SIMBIOSI
2023-04-18 18:00 - 19:00 (Europe/Rome) | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL

Former Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI.
https://youtu.be/FaJAcBSA2Cg
CREDITS
Choreography: Roberto Tedesco
Performers: Laila Lovino and Eloise Listuzzi
Music: Rival Consoles, Senking, Pan-American, Raime
Duration: 32 minuti
In partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea, Scenario Pubblico Centro di Rilevante Interesse Nazionale
With the support of SupportER, action of Anticorpi – network of showcases, festivals and creative residencies in Emilia Romagna.
production KLM- Kinkaleri/Le supplici/mk
SYNOPSIS
Symbiotic relationships in which two people behave as one and often one of them decides for both.
In some cases it is essential to work on the original symbiosis, the mother/child symbiosis, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past.
“When in a couple the two partners always agree on everything, one of them is thinking for both.”
(Freud)

Roberto Tedesco
Roberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.
In 2011, he worked at the Maggio Musicale Fiorentino company.
She then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin, J. Kylian, H. Shechter, W. Forsythe, J. Inger, M. Bigonzetti, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project.
In 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet, which changed its name to Line-up, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022.
He creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza.
He is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival.
INFO & TICKETS
TICKETS
Full: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online su www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5 pm.
Tickets are not numbered.
CONTACTS
Cell and whatsapp 3341023554
Email biglietteria@aterballetto.it

BEAST WITHOUT BEAUTY - OPEN REHEARSAL
2023-04-26 18:00 - 19:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo

OPEN REHEARSAL
The young choreographer Carlo Massari draws inspiration from Samuel Beckett’s Theatre of the Absurd and his Happy Days to narrate the trap of the existential condition. On stage an authentic plunge into non-sense, an irreverent, cynical study on the archetypes of human misery, on inexpressiveness, on the despicable cruelty in interpersonal relationships. Pale faces, bloodless, dehumanised and exhausted figures face each other in an icy duel; at stake is the affirmation of a role, an identity, a social position, with no holds barred.

CREDITSOriginal creation Carlo Massari
Production C&C Company
With Carlo Massari, Emanuele Rosa, Giuseppina Randi
Sound and lighting design Francesco Massari
Consulting costumes Gabriella Strangolini
Hairstyling Bruna Toneatto
In co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza
With the support of Festival Oriente Occidente/CID Centro Internazionale della Danza, CSC/OperaEstate, Piemonte dal vivo, ARTEVEN, Komm-tanz Compagnia Abbondanza/ Bertoni, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory, Municipality of San Lazzaro di Savena “Protagonismo e Creatività
With the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018”
With the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people, for culture”SYNOPSISYet another cold, cold, merciless look at society.
An irreverent, cynical study of the archetypes of human misery, of inexpressiveness, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role, an identity, a social position, survival. There are no rules, everything is allowed: we lend ourselves to be prey, designated victims of the other, we are aware of it, we are just waiting for it to happen, and in turn we are ready to pounce, offend, cleave, crush, tear, to mercilessly finish him off, but without getting our hands dirty.
A perverse aristocratic game of double-crossing, of abuse; a hidden, unspoken, pastel-coloured violence that leads irretrievably to slaughter, to extinction; there will be no winners, only losers. Of all the fussing, nothing happens…. And so we implode, unable to get back up, we abandon ourselves but being careful not to ruin our hairdo, smudge our make-up, crease our suits, not to lose dignity lest we suffer acts of cannibalism, be devoured by others, by our emptiness, by the deaf silence. An attempt to physically recount the evil of living, the Beckettian paralysis: a man deluded, desperate to the point of becoming insensitive, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre, perfectly expressed in his ‘Happy Days‘.
An authentic plunge into non-sense, a black irony counterpointing the emaciated pallor of the faces, a fascination in the absurdity of the scenes, in the estrangement from human participation in the actions, in the facts; bloodless figures, devoid of energy, exhausted and dehumanised, as at the end of a long war, who know they have served no purpose except to do themselves and their own useless harm, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates.
Beast Without Beauty – Carlo Massari – ph. Giulia Marangoni CARLO MASSARI
Carlo Massari is a performer, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages, and he delves into the hybridisation and mixing of different artistic disciplines, defining in the “amphibious” form his clear and recognisable distinctive trait.
His eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre, and even dance and physical theatre. His Masters include: Malou Airaudo, Michela Lucenti, Sonia Schoonejans, Theatre de l’Ange Fou, ATER Balletto, Lucio Dalla, Csaba Antal, Walter Le Moli, Claudio Longhi, Pietro Luigi Floridia.
Over the years he has collaborated as a performer for: Biennale di Venezia, Barbara Nativi, Marco Baliani, Teatro dell’Argine, TeatroDue, Cie.Balletto Civile, Cie.Abbondanza-Bertoni, Cie.della Rancia, Cie.Petri Dish.
In 2011 he co-founded C&C Company, a research and production company in the field of dance-theatre (recognised by the MIC), for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon, International Choreographic Competition – Hannover, Tanzpreize – Berne), Tristissimo (Premio Roma Danza, Les Lendemains qui Dansent – Arques), Beast without Beauty (ActFestival – Bilbao), Les Miserables (NID Platform), Right./span>
In 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival.
INFO & TICKETSTICKETS
Full: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online su www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5 pm.
Tickets are not numbered.
CONTACTS
Cell and whatsapp 3341023554
Email biglietteria@aterballetto.it

BEAST WITHOUT BEAUTY
2023-04-26 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo

Il giovane coreografo Carlo Massari si ispira al teatro dell’assurdo di Samuel Beckett e al suo Giorni felici per raccontare la trappola della condizione esistenziale. In scena un autentico tuffo nel non-sense, un irriverente, cinico studio sugli archetipi della miseria umana, sull’inespressività, sulla spregevole crudeltà nelle relazioni interpersonali. Volti pallidi, figure esangui, disumanizzate e stremate che si affrontano in un algido duello; in palio c’è l’affermazione di un ruolo, un’identità, una posizione sociale, senza esclusione di colpi.

CREDITS
Original creation Carlo Massari
Production C&C Company
With Carlo Massari, Emanuele Rosa, Giuseppina Randi
Sound and lighting design Francesco Massari
Consulting costumes Gabriella Strangolini
Hairstyling Bruna Toneatto
In co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza
With the support of Festival Oriente Occidente/CID Centro Internazionale della Danza, CSC/OperaEstate, Piemonte dal vivo, ARTEVEN, Komm-tanz Compagnia Abbondanza/ Bertoni, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory, Municipality of San Lazzaro di Savena “Protagonismo e Creatività
With the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018”
With the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people, for culture”
SYNOPSIS
Yet another cold, cold, merciless look at society.
An irreverent, cynical study of the archetypes of human misery, of inexpressiveness, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role, an identity, a social position, survival. There are no rules, everything is allowed: we lend ourselves to be prey, designated victims of the other, we are aware of it, we are just waiting for it to happen, and in turn we are ready to pounce, offend, cleave, crush, tear, to mercilessly finish him off, but without getting our hands dirty.
A perverse aristocratic game of double-crossing, of abuse; a hidden, unspoken, pastel-coloured violence that leads irretrievably to slaughter, to extinction; there will be no winners, only losers. Of all the fussing, nothing happens…. And so we implode, unable to get back up, we abandon ourselves but being careful not to ruin our hairdo, smudge our make-up, crease our suits, not to lose dignity lest we suffer acts of cannibalism, be devoured by others, by our emptiness, by the deaf silence. An attempt to physically recount the evil of living, the Beckettian paralysis: a man deluded, desperate to the point of becoming insensitive, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre, perfectly expressed in his ‘Happy Days‘.
An authentic plunge into non-sense, a black irony counterpointing the emaciated pallor of the faces, a fascination in the absurdity of the scenes, in the estrangement from human participation in the actions, in the facts; bloodless figures, devoid of energy, exhausted and dehumanised, as at the end of a long war, who know they have served no purpose except to do themselves and their own useless harm, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates.
Beast Without Beauty – Carlo Massari – ph. Giulia Marangoni
CARLO MASSARI
Carlo Massari is a performer, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages, and he delves into the hybridisation and mixing of different artistic disciplines, defining in the “amphibious” form his clear and recognisable distinctive trait.
His eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre, and even dance and physical theatre. His Masters include: Malou Airaudo, Michela Lucenti, Sonia Schoonejans, Theatre de l’Ange Fou, ATER Balletto, Lucio Dalla, Csaba Antal, Walter Le Moli, Claudio Longhi, Pietro Luigi Floridia.
Over the years he has collaborated as a performer for: Biennale di Venezia, Barbara Nativi, Marco Baliani, Teatro dell’Argine, TeatroDue, Cie.Balletto Civile, Cie.Abbondanza-Bertoni, Cie.della Rancia, Cie.Petri Dish.
In 2011 he co-founded C&C Company, a research and production company in the field of dance-theatre (recognised by the MIC), for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon, International Choreographic Competition – Hannover, Tanzpreize – Berne), Tristissimo (Premio Roma Danza, Les Lendemains qui Dansent – Arques), Beast without Beauty (ActFestival – Bilbao), Les Miserables (NID Platform), Right./span>
In 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival.
INFO & TICKETS
TICKETS
Full: 10 euro
Reduced under 30, scuole di danza, Liceo Coreutico Matilde di Canossa, over 65, soci CRAL Comune di Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online su www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 8 pm.
Tickets are not numbered.
CONTACTS
Cell and whatsapp 3341023554
Email biglietteria@aterballetto.it

YELED - SHOOT ME
2023-04-27 19:00 - 20:30, 2023-04-28 19:00 - 20:30 | National Dance Theatre, Kis Rókus u. 16-20, Budapest, 1024, Ungheria
For the first time Aterballetto dances in Budapest. On stage YELED and SHOOT ME, by the two young choreographers Eyal Dadon and Diego Tortelli.
YELED, a Hebrew word meaning “child,” brings to the stage Israeli choreographer Eyal Dadon’s reflection, together with Aterballetto dancers, on the moment in life when we come to lose the innocence of children.
SHOOT ME, by our resident choreographer Diego Tortelli, on the other hand, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction, of glances, of sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.
The performance is in the framework of the 10th International Theatre Olympics in partnership with Istituto Italiano di Cultura in Budapest.

MicroDanze - urban setting
2023-05-06 15:30 - 18:30 | Musei Civici Eremitani, Piazza Eremitani, 8, Padova, 35121, Italia
In the setting of the Musei Civici of Padua, within the Prospettiva Danza Teatro Festival, we present MicroDanze – urban setting:
6 May 2023 – 15.30 / 16.30 / 17.30
MicroDanze, in a route curated by Lara Guidetti, are performed by young dancers from the advanced training courses Agora Coaching Project and Studio XL of Reggio Emilia.
MicroDanze - urban setting
MicroDanze is an ambitious project of “danced” performances. Conceived by Gigi Cristoforetti, the project comes from an invitation by the Fondazione Palazzo Magnani in Reggio Emilia to develop and explore different ways of enjoying dance performance.
Choreographers – national and international – have conceived short pieces (six to eight minutes, to be danced in a tiny space), which can be watched in succession as if one were visiting a museum. A project that escapes the dynamics of the stage, the distance that separates the spectator from the performer, creating a continuum between the onlooker and the watched, soliciting an emotional and aesthetic experience as varied as it is original.
Some MicroDanze have been the focus of a process ofreenactment: a transposition of the original versions for young dancers and public spaces aimed at creating an urban version.

The result is a project that creatively wanders between very different contexts – historical centres, industrial areas, residual spaces, symbolic places in cities – defining unusual stages and creating radically new opportunities to meet the public. The guiding thread is research into dance as a form of living, in relation to contemporary artistic practices that are rooted in the territory.
In Padua, the route – curated by Lara Guidetti – passes through the Civic Museums allowing different experiences of space, whose works sometimes resonate in the choreographies. An opportunity to experience a unique encounter with dance and visual art.

MicroDanze reenactment -Strôma di Giovanni Insaudo

YELED-SHOOT ME
2023-05-06 21:00 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Aterballetto dances YELED and SHOOT ME, by the two young choreographers Eyal Dadon and Diego Tortelli, at Fonderia.
YELED, a Hebrew word meaning “child,” brings to the stage Israeli choreographer Eyal Dadon’s reflection, together with Aterballetto dancers, on the moment in life when we come to lose the innocence of children.
SHOOT ME, by our resident choreographer Diego Tortelli, on the other hand, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction, of glances, of sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.

Info&Tickets
TICKETS
Full: 10 euro
Reduced under 30, scuole di danza, Liceo Coreutico Matilde di Canossa, over 65, soci CRAL Comune di Reggio Emilia: 6 euro
Reduced under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online su www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 8 pm.
Tickets are not numbered.
CONTACTS
Cell and whatsapp 3341023554
Email biglietteria@aterballetto.it

Golden Days
2023-05-10 19:30 - 20:40, 2023-05-11 20:30 - 20:40 | La Coursive | Scène nationale, 4 Rue St Jean du Pérot, La Rochelle, 17000, Francia
Aterballetto performs in La Rochelle, on the French Atlantic coast.
Golden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland.
All accompanied by the music of Tom Waits, Patti Smith and Keith Jarrett.
“An andante cantabile, an adagio and a rondo. Essentially a concert. Of dance, however, and yet with a great soundtrack.”
Sergio Trombetta, La Stampa, 10.07.2017

Struggle for the soul - Welcome to my funeral - OPEN REHEARSAL
2023-05-12 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
OPEN REHEARSAL
The increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions.
Struggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us.
Welcome to my funeral is the production by Brandon Lagaert, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto.

Struggle for the Soul
Studio
Choreography: Roberta Ferrara
Dancers: Antonello Amati and Olivia Grassot
The study focuses on the ongoing battle between our ﬁxed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white, the other black.
If they choose to feed them both, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect, they will both be victorious and coexist in peace.
A man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you?
Welcome to my funeral
Choreographer: Brandon Lagaert
Artistic assistant: Sara Angelucci
Music: Felix Machtelinckx
Light Designer: Alessandro Caso
Costumes: Franco Colamorea
Dancers: Alessandro Ottaviani, Anabel Barotte Moreno, Olivia Grassot, Tonia Laterza
Organisation and executive production: Vincenzo Losito
Production assistant: Alessia Cofone
Production: Equilibrio Dinamico
Co-production: Fondazione Fabbrica Europa per le arti contemporanee ETS, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA
Production support: Fondazione Nazionale della Danza/Aterballetto
The performance focuses on the increasingly blurred boundaries between the real and virtual worlds.
Dependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback, artificial intelligence, and algorithms that acquire information from people through their input.
Older generations claim to have grown up in a Jurassic era, although even they would struggle without technology as simple as electricity.
How do you use technology to feed your ego?
How does one use technology to create unique bonds with others or manipulate strangers?
EQUILIBRIO DINAMICO
Equilibrio Dinamico, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari, has placed itself in the spotlight for being unique on the Italian dance scene.
Right from the start, in fact, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný, Igor Kirov, Matthias Kass & Clément Bugnon, Marco Blázquez, Riccardo Buscarini, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse.
In addition to celebrating its tenth anniversary, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance, the only organisation in the Region of Puglia, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno, the platform that brings together the best of Italian dance to be exported abroad.
Equilibrio Dinamico is annually programmed in seasons and festivals in Europe, America and Asia. In addition, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese.
equilibriodinamico.org
INFO&TICKETS
TICKETS
Full price: 3 euro
Free under 6
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 5.30 pm.
Tickets are not numbered.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

Struggle for the soul - Welcome to my funeral
2023-05-12 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The increasingly interesting company Equilibrio Dinamico returns to the Fonderia with two new productions.
Struggle for the Soul is the new creation by company director Roberta Ferrara. The choreography represents on stage the inner dissension present in each of us.
Welcome to my funeral is the production by Brandon Lagaert, an artist who has been collaborating for years with the internationally renowned dance theatre company Peeping Tom. The creation is also supported by the Fondazione Nazionale della Danza / Aterballetto.

Struggle for the Soul
Studio
Choreography: Roberta Ferrara
Dancers: Antonello Amati and Olivia Grassot
The study focuses on the ongoing battle between our ﬁxed body and our eternal spirit. The performers seek peaceful coexistence as if there were two great wolves living inside each of them: one white, the other black.
If they choose to feed them both, they will never fight for each other’s attention and will be able to use each of them as needed. Since there will be no war between the two, one will be able to listen to the deeper voice of one’s own consciousness. Two great forces within us co-exist and if we regard them with equal respect, they will both be victorious and coexist in peace.
A man who achieves inner peace has everything. A man who is torn apart by the war that is fought within him is nothing. I ask myself: how is this battle going for each of you?
Welcome to my funeral
Choreographer: Brandon Lagaert
Artistic assistant: Sara Angelucci
Music: Felix Machtelinckx
Light Designer: Alessandro Caso
Costumes: Franco Colamorea
Dancers: Alessandro Ottaviani, Anabel Barotte Moreno, Olivia Grassot, Tonia Laterza
Organisation and executive production: Vincenzo Losito
Production assistant: Alessia Cofone
Production: Equilibrio Dinamico
Co-production: Fondazione Fabbrica Europa per le arti contemporanee ETS, ResExtensa/Centro di produzione della danza Porta d’Oriente SPA
Production support: Fondazione Nazionale della Danza/Aterballetto
The performance focuses on the increasingly blurred boundaries between the real and virtual worlds.
Dependence on technology has completely changed the way we interact with people and the real world around us. The virtual world is becoming more and more realistic thanks to haptic feedback, artificial intelligence, and algorithms that acquire information from people through their input.
Older generations claim to have grown up in a Jurassic era, although even they would struggle without technology as simple as electricity.
How do you use technology to feed your ego?
How does one use technology to create unique bonds with others or manipulate strangers?
EQUILIBRIO DINAMICO
Equilibrio Dinamico, founded in 2011 by its current artistic director Roberta Ferrara and now based in Bari, has placed itself in the spotlight for being unique on the Italian dance scene.
Right from the start, in fact, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope by calling upon several choreographers to create world premieres. Jiří Pokorný, Igor Kirov, Matthias Kass & Clément Bugnon, Marco Blázquez, Riccardo Buscarini, and Aida Vainieri are just a few of the signatures that have followed to compose the cahier de danse.
In addition to celebrating its tenth anniversary, in 2021 Equilibrio Dinamico Dance Company was recognised by the Ministry of Culture as a Production Body for Under35 Dance, the only organisation in the Region of Puglia, and in May 2022 it will be presented in the context of the NID-New Italian Dance Platform in Salerno, the platform that brings together the best of Italian dance to be exported abroad.
Equilibrio Dinamico is annually programmed in seasons and festivals in Europe, America and Asia. In addition, Equilibrio Dinamico develops collateral projects for the training and promotion of the public by creating a close collaboration with the promotion body Teatro Pubblico Pugliese.
equilibriodinamico.org
INFO&TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 8.00 pm.
Tickets are not numbered.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

Stravaganze in sol minore
2023-05-14 15:00 - 16:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
EVENT WITHIN FESTIVAL INTERNAZIONALE KIDS

/ New performance for families with a dancer and a singer /
The magical virtuosity of Toti Scialoja (1914-1998), a master not only of images but also of words, is at the heart of this new creation for children, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis.
The almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images, bearers of a musicality that mixes poetry and nursery rhyme, they make the extraordinary and the frightening go together.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)

CREDITS
Direction and choreography: Francesca Lattuada
Texts: Toti Scialoja (from La mela di Amleto)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and objects: Natali Fortier
Performer: Vittoria Franchina, Piersilvio De Santis
Coproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In coproduction with Centro Servizi Culturali Santa Chiara
INFO & TICKETS
TICKETS
Free admission upon availability. Reservation recommended.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

YELED / SHOOT ME
2023-05-16 20:30 - 22:00 | Teatro Comunale L. Pavarotti, Via del Teatro, 8, Modena, MO, 41121, Italia
YELED and SHOOT ME, by the two young choreographers Eyal Dadon and Diego Tortelli, arrive at Teatro Comunale di Modena.
YELED, a Hebrew word meaning “child,” brings to the stage Israeli choreographer Eyal Dadon’s reflection, together with Aterballetto dancers, on the moment in life when we come to lose the innocence of children.
SHOOT ME, by our resident choreographer Diego Tortelli, on the other hand, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction, of glances, of sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.

Corpi Violati #DJOperaNoir
2023-05-17 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
In CorpiViolati Monica Casadei follows up her investigation on the theme of violence against women, begun several years ago with the transposition into dance of some famous feminicides from Italian and other melodramas.
In CorpiViolati, a community of bodies, both female and male, swarms, locked in the memory of a wound. This wound echoes on stage in an incessant dance nourished by impulses, instincts, anger and pain, in which overwhelming group dances are interspersed with duets and solos.

CREDITS
choreography, direction, set design, lighting and costumes: Monica Casadei
Live Electronic: Fabio Fiandrini
Choreographer’s assistant: Alessandra Pizza
Costume design: Elena Nunziata
Production Compagnia Artemis Danza
Coproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara
In partnership with Comune di Rimini – Teatro Galli

With the support of Ministero della Cultura, Regione Emilia-Romagna, Comune di Parma

Synopsis
«Giammai Carmen cederà! Libera è nata e libera morirà!». «Sempre libera degg’io».
They are the ode to freedom of Carmen, the protagonist of Prosper Mérimée’s novella and Georges Bizet’s opera, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Women figures who are symbols of independence of thought, of strength and courage and at the same time of fragility in the face of violence and prevarication. Their freedom, as in so many other cases, is punished, violated, with tragic results. Inspired by the many stories of gender violence recounted in literature and melodrama, only a small number compared to the infinite number of stories in the daily news, the project “Corpi violati” (Violated Bodies) by the Compagnia Artemis Danza, founded and directed by Monica Casadei.
The choreographic project was born from the desire to bring attention to the theme of violence against women, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network against Violence).
COMPAGNIA ARTEMIS DANZA
Born in Ferrara and graduated with honours with a thesis on Plato and dance, Monica Casadei, after a competitive career in rhythmic gymnastics, devoted herself to the study of classical and modern dance, first in Italy, then in London, and finally in Paris, where she met choreographers Pierre Doussaint and Isabelle Doubouloz and master André Cognard Hanshi So shihan, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France, with which he moved to Italy in 1997, giving life to an intense production activity that counts, to date, over forty original creations. From 1998 to 2007 the company was in residence at the Fondazione Teatro Due in Parma, while since 2014 it has been in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to numerous international tours and festivals.
Fundamental to Monica Casadei’s artistic research is the contamination with different artistic, cultural and geographic territories, as well as the exploration of places and urban spaces that become the stage for performative actions.
Alongside its production activity, Artemis supports, produces and promotes young authors and carries out multiple activities to educate the public.
artemisdanza.com
INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Foundry is open from 8 pm.
Tickets are not numbered.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

PROVE IN CORSO - 4ª EPISODE
2023-05-23 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
What is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia?
You’ll find out with PROVE IN CORSO, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai.
Together with Ballario you will enter the world of the Fondazione Nazionale della Danza / Aterballetto. Between hilarious encounters, ironic situations with those who live the Fonderia every day and danced moments, in four episodes directed by Fabrizio Spucches, we will discover the curiosities of the company and the behind-the-scenes of the shows, in a way never told before.
Event partner:
Thanks to our collaboration with YOGI TEA, we can give our audience delicious teas and infusions, inspired by the ancient philosophy of Ayurveda, which aims at the well-being of body and mind.
WHAT WILL YOU SEE?
We conclude our series on dance with the last episode scheduled for Tuesday 23 May at 9 pm. The evening will be dedicated to YELED, a creation by Eyal Dadon which we are very fond of and which brings to the stage the reflection that the Israeli choreographer has conducted, together with the dancers of Aterballetto, on the moment in life when one comes to lose the innocence of children.
With his irony Nicolas Ballario will tell what it was like to work on this series, together with the Aterballetto dancers who will show some extracts from the piece.
This was followed by the screening of the fourth episode of PROVE IN CORSO ending with a talk in the company of Ballario and Aterballetto.
INFO & TICKETS
TICKETS
Full: 3 euro
Under 6: free
PURCHASING TICKETS
Tickets can be purchased online at biglietteria@aterballetto.it
The ticket service in Fonderia runs from 7:30 pm.
Tickets are not numbered.
CONTACTS
Cell and whatsapp 3341023554
Email biglietteria@aterballetto.it

SOAC
2023-05-26 21:00 - 22:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
WORLD PREMIERE with live music
The outcome of an event depends on several variables, the behaviour of which cannot always be predicted with total precision. There is always a margin for error, a space for chaos. Because sometimes a small difference generates an effect of great proportions.
CREDITS
A performance by Federica Galimberti and Cristiano Buzzi
Musician: Giuseppe Franchellucci
Dancers: Carlos Kamizele, Simone Panzera, Matteo Passero, Filippo Tonini
Production: KC Dance Company
INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Foundry is open from 8 pm.
Tickets are not numbered.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

Stravaganze in sol minore
2023-05-27 15:00 - 16:00, 2023-05-27 17:30 - 18:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
EVENT WITHIN REGGIONARRA 2023

/ New performance for families with a dancer and a singer /
The magical virtuosity of Toti Scialoja (1914-1998), a master not only of images but also of words, is at the heart of this new creation for children, young boys and girls signed by the Fondazione Nazionale della Danza/Aterballetto. The protagonists are dancer Vittoria Franchina and baritone Piersilvio De Santis.
The almost magical vibrations that spring from Scialoja’s poems are like the infinite rings that are created at the surface of the water when a stone is thrown: evocative of unreal or hyperreal images, bearers of a musicality that mixes poetry and nursery rhyme, they make the extraordinary and the frightening go together.
Sotto un cespo di rose scarlatte
Offre il rospo tè caldo con latte
Sotto un cespo di rose paonazze
Tocca al rospo sciacquare le tazze.
(Toti Scialoja, La mela di Amleto, 1984)
CREDITS
Direction and choreography: Francesca Lattuada
Texts: Toti Scialoja (from La mela di Amleto)
Music: The Klezmorin, Gustav Mahler, Dean Martin, Clara Rockmore
Masks and objects: Natali Fortier
Performer: Vittoria Franchina, Piersilvio De Santis
Coproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano
In coproduction with Centro Servizi Culturali Santa Chiara
INFO & TICKETS
TICKETS
3 euro
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

Made in Italy 29.0
2023-05-30 21:00 - 22:30 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
The protagonists of the evening are the dancers of the Agora Coaching Project, an advanced training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers.
On stage Made in Italy 29.0 with choreographies by Enrico Morelli and Ivan Alboresi.
AGORA COACHING PROJECT
AGORA COACHING PROJECT is a two-year dance training project for dancers between the ages of 16 and 22. Agora aims to train artists ready to flexibly face the variety of the international dance market, artists capable of responding to the different technical/stylistic demands coming from this same market.
The aim is to provide a solid basis for learning the various techniques in use on the international contemporary dance scene and the different repertoires through the alternation of qualified teachers and artists by bringing to the stage the works created by guest choreographers. The course aims to offer a wide range of stimuli, technical, cultural and exchange between students and choreographers, each of whom comes from and works in different realities among the most interesting on the international scene. Agora brings dancers together with established choreographers and directors of prestigious companies, thus giving students the opportunity to obtain work contracts; Agora thus represents an active and effective bridge between training and the world of work, having built a network of collaborations with numerous European companies over the years. Many Agora students are currently working in these prestigious ensembles.
Artistic direction: Michele Merola and Enrico Morelli
Dancers: Camilla Aiazzi, Corrado Azzollini, Beatrice Ballarò, Erica Barusco, Gaia Belli, Marek Brafa, Anna Dal Maso, Laura Dell’Agnese, Sally Demonte, Pietro Di Salvo, Vittoria Facci, Chiara Gionti, Luca Guerrieri, Sofia Lacava, Carlotta Lo Piano, Erika Loprieno, Giulia Lusetti, Gioele Marcante, Carlotta Maucioni, Marta Monaci, Federico Musumeci, Carmine Olivazzi, Martina Pagliari, Martina Procacci, Emily Rondanini,Susanna Russing, Alessia Russo, Alessio Saccheri, Viviana Sanfilippo, Sara Scarponi, Micol Scotto, Diletta Suman, Giorgia Talami, Gennaro Todisco,Diletta Torelli
DIMORA DELL'ANIMA
Choreography Ivan Alboresi
Music Davidson Jaconello, Travis Lake, Joep Beving
Costumes Nuvia Valestri
Ivan Alboresi’s new choreography for Agora Coaching Project is developed on the ‘breathing’ of bodies and on the attention to touching and caring for the other. The study made with the young dancers of the course is understood as an act of connection between the choreographer’s poetics of movement and the outcome of the transmission on the different bodies of the performers.
Through the exchange of energy and mutual support, choreographic actions based on the interplay of mutual support between bodies and souls, proximity and absence, are constructed. In creating the choreographic score, the starting point was memory and the desire to return the gesture of supporting the other, thinking of the body as an infinite, inexhaustible source of memories, fragility and compassion. The performers establish a visible dialogue between their physical strengths and the importance of their gazes and their sensitive touch, changing the perspective of seeking each other out. The audience, freely observing the choreographic action, crosses and crosses musical and choreographic suggestions, developing a perceptive and subjective reading.
THE RITE OF SPRING (2011)
Choreography Enrico Morelli
Music Igor Stravinsky
Costumes Nuvia Valestri
Choreography Assistant Annalisa Perricone
On 29 May 2013, Igor Stravinsky’s Le Sacre du Printemps turned one hundred years old and the entire dance world remembered and celebrated this event. After the scandal it caused at its debut, with the first version of the choreography, created in Paris by Vaslav Nijinsky for Diaghilev’s Ballets Russes, the score has become well known, and recognisable at the first beat. Le Sacre is inspired by an ancient Slavic legend, according to which every spring a virgin had to be ritually sacrificed so that the earth could flourish again.
In his interpretation of Le Sacre, Morelli approaches this score with profound respect.
In the resulting staging, a facet of the frantic dynamism of our time is reflected. To combat old and new fears, and to exorcise the evil of living that accompanies the present, every opportunity is good to find a scapegoat.
In Enrico Morelli’s directorial choice, on the bare stage, as the only element, lugubrious slaughterhouse hooks emerge from the darkness and loom from the ceiling. They are as many swords of Damocles, a stern warning inviting us to look back to the past, to the times of terror and death when so many men were sent to the slaughterhouse, considered ‘numbers’ without identity or dignity.
The assumption of the choreography is all here: as long as human beings sacrifice their fellow human beings to the violence of blind cannibalism, and do not choose the path of respect for others, the light of culture and the clarity of reason will not prevail. Then, forever and ever, each individual will only be able to think and want the evil of others, to eliminate anyone who stands in the way of the fulfilment of his desires. Everyone will have in his neighbour an enemy. From this will result war of all against all, with no more right or wrong. Thus the animal man will be condemned to remain Homo homini lupus.
INFO & TICKETS
TICKETS
Full price: 10 euro
Reduced price under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL members Municipality of Reggio Emilia: 6 euro
Reduced price under 8: 3 euro
PURCHASING TICKETS
Tickets can be purchased online at www.biglietteriafonderia39.it.
The ticket office service at the Fonderia is open from 8 pm.
Tickets are not numbered.
CONTACTS
Mobile and whatsapp 3341023554
Email biglietteria@aterballetto.it

STORIE
2023-06-09 21:30 - 22:30 | Teatro Parco Magnolia, Via A. Volta, 20, Abano Terme, PD, 35031
Aterballetto performs Storie in Abano Terme.
Storie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the evening, is a love letter to the body for five dancers on the music of Nick Cave, Another story is a duet on the impossible gesture of 2020, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt, or will it become serial and alienated?
Alpha Grace, a six-step in the evening’s conclusion, is a reflection on empathy, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times.

Preludio
2023-06-23 19:00 - 19:30 | Giardino Pomario del Castello dell’Acciaiolo, via Pantin 63, Scandicci, FI, 50018, Italia
Preludio by Diego Tortelli is in Scandicci for Nutida festival.
“Preludio” is a creation for five performers, a love letter from the choreographer to the body, a profane prayer built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave.

FND/Aterballetto – Preludio – ph. Claudio Montanari

Défilé - excerpts from Shoot me
2023-07-12 19:30 - 21:15 | Piazza Prampolini, Reggio Emilia, Italia
Aterballetto dances in Piazza Prampolini, in Reggio Emilia, within Restate 2023, the the cultural summer programme by Comune di Reggio Emilia and Fondazione Palazzo Magnani.
In front of the city’s cathedral, the company’s 16 dancers present Défilé, performance created for the occasion from excerpts of Shoot me by Diego Tortelli on music of the British rock band Spiritualized.
Performance times: 19.30 / 20.15 / 21.00
Free admission
Info: whatsapp 3341023554
info@aterballetto.it
FND/Aterballetto – Shoot me – ph. Claudio Montanari

STORIE
2023-07-21 22:00 - 23:30 | Parco Archeologico Nazionale di Scolacium, Via Scylletion, 1, Borgia, CZ, 88021, Italia
Aterballetto performs Storie at Armonie d’Arte Festival in Borgia, near Catanzaro.

Storie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the evening, is a love letter to the body for five dancers on the music of Nick Cave, Another story is a duet on the impossible gesture of 2020, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt, or will it become serial and alienated?
Alpha Grace, a six-step in the evening’s conclusion, is a reflection on empathy, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times.

DON JUAN
2023-07-27 21:00 - 22:30 | Arena Sferisterio, Piazza Nazario Sauro, 2, Macerata, MC, 62100, Italia
At the Arena Sferisterio in Macerata Aterballetto dances Don Juan, the full evening signed by Johan Inger.
For the Macerata Opera Festival the company will dance with the live music played by FORM-Orchestra Filarmonica Marchigiana and directed by the baton of Manuel Coves.
The choreography stems from Inger’s desire to confront Don Juan, an ancient and still contemporary paradigmatic myth. The original play by Tirso de Molina, Molière, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character.
In the creation we find all the characters in the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel, with its ability to emphasize nuances and emotions: and in the case of this creation, dance becomes a magnifying glass for the individual characters, and subtly but clearly reveals the inner worlds of the men and women on stage.
Danza&Danza ‘Best Production’ Award 2020

Yeled - Shoot me
2023-09-08 21:00 - 22:30 | Théâtre de la Gare du Midi, 23 Av. du Maréchal Foch, Biarritz, Francia
Aterballetto starts its 2023/24 season by opening the prestigious festival Le temps d’aimer la danse in Biarritz.
On stage YELED and SHOOT ME, by the two young choreographers Eyal Dadon and Diego Tortelli.
YELED, a Hebrew word meaning “child,” brings to the stage Israeli choreographer Eyal Dadon’s reflection, together with Aterballetto dancers, on the moment in life when we come to lose the innocence of children.
SHOOT ME, by our resident choreographer Diego Tortelli, on the other hand, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction, of glances, of sweat, an assault on the senses and an ode to the body, to breathing the same air, sweat, tears, fury, pride.

Yes, Yes... | SoaC
2023-09-09 11:30 - 19:30, 2023-09-10 11:30 - 19:30 | Palazzo Schifanoia, via Scandiana, 23, Ferrara, 44121, Italia
Once again this season the Fondazione Nazionale della Danza / Aterballetto is a guest of the Festival di Danza Contemporanea | Interno Verde Danza, an event organized by the Teatro Comunale ‘Claudio Abbado’ in Ferrara and the Interno Verde festival.
9 -10 September 2023 | h 12:00 – 17:00 – 18:30 | running time 1 ora
In the Renaissance halls of Palazzo Schifanoia, dancers Edoardo Brovardi and Vittoria Franchina will recreate the atmosphere of Andy Warhol’s legendary ‘Factory’ through Yes, Yes… by Diego Tortelli.

In addition to this performance is SoaC by Federica Galimberti (who also directs) and Cristiano Buzzi (Kris), to music by Bach, Tommaso Ussardi and Giuseppe Franchellucci, who will play them on the cello.
2 extraordinary dancers use the hip hop technique in its countless declinations to create a poetic and powerful performance. The choreography is a co-production with Orchestra Senzaspine.

Storie
2023-09-10 18:00 - 19:30 | Espace Culturel Larreko, Place Xan Ithourria, Saint-Pée-sur-Nivelle, 64310, Francia
After the opening performance on 8 September, Aterballetto dances again within the prestigious Le Temps d’Aimer la Danse festival in Biarritz.
On 10 September, the company will show its talent for ubiquity and dance Storie in two different theatres, near Biarritz, at the same time:
Saint-Pée-sur-Nivelle, Espace Culturel Larreko || Errenteria – Pays Basque Sud, Lekuona Fabrika

Storie is a small anthology of danced fragments. They constitute only an infinitesimal part of the very rich artistic and human universe of the two choreographers Diego Tortelli and Philippe Kratz.
Tortelli creates two pieces: Preludio, opening the evening, is a love letter to the body for five dancers on the music of Nick Cave, Another story is a duet on the impossible gesture of 2020, the embrace. Between past and future are Kratz’s two creations. The “O” duo offers us two bodies/robots, forcing us to question how the meaning of physical contact might change: will it remain emotional and felt, or will it become serial and alienated?
Alpha Grace, a six-step in the evening’s conclusion, is a reflection on empathy, a form of gentle communication between people who feel on the same plane. It too is challenged by the present times.

Storie
2023-09-10 20:00 - 21:30 | Lekuona Fabrika, Ugarritza Etorbidea, 1, Errenteria, 20100, Francia

BLISS / MicroDanze - Open Rehearsal
2023-09-26 18:00 - 19:00 | Fonderia, via della Costituzione, 39, Reggio Emilia, 42124, Italy
Open rehearsals are back in the halls of Fonderia!
To inaugurate the new season and get to know up close the two dancers who have recently joined the company, we present an exceptional program: Aterballetto rehearses BLISS by Johan Inger, along with some excerpts from NEAR LIFE EXPERIENCE by Angelin Preljocaj and A GIG by Diego Tortelli. An opportunity not to be missed!
Open rehearsals are unique moments where you can experience the backstage of a show, interact with the artists, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers.
