and then with group pieces\, asserting her hybrid style that combines dance\, theater\, and profound humanity. As director of the CCN in Nantes since 2016\, Ambra Senatore promotes a generous and curious style of dance (site-specific creations in public parks\, markets\, schools\, museums\, heritage sites\, train stations\, etc.)\, which she considers a means of sharing and knowing oneself and others.\nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/col-tempo-ambra-senatore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240314T203000
DTEND;TZID=Europe/Rome:20240314T213000
DTSTAMP:20260403T225900
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
UID:10003077-1710448200-1710451800@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-14/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240315T203000
DTEND;TZID=Europe/Rome:20240315T213000
DTSTAMP:20260403T225900
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
UID:10003081-1710534600-1710538200@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-15/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240316T180000
DTEND;TZID=Europe/Rome:20240316T190000
DTSTAMP:20260403T225900
CREATED:20230804T130338Z
LAST-MODIFIED:20240412T135617Z
UID:10003082-1710612000-1710615600@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-2/2024-03-16/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240317T160000
DTEND;TZID=Europe/Rome:20240317T170000
DTSTAMP:20260403T225900
CREATED:20230804T175216Z
LAST-MODIFIED:20230804T175217Z
UID:10003083-1710691200-1710694800@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Sociale di Trento. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj  sign respectively Un Jour nouveau  and Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances: \nThu 14.03 h 20.30\nFri 15.03 h 20.30\nSat 16.03 h 18.00\nSun 17.03 h 16.00 \nDiscover more about the project\n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/event/un-jour-nouveau-birthday-party-2-2/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Over Dance,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/01/FND-Aterballetto-Birthday-party-by-Angelin-Preljocaj-ph.-Christophe-Bernard-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240319T100000
DTEND;TZID=Europe/Rome:20240319T110000
DTSTAMP:20260403T225900
CREATED:20231031T152725Z
LAST-MODIFIED:20240111T152349Z
UID:10003182-1710842400-1710846000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-10/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T100000
DTEND;TZID=Europe/Rome:20240320T110000
DTSTAMP:20260403T225900
CREATED:20231031T152948Z
LAST-MODIFIED:20240111T152537Z
UID:10003183-1710928800-1710932400@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada is at Teatro Mina Mezzadri in Brescia. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-11/
LOCATION:Teatro delle Briciole\, Parco Ducale 1\, Parma\, PR\, 43125\, Italia
CATEGORIES:Productions,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240320T203000
DTEND;TZID=Europe/Rome:20240320T213000
DTSTAMP:20260403T225900
CREATED:20240216T203231Z
LAST-MODIFIED:20240419T164409Z
UID:10003227-1710966600-1710970200@www.fndaterballetto.it
SUMMARY:ONDE - SIMONA BERTOZZI/NEXUS
DESCRIPTION:  \nAffidata all’impeto energetico e all’orizzonte visionario di giovani presenze e corporeità\, Onde prende forma attraverso una pratica performativa\, coreografica e musicale che si apre al presente di corpi protesi e fluttuanti tra estasi\, guizzi animali e curvature verso l’evanescenza. Ritmo e sforzo si intrecciano con tentativi di evasione\, di attesa e sottrazione. Non c’è tempo per definire i confini delle posture\, gli equilibri sono istanti sottili e subito reclinati verso altre congiunzioni e desideri. Il dialogo tra volumi anatomici e sonori moltiplica le prospettive di incontro\, confonde le coordinate temporali e\, come il propagarsi di onde d’urto\, sfuma i contorni delle azioni individuali\, tra provenienza e proiezione. \nSegnare\, battere\, balbettare\, tendere\, risegnare\, farsi lievi ma anche irruenti\, audaci come la falena che va verso la luce anche se può bruciarla. Di The Waves\, il celebre play-poem di Virginia Woolf\, Onde incorpora la corrente continua delle immagini e la necessità di rigenerarsi nel ritmo\, tra momenti di essere e universalità dei moti percettivi. \nAdamantina è la scrittura coreografica traboccante di inventiva; si espande e indietreggia\, diviene “vortico e volteggio”\, rimanda con fantasia al mondo animale senza mai soffermarsi in posa. E allora quegli anemoni\, quelle falene\, quei granchi che ci sembra di intravedere sono forse solo vibrazione\, identità mutanti come le maree.\nMaria Luisa Buzzi\, Danza&Danza \n  \n\n \nCREDITS \nConcept and choreography Simona Bertozzi \nPerformers Arianna Brugiolo\, Rafael Candela\, Valentina Foschi \nOriginal music performed live Luca Perciballi \nLighting design Rocio Espana Rodriguez \nCostumes Vicini D’Istanti \nPhoto and video Luca Del Pia \nOrganization Miriana Erario \nPress and communication Michele Pascarella \nDuration 60’ \nProduction: Nexus\, in coproduction with Festival Danza Estate\, Operaestate Festival Veneto/CSC. With the support of MiC\, Regione Emilia Romagna\, Comune di Bologna. In collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021. Creative residencies at: CSC Centro per la scena contemporanea\, ALMASTUDIOS Bologna\, Artists in ResidenSì Bologna 2023. \nSIMONA BERTOZZI \nChoreographer\, dancer\, and performer\, Simona Bertozzi holds a degree from the Department of Arts\, Music\, and Performing Arts at the University of Bologna. One of the pioneers of the revolutions in twentieth-century choreographic art\, Loïe Fuller\, was the subject of her thesis. At a young age\, she trained in artistic gymnastics and classical dance\, then delved into the study of contemporary dance in Italy and various countries including France\, Spain\, Belgium\, and England. She has collaborated extensively as a performer\, including with choreographers Tomas Aragay (Societat Doctor Alonso-Spain) and\, from 2005 to 2010\, with Virgilio Sieni. She began her choreographic activity in 2005\, embarking on a research and production path working with professional dancers and performers\, as well as with children\, teenagers\, amateurs\, asylum seekers\, and second-generation young immigrants. Simona Bertozzi practices a dance in which choreography constitutes a territory of events\, a complex system inhabited by the body\, resulting from practices\, thoughts\, and disciplines that make creation a layered entity\, in dialogue with the present. In 2007\, she won the GD’A choreographic competition (Young Dance Authors of Emilia Romagna) and in 2008 she founded the Compagnia Simona Bertozzi | Associazione Culturale Nexus. Over the years\, her projects have received support and hospitality from important regional\, Italian\, and European circuits\, through co-productions and choreographic residencies with national and international circulation. In 2008\, she was the Italian choreographer selected for the Aerowaves festival\, The Place Theatre (London)\, and in the same year\, with the solo Terrestre\, she took part in the international Choreoroam project\, supported by the British Council/The Place\, Dansateliers/Rotterdam\, and Bassano Opera Festival. With the collective Gemelli Kessler (Simona Bertozzi\, Marcello Briguglio\, Celeste Taliani)\, she won the 2009 Electronic Choreographer award for best independent production with the video dance work: Terrestre-movement in still life. In 2012\, the collective was involved in the creation of I was wondering\, a video dance piece created for the centenary of the birth of Michelangelo Antonioni. Over the years\, important collaborations have been consolidated with artists and scholars including: Francesco Giomi artistic director of Tempo Reale\, Enrico Pitozzi and Cristiana Natali professors at the University of Bologna\, Egle Sommacal musician and guitarist of Massimo Volume\, Angela Baraldi actress and singer\, and Tabea Martin choreographer and dancer with whom she co-created This is my last dance\, a work that had significant European circulation including the Swiss Dance Days. \nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 7:30 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/onde-simona-bertozzi-nexus/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240321T203000
DTEND;TZID=Europe/Rome:20240321T213000
DTSTAMP:20260403T225900
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003085-1711053000-1711056600@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-21/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260403T225900
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003102-1711139400-1711143000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-22/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240322T203000
DTEND;TZID=Europe/Rome:20240322T213000
DTSTAMP:20260403T225900
CREATED:20230804T140207Z
LAST-MODIFIED:20230804T140207Z
UID:10003098-1711139400-1711143000@www.fndaterballetto.it
SUMMARY:Dreamers #1
DESCRIPTION:Aterballetto dances at Le Carré in Sainte-Maxime\, France\, the triple bill Dreamers #1 which highlights the eclecticism of the 16 dancers. \nThe evening opens with Shoot me\, a new creation by Diego Tortelli on the music of the rock group Spiritualized\, an abstract but tautly energetic choreography. This is followed by  “O”\, Philippe Kratz’s little masterpiece\, an hypnotic duet with an unstoppable rhythm. All 16 dancers of the company close the evening with the iconic BLISS\, a creation by choreographer Johan Inger on Keith Jarrett’s Koln Concert.
URL:https://www.fndaterballetto.it/en/evento/dreamers-1-5/
LOCATION:Le Carré\, 107 route du Plan de la Tour\, Sainte-Maxime\, 83120\, Francia
CATEGORIES:Aterballetto,BLISS,O,Productions,Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240323T190000
DTEND;TZID=Europe/Rome:20240323T200000
DTSTAMP:20260403T225900
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003103-1711220400-1711224000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-23/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240324T160000
DTEND;TZID=Europe/Rome:20240324T170000
DTSTAMP:20260403T225900
CREATED:20230804T131717Z
LAST-MODIFIED:20240412T135604Z
UID:10003104-1711296000-1711299600@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:The artistic heart of the  Over Dance project arrives on the stage of the Teatro Municipale Valli in Reggio Emilia. \nThe two renowned choreographers Rachid Ouramdane  and Angelin Preljocaj sign respectively Un Jour nouveau  and span style=”color: #d40000;”>Birthday Party and address the theme of the transformation of the body with an evening of senior performers (aged 65 to 79). \nThe body transforming with the years is a central theme in our society\, and in the sensitivity of each of us. Ageing is not a problem for the actor\, writer or visual artist: for those who dance\, however? What is the real age of the body? \nFour performances:\nThu 21.03 h 20.30\nFri 22.03 h 19.00\nSat 23.03 h 19.00\nSun 24.03 h 16.00 \n Discover more about the project \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-bolzano/2024-03-24/
LOCATION:Teatro Comunale\, Piazza Giuseppe Verdi\, 40\, Bolzano\, 39100\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240326T193000
DTEND;TZID=Europe/Rome:20240326T203000
DTSTAMP:20260403T225900
CREATED:20240119T145131Z
LAST-MODIFIED:20240119T150433Z
UID:10003193-1711481400-1711485000@www.fndaterballetto.it
SUMMARY:YELED / SECUS
DESCRIPTION:Tuesday\, March 26\, Aterballetto is back touring in Germany\, dancing at the Staatsoper in Hannover. The entire group of sixteen dancers will present Yeled and Secus\, choreographed by Israelis Eyal Dadon and Ohad Naharin. \nYeled by Eyal Dadon \n\nYeled in Hebrew means child. Can we change ourselves as adults? Can we go back to being children?\n“In the process of creation with the dancers\, I reflected on the moment in our lives\, as adults\, when we lost the feeling of being children\, the feeling of being naturally pure\, and the ability to have clean filters. When was the moment we lost our innocence and why? One of the main keys to the creation is the real things we learned as children and how these things shaped us into the people we are today.” – Eyal Dadon \nSecus by Ohad Naharin \n\nSecus boasts a musical collage that ranges from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyaar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as the suitable backdrop for a bold and extravagant choreography that unfolds before our incredulous eyes in a human alphabet made up of sprints\, solos\, crisp and clean gestures\, interrupted duets. Through precise and sudden kicks\, sinuous disarticulation of hips\, torsos bending in all directions like molding clay\, Secus expresses pure emotions and feelings without becoming sentimental.
URL:https://www.fndaterballetto.it/en/evento/yeled-secus-3/
LOCATION:Staatsoper Hannover\, Opernpl. 1\, 30159 Hannover\, Germany\, Hannover\, 30159\, Germania
CATEGORIES:Aterballetto,Secus
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240327T203000
DTEND;TZID=Europe/Rome:20240327T213000
DTSTAMP:20260403T225900
CREATED:20231108T121010Z
LAST-MODIFIED:20240111T152831Z
UID:10003184-1711571400-1711575000@www.fndaterballetto.it
SUMMARY:Un jour nouveau | Birthday Party
DESCRIPTION:  \nAfter the debut at the Teatro Municipale Valli in Reggio Emilia\, the artistic heart of the Over Dance project takes center stage at the Teatro Bonci in Cesena. \nRenowned choreographers Rachid Ouramdane and Angelin Preljocaj sign respectively Un Jour nouveauandBirthday Party\, tackling the theme of body transformation in an evening with senior performers (aged 65 to 79). \nThe aging body is a central theme in our society and in the sensitivity of each of us. Aging is not a problem for the actor\, the writer\, or the visual artist: What about for those who dance? What is the true age of the body? \n  \n Learn more about the project– \n\nThe evening is a co-production of Fondazione Nazionale della Danza/Aterballetto with Ballet Preljocaj (Aix-en-Provence)\, Chaillot – Théâtre national de la Danse (Paris)\, ERT/Teatro Nazionale (Modena)\, Fondazione I Teatri (Reggio Emilia)\, Centro Servizi Culturali Santa Chiara (Trento). \nSupporter and scientific partner: Ravasi Garzanti Foundation (Milan) \nIn partnership with Municipality of Reggio Emilia and Farmacie Comunali Riunite \nwith the support of Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea and Institut français
URL:https://www.fndaterballetto.it/en/evento/un-jour-nouveau-birthday-party-6/
LOCATION:Teatro Bonci\, Piazza Mario Guidazzi\, 8\, Cesena\, 47521\, Italia
CATEGORIES:Over Dance,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240328T210000
DTEND;TZID=Europe/Rome:20240328T220000
DTSTAMP:20260403T225900
CREATED:20240216T205549Z
LAST-MODIFIED:20241007T165139Z
UID:10003226-1711659600-1711663200@www.fndaterballetto.it
SUMMARY:DECISIONE CONSAPEVOLE - ROBERTO TEDESCO / Körper
DESCRIPTION:  \nUna mappa concettuale pensata per guidare le sessioni di improvvisazione.\nEcco cosa è stata finora Decisione Consapevole.\nMa se usassimo la mappa come se fosse un vero e proprio schema da seguire per creare un lavoro coreografico che vedrà quattro danzatori alle prese con le loro decisioni? Uno spazio vuoto a disposizione da riempire e svuotare attraverso la consapevolezza di ogni singolo interprete. Il rispetto del gusto gioca un ruolo fondamentale per far sì che il tutto risulti omogeneo e che le diverse personalità siano vestite da un unico abito.\nL’abito veste gli interpreti di specifiche qualità e atteggiamenti\, ritmi e modi minuziosamente studiati. L’abito pone limiti che comprendono però infinite libertà. L’abito è tutto ciò che esorta alla decisione. Forse allora è l’abito la stessa consapevolezza?\nIsolamento\, intimità\, comunicazione\, comunità sono le quattro parole chiave. Sebbene queste vadano a restringere il cerchio e a rendere la decisione dell’interprete meno variegata e più rispettosa\, infinite sono ancora le possibilità che ogni singola parola suggerisce.\nLe decisioni totalmente consapevoli dei danzatori sulla parola chiave da scegliere per proporre la propria azione nello spazio costituirà la costruzione della scena\, decisioni che possono sì esistere singolarmente ma anche e soprattutto convivere con tutte le altre. \n  \n\nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/decisione-consapevole-roberto-tedesco-korper/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240405T190000
DTEND;TZID=Europe/Rome:20240405T203000
DTSTAMP:20260403T225900
CREATED:20240319T160845Z
LAST-MODIFIED:20240418T140048Z
UID:10003225-1712343600-1712349000@www.fndaterballetto.it
SUMMARY:Book presentation "Se danzare non mi basta" by Cristina Bozzolini.
DESCRIPTION:  \nVENERDÌ 5 APRILE\, ALLE ORE 19.00\, IN FONDERIA\, IN COLLABORAZIONE CON NARDINI EDITORE\, PRESENTIAMO IL LIBRO SE DANZARE NON MI BASTA DI CRISTINA BOZZOLINI. CON L’EVENTO RICORDIAMO SILVIA POLETTI\, GIORNALISTA\, CRITICA\, CONSULENTE ARTISTICA INTERNAZIONALE PER LA DANZA\, CURATRICE DELL’OPERA.\n\n\n\n\n\n\nIf Dancing Is Not Enough traces the career and life of Cristina Bozzolini\, offering a glimpse into the international dance world\, the political and social climate of her beloved Florence\, and the artistic experiments with Aterballetto. A book written and curated by women\, tireless professionals and leading figures in the field\, addressing struggles for culture and the affirmation of women and artists in society. \nAmong its pages flow the memories of a major protagonist in Italian dance and the artistic expressions that are part of it: from the 1960s when she was Prima Ballerina of the Ballet Company of the Florence May Music Festival\, to the memorable performances alongside artists such as Nureyev\, Fracci\, Baryshnikov\, to the founding of the Center for Dance Studies\, to the establishment of the Balletto di Toscana\, to the direction of Aterballetto\, a national excellence. The common thread of her professional and life experience is the struggle for the affirmation of civil rights and for a just society\, in which cultural education must be the engine for development. \nThe meeting is hosted by Maria Luisa Buzzi\, editor-in-chief of the magazine Danza&Danza\, and includes interventions by choreographers and dancers who had Cristina as their director and mentor\, such as the award-winning Philippe Kratz. \nAt the end of the presentation\, the dancers of Compagnia Aterballetto will offer the audience a dance surprise. \nFree admission with reservation (whatsapp 3341023554 | info@aterballetto.it) until seats are filled.\nBar service available from 18:00. \nDuring the meeting\, it will be possible to purchase the book\, and Cristina Bozzolini will be available to sign copies. \nIf Dancing Is Not Enough can be purchased here.
URL:https://www.fndaterballetto.it/en/evento/book-presentation-se-danzare-non-mi-basta-by-cristina-bozzolini/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Season,Season January - June 2024
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240407T160000
DTEND;TZID=Europe/Rome:20240407T171500
DTSTAMP:20260403T225900
CREATED:20230804T141145Z
LAST-MODIFIED:20240412T134759Z
UID:10003100-1712505600-1712510100@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:La Compagnia Aterballetto è in scena sul palcoscenico del Teatro Municipale di Piacenza con un inedito trittico di coreografie: Alpha Grace di Philippe Kratz\, “O” di Philippe Kratz e Bliss di Johan Inger. \nAlpha Grace\, di Philippe Kratz (Premio Danza&Danza 2019 ‘Miglior Coreografo’)\, ha debuttato nel 2021 a Operaestate Festival di Bassano del Grappa e ha come oggetto l’empatia intesa come percezione di noi stessi in relazione a chi ci sta accanto. Il duo “O” ci propone due corpi / automi\, che ci obbligano a interrogarci su come potrebbe mutare il senso del contatto fisico: resterà emotivo e sentito\, o diventerà seriale e alienato? BLISS è uno dei cavalli di battaglia della compagnia\, firmato dal pluripremiato coreografo svedese Johan Inger. La coreografia\, accompagnata dalle note del celebre e iconico Köln Concert di Keith Jarrett\, è un vero e proprio inno alla gioia di danzare. L’euforia degli interpreti è un piacere alla vista\, così contagiosa e potente che dal 2016 continua ammaliare ad ammaliare i teatri di tutto il mondo. \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/storie-piacenza/
LOCATION:Teatro Municipale\, via Giuseppe Verdi\, 41\, Piacenza\, 29121\, Italia
CATEGORIES:Aterballetto,BLISS,O,Productions,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240412T210000
DTEND;TZID=Europe/Rome:20240412T210000
DTSTAMP:20260403T225900
CREATED:20240324T104940Z
LAST-MODIFIED:20240412T134646Z
UID:10003224-1712955600-1712955600@www.fndaterballetto.it
SUMMARY:MELTING POT 0116 - ROBERTO ZAPPALÀ / PREMIERE
DESCRIPTION:Melting Pot 0116 is a work that\, as the title suggests\, brings together in an original composition fragments of various creations realized over time by Roberto Zappalà. In particular\, sequences from 74bpm from I am beautiful (2016)\, 24 préludes (2007)\, and Mediterraneo (2001) – all productions for his company – are included\, along with I’m a good cook. Spaghetti anybody?\, a creation made in 2004 for the Swedish company Norrdans\, and sud-virus\, commissioned by the Goteborg Ballet in 2011. Within this interweaving of choreographies that have marked his creative journey\, the choreographer will create a new section\, specifically conceived for this production. \nThe main idea is to emancipate the work\, constantly questioning it through new choreographic interventions designed for the dancers of the moment: an ever-evolving melting pot. \n“In addition to developing new parts\, some scenes from old works have been recovered and reworked\, bringing a new and fresh gesturality\, the result of renewed physical confrontation. Visionary images\, interrupted spaces\, poetic gestures to traverse a path made of gestural measure but also of its opposite. A summary born a few years ago but which with each reprisal is drained of the past and flooded with the future” – Roberto Zappalà \n  \n\n  \nCREDITS \nDirection and Choreography: Roberto Zappalà\nMusic: Johann Sebastian Bach\, Puccio Castrogiovanni\, Frédéric Chopin\, Lautari\, Gustav Mahler\, Salvo Farruggio\, Giovanni Sollima\nArtistic Coordination: Silvia Oteri and Fernando Roldan Ferrer\nPerformers: Benedetta Agostinis\, Giulia Berretta\, Siria Cacco\, Melania Caggegi\, Andrea Rachele Bruno\, Laura Finocchiaro\, William Mazzei\, Paola Tosto\, Alessandra Verona\nSet\, Lighting\, and Costumes: Roberto Zappalà\nCostume Production: Majoca\nTechnical Direction: Sammy Torrisi\nTour Management: Federica Cincotti\nGeneral Management: Maria Inguscio \nA co-production by Scenario Pubblico|Compagnia Zappalà Danza-Centro di Rilevante Interesse per la Danza and Menhir/Le danzatrici en plein air –\nIn collaboration with Asti Teatro Festival and Centro Coreografico Nazionale/Aterballetto – with the support of MiC Ministry of Culture and Sicilian Region Department of Tourism\, Sports and Entertainment \nWORLD PREMIERE April 12\, 2024 Centro Coreografico Nazionale/Aterballetto \nBIOS \nCOMPAGNIAZAPPALÀDANZA2 \nThe compagniazappalàdanza2 is composed of dancers selected from the MoDem PRO program\, a valuable pool from which the company itself has drawn over the years for its members. \nFrom 2023\, a new chapter begins for CZD2. The main goal will be to focus on preserving the repertoire of Compagnia Zappalà Danza. \nThe reflection that Roberto Zappalà has been carrying forward for some time will find concreteness in the learning\, development\, and finally in the staging of the great\, medium\, and small historical productions of the choreographer’s repertoire. \nThe importance of repertoire in the context of dance at a national and international level is a theme that Zappalà has been dedicated to for many years. This dedication concerns not only the preservation of his own works but is aimed at all contemporary choreography\, which over time has proven to be a tool for research and authentic representation of the thought of each choreographer. \nIn recent years\, CZD2 has demonstrated remarkable maturity and has been constantly enriched by the presence of dancers from the new generations\, possessing excellent technical qualities as well as creative sensitivity\, with a strong predisposition to the MoDem language\, which represents the essence of Roberto Zappalà’s poetics. It is precisely these qualities that now lead CZD2 to take on the important task of preserving and keeping alive the choreographer’s repertoire. \nRoberto Zappalà \nRoberto Zappalà is the artistic director and choreographer of Compagnia Zappalà Danza\, which he founded in 1990 in Catania. He has created over 80 productions exclusively for his company\, mostly full-length works. His creations “A.semu tutti devoti tutti?” (2009\, reprised in 2019) and “La Nona-dal caos\, il corpo” (2015) received the Danza&Danza Italian Production of the Year Award. \nArticulated projects have accompanied the creative journey of the Catania-born choreographer\, from ‘re-mapping-sicily\,’ an unpublished reinterpretation of Sicily through his personal language\, to ‘Transiti Humanitatis\,’ with which he continues to narrate humanity through gestures and the body\, their history\, their transformation over time and space\, or conversely their immutable permanence. \nHe has collaborated with various companies\, including Balletto di Toscana\, the Ballet School of Teatro alla Scala in Milan\, Norrdans (S)\, ArtEZ Arnhem (NL)\, Fondazione Theaterwerkplaats Generale Oost (NL)\, Goteborg Ballet/Opera di Goteborg (S). In 2011\, he created the choreography for the opening ceremony of the Fencing World Championships. In 2016\, he curated the project Insieme – Parata Urbana for Torinodanza and the Défilée of the Lyon Biennale. \nHe has collaborated with opera directors such as Federico Tiezzi\, Daniele Abbado\, and Giorgio Barberio Corsetti\, and with international artists including Giovanni Sollima\, Paolo Fresu\, Fabio Vacchi\, Puccio Castrogiovanni\, Vincenzo Pirrotta\, Luca Ballerini\, Alfio Antico\, Gianluigi Trovesi\, Nello Toscano\, and others. \nWith Christian Graupner (Humatic\, Berlin)\, he created the interactive installation “MindBox\,” which won second prize at the Guthman Musical Instrument Competition (Atlanta/USA 2011). La Malcor D’ published his book Omnia Corpora on the methodology of his work. \nRoberto Zappalà is responsible for the recovery and conception of Scenario Pubblico in Catania\, inaugurated in 2002\, the headquarters of Compagnia Zappalà Danza and a rare example in Italy of a choreographic center. In 2015\, Scenario Pubblico|Compagnia Zappalà Danza was recognized as a National Dance Production Center by MiC and in 2022 received an upgrade to C.R.I.D. (Center of Relevant Interest for Dance). \nHis choreographic style\, after years of movement research with his dancers\, has become a language with its own well-defined and unique identity called MoDem Democratic Movement. Every year\, Roberto Zappalà selects a group of dancers from the MoDem Pro program who merge into CZD2 compagniazappalàdanza2. \nRoberto Zappalà is an associated artist of the MilanOltre festival for the 2022-2024 triennium. Among the numerous awards received\, he received the National Association of Theater Critics Award (2013) and the Hystrio Award ‘corpo a corpo’ (2022). \nINFO & TICKETS \nTICKETS \nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/melting-pot-0116-roberto-zappala-premiere/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240413T160000
DTEND;TZID=Europe/Rome:20240413T180000
DTSTAMP:20260403T225900
CREATED:20240410T065051Z
LAST-MODIFIED:20240412T134259Z
UID:10003223-1713024000-1713031200@www.fndaterballetto.it
SUMMARY:RHAPSODY IN BLUE
DESCRIPTION:Terme di Caracalla \nSaturday\, April 13\, 2024\, at 4:00 PM and 5:30 PM \nAccess to the performance is included with the purchase of the entrance ticket to the site \nAfter over a thousand years\, water\, the foundational and vital element of all thermal facilities\, returns to the Terme di Caracalla with the Water Mirror: a contemporary architectural intervention promoted by the Soprintendenza Speciale di Roma\, directed by Daniela Porro. \nThe project\, born from the collaboration of Mirella Serlorenzi\, site director\, with architect Hannes Peer\, evokes the suggestions of the thermal environments with mist\, jets\, and light effects that will evoke the ancient Baths. Added to this is the element of the reflection of the archaeological architecture in the Water Mirror\, which invites contemplation in parallel with the immersive experience. \nOn Saturday\, April 13\, at 4:00 PM\, the Aterballetto Company will perform at Caracalla for the inauguration of the Water Mirror. On this occasion\, the Roman premiere of Rhapsody in Blue\, choreographed by Iratxe Ansa and Igor Bacovich for the centenary of George Gershwin’s composition\, will be presented. \nThe show\, realized in collaboration with Electa and scheduled at the Terme di Caracalla thanks to an initial idea by Cristiano Leone\, artistic consultant for cultural activities at the site\, will be presented in a double performance\, at 4:00 PM and at 5:30 PM. Access to the performance is included with the entrance ticket to the site. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue/
LOCATION:Terme di Caracalla\, Viale delle Terme di Caracalla n.52\, Roma\, Roma\, Roma\, 00153\, Italia
CATEGORIES:Aterballetto,Rhapsody in Blue
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240416T203000
DTEND;TZID=Europe/Rome:20240416T213000
DTSTAMP:20260403T225900
CREATED:20240119T161519Z
LAST-MODIFIED:20240412T134206Z
UID:10003195-1713299400-1713303000@www.fndaterballetto.it
SUMMARY:Rhapsody in Blue / Another Story / Bliss
DESCRIPTION:The Aterballetto Company is on stage at the Modena Municipal Theater with a new triptych of choreographies: Rhapsody in Blue by Iratxe Ansa and Igor Bacovich\, Another Story by Diego Tortelli\, and Bliss by Johan Inger. \nRhapsody in Blue is a brand-new creation by Iratxe Ansa and Igor Bacovich set to the music of George Gershwin’s eponymous composition. Another Story by Diego Tortelli\, premiered in 2021 in Rovereto\, tells the story of the most feared and desired gesture of 2020\, a year marked by a global epidemic: the hug\, set to the music of the English rock band Spiritualized. BLISS is one of the company’s flagship works\, created by the award-winning Swedish choreographer Johan Inger. Accompanied by the notes of Keith Jarrett’s famous and iconic Köln Concert\, the choreography is a true celebration of the joy of dancing. The euphoria of the performers is a pleasure to behold\, so contagious and powerful that since 2016 it continues to captivate theaters around the world. \n\n– \n\n–
URL:https://www.fndaterballetto.it/en/evento/alpha-grace-another-story-rhapsody-in-blue/
LOCATION:Teatro Comunale Modena\, Via del Teatro\, 8\, Modena\, 41121\, Italia
CATEGORIES:Another Story,Aterballetto,BLISS,Rhapsody in Blue
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