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DTSTART;TZID=Europe/Rome:20230526T210000
DTEND;TZID=Europe/Rome:20230526T220000
DTSTAMP:20260403T215641
CREATED:20230502T102242Z
LAST-MODIFIED:20230601T123305Z
UID:10002978-1685134800-1685138400@www.fndaterballetto.it
SUMMARY:SOAC
DESCRIPTION:WORLD PREMIERE with live music\nThe outcome of an event depends on several variables\, the behaviour of which cannot always be predicted with total precision. There is always a margin for error\, a space for chaos. Because sometimes a small difference generates an effect of great proportions. \nCREDITS \nA performance by Federica Galimberti and Cristiano Buzzi \nMusician: Giuseppe Franchellucci \nDancers: Carlos Kamizele\, Simone Panzera\, Matteo Passero\, Filippo Tonini \nProduction: KC Dance Company \nINFO & TICKETS \nTICKETS \nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Foundry is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/soac/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T150000
DTEND;TZID=Europe/Rome:20230527T160000
DTSTAMP:20260403T215641
CREATED:20230501T181433Z
LAST-MODIFIED:20230601T123627Z
UID:10002979-1685199600-1685203200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-4/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230527T173000
DTEND;TZID=Europe/Rome:20230527T183000
DTSTAMP:20260403T215641
CREATED:20230501T181831Z
LAST-MODIFIED:20230601T124019Z
UID:10002980-1685208600-1685212200@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:EVENT WITHIN REGGIONARRA 2023\n \n/ New performance for families with a dancer and a singer / \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \nTICKETS\n3 euro \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-5/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230530T210000
DTEND;TZID=Europe/Rome:20230530T223000
DTSTAMP:20260403T215641
CREATED:20230502T103400Z
LAST-MODIFIED:20230601T124549Z
UID:10002981-1685480400-1685485800@www.fndaterballetto.it
SUMMARY:Made in Italy 29.0
DESCRIPTION:The protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 29.0 with choreographies by Enrico Morelli and Ivan Alboresi. \nAGORA COACHING PROJECT\nAGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands coming from this same market. \nThe aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli\, technical\, cultural and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies\, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work\, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles. \nArtistic direction: Michele Merola and Enrico Morelli \nDancers: Camilla Aiazzi\, Corrado Azzollini\, Beatrice Ballarò\, Erica Barusco\, Gaia Belli\, Marek Brafa\, Anna Dal Maso\, Laura Dell’Agnese\, Sally Demonte\, Pietro Di Salvo\, Vittoria Facci\, Chiara Gionti\, Luca Guerrieri\, Sofia Lacava\, Carlotta Lo Piano\, Erika Loprieno\, Giulia Lusetti\, Gioele Marcante\, Carlotta Maucioni\, Marta Monaci\, Federico Musumeci\, Carmine Olivazzi\, Martina Pagliari\, Martina Procacci\, Emily Rondanini\,Susanna Russing\, Alessia Russo\, Alessio Saccheri\, Viviana Sanfilippo\, Sara Scarponi\, Micol Scotto\, Diletta Suman\, Giorgia Talami\, Gennaro Todisco\,Diletta Torelli \nDIMORA DELL'ANIMA \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Travis Lake\, Joep Beving\nCostumes Nuvia Valestri \nIvan Alboresi’s new choreography for Agora Coaching Project is developed on the ‘breathing’ of bodies and on the attention to touching and caring for the other. The study made with the young dancers of the course is understood as an act of connection between the choreographer’s poetics of movement and the outcome of the transmission on the different bodies of the performers. \nThrough the exchange of energy and mutual support\, choreographic actions based on the interplay of mutual support between bodies and souls\, proximity and absence\, are constructed. In creating the choreographic score\, the starting point was memory and the desire to return the gesture of supporting the other\, thinking of the body as an infinite\, inexhaustible source of memories\, fragility and compassion. The performers establish a visible dialogue between their physical strengths and the importance of their gazes and their sensitive touch\, changing the perspective of seeking each other out. The audience\, freely observing the choreographic action\, crosses and crosses musical and choreographic suggestions\, developing a perceptive and subjective reading. \nTHE RITE OF SPRING (2011) \nChoreography Enrico Morelli\nMusic Igor Stravinsky\nCostumes Nuvia Valestri\nChoreography Assistant Annalisa Perricone \nOn 29 May 2013\, Igor Stravinsky’s Le Sacre du Printemps turned one hundred years old and the entire dance world remembered and celebrated this event. After the scandal it caused at its debut\, with the first version of the choreography\, created in Paris by Vaslav Nijinsky for Diaghilev’s Ballets Russes\, the score has become well known\, and recognisable at the first beat. Le Sacre is inspired by an ancient Slavic legend\, according to which every spring a virgin had to be ritually sacrificed so that the earth could flourish again. \nIn his interpretation of Le Sacre\, Morelli approaches this score with profound respect.\nIn the resulting staging\, a facet of the frantic dynamism of our time is reflected. To combat old and new fears\, and to exorcise the evil of living that accompanies the present\, every opportunity is good to find a scapegoat.\nIn Enrico Morelli’s directorial choice\, on the bare stage\, as the only element\, lugubrious slaughterhouse hooks emerge from the darkness and loom from the ceiling. They are as many swords of Damocles\, a stern warning inviting us to look back to the past\, to the times of terror and death when so many men were sent to the slaughterhouse\, considered ‘numbers’ without identity or dignity. \nThe assumption of the choreography is all here: as long as human beings sacrifice their fellow human beings to the violence of blind cannibalism\, and do not choose the path of respect for others\, the light of culture and the clarity of reason will not prevail. Then\, forever and ever\, each individual will only be able to think and want the evil of others\, to eliminate anyone who stands in the way of the fulfilment of his desires. Everyone will have in his neighbour an enemy. From this will result war of all against all\, with no more right or wrong. Thus the animal man will be condemned to remain Homo homini lupus. \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-29-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230609T213000
DTEND;TZID=Europe/Rome:20230609T223000
DTSTAMP:20260403T215641
CREATED:20230607T071359Z
LAST-MODIFIED:20230619T165537Z
UID:10002983-1686346200-1686349800@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:Aterballetto performs Storie in Abano Terme. \nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-abano-danza/
LOCATION:Teatro Parco Magnolia\, Via A. Volta\, 20\, Abano Terme\, PD\, 35031
CATEGORIES:Aterballetto,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230623T190000
DTEND;TZID=Europe/Rome:20230623T193000
DTSTAMP:20260403T215641
CREATED:20230607T105322Z
LAST-MODIFIED:20230619T164556Z
UID:10002985-1687546800-1687548600@www.fndaterballetto.it
SUMMARY:Preludio
DESCRIPTION:Preludio by Diego Tortelli is in Scandicci for Nutida festival. \n“Preludio” is a creation for five performers\, a love letter from the choreographer to the body\, a profane prayer built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave. \n\n\nFND/Aterballetto – Preludio – ph. Claudio Montanari
URL:https://www.fndaterballetto.it/en/evento/preludio/
LOCATION:Giardino Pomario del Castello dell’Acciaiolo\, via Pantin 63\, Scandicci\, FI\, 50018\, Italia
CATEGORIES:Aterballetto,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230712T193000
DTEND;TZID=Europe/Rome:20230712T211500
DTSTAMP:20260403T215641
CREATED:20230616T091851Z
LAST-MODIFIED:20230616T094119Z
UID:10002987-1689190200-1689196500@www.fndaterballetto.it
SUMMARY:Défilé - excerpts from Shoot me
DESCRIPTION:Aterballetto dances in Piazza Prampolini\, in Reggio Emilia\, within Restate 2023\, the the cultural summer programme by Comune di Reggio Emilia and Fondazione Palazzo Magnani. \nIn front of the city’s cathedral\, the company’s 16 dancers present Défilé\, performance created for the occasion from excerpts of Shoot me by Diego Tortelli on music of the British rock band Spiritualized. \nPerformance times: 19.30 / 20.15 / 21.00 \nFree admission \nInfo: whatsapp 3341023554\ninfo@aterballetto.it\nFND/Aterballetto – Shoot me – ph. Claudio Montanari
URL:https://www.fndaterballetto.it/en/evento/defile-excerpts-from-shoot-me/
LOCATION:Piazza Prampolini\, Reggio Emilia\, Italia
CATEGORIES:Aterballetto,Productions,Shoot me
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230721T220000
DTEND;TZID=Europe/Rome:20230721T233000
DTSTAMP:20260403T215642
CREATED:20230619T165335Z
LAST-MODIFIED:20230619T165335Z
UID:10002989-1689976800-1689982200@www.fndaterballetto.it
SUMMARY:STORIE
DESCRIPTION:Aterballetto performs Storie at Armonie d’Arte Festival in Borgia\, near Catanzaro. \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-8/
LOCATION:Parco Archeologico Nazionale di Scolacium\, Via Scylletion\, 1\, Borgia\, CZ\, 88021\, Italia
CATEGORIES:Aterballetto,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230727T210000
DTEND;TZID=Europe/Rome:20230727T223000
DTSTAMP:20260403T215642
CREATED:20230323T115058Z
LAST-MODIFIED:20230329T160153Z
UID:10002943-1690491600-1690497000@www.fndaterballetto.it
SUMMARY:DON JUAN
DESCRIPTION:At the Arena Sferisterio in Macerata Aterballetto dances Don Juan\, the full evening signed by Johan Inger. \nFor the Macerata Opera Festival the company will dance with the live music played by FORM-Orchestra Filarmonica Marchigiana and directed by the baton of  Manuel Coves. \nThe choreography stems from Inger’s desire to confront Don Juan\, an ancient and still contemporary paradigmatic myth. The original play by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character. \nIn the creation we find all the characters in the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasize nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, and subtly but clearly reveals the inner worlds of the men and women on stage. \nDanza&Danza ‘Best Production’ Award 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-42/
LOCATION:Arena Sferisterio\, Piazza Nazario Sauro\, 2\, Macerata\, MC\, 62100\, Italia
CATEGORIES:Aterballetto,Don Juan,Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230908T210000
DTEND;TZID=Europe/Rome:20230908T223000
DTSTAMP:20260403T215642
CREATED:20230628T154535Z
LAST-MODIFIED:20230628T154535Z
UID:10002991-1694206800-1694212200@www.fndaterballetto.it
SUMMARY:Yeled - Shoot me
DESCRIPTION:Aterballetto starts its 2023/24 season by opening the prestigious festival Le temps d’aimer la danse in Biarritz. \nOn stage YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-6/
LOCATION:Théâtre de la Gare du Midi\, 23 Av. du Maréchal Foch\, Biarritz\, Francia
CATEGORIES:Aterballetto,Productions,Shoot me,Yeled/Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230909T113000
DTEND;TZID=Europe/Rome:20230909T193000
DTSTAMP:20260403T215642
CREATED:20230629T110728Z
LAST-MODIFIED:20230829T103625Z
UID:10002998-1694259000-1694287800@www.fndaterballetto.it
SUMMARY:Yes\, Yes... | SoaC
DESCRIPTION:Once again this season the Fondazione Nazionale della Danza / Aterballetto is a guest of the Festival di Danza Contemporanea | Interno Verde Danza\, an event organized by the Teatro Comunale ‘Claudio Abbado’ in Ferrara and the Interno Verde festival. \n9 -10 September 2023 | h 12:00 – 17:00 – 18:30 | running time 1 ora \nIn the Renaissance halls of Palazzo Schifanoia\, dancers Edoardo Brovardi and Vittoria Franchina will recreate the atmosphere of Andy Warhol’s legendary ‘Factory’ through  Yes\, Yes… by Diego Tortelli. \n\nIn addition to this performance is SoaC by Federica Galimberti (who also directs) and Cristiano Buzzi (Kris)\, to music by Bach\, Tommaso Ussardi and Giuseppe Franchellucci\, who will play them on the cello.\n2 extraordinary dancers use the hip hop technique in its countless declinations to create a poetic and powerful performance. The choreography is a co-production with Orchestra Senzaspine. \n \n 
URL:https://www.fndaterballetto.it/en/evento/yes-yes-soac/2023-09-09/
LOCATION:Palazzo Schifanoia\, via Scandiana\, 23\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T113000
DTEND;TZID=Europe/Rome:20230910T193000
DTSTAMP:20260403T215642
CREATED:20230629T110728Z
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UID:10002999-1694345400-1694374200@www.fndaterballetto.it
SUMMARY:Yes\, Yes... | SoaC
DESCRIPTION:Once again this season the Fondazione Nazionale della Danza / Aterballetto is a guest of the Festival di Danza Contemporanea | Interno Verde Danza\, an event organized by the Teatro Comunale ‘Claudio Abbado’ in Ferrara and the Interno Verde festival. \n9 -10 September 2023 | h 12:00 – 17:00 – 18:30 | running time 1 ora \nIn the Renaissance halls of Palazzo Schifanoia\, dancers Edoardo Brovardi and Vittoria Franchina will recreate the atmosphere of Andy Warhol’s legendary ‘Factory’ through  Yes\, Yes… by Diego Tortelli. \n\nIn addition to this performance is SoaC by Federica Galimberti (who also directs) and Cristiano Buzzi (Kris)\, to music by Bach\, Tommaso Ussardi and Giuseppe Franchellucci\, who will play them on the cello.\n2 extraordinary dancers use the hip hop technique in its countless declinations to create a poetic and powerful performance. The choreography is a co-production with Orchestra Senzaspine. \n \n 
URL:https://www.fndaterballetto.it/en/evento/yes-yes-soac/2023-09-10/
LOCATION:Palazzo Schifanoia\, via Scandiana\, 23\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T180000
DTEND;TZID=Europe/Rome:20230910T193000
DTSTAMP:20260403T215642
CREATED:20230629T094811Z
LAST-MODIFIED:20230629T094811Z
UID:10002993-1694368800-1694374200@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:After the opening performance on 8 September\, Aterballetto dances again within the prestigious Le Temps d’Aimer la Danse festival in Biarritz. \nOn 10 September\, the company will show its talent for ubiquity and dance Storie in two different theatres\, near Biarritz\, at the same time: \nSaint-Pée-sur-Nivelle\, Espace Culturel Larreko || Errenteria – Pays Basque Sud\, Lekuona Fabrika \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-9/
LOCATION:Espace Culturel Larreko\, Place Xan Ithourria\, Saint-Pée-sur-Nivelle\, 64310\, Francia
CATEGORIES:Aterballetto,O,Productions,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230910T200000
DTEND;TZID=Europe/Rome:20230910T213000
DTSTAMP:20260403T215642
CREATED:20230629T101922Z
LAST-MODIFIED:20230804T155944Z
UID:10002995-1694376000-1694381400@www.fndaterballetto.it
SUMMARY:Storie
DESCRIPTION:After the opening performance on 8 September\, Aterballetto dances again within the prestigious Le Temps d’Aimer la Danse festival in Biarritz. \nOn 10 September\, the company will show its talent for ubiquity and dance Storie in two different theatres\, near Biarritz\, at the same time: \nSaint-Pée-sur-Nivelle\, Espace Culturel Larreko || Errenteria – Pays Basque Sud\, Lekuona Fabrika \n\nStorie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz. \nTortelli creates two pieces: Preludio\, opening the evening\, is a love letter to the body for five dancers on the music of Nick Cave\, Another story is a duet on the impossible gesture of 2020\, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots\, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt\, or will it become serial and alienated?\nAlpha Grace\, a six-step in the evening’s conclusion\, is a reflection on empathy\, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times. \n 
URL:https://www.fndaterballetto.it/en/evento/storie-10/
LOCATION:Lekuona Fabrika\, Ugarritza Etorbidea\, 1\, Errenteria\, 20100\, Francia
CATEGORIES:Aterballetto,O,Productions,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230926T180000
DTEND;TZID=Europe/Rome:20230926T190000
DTSTAMP:20260403T215642
CREATED:20230919T152854Z
LAST-MODIFIED:20230919T152854Z
UID:10003248-1695751200-1695754800@www.fndaterballetto.it
SUMMARY:BLISS / MicroDanze - Open Rehearsal
DESCRIPTION:Open rehearsals are back in the halls of Fonderia! \nTo inaugurate the new season and get to know up close the two dancers who have recently joined the company\, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger\, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed! \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/bliss-microdanze-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,BLISS,Open rehearsals,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230930T160000
DTEND;TZID=Europe/Rome:20230930T200000
DTSTAMP:20260403T215642
CREATED:20230922T145310Z
LAST-MODIFIED:20240418T172604Z
UID:10003249-1696089600-1696104000@www.fndaterballetto.it
SUMMARY:TACA TÈ
DESCRIPTION:“Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What connects time to our nature as subjects? What do I hear when I hear the passing of time?”\n– Carlo Rovelli \nMaking its national premiere at the MILANoLTRE Festival\, the choreography directed by Lara Guidetti\, in co-production with Compagnia Sanpapiè\, is featured in Over Dance\, a project promoted by the Centro Coreografico Nazionale / Aterballetto on the theme of longevity in dance. \nTaca Tè\, in Emilian dialect “you start”\, is a challenge to the right to exist in time\, played out between two bodies far apart in age that converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. \nThree 20-minute performances | at 16:00 – 18:00 – 19:30
URL:https://www.fndaterballetto.it/en/evento/taca-te/
LOCATION:Teatro Elfo Puccini\, Corso Buenos Aires\, 33\, Milan\, 20124\, Italia
CATEGORIES:Productions
GEO:45.479402;9.209847
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231001T160000
DTEND;TZID=Europe/Rome:20231001T200000
DTSTAMP:20260403T215642
CREATED:20230922T144638Z
LAST-MODIFIED:20240418T172650Z
UID:10003250-1696176000-1696190400@www.fndaterballetto.it
SUMMARY:TACA TÈ
DESCRIPTION:“Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What connects time to our nature as subjects? What do I hear when I hear the passing of time?”\n– Carlo Rovelli \nMaking its national premiere at the MILANoLTRE Festival\, the choreography directed by Lara Guidetti\, in co-production with Compagnia Sanpapiè\, is featured in Over Dance\, a project promoted by the Centro Coreografico Nazionale / Aterballetto on the theme of longevity in dance. \nTaca Tè\, in Emilian dialect “you start”\, is a challenge to the right to exist in time\, played out between two bodies far apart in age that converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. \nThree 20-minute performances | at 16:00 – 18:00 – 19:30
URL:https://www.fndaterballetto.it/en/evento/taca-te-2/
LOCATION:Teatro Elfo Puccini\, Corso Buenos Aires\, 33\, Milan\, 20124\, Italia
CATEGORIES:Productions
GEO:45.479402;9.209847
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Elfo Puccini Corso Buenos Aires 33 Milan 20124 Italia;X-APPLE-RADIUS=500;X-TITLE=Corso Buenos Aires\, 33:geo:9.209847,45.479402
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231004T170000
DTEND;TZID=Europe/Rome:20231004T181500
DTSTAMP:20260403T215642
CREATED:20230802T094011Z
LAST-MODIFIED:20240418T172712Z
UID:10003005-1696438800-1696443300@www.fndaterballetto.it
SUMMARY:Callas\, Callas\, Callas - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani)  \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani)  \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231004T203000
DTEND;TZID=Europe/Rome:20231004T214500
DTSTAMP:20260403T215642
CREATED:20230802T072012Z
LAST-MODIFIED:20240419T164228Z
UID:10003003-1696451400-1696455900@www.fndaterballetto.it
SUMMARY:Callas\, Callas\, Callas
DESCRIPTION:The 2023/24 season at the Fonderia opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays tribute to the great singer by bringing together for the first time three of the most interesting names in Italian contemporary choreography\, Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco (former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic figures of the twentieth century. \nEach choreographer brings to the stage a different aspect of Maria Callas’s life and work in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations\, and iconography merge with contemporary dance to create a new language. \nThe project ideally continues the artistic research path that the company has been pursuing for years\, engaging contemporary dance with classical stories and music\, considered “repertoire” that becomes fertile ground for the creation of something completely different. The classical becomes a lens for viewing the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak about a lived\, tangible reality that is close to us. \nCredits\n“`html \nCALLAS CALLAS CALLAS\nCoreography by Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco\nA production by COB Compagnia Opus Ballet\nIn coproduction with Fondazione Festival La Versiliana \nArtistic Direction Rosanna Brocanello\nArtistic Consultant Laura Pulin\nLight Designer Giacomo Ungari\nRepetiteur Giulia Orlando\nOrganization Margherita Fantoni\nDistribution Laura Montagna \nWorld Premiere July 12\, 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic by Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic by Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal Creation by Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusic Editing by Luca Martone\nSupport for Stage Outfits Giovanna Ficaccio \n\nTotal Duration: 75 minutes\nA 6-minute intermission is included between the choreographies\n“` \nCallas\, Callas\, Callas \nMaria Callas\, “The Divine”\, was endowed with “three voices\,” it was said\, due to her exceptional vocal range. Described as having the talent of a “dramatic coloratura soprano\,” an 19th-century term for her unique timbre. A charismatic woman and artist\, possessing a powerful and theatrical voice\, she was skilled in blending singing and acting\, capable of fiery and engaging interpretations in embodying both seductive and tragic female characters. Her name is engraved in the history of opera. And beyond. Art and style\, triumphs and acclaim\, glamour and personal affairs intertwined in the life of Maria Callas\, “The Divine”. She is also remembered for her diva tantrums\, the mystery of her drastic weight loss\, chronic insomnia\, the child she never had\, her friendship with Pasolini\, and\, above all\, her ill-fated liaison with shipping magnate Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris apartment on September 16\, 1977\, for causes not yet determined. On the centenary of her birth\, amidst tributes already celebrated and others underway\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, holds a particular significance also for the originality that inspired it: entrusting three young\, and already established\, contemporary choreographers to create an evening production that reflects their personal vision of the legendary artist\, without intending to recount her life story. Three different perspectives\, therefore\, three approaches and renditions in dance that the beautiful title Callas Callas Callas already highlights. A title that also serves as an invitation\, for the audience\, to discover or rediscover within the folds of movement or the ensemble’s choreography\, among electronic sounds or fragments of famous arias scattered throughout the choreographic architecture\, within a light or a costume that shapes gestures and postures\, their own Callas. Or perhaps a new\, unseen one\, suggested\, evoked\, imprinted in the atmosphere and memory by abstract dance. Surely\, three famous arias will be recognized\, whether subtly hinted or prominently displayed: from Tosca\, Norma\, and Carmen. \n\n    STANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani)\nRoberto Tedesco merges the notes of Vissi d’arte with the electronic musical score composed by Giuseppe Villarosa\, incorporating also snippets of interviews and voice interferences. In the famous aria’s lyrics\, extracted from Tosca\, the Calabrian choreographer identifies the moment when Callas is at death’s door\, wanting to reaffirm to everyone that she lived deeply for art and love as simply a person\, a woman\, before being considered a diva. It is mainly in the sound structure that the choreographer imbues his vision of Callas’s life\, almost wanting to prepare the audience – quoting George Balanchine – to “see the music and listen to the dance.” Tedesco weaves an imaginary dramaturgy with an almost chronological musical journey\, from the years in New York where Callas was born\, to her Greek origins; from Italy\, which\, with La Scala Theatre\, brought her the greatest success\, to France where she eventually retired. Vague jazz sounds initially allude to America\, then those of the Bouzouki to Greece\, and a 1970s pop song to the mood of suffering that accompanied her. On a gradually increasing techno rhythm\, a choral dance pulsates within the bodies – male and female\, a single entity -\, dressed in stylized \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231011T203000
DTEND;TZID=Europe/Rome:20231011T220000
DTSTAMP:20260403T215642
CREATED:20230802T123204Z
LAST-MODIFIED:20240419T163722Z
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SUMMARY:Night Stories
DESCRIPTION:MM Contemporary Dance Company – Short Stories – cor. Michele Merola\, foto di Creativite \nNIGHT STORIES is the new evening by MM Contemporary Dance Company composed of Quarto Canto by Enrico Morelli\, Short Stories by Michele Merola and Skirk by Adriano Bolognino. \nProduction: MM Contemporary Dance Company \nCo-production Skirk: Comune di Bassano del Grappa – Operaestate Festival Veneto \nWEIRDO_Primo Studio \nChoreography: Enrico Morelli \nOriginal Music: Giuseppe Villarosa \nLighting: Gessica Germini \nCostumes: Nuvia Valestri \nAssistant Choreographer: Paolo Lauri \nPerformers: Filippo Begnozzi\, Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella \nDuration: 25 minutes \nThe feeling of inadequacy: the only true obstacle to any form of relationship\, including the one with oneself. Who\, in their life\, has never been pervaded by it? Often\, this state stems from the desire to meet others’ expectations: feeling the weight of risk\, fear of failure\, and judgment. Starting from these feelings\, Enrico Morelli presents an initial choreographic study\, drawing inspiration not only from his personal experience but also from that of the performers\, to whom he posed the same question he asks himself: “When do you feel inadequate and out of place\, how do you feel?” \nSHORT STORIES \nChoreography: Michele Merola\nMusic composed and live performed by Natalia Abbascià\nCostumes: Nuvia Valestri\nChoreography assistant: Paolo Lauri\nDancers: Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Fabiana Lonardo\, Nicola Stasi\, Giuseppe Villarosa\nRunning time: 28′ \nShort Stories involves the dancing bodies in a continuous design\, built on repetitions and differences\, moments of solos\, duets and choral scores\, a succession of short stories\, pictures generated by the sound of live music: Natalia Abbascià\, who will play live\, has created a soundtrack that brings together evocative lyrical parts for violin and solo voice. The dancers will make the audience lose the sense of the boundary separating audience and stage space.\nThe pieces that make up the work will be articulated as an expressive landscape that will leave to the subjectivity of the audience the intimate reading of the feelings that the dance and music suggest. \nSKRIK \nChoreography: Adriano Bolognino\nMusic: Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri\nChoreography assistant: Rosaria Di Maro\nRepetiteur: Paolo Lauri\nDancers Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nRunning time: 25′ \nCreation in the framework of Prove d’Autore – azione del Network Anticorpi XL. \nAdriano Bolognino’s new work for the MM Contemporary Dance Company\, entitled Skrik\, is inspired by the painting The Scream by Edvard Munch\, a work that led the choreographer to investigate the theme of tragedy\, anguish and the littleness of man in the immensity of the universe. The choreographer himself explains: “The dull cry of the painting – of which I have decided to keep the Norwegian title “Skrik”\, which phonetically recalls an unpleasant sound\, a bump\, a shock – seems to deform the landscape\, giving us instability and fear\, while preserving its immense beauty. Clinging to this dualism that I feel close to me\, I wanted to create a dancing moment that could be a breathless accumulation of all the discontent of these last few years\, but also reach the eyes of the audience as a regenerating waterfall.” \n\n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic…). \nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Award of Merit for Choreography\, for the performance Bolero by Michele Merola. In 2022\, MMCDC won the Danza&Danza Award for the best Italian production with the performance Ballade (chor. Mauro Bigonzetti\, Enrico Morelli). On 1 January 2021 and 1 January 2022 MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” performing choreographies by Mauro Bigonzetti and Lorca Massine. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the Trentino Alto Adige InDanza Circuit. \nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/night-stories/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231012T190000
DTEND;TZID=Europe/Rome:20231012T200000
DTSTAMP:20260403T215642
CREATED:20230804T081015Z
LAST-MODIFIED:20230804T083947Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada starts its tour atInternational Contemporary Dance Festival in Tirana in partnership with Istituto Italiano di Cultura di Tirana. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-tirana/2023-10-12/
LOCATION:National Theatre of Opera and Ballet of Albania\, Sheshi Skënderbej\, Pallati i Kulturës\, 1001\, Tirana\, Albania
CATEGORIES:Aterballetto,Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20231013T190000
DTEND;TZID=Europe/Rome:20231013T200000
DTSTAMP:20260403T215642
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in sol minore \nStravaganze in sol minore by Francesca Lattuada starts its tour atInternational Contemporary Dance Festival in Tirana in partnership with Istituto Italiano di Cultura di Tirana. \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is at the heart of this new creation for children\, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis. \nThe almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images\, bearers of a musicality that mixes poetry and nursery rhyme\, they make the extraordinary and the frightening go together. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and choreography: Francesca Lattuada\nTexts: Toti Scialoja (from La mela di Amleto)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and objects: Natali Fortier\nPerformer: Vittoria Franchina\, Piersilvio De Santis \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-tirana/2023-10-13/
LOCATION:National Theatre of Opera and Ballet of Albania\, Sheshi Skënderbej\, Pallati i Kulturës\, 1001\, Tirana\, Albania
CATEGORIES:Aterballetto,Productions,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20231018T203000
DTEND;TZID=Europe/Rome:20231018T213000
DTSTAMP:20260403T215642
CREATED:20230802T163553Z
LAST-MODIFIED:20230802T164838Z
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SUMMARY:Davidson
DESCRIPTION:Balletto Civile – Davidson – ph. Donato Aquaro \nA metà strada tra racconto e sceneggiatura\, Il Padre Selvaggio\, scritto nel 1962 e pubblicato postumo nell’anno della sua morte\, è un abbozzo di film che Pasolini non ha mai realizzato\, nonostante fosse quasi tutto pronto e il regista avesse anche fatto un viaggio in Africa con Alberto Moravia e Dacia Maraini per trovare i posti dove girare. \nBalletto Civile porta in scena Davidson\, un oggetto coreografico con un giovane performer di talento: una messinscena danzata\, una vertigine tra opera letteraria e teatro fisico. \nCredits \nfreely adapted from the screenplay Il Padre Selvaggio by Pier Paolo Pasolini \nConcept and dramaturgy: Maurizio Camilli\nChoreography: Michela Lucenti\nWith Maurizio Camilli and Confident Frank\nLighting design: Vincenzo De Angelis\nSound design: Andrea Gianessi\nAssistant director: Ambra Chiarello\nAssistant to choreography: Francesco Collavino \nProduction Balletto Civile\, in collaboration with ERT Emilia Romagna Teatro / Teatro Nazionale / focus CARNE \nwith the support of ATER (Modena) and ICK (Amsterdam) and the Italian Ministry of Culture MIC \nDavidson \n– What is poetry\, sir?” asks Davidson\n– But you know it! – says the professor.\n– No I do not know! – protests the boy shaking his curly head.\n– Yes you know!\n– No I do not know!\n– You are an African\, you are immersed in poetry!\n– No\, poetry is a white thing.\n– Sing a song from your village!\nDavidson begins to sing one of his village songs.\nBut the singing is in his head closely connected with the dance. And then\, singing\, he starts dancing.\nA long song\, a long dance.\n– Here\, this is poetry!\n \nBalletto Civile – Davidson – ph. Donato Aquaro  \nIl Padre Selvaggio (The Savage Father) is an outline of a screenplay written in 1963 by Pier Paolo Pasolini and published posthumously in the fateful 1975. The director did not find financers\, frightened by his freedom of thought\, and the film was never made. It is the story of Davidson\, a sensitive and acute black boy from an African tribe and his encounter with a progressive and tormented teacher – a frontier figure\, alter ego of Pasolini himself – who tries to give his boys a modern and anti-colonialist education. Above all\, this suspended work recounts the conflict between the teacher and Davidson\, wary of the new method and culture of the new teacher precisely because he is the smartest. The heart of this contrast is the dilemma of the relationship between blacks and whites\, the problem of freedom and democracy\, of the tension towards the other than oneself. \nA short and intense piece of writing\, with a strong political and not just poetic value\, a sort of canvas that escapes definitions\, conceived above all as a succession of images and indications of actions. A hybrid screenplay that mixes codes and languages and precisely in the absence of its realization offers great expressive potential. \nAn indefinite form that presents visual qualities that lend themselves to dance staging\, in a vertigo between literary work and physical theatre.\nBalletto Civile met its Davidson on the outskirts of Modena. \nBalletto Civile – Davidson – ph. Donato Aquaro  \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original song interact naturally. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/davidson/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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DTSTART;TZID=Europe/Rome:20231019T173000
DTEND;TZID=Europe/Rome:20231019T203000
DTSTAMP:20260403T215642
CREATED:20231016T163816Z
LAST-MODIFIED:20240419T162956Z
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SUMMARY:BODY INTO THE FIGHT - MAKER FAIRE ROME
DESCRIPTION:  \nMaker Faire Rome è il più grande evento europeo per l’innovazione\, promosso e organizzato dalla Camera di Commercio di Roma. L’edizione di quest’anno si terrà dal 20 al 22 ottobre alla Fiera di Roma. In occasione dell’evento\, il CCN/Aterballettoe Sony CSL presenteranno il progetto Dis.abile | Iper.abile\, con la performance Body into the fight\, curata dal coreografo Diego Tortelli e nata dalla ricerca insieme a Sony CSL e al ricercatore Ken Endo. \nL’anteprima è prevista durante la Opening Conference di Maker Faire Rome il 19 ottobre dalle 17.30. \n\nBODY INTO THE FIGHT \nChoreography and Concept: Diego Tortelli\nScientific Consultancy: Ken Endo\nMusic: Oneohtrix Point Never\nPerformers: Giuseppe Morello and Karim Randé\nProduction: Fondazione Nazionale della Danza/Aterballetto\nIn partnership with: SONY CSL \nThanks to the research we will conduct with Ken Hendo and SONY CSL\, we will have the opportunity to delve into the idea of prosthetics as an extension of the body capable of making it hyper-able. An extension of the body that enhances physical performance and is no longer just a solution to resolve a physical trauma or conceal a disability. It is about extending the concept of ability in a poetic key that can come as close as possible to the definition of a “contemporary body”. Or at least to stimulate a reflection capable of entering the theater halls\, with a poetry serving the external world that brings the body back to surprise us. \nDiego Tortelli \n\nDis.abile | Iper.abile \nDis.able | Hyper.able arises from the desire of the two partners to support a welfare “focused not on resolving emergencies but on promoting the well-being and capabilities of individuals\, as an engine of development and employment and as a factor of social inclusion\,” according to the definition by urban planner Carolina Giaimo. \nSociety is transforming\, and healthcare is facing new demands. In this scenario\, innovation is a challenge. Assistive devices for disabilities\, as well as for daily life\, biomedical devices\, tech accessories\, and digital tools for sports: all this and much more will be presented at Maker Faire Rome 2023. \nTHE COLLABORATION WITH SONY CSL \nSony CSL aims to contribute to the future of humanity and the planet by promoting the development of sciences and new technologies and their application in various fields. In particular\, at the Rome laboratory\, led by Vittorio Loreto\, one research line aims to participate in the redesign of our societies with a transdisciplinary approach that uses creativity as a starting point to address the challenges of today’s society. Here’s a comment from Vittorio Loreto of Sony CSL: \n“It is precisely in this direction that the project Dis.able | Hyper.able is taking its first steps. One of our research lines has this very goal: to observe and experiment with the interaction between humans and new technologies (such as AI) and understand how both can benefit from this virtuous exchange\, where humans receive inputs from the machine that help them improve. When we learned about the artistic work of CCN/Aterballetto\, we immediately thought of the technology of Ken Endo\, which is why we are here today ready to present this new project at the most important innovation event in Europe.”
URL:https://www.fndaterballetto.it/en/evento/body-into-the-fight-maker-faire-rome/
LOCATION:Gazometro\, Ostiense\, Via del Commercio\, 9/11\, Roma\, Italia
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DTSTART;TZID=Europe/Rome:20231019T220000
DTEND;TZID=Europe/Rome:20231019T230000
DTSTAMP:20260403T215642
CREATED:20231016T164634Z
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SUMMARY:BODY INTO THE FIGHT - ROMAEUROPA FESTIVAL
DESCRIPTION:Body into the fight is the performance curated by Diego Tortelli and born from the research together with Sony CSL and researcher Ken Endo\, at the center of the project Dis.abile | Iper.abile. The show will be presented for the first time during the Opening Conference of Maker Faire Rome on October 19th. \nThanks to the availability of Romaeuropa Festival\, on the occasion of the Dancing Days\, a selection curated by Francesca Manica as part of the 2023 edition of the Festival\, CCN/Aterballetto will have the opportunity to present the performance again. The event will take place on October 19th at the Mattatoio\, at 10:00 PM. \n\n  \n  \nBODY INTO THE FIGHT \nChoreography and Concept Diego Tortelli Scientific Consulting Ken Endo Music Oneohtrix Point Never Performers Giuseppe Morello and Karim Randé A production by Fondazione Nazionale della Danza/Aterballetto In partnership with SONY CSL \nThanks to the research we will conduct with Ken Hendo and SONY CSL\, we will have the opportunity to delve into the idea of prostheses as extensions of the body capable of making it hyper-able. An extension of the body that enhances physical performance and is no longer just a recourse to solve a physical trauma or to hide a disability. It is about extending the idea of ability in a poetic key that can come as close as possible to the definition of a “contemporary body.” Or at least to stimulate a reflection\, capable of entering the theater halls\, with a poetic serving the external world in a way that makes the body surprise us once again. \nDiego Tortelli \n\nDis.abile | Iper.abile \nDis.abile | Iper.abile arises from the desire of the two partners to support a welfare system “focused not only on emergency resolution but centered on promoting the well-being and abilities of individuals\, as an engine of development and employment and a factor of social inclusion\,” according to the definition by urbanist Carolina Giaimo. \nSociety is changing\, and healthcare is facing new needs. In this scenario\, innovation is a challenge. Assistive devices for disabilities\, as well as for daily life\, biomedical devices\, tech accessories\, and digital tools for sports: this and much more will be presented at Maker Faire Rome 2023. \nTHE COLLABORATION WITH SONY CSL \nSony CSL aims to contribute to the future of humanity and the planet by promoting the development of sciences and new technologies and their application in various fields. In particular\, at the Rome laboratory\, directed by Vittorio Loreto\, one of the research lines aims to participate in the redesign of our societies with a transdisciplinary approach that uses creativity as a starting point to address the challenges of today’s society. The comment of Vittorio Loreto from Sony CSL: \n“It is precisely in this direction that the Dis.abile | Iper.abile project takes its first steps. One of our research lines has this very objective: to observe and experiment with the interaction between humans and new technologies (such as AI) and understand how both can benefit from this virtuous exchange\, where humans receive inputs from the machine that help them improve. When we learned about the artistic work of CCN/Aterballetto\, we immediately thought of the technology of Ken Endo\, which is why we are here today ready to present this new project at the most important innovation event in Europe.”
URL:https://www.fndaterballetto.it/en/evento/body-into-the-fight-romaeuropa-festival/
LOCATION:Mattatoio\, Piazza Giustiniani\, 4\, Roma\, Italia
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231023T180000
DTEND;TZID=Europe/Rome:20231023T190000
DTSTAMP:20260403T215642
CREATED:20231017T151603Z
LAST-MODIFIED:20240419T161945Z
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SUMMARY:Open rehearsal - Rhapsody in Blue
DESCRIPTION:The open rehearsals are back in the halls of the Foundry! \nOn Monday\, October 23rd\, at 6:00 PM\, the audience of the Foundry will be able to attend the creation of our new production: “Rhapsody in Blue.” The choreography is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers\, and is inspired by the music of George Gershwin. For several days\, the sixteen dancers have been working on the choreography\, and the open rehearsal will be a unique opportunity to witness live the creative process. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231025T183000
DTEND;TZID=Europe/Rome:20231025T193000
DTSTAMP:20260403T215642
CREATED:20231017T155529Z
LAST-MODIFIED:20240419T161046Z
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SUMMARY:REVIVAL RHAPSODY WORKSHOP - OPEN DAY
DESCRIPTION:“After the success of ‘From Liscio to Rave\,’ here comes ‘Revival Rhapsody’: the new edition of the intergenerational dance workshop curated by Lara Guidetti. The workshop is free and open to all ages\, and no previous experience in dance or ballet is required to participate. \nOn Wednesday\, October 25th\, starting from 6:30 PM\, during the open day of the course\, it will be possible to participate in a trial workshop. \nTo participate in the open day\, it is necessary to book by contacting lab@aterballetto.it. \n‘Revival Rhapsody’ is part of Over Dance\, the project by FND/Aterballetto dedicated to longevity.”
URL:https://www.fndaterballetto.it/en/evento/revival-rhapsody-workshop-open-day/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231025T203000
DTEND;TZID=Europe/Rome:20231025T213000
DTSTAMP:20260403T215642
CREATED:20231003T132709Z
LAST-MODIFIED:20240419T160057Z
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SUMMARY:TACA TÈ / talk
DESCRIPTION:Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What links time to our nature as subjects? What do I listen to when I listen to time flowing? \nCarlo Rovelli \nAfter its debut at the Teatro Elfo Puccini in Milan\, as part of the MILANoLtre festival\, TACA TÈ lands at the Fonderia. The show is produced by Compagnia Sanpapié with artistic direction by Lara Guidetti\, in co-production with the Fondazione Nazionale della Danza / Aterballetto. \nTaca Tè\, in Emilian dialect meaning “you start\,” is a challenge to the right to exist in time\, played out between two bodies that are chronologically distant but converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. Thus\, the codes of ballroom dancing\, which dictate roles\, melodies\, and spaces\, dissolve in an “other” environment that progressively frees itself from structures to open multiple perspectives on the body and the relationship. The choreography develops a unique and ever-evolving flow of movement where the internal rhythms of the dancers diverge and oppose each other before finding common ground that allows for the transcendence of roles in an ironic\, at times theatrical and surreal game. \nFollowing the performance\, there will be a talk with Elisabetta Donati\, a sociologist and Head of the Culture and Research Department for the Ravasi-Garzanti Foundation\, the scientific partner of the Over Dance project\, which is entirely oriented towards research and policies for aging. \nCREDITS \nA co-production by Sanpapié\, Fondazione Nazionale della Danza/Aterballetto\, and MILANoLTRE \nChoreography: Lara Guidetti \nPerformers: Antonio Caporilli\, Francesca Lastella \nChoreography assistant and costumes: Fabrizio Calanna \nSet design: Maria Croce \nOriginal music and arrangements: Marcello Gori\, Alberto Sansone \nPremiere: September 30\, 2023\, Teatro Elfo Puccini – MILANoLTRE Festival\, Milan (replica October 1) \nCOMPAGNIA SANPAPIÉ / LARA GUIDETTI \nEmiliana\, after competitive acrobatics studies and theatrical acting\, graduated in 2006 as a dancer and choreographer from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with great national and international masters such as Susanne Linke\, Emio Greco\, André Minvielle\, Franco Brambilla\, Luciana Melis\, Reinhild Hoffman\, Lucinda Childs\, Susanna Beltrami; Yong Min Cho\, and Sarah Taylor. She continued her training\, both in the world of dance and performing arts and in various actor training methods\, by attending workshops and productions by international artists such as Rimas Tuminas\, Cesar Brie\, Paz Rojo\, Carolina Bolouda\, Joao Garcia Miguel\, Virgilio Sieni\, and many others. \nIn 2006\, she founded the Sanpapié Company\, of which she is artistic director\, choreographer\, and performer. She has choreographed 40 works and performances for the company\, presented throughout Europe and China. In 2017\, her show Lei won the Sonia Bonacina Award\, dedicated to women in theater. Alongside her work with Sanpapié\, she works as a choreographer and performer in theater\, dance\, and classicalANTONIO CAPORILLI / FRANCESCA LASTELLA \nAntonio Caporilli\nAntonio is a performer\, dancer\, teacher\, creator of multimedia events\, and videomaker. After experiences with Jerome Savary\, Robert Wilson\, Amy Luckenbach\, and others\, he has collaborated as a dancer/performer with Teatro alla Scala di Milano\, L’Opera National De Paris\, Staatsoper Berlin\, The Place Theater of London\, etc. His interest in the performative act as a social event\, shared with other artists and with people of different ages\, backgrounds\, and cultures\, has gradually materialized in various interventions carried out in the territory\, involving the people who live there\, such as the “Blu del Lago” Festival in Trevignano R.\, Rome. In recent years\, his attention has turned to the everyday life of urban contexts\, with surprise blitzes or collective performances aimed at suddenly subverting the rhythms and habits of a place. \nFrancesca Lastella\nFrancesca is a dancer and teacher. After attending the Duncan Centre dance conservatory and deepening her training with international masters like the Forsythe Dance Company and Sasha Waltz & Guest\, she has worked on numerous projects alongside professionals like Lara Russo and Anna Albertarelli. Since 2019\, she has been a teacher at Artemente\, a high-level dance training center. She has collaborated with companies such as Déjà Donné\, Compagnia Balafori\, and Veicolo Danza\, while currently dancing for companies like Sanpapié\, Lost Movement\, and Luna Cenere. \nELISABETTA DONATI \nElisabetta\, the Head of the Culture and Research Department at the Ravasi-Garzanti Foundation in Milan\, is associated with a philanthropic organization aimed at promoting the well-being of elderly people. She contributed as an expert to drafting a document on the role of the family in promoting gender equality and education equality for the World Family Organization (WFO) at the 2010 Paris Summit. Previously\, she served as the Research Manager at Pari e Dispari\, a consultant for the Social Research Institute of the Piedmont Region on international studies on aging\, and a part-time lecturer in Sociology of the Family at the University of Turin’s Social Service Course. She also held positions as the President of the Equal Opportunities Commission of the Municipality of Brescia and the President of the Family Counseling Center Onlus in Brescia. Additionally\, she is a founding member of the Documentation and Information Center on Gender Health in Brescia and has authored several publications.
URL:https://www.fndaterballetto.it/en/evento/taca-te-talk/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231029T180000
DTEND;TZID=Europe/Rome:20231029T190000
DTSTAMP:20260403T215642
CREATED:20230803T074315Z
LAST-MODIFIED:20230803T083145Z
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SUMMARY:Hold Your Horses
DESCRIPTION:De Dansers – Hold Your Horses – ph. Bart Grietens \nHold Your Horses by De Dansers can be seen as an ode to our versatile\, longing arms\, as well as a cry for help in an increasingly elusive world – NRC \nThe Fonderia is one of the few stops on the Italian tour of De Dansers\, a Utrecht-based company that must be seen at least once in a lifetime. \nPerformance for children and adults. \nSuggestion to health insurers: include a visit to this cheerful dance and music company in the standard health plan. It will significantly reduce the cost of antidepressants. Daily paper Theaterfestival Boulevard \n\n  \nCredits \nChoreography: Josephine van Rheenen\nMusic (live): Guy Corneille\nMade with and performed by Yeli Beurskens\, Liam McCall\, Youri Peters\, Arturo Vargas\, Marie Khatib-Shahidi\, Noëmi Wagner\, Yoko Haveman\, Guy Corneille\nStage and lighting design: Timme Afschrift\nDramaturgy: Moniek Merkx\nCostume design: Nicky Nina de Jong \nA co-production by De Dansers and Theater Strahl Berlin\nWith the support of Gemeente Utrecht\, Fonds Podiumkunsten\, Prins Bernhard Cultuurfonds\, K.F. Hein Fonds\, Fonds 21\, Schäxpir Festival \nRunning time: 1h \nHold Your Horses \nHold Your Horses  is an energetic and sensitive dance concert about the desire to hold on. De Dansers tell their story with twelve hands\, including the accompanying bodies\, and a few guitars. We see hands grasping\, mistaking\, touching\, taking off\, falling down and plucking guitar strings. We see passion and distance. We don’t see horses\, although we do feel them. We see an unconstrained dance party\, where the cry for help slowly creeps in. \nDe Dansers – Hold Your Horses – ph. Bart Grietens  \nHold Your Horses is about the urge to hold on to something or someone\, in a world that is becoming increasingly elusive. With a spectacular\, acrobatic movement language\, six performers trot on with full dedication\, without losing human sensitivity. Suddenly we meet a personal dance solo\, or we abruptly feel the tension between the group and the individual. As one body\, the dancers move in a continuous flow\, propelled by Guy Corneille’s live music full of compelling guitar compositions and moving songs. \nHold Your Horses was partly created in Berlin and premiered in Berlin and Utrecht in September/October 2021. \nDe Dansers \nDe Dansers is a company of dancers and musicians from Utrecht directed by choreographer/dancer Josephine van Rheenen and composer/musician Guy Corneille. Their performances are ‘dance concer ‘dance concerts’\, a meeting of modern dance and live music on the theme of liberation from everything that can make the individual feel stuck\, all in an atmosphere of playful anarchy.\nPerformances that recall the liveliness of children and the almost forgotten desire of adults to indulge in physical contact. \nJosephine van Rheenen // Choreographer She studied dance at the Theaterschool in Amsterdam and\, in parallel\, performed as a dancer with De Dansers. After dancing for five years with De Dansers\, Vloeistof and Breekgoed\, she replaced Wies Merkx as artistic director of De Dansers together with Guy Corneille in 2014. Since then\, she has created performances for children and adults for this company. As a choreographer\, she is dedicated to the search for humanity in dance and a language of movement based on instinct. Openness\, surrender and interaction are the keywords of her works. \nGuy Corneille // Composer and musician He has been the artistic director of De Dansers together with Josephine van Rheenen since 2014. On stage he is a musician and physical performer at the same time. He also participates in the creation of choreographer Josephine van Rheenen’s performances as a composer and musical dramaturg. He studied sociocultural anthropology and has a background in pop with his indie band La Corneille. Her artistic interest is in communicating the physical and emotional experience\, the improvisation typical of pop concerts and the accessibility of any music without being superficial\nor of low quality. In 2017\, Guy Corneille won a VSCD Gouden Krekel for his multi-performance in The Basement (De Dansers / Theater Strahl / Wies Merkx). \nTHEATER STRAHL BERLIN\nTheater Strahl was founded in 1987 in Berlin as an independent theatre group and has been producing contemporary dance performances for young audiences in collaboration with international artists since 2013. With Theatrer Strahl\, young people are involved in the selection and development of performances\, thus actively coming into contact with the theatrical world. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hold-your-horses/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231029T180000
DTEND;TZID=Europe/Rome:20231029T193000
DTSTAMP:20260403T215642
CREATED:20231027T152114Z
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SUMMARY:Docufilm Screening - DANCE FOR AN IDEAL CITY
DESCRIPTION:First Screening: Cinedanza Festival / Drama Theater\, Modena – 6:00 PM \nDance for An Ideal City is the docufilm that\, starting from the MicroDances project\, explores the possibility of narrating the contemporary city through dance. Conceived by Gigi Cristoforetti and directed by filmmaker Daniele Costa and art critic Nicolas Ballario\, it will be screened for the first time on Sunday\, October 29th at 6:00 PM at the Drama Theater in Modena\, as part of the international Cinedanza festival. \nCinedanza\, now in its fifth edition in 2023\, is the first international competition and festival in Emilia Romagna entirely dedicated to videodance. The festival takes place in Modena\, between the FMAV School of Advanced Training and the Drama Theater\, with a program that includes screenings\, meetings\, and discussions. \nFrom the museums of Athens to the city parks of Brussels\, from Castel Sant’Angelo in Rome to the outskirts of Reggio Emilia\, Dance for An Ideal City is a video narrative that passes through the stages of a journey that began in 2021 with An Ideal City\, the urban art project co-financed by the Creative Europe program of the European Union\, in partnership with Les Halles de Schaerbeek in Brussels and the Greek National Opera Ballet in Athens. \nPremiering at the festival\, the docufilm showcases different ways of experiencing dance in public spaces and through different languages\, featuring interviews with artists and curators including choreographer Angelin Preljocaj\, art historian Angela Vettese\, visual artist Gianmaria Tosatti\, art curators Nadja Argyropolou and Costanza Meli\, and FND/Aterballetto director Gigi Cristoforetti.
URL:https://www.fndaterballetto.it/en/evento/docufilm-screening-dance-for-an-ideal-city/
LOCATION:Drama Teatro\, Viale Buon Pastore\, 57\, 41125 Modena MO\, Modena\, 41125\, Italia
CATEGORIES:Aterballetto
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