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DTSTART;TZID=Europe/Rome:20241126T110000
DTEND;TZID=Europe/Rome:20241126T120000
DTSTAMP:20260630T090136
CREATED:20240731T194939Z
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SUMMARY:Pierino e il Lupo
DESCRIPTION:SHOW FOR PRIMARY SCHOOLS \nPeter and the Wolf is a simple yet emotionally rich tale. As the story unfolds\, the protagonist will meet friends and foes who will experience fear\, friendship\, joy\, and sorrow alongside him. In an original and fun way\, the audience will try to recognize\, together with the characters\, the orchestra’s instruments\, their movements\, and their emotions. What do they sound like? How do they move? \nIn the introduction\, the audience will be involved in creating the movements that the dancers will perform in the second part of the show. The children themselves will make Peter and the Wolf an interactive performance\, always different and easy to understand even for the youngest viewers. \nA perfect show to make children aged 6 and up fall in love with theater. \nCREDITS \nDirection and script: KanterStrasse \nChoreography: Beatrice Ciattini and Niccolò Poggini \nMusic: Sergei Prokofiev \nNarrator: Alessio Martinoli \nDancers: 7 dancers \nDuration: 55 minutes \nProduction: Nuovo Balletto di Toscana \nFirst performance 2/12/2023 MET RAGAZZI\, Fabbricone Prato (PO) \nDiscover more \nThe language used is contemporary dance\, with particular attention to the exploration of movements that evoke clear yet non-descriptive imagery. The choreographers guide young spectators through a vision marked by narrative clarity\, which\, however\, does not rely on the pantomime of classical ballet. Instead\, through a play of forms and dynamics\, they allow the audience to follow the plot’s development. \n \nProkofiev’s music supports the directorial approach\, which\, while preserving the original and highly descriptive score\, allows the work to be completely understandable and accessible to the audience. The performance plays on the parallelism between music and movement; it recreates repeated movements over time that characterize the characters\, just as the musical score does. \nInfo&Tickets \nTICKETS \nSingle ticket: 3 euros \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/pierino-e-il-lupo/2024-11-26/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241127T110000
DTEND;TZID=Europe/Rome:20241127T120000
DTSTAMP:20260630T090136
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LAST-MODIFIED:20240828T073535Z
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SUMMARY:Pierino e il Lupo
DESCRIPTION:SHOW FOR PRIMARY SCHOOLS \nPeter and the Wolf is a simple yet emotionally rich tale. As the story unfolds\, the protagonist will meet friends and foes who will experience fear\, friendship\, joy\, and sorrow alongside him. In an original and fun way\, the audience will try to recognize\, together with the characters\, the orchestra’s instruments\, their movements\, and their emotions. What do they sound like? How do they move? \nIn the introduction\, the audience will be involved in creating the movements that the dancers will perform in the second part of the show. The children themselves will make Peter and the Wolf an interactive performance\, always different and easy to understand even for the youngest viewers. \nA perfect show to make children aged 6 and up fall in love with theater. \nCREDITS \nDirection and script: KanterStrasse \nChoreography: Beatrice Ciattini and Niccolò Poggini \nMusic: Sergei Prokofiev \nNarrator: Alessio Martinoli \nDancers: 7 dancers \nDuration: 55 minutes \nProduction: Nuovo Balletto di Toscana \nFirst performance 2/12/2023 MET RAGAZZI\, Fabbricone Prato (PO) \nDiscover more \nThe language used is contemporary dance\, with particular attention to the exploration of movements that evoke clear yet non-descriptive imagery. The choreographers guide young spectators through a vision marked by narrative clarity\, which\, however\, does not rely on the pantomime of classical ballet. Instead\, through a play of forms and dynamics\, they allow the audience to follow the plot’s development. \n \nProkofiev’s music supports the directorial approach\, which\, while preserving the original and highly descriptive score\, allows the work to be completely understandable and accessible to the audience. The performance plays on the parallelism between music and movement; it recreates repeated movements over time that characterize the characters\, just as the musical score does. \nInfo&Tickets \nTICKETS \nSingle ticket: 3 euros \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/pierino-e-il-lupo/2024-11-27/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241129T203000
DTEND;TZID=Europe/Rome:20241129T213000
DTSTAMP:20260630T090136
CREATED:20240731T202028Z
LAST-MODIFIED:20240731T202924Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO GRANDE
DESCRIPTION:The final event of Visions of the Body: understanding contemporary art through signature dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of the human experience. A series of six cultural dissemination events that connect the arts\, movement\, and current issues\, addressing themes such as psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and educator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different perspective each time. Each event is divided into six segments\, dedicated to the works of six artists chosen to explore the central theme: well-known faces of the contemporary art world\, familiar to the general public. Each event will be interpreted by a choreographer from the contemporary scene\, who will translate the inspirations of the featured works into dance through an original performance\, created specifically for the project. \n\n\n \n \nSixth appointment: Friday 29 November h 20.30 at Fonderia\n\n \nIl corpo grande (The big body)\nTalk with Nicolas Ballario and Roberta Ferrara\nChoreographies by Roberta Ferrara\nFocus on Fausto Delle Chiaie\, Damien Hirst\, JR\, Ron Mueck\, Niki de Saint Phalle\, Claes Oldenburg \n\n\n\nOn November 29th\, the series of events concludes with The Big Body: Roberta Ferrara brings to Fonderia details and impactful disproportions\, from glamour to urban art\, from Fausto Delle Chiaie to Damien Hirst. \nThe audience will have the opportunity to experience Fernando Melo’s Never Odd or Even through Oculus headsets: a work where proportion is pushed to the extreme\, entirely based on the real size of the two dancers\, who always tower over the viewer. \n  \nNiki de Saint Phalle (1930-2002)\, Dancing Nana (Rouge d’Orient – Bloum)\, 1995\, polyethylene resin\, fiberglass\, steel\, paint\, 1\,024 x 768 cm. François Odermatt Collection\, in collaboration with the McGill University Visual Arts Collection. © 2017 Niki Charitable Art Foundation / ADAGP \nRoberta Ferrara \nRoberta Ferrara (1988) has been the artistic director of Equilibrio Dinamico DANCE company and the international training program ED ENSEMBLE since 2011. Since 2020\, she has also been an associate artistic director for Odyssey Dance Theatre in Singapore\, one of Asia’s leading professional dance arts organizations\, founded by Dr. Danny Tan. \nShe holds a degree in Modern Literature with a focus on Theater Culture\, with an experimental thesis on the value of instinctive movement as a therapeutic gift for dancers and non-dancers alike. Alongside her research\, she has engaged in immersive studies with various artists on techniques and languages of international contemporary dance. As a performer\, she has worked with choreographer Emanuel Gat in projects promoted by the Venice Biennale and the Ravello Festival. She has been a guest artist for various national and international entities such as Staatstheater Ballet Augsburg\, Teatrul De Balet Sibiu\, English National Ballet School\, Korea Ballet House\, Conservatorio Internacional de Ballet e Dança Annarella Sