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DTSTART;TZID=Europe/Rome:20200208T203000
DTEND;TZID=Europe/Rome:20200208T213000
DTSTAMP:20260404T005852
CREATED:20200203T164526Z
LAST-MODIFIED:20200211T102738Z
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SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the new duet by Diego Tortelli for an abled dancer and a disabled dancer\, premieres at the Holland Dance Festival. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented on Mixed Doubles evening\, along with three other duets produced by Onassis Cultural Centre (GR)\, Holland Dance Festival (NL)\, Skånes Dansteater (SE). \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n  \n \n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good/2020-02-08/
LOCATION:Korzo Theater\, Prinsestraat 42\, Den Haag\, 2513 CE\, Olanda
CATEGORIES:feeling good,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200209T170000
DTEND;TZID=Europe/Rome:20200209T181000
DTSTAMP:20260404T005852
CREATED:20191006T151106Z
LAST-MODIFIED:20191006T151318Z
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SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Nuovo Menotti in Spoleto to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes.
URL:https://www.fndaterballetto.it/en/evento/tempesta-aterballetto-spoleto-umbria/
LOCATION:Teatro Nuovo Menotti\, Via Vaita S. Andrea\, 20\, Spoleto\, PG\, 06049\, Italia
CATEGORIES:Aterballetto,Tempesta
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200212T180000
DTEND;TZID=Europe/Rome:20200212T190000
DTSTAMP:20260404T005852
CREATED:20200110T093516Z
LAST-MODIFIED:20200211T101913Z
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SUMMARY:Open Rehearsal
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nTHE OPEN REHEARSAL HAS BEEN CANCELLED.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-6/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200217T180000
DTEND;TZID=Europe/Rome:20200217T190000
DTSTAMP:20260404T005852
CREATED:20200110T103137Z
LAST-MODIFIED:20200211T101409Z
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SUMMARY:Present Continuous - open rehearsal
DESCRIPTION:OPEN REHEARSAL_SALVO LOMBARDO\nBetween parody and attempt to bring on stage those dances really contemporary and anthropological as the latest generation disco dance\, Salvo Lombardo photographs a moment of extreme topicality\, a youthful and alienating nocturnal excerpt\, creating a funny but deeply tragic documentary in which the human seems to cancel itself to the rhythm of digital beats. (Benedetta Colasanti – Recensito) \nSalvo Lombardo \nSalvo Lombardo is an italian perfomer\, coreographer and director who bases his work on a constant research of a relation between theatre\, dance and visual art. He lives and works in Rome. He is the artistic director of the Chiasma Company whose works were presented in the main Festivals and Theatres in Italy. \nIn 2015-2016 he was resident choreographer at Anghiari Dance Hub where he worked at the project “Casual Bystanders” based on a choreographic pattern representing an archive of “not-extraordinary” gestures proceeding from kinetic fragments of common people observed in public places. From 2016 till today Salvo Lombardo is supported by the Festival Fabbrica Europa that produces many of his dance pieces. From 2017 he is one of the associated artists of the Festival Oriente Occidente\, the principal co-producer of the performance “Present Continuous” inspired by a memory system of gestures which stem from a night’s work at a music club and also the interactive installation in augmented reality titled “Reappearances” conceived for the MART Museum of Contemporary Art of Trento and Rovereto\, involving the participation of the local community. \nIn 2017 he is guest choreographer at Aura Dance Theatre of Kaunas (LIT) for which he conceived the performance “Twister” studying the relationship between gestures memory\, play and sociality. In 2018 he worked on the project “L’Esemplare Capovolto”\, aims to generate a series of performative actions\, installations\, conferences\, workshops and the creation of the show “Excelsior”\, co-produced by the Théâtre National de Chaillot of Paris and the Romaeuropa Festival.\n​ \nsalvolombardo.org \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/present-continuous-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200218T203000
DTEND;TZID=Europe/Rome:20200218T211000
DTSTAMP:20260404T005852
CREATED:20191230T101950Z
LAST-MODIFIED:20200211T101011Z
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SUMMARY:PRESENT CONTINUOUS
DESCRIPTION:Between parody and attempt to bring on stage those dances really contemporary and anthropological as the latest generation disco dance\, Salvo Lombardo photographs a moment of extreme topicality\, a youthful and alienating nocturnal excerpt\, creating a funny but deeply tragic documentary in which the human seems to cancel itself to the rhythm of digital beats. (Benedetta Colasanti – Recensito) \nCredits \nConceived\, choreographed and directed by Salvo Lombardo\nPerformers Cesare Benedetti\, Lucia Cammalleri\, Daria Greco\, Salvo Lombardo\nCollaborating choreographer Daria Greco\nLighting design Loris Giancola\nSound design Fabrizio Alviti \nProduction Festival Oriente Occidente\nCo-producers Chiasma\, Versiliadanza\nWith the support of DiD Studio – Ariella Vidach AiEP\, Versilia Danza\, Anghiari Dance Hub\, Teatri di Vita\nSpecial thanks to Studio Azzurro – Area Ricerca Progressiva \nDuration 40′\nPremiere September 2017 – Festival Oriente Occidente\n \nINSIGHTS \nAfter having collected the movements and gestures of passersby with the project Casual Bystanders and developed game and social dynamic standards with the project Twister\, Salvo Lombardo continues with Present Continuous in his research into the relationship between memory\, perception and movement by observing real life. In this case\, the choreography is “derivative” once again and often calls upon “ready-made” gestures. \nThe performance is based on the shared memory of the same experience – an evening in a night club – during which\, performers observed and appropriated a system of postures\, motor-actions and relational means of those present. In every daily act we produce tracks that attest to our being in the world. We immortalise surrogates of reality\, bodiless mists\, which nail events to an eternal present\, spreading themselves on our behalf and reproducing a fixed condition that excludes any real relationship with their original subject. \nPresent Continuous simply seeks to mark the points of a choreographic narrative that has been developed on the basis of the negotiation of memory through the sharing of reproducible motor sequences. The memory of real movement intertwines with a subjective micro-narrative that reveals the emotional life of the performer in their attempt to reconfigure a shared memory of movement and the experience it created\, which\, exploding from its actual re-enactment\, leaves the “now” and becomes bounded to a future in the making. \nSalvo Lombardo \nSalvo Lombardo is an italian perfomer\, coreographer and director who bases his work on a constant research of a relation between theatre\, dance and visual art. He lives and works in Rome. He is the artistic director of the Chiasma Company whose works were presented in the main Festivals and Theatres in Italy. \nIn 2015-2016 he was resident choreographer at Anghiari Dance Hub where he worked at the project “Casual Bystanders” based on a choreographic pattern representing an archive of “not-extraordinary” gestures proceeding from kinetic fragments of common people observed in public places. From 2016 till today Salvo Lombardo is supported by the Festival Fabbrica Europa that produces many of his dance pieces. \nFrom 2017 he is one of the associated artists of the Festival Oriente Occidente\, the principal co-producer of the performance “Present Continuous” inspired by a memory system of gestures which stem from a night’s work at a music club and also the interactive installation in augmented reality titled “Reappearances” conceived for the MART Museum of Contemporary Art of Trento and Rovereto\, involving the participation of the local community. \nIn 2017 he is guest choreographer at Aura Dance Theatre of Kaunas (LIT) for which he conceived the performance “Twister” studying the relationship between gestures memory\, play and sociality. In 2018 he worked on the project “L’Esemplare Capovolto”\, aims to generate a series of performative actions\, installations\, conferences\, workshops and the creation of the show “Excelsior”\, co-produced by the Théâtre National de Chaillot of Paris and the Romaeuropa Festival.\n​ \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/present-continuous/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200220T100000
DTEND;TZID=Europe/Rome:20200220T104500
DTSTAMP:20260404T005852
CREATED:20191006T200825Z
LAST-MODIFIED:20191006T203646Z
UID:10001982-1582192800-1582195500@www.fndaterballetto.it
SUMMARY:La stella nascosta
DESCRIPTION:La stella nascosta\, our dance performance for children\, is at the Teatro Comunale in Vicenza. \nLa stella nascosta is the result of a long process of artistic and pedagogical research on the dialogue between the world of childhood and the languages of contemporary dance. La stella nascosta is a performance with 4 young dancers selected specifically for this choreography\, which accompany children and adults on a journey of discovery of beauty outside the canons and media clichés. Saul Daniele Ardillo worked for over a year with playwright Simone Giorgi and an extraordinary team of Reggio Children (scientific partner of the research process)\, measuring himself with the experience of Accademia Perduta | Romagna Teatri (co-producer) and especially with the gaze and creativity of children’s classes.
URL:https://www.fndaterballetto.it/en/evento/la-stella-nascosta-vicenza-aterballetto-dance-performance-children/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,La stella nascosta
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200220T180000
DTEND;TZID=Europe/Rome:20200220T190000
DTSTAMP:20260404T005852
CREATED:20200110T094133Z
LAST-MODIFIED:20200220T115853Z
UID:10002054-1582221600-1582225200@www.fndaterballetto.it
SUMMARY:cloud|materia / ''O'' - Open Rehearsal
DESCRIPTION:  \nThe Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nThe company rehearses cloud|materia and “O” by Philippe Kratz\, Danza & Danza Award 2019 “Best Choreographer”\, with a view of the show in Bari on 29th February.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-aterballetto-20-02-2020-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200228T210000
DTEND;TZID=Europe/Rome:20200228T220000
DTSTAMP:20260404T005852
CREATED:20191227T144833Z
LAST-MODIFIED:20200217T123802Z
UID:10001608-1582923600-1582927200@www.fndaterballetto.it
SUMMARY:Bach Project
DESCRIPTION:Aterballetto dances Bach Project at Teatro Piccinni of Bari. \nBach Project is an important step in exploring the relationship between dance and music\, between classical composition and its contemporary re-creation. \nOn stage Sarabande\, masterpiece by Jiří Kylián\, and Domus Aurea by Diego Tortelli\, Italian choreography up-and-comer who\, through Bach’s French suite transcribed by Giorgio Colombo Taccani and played live by the Ensemble Sentieri Selvaggi\, has created an oneiric architecture made of movement\, involving the visual artist Massimo Uberti. \nThrough its musical dimension the Bach Project thus embodies an intergenerational\, open and curious vision of choreographic creation. \nThis production benefits from the support of Torinodanza Festival/Teatro Stabile di Torino – Teatro Nazionale\, Les Halles de Schaerbeek of Bruxelles\, Festival MiTo\, MILANoLTRE Festival and the partnership of the Theatres of tradition of Region Emilia-Romagna.
URL:https://www.fndaterballetto.it/en/evento/bach-project-13/
LOCATION:Teatro Piccinni\, Corso Vittorio Emanuele\, 84\, Bari\, 70122\, Italia
CATEGORIES:Aterballetto,Bach Project
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200229T210000
DTEND;TZID=Europe/Rome:20200229T223000
DTSTAMP:20260404T005852
CREATED:20190802T074703Z
LAST-MODIFIED:20200217T123038Z
UID:10001923-1583010000-1583015400@www.fndaterballetto.it
SUMMARY:cloud|materia - ''O'' - Secus
DESCRIPTION:Aterballetto dances at Teatro Piccinni in Bari a triple bill composed by  cloud|materia and “O” by Philippe Kratz\, and Secus by Ohad Naharin. \nA unique occasion to admire the company through contrasting nuances: from the physical and rational approach of Philippe Kratz choreographer and dancer of Aterballetto\, Dance & Dance Award 2019 ‘Best Choreographer’\, to the vigorous ritual of Ohad Naharin\, choreographer of the Batsheva Dance Company. \n  \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/cloud-materia-o-secus-bari-aterballetto/
LOCATION:Teatro Piccinni\, Corso Vittorio Emanuele\, 84\, Bari\, 70122\, Italia
CATEGORIES:Aterballetto,O,Secus
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200304T200000
DTEND;TZID=Europe/Rome:20200304T213000
DTSTAMP:20260404T005852
CREATED:20191006T154218Z
LAST-MODIFIED:20191006T154352Z
UID:10001966-1583352000-1583357400@www.fndaterballetto.it
SUMMARY:Wolf - ''O'' - BLISS
DESCRIPTION:Aterballetto dances at the prestigious Holland Dance Festival an evening signed by Hofesh Shechter\, Philippe Kratz and Johan Inger. \nIn Wolf by Hofesh Shechter we find a sort of wild animality\, which sometimes crosses men and sometimes women. The painting that is composed drags us a mysterious and engaging universe. “O” is a beautiful duo with an unstoppable rhythm signed by Philippe Kratz. At the end\, we close with the contagious joy of BLISS by Johan Inger. \n\n 
URL:https://www.fndaterballetto.it/en/evento/wolf-o-bliss-aterballetto-morges-switzerland/
LOCATION:Théâtre de Beausobre\, Av. de Vertou 2\, Morges\, 1110\, Svizzera
CATEGORIES:Aterballetto,BLISS,O,Wolf
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200307T180000
DTEND;TZID=Europe/Rome:20200307T190000
DTSTAMP:20260404T005852
CREATED:20191230T112234Z
LAST-MODIFIED:20200306T094934Z
UID:10002020-1583604000-1583607600@www.fndaterballetto.it
SUMMARY:Patchwork\, un mosaico di storie
DESCRIPTION:Patchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nThe inspiration \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nThe plot \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie/2020-03-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200308T180000
DTEND;TZID=Europe/Rome:20200308T190000
DTSTAMP:20260404T005852
CREATED:20191230T112234Z
LAST-MODIFIED:20200306T094934Z
UID:10002021-1583690400-1583694000@www.fndaterballetto.it
SUMMARY:Patchwork\, un mosaico di storie
DESCRIPTION:Patchwork\, un mosaico di storie\, written and directed by four hands\, is the result of an international co-production.\nThe production has two twin castles\, one Italian and one Canadian. The show\, more visual and expressive than words\, deals with the theme of identity in today’s contemporary and multicultural society by staging the meeting of two characters who express themselves in Italian\, English and French without hindering the understanding of the story. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nText and direction Cristina Cazzola and Carol Cassistat\nWritten in collaboration with Lucio Diana\nWith Sara Zoia and Daniele Tessaro\nSet and Lighting Design Lucio Diana\nOriginal music Nicolas Jobin \nProduction Accademia Perduta/Romagna Teatri\, Théâtre du Gros Mécano (Québec City)\, Signs of Childhood Association\, Atrium de Chaville (Paris)\, Musée national des beaux arts du Québec (Paris)\, Museo Benaki (Athens) \nDuration 55′ \nRecommended age from 5 years old and up \nThe inspiration \nWho are we?\nHow do we create our identity? \nWe started with an image.\nA patchwork blanket\, a courtepointe as they call it in Québec\, made of many different pieces of fabric. \nOften woven by several hands\, it can tell the story of a person\, an event\, an entire family or a generation. It speaks of the identity made up of many different fragments\, it speaks of us\, and of our being multicultural\, of humanity that is increasingly multicolored and multi-ethnic\, but with intertwining roots. \nFamily stories and family trees that can only contain and be the fruit of many journeys. An identity generated by encounters and clashes\, the fruit of a thousand migrations.\nAnd so our private history\, our identity\, a mosaic of stories that starting from Africa with our ancestor Lucy the first Australopithecus\, retraces the great journeys of humanity. \nThe plot \nTwo characters meet in a place without space or time. \nHe’s an anthropologist\, she’s a seamstress and they meet for work in a place of passage\, an airport. \nThey do not speak the same language but by communicating with looks\, gestures and simple words using the narrative power of objects they create a common language that makes communication possible and fun. \nEvery detail of their luggage tells something\, some objects bring them together\, others surprise them and so they begin to tell about family trips and adventures. The meeting soon turns into a theatrical game where adults and children are involved in the reflection on two questions that have always accompanied us: who we are and where we come from. \nAn amusing journey back through the branches of family trees and the migrations that have built the history of humanity\, to discover that\, since ever\, our identity is a patchwork\, part of a larger story where each of us is a unique and indispensable piece. \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/patchwork-un-mosaico-di-storie/2020-03-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200320T180000
DTEND;TZID=Europe/Rome:20200320T190000
DTSTAMP:20260404T005852
CREATED:20200110T105319Z
LAST-MODIFIED:20200306T095737Z
UID:10002063-1584727200-1584730800@www.fndaterballetto.it
SUMMARY:Les Miserables - Open rehearsal
DESCRIPTION:OPEN REHEARSAL_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCANCELLED OPEN REHEARSAL\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \nCredits \nChoreography: Carlo Massari\nDancers: Carlo Massari\, Alice Monti\, Stefano Roveda\, Nicola Stasi\nVocal Coaching: Chiara Osella \nProduction: C&C Company\nCo-production: Triangolo Scaleno/Glass Theatres; Festival Danza in Rete Fondazione Teatro Comunale Città di Vicenza; Festival Oriente Occidente/CID Centro Internazionale della Danza\nWith the support of Teatro Akropolis/Project CURA \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org
URL:https://www.fndaterballetto.it/en/evento/les-miserables-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200325T180000
DTEND;TZID=Europe/Rome:20200325T190000
DTSTAMP:20260404T005853
CREATED:20200110T095623Z
LAST-MODIFIED:20200306T095923Z
UID:10001632-1585159200-1585162800@www.fndaterballetto.it
SUMMARY:Tempesta - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\nThe Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nAterballetto rehearses Tempesta by Giuseppe Spota on the original music by Giuliano Sangiorgi\, in view of the performances at the Teatro Metastasio of Prato. \nCANCELLED OPEN REHEARSAL\nThe Fondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200326T204500
DTEND;TZID=Europe/Rome:20200326T220000
DTSTAMP:20260404T005853
CREATED:20190801T191728Z
LAST-MODIFIED:20200306T101806Z
UID:10001899-1585255500-1585260000@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE\nTeatro Metastasio informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-prato-metastasio-aterballetto/2020-03-26/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Tempesta
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200327T204500
DTEND;TZID=Europe/Rome:20200327T220000
DTSTAMP:20260404T005853
CREATED:20190801T191728Z
LAST-MODIFIED:20200306T101806Z
UID:10001900-1585341900-1585346400@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE\nTeatro Metastasio informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-prato-metastasio-aterballetto/2020-03-27/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Tempesta
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200328T193000
DTEND;TZID=Europe/Rome:20200328T201000
DTSTAMP:20260404T005853
CREATED:20190801T191728Z
LAST-MODIFIED:20200306T101806Z
UID:10001901-1585423800-1585426200@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE\nTeatro Metastasio informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-prato-metastasio-aterballetto/2020-03-28/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Tempesta
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200329T163000
DTEND;TZID=Europe/Rome:20200329T174000
DTSTAMP:20260404T005853
CREATED:20190801T191728Z
LAST-MODIFIED:20200306T101806Z
UID:10001902-1585499400-1585503600@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE\nTeatro Metastasio informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \n 
URL:https://www.fndaterballetto.it/en/evento/tempesta-prato-metastasio-aterballetto/2020-03-29/
LOCATION:Teatro Metastasio\, via Benedetto Cairoli\, 59\, Prato\, 59100\, Italia
CATEGORIES:Aterballetto,Tempesta
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200401T203000
DTEND;TZID=Europe/Rome:20200401T213000
DTSTAMP:20260404T005853
CREATED:20200110T154720Z
LAST-MODIFIED:20200306T111250Z
UID:10002098-1585773000-1585776600@www.fndaterballetto.it
SUMMARY:UNDER THE FLESH
DESCRIPTION:Under the Flesh by Bassam Aboud Diab is a contemporary dance performance\, a personal reflection that investigates the way the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique. \nThe performance is preceded by a speech with an expert on the relationship between dance and war. \nCANCELLED PERFORMANCE\nFondazione Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces. \nCredits \nChoreography and direction: Bassam Abou Diab\nPerformer: Bassam Abou Diab\, Ayman Sharaf El Dine and a translator\nMusic: Ayman Sharaf El Dine \nCo-produced by Maqamat Beit El Raqs\nDuration: 30′ \nInsights \nIn 1996 the war came back and it was a long time since I had met my friends\, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die. \nThe second strategy is to let your body go to the end\, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts\, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war. \nDuring the year 2000 I changed. New ideas in mind about the relationship between cultures\, the body\, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence. \nIn 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies. \nBassam Abou Diab \nBassam Abou Diab \nHe is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre\, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat\, Gilles Jobin\, Damien Jalet\, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project. \n\n  \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/under-the-flesh/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200403T180000
DTEND;TZID=Europe/Rome:20200403T190000
DTSTAMP:20260404T005853
CREATED:20200110T100626Z
LAST-MODIFIED:20200306T111954Z
UID:10001637-1585936800-1585940400@www.fndaterballetto.it
SUMMARY:Open Rehearsal Aterballetto
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nCANCELLED OPEN REHEARSAL\nThe Fondazioen Nazionale della Danza informs\, according to the DPCM of March 4th\, 2020\, on “Measures to combat and contain the spread of the COVID-19 virus on the entire national territory”\, being evidently of absolute inapplicability the possibility to allow places of theatrical performance to respect the interpersonal distance of at least 1 meter\, the SUSPENSION until April 3rd of all activities scheduled in its spaces.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-4/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200405T210000
DTEND;TZID=Europe/Rome:20200405T221500
DTSTAMP:20260404T005853
CREATED:20191006T162522Z
LAST-MODIFIED:20200403T111152Z
UID:10001970-1586120400-1586124900@www.fndaterballetto.it
SUMMARY:Antitesi - Secus
DESCRIPTION:CANCELLED PERFORMANCE\nAterballetto dances at Teatro Fabbri in Forlì a double bill signed by Andonis Foniadakis and Johan Inger. \nAntitesi by Andonis Foniadakis embodies the will of the choreographer to bring into play the opposites: local and global\, slow and fast\, male and female\, abstract and concrete; it feeds on ancient and current\, in the spirit of the “all present in real time” that distinguishes our lives in this millennium dense\, fast\, ready to break all the schemes\, but never giving up the past. \n\nSecus is a creation by Ohad Naharin that boasts a musical collage that extends from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a suitable backdrop for the boldly extravagant choreography. Joy\, vulnerability\, fear\, innocence\, confusion and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration.
URL:https://www.fndaterballetto.it/en/evento/antitesi-secus-aterballetto-forli/
LOCATION:Teatro Diego Fabbri\, Corso A. Diaz\, 47\, Forlì\, FC\, 47121\, Italia
CATEGORIES:Antitesi,Aterballetto,Secus
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200415T180000
DTEND;TZID=Europe/Rome:20200415T190000
DTSTAMP:20260404T005853
CREATED:20200110T114027Z
LAST-MODIFIED:20200210T172641Z
UID:10002071-1586973600-1586977200@www.fndaterballetto.it
SUMMARY:Corpo Liturgico - Prova Aperta
DESCRIPTION:PROVA APERTA_COMPAGNIA ARTEMIS DANZA\nCorpo liturgico. Requiem è pensato come un viaggio a quattro stazioni\, che possono essere intese anche come le tappe di un’ideale mappa culturale e sociale del territorio legate dal fil rouge rappresentato dalla musica di Giuseppe Verdi.\nI luoghi scelti sono la Pieve di San Genesio di San Secondo Parmense\, la Pieve di Santa Maria Assunta a Bardone\, l’Abbazia San Bernardo a Fontevivo e l’Abbazia di San Basilide di Badia Cavana\, che ospiteranno al loro interno e nei sagrati quattro performance di danza contemporanea\, articolate nei mercoledì e venerdì del mese di giugno 2020. \n  \nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, pro \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/corpo-liturgico-prova-aperta/2020-04-15/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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END:VEVENT
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DTSTART;TZID=Europe/Rome:20200416T180000
DTEND;TZID=Europe/Rome:20200416T190000
DTSTAMP:20260404T005853
CREATED:20200110T114027Z
LAST-MODIFIED:20200210T172641Z
UID:10002072-1587060000-1587063600@www.fndaterballetto.it
SUMMARY:Corpo Liturgico - Prova Aperta
DESCRIPTION:PROVA APERTA_COMPAGNIA ARTEMIS DANZA\nCorpo liturgico. Requiem è pensato come un viaggio a quattro stazioni\, che possono essere intese anche come le tappe di un’ideale mappa culturale e sociale del territorio legate dal fil rouge rappresentato dalla musica di Giuseppe Verdi.\nI luoghi scelti sono la Pieve di San Genesio di San Secondo Parmense\, la Pieve di Santa Maria Assunta a Bardone\, l’Abbazia San Bernardo a Fontevivo e l’Abbazia di San Basilide di Badia Cavana\, che ospiteranno al loro interno e nei sagrati quattro performance di danza contemporanea\, articolate nei mercoledì e venerdì del mese di giugno 2020. \n  \nCompagnia Artemis Danza \n“All that mankind has experienced is written in the body. To dance the soul\, the ancient one and the one of today\, is to place movement and form at the service of necessity\, urgency\, emotion and soul” M.C. \nOriginally from Ferrara and graduated with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, devoted herself to the study of classical and modern dance\, first in Italy\, then in London\, finally in Paris\, where she met the choreographers Pierre Doussaint and Isabelle Doubouloz and the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. He founded the company Artemis Danza in France\, with which he moved to Italy in 1997\, creating an intense production activity that counts\, to date\, over forty original creations. From 1998 to 2007 the company is in residence at the Fondazione Teatro Due in Parma\, while from 2014 it is in artistic residence at the Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals\, in numerous international tours and festivals. \nFundamental in Monica Casadei’s artistic research are the contamination with different artistic\, cultural and geographical territories\, as well as the exploration of urban places and spaces that become the theatre of performance actions. \nAlongside the production activity\, Artemis supports\, pro \nartemisdanza.com
URL:https://www.fndaterballetto.it/en/evento/corpo-liturgico-prova-aperta/2020-04-16/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200416T203000
DTEND;TZID=Europe/Rome:20200416T214000
DTSTAMP:20260404T005853
CREATED:20190802T071148Z
LAST-MODIFIED:20200421T122433Z
UID:10001907-1587069000-1587073200@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/tempesta-venezia-aterballetto/2020-04-16/
LOCATION:Teatro Goldoni\, San Marco\, 4650/ B\, Venice\, 30124\, Italia
CATEGORIES:Aterballetto,Tempesta
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200417T200000
DTEND;TZID=Europe/Rome:20200417T211000
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CREATED:20190802T071148Z
LAST-MODIFIED:20200421T122433Z
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SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/tempesta-venezia-aterballetto/2020-04-17/
LOCATION:Teatro Goldoni\, San Marco\, 4650/ B\, Venice\, 30124\, Italia
CATEGORIES:Aterballetto,Tempesta
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DTSTART;TZID=Europe/Rome:20200417T203000
DTEND;TZID=Europe/Rome:20200417T213000
DTSTAMP:20260404T005853
CREATED:20200109T075249Z
LAST-MODIFIED:20200319T120723Z
UID:10002037-1587155400-1587159000@www.fndaterballetto.it
SUMMARY:Concerto Fisico
DESCRIPTION:Concerto Fisico è una partitura fisica e vocale che ripercorre e ridisegna la storia di Balletto Civile\, la storia della  compagnia nata all’interno dell’ex Ospedale Psichiatrico di Udine. \nCANCELLED PERFORMANCE\nCredits \nConcept and choreography Michela Lucenti\nCreated and performed by Michela Lucenti\nAssistant to the creation Maurizio Camilli\nLive sound design Tiziano Scali and Maurizio Camilli\nProduction Balletto Civile and Festival Resistere e Creare\nWith the support of UFO – UNIDENTIFIED ART RESIDENCES and MIBACT \nTo know you alive is to feel the planet crumble beneath you\, to soar kicking try to throw yourself off while you cling to the edge\, is to ride the planet like a log in the direction of the current\, screaming.\nAnne Dillard \nInsights \nI always sang in shows even when my dancing was furious. The body\, my gestures are the map of what I feel and singing is my vehicle to keep me alive. \nConcerto Fisico is a composition for physical and vocal instrument\, a twisted and crooked greatest hits that has nothing nostalgic to tell the story of a group through the stories it has become a vehicle. A juke-box that awakens the emotional accents of a memory that is still the present\, of how we transformed ourselves\, of the sand from which we emerged\, of the Creatures\, of the wooden horses built for Troy\, of the fire extinguishers thrown in the dark\, of the sea of milk where Woyzeck and Andres talk about the void\, of Desdemona’s desperate scream\, of what happened to Thebes\, of the Resistance\, of the struggle and of the Revolution\, of how in the end the Evil Lambs are all of us\, of the mirrored floor and an orange rope\, of the power and heavy coats of 1918\, of stuffed foxes and sexual seasons\, of death and a Brazilian with a green plume\, of a small white dog\, of taboos\, of plastic ducks and Kenyan acrobats\, of firemen and priests\, of an accident and a gas station\, of a radio and a city always on fire\, of why things happen. Then everything disappears\, sucked into the eyes\, as if it never existed. \nConcerto Fisico is a musical tale for actions that retraces and redraws the history of Balletto Civile\, that is\, my own\, the history of my company. It was founded during a long artistic residence inside the former Psychiatric Hospital of Udine\, one of the centres where Basaglia revolutionized the concept of madness. My art was born in that place\, isolated from the world and at the same time in the centre of its burning fire. \nMichela Lucenti \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original singing interact naturally. \nballettocivile.org \n\n 
URL:https://www.fndaterballetto.it/en/evento/concerto-fisico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200418T190000
DTEND;TZID=Europe/Rome:20200418T201000
DTSTAMP:20260404T005853
CREATED:20190802T071148Z
LAST-MODIFIED:20200421T122433Z
UID:10001909-1587236400-1587240600@www.fndaterballetto.it
SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/tempesta-venezia-aterballetto/2020-04-18/
LOCATION:Teatro Goldoni\, San Marco\, 4650/ B\, Venice\, 30124\, Italia
CATEGORIES:Aterballetto,Tempesta
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200419T160000
DTEND;TZID=Europe/Rome:20200419T171000
DTSTAMP:20260404T005853
CREATED:20190802T071148Z
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SUMMARY:Tempesta
DESCRIPTION:Aterballetto lands on the stage of the Teatro Metastasio in Prato to give life to a Tempesta in dance. \n“Can the wealth of writing and meaning in this work be transferred into gesture and movement? This is the challenge facing the performance. It is an extremely arduous one because it invites a comparison with a text that has a special and absolute value in the whole of Shakespeare’s output. It is his last work and is considered as his spiritual testament\, an adieu to the theatre and it is no coincidence that it presents a creator of magic onstage which\, as Strehler rightly understood\, alludes to a creator of theatrical wonders.” Antonio Audino \nThanks to the choreography by Giuseppe Spota and the music by Giuliano Sangiorgi you can live seventy magic minutes. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/tempesta-venezia-aterballetto/2020-04-19/
LOCATION:Teatro Goldoni\, San Marco\, 4650/ B\, Venice\, 30124\, Italia
CATEGORIES:Aterballetto,Tempesta
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200421T210000
DTEND;TZID=Europe/Rome:20200421T221500
DTSTAMP:20260404T005853
CREATED:20191006T160751Z
LAST-MODIFIED:20200421T122708Z
UID:10001968-1587502800-1587507300@www.fndaterballetto.it
SUMMARY:Lost in - ''O'' - Wolf
DESCRIPTION:Aterballetto dances in Scandiano three choreographies signed by Saul Daniele Ardillo\, Philippe Kratz and Johan Inger. \n Lost in is the development of an idea on which Saul Daniele Ardillo has worked for more than a year\, a creation that emerges clearly from a boil of emotions\, and that draws before our eyes perhaps the most extraordinary function of art: to help us inhabit\, even literally\, our living spaces. \nThe idea behind “O” by Philippe Kratz is eternity and how to achieve it is the ultimate goal of humanity. As for example in the summer of 2017 in Hong Kong\, when for the first time two humanoid robots interacted with each other. \nIn Wolf  by Hofesh Shechter we find a sort of wild animality that crosses sometimes men and sometimes women. The painting that is composed drags us into a mysterious and engaging universe. \nCANCELLED PERFORMANCE
URL:https://www.fndaterballetto.it/en/evento/lost-in-o-rain-dogs-aterballetto-scandiano/
LOCATION:CInema Teatro Boiardo\, via XXV Aprile\, 3\, Scandiano\, RE\, 42019\, Italia
CATEGORIES:Aterballetto,Lost in,O,Wolf
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200422T180000
DTEND;TZID=Europe/Rome:20200422T190000
DTSTAMP:20260404T005853
CREATED:20200110T101010Z
LAST-MODIFIED:20200421T123024Z
UID:10001645-1587578400-1587582000@www.fndaterballetto.it
SUMMARY:Open Rehearsal
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto gives the opportunity to enter the daily routine of dancers and choreographers. Open rehearsals are unique moments in which you can experience the backstage of a performance\, dialogue with the artists and surprise yourself with the art of dance. \nIn order to ensure greater artistic flexibility to the company\, we cannot communicate the exact program of Aterballetto’s open rehearsals. A few days before the open rehearsal we will give on our website and on social media more information. \nCANCELLED OPEN REHEARSAL
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,Season January-July 2020
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END:VCALENDAR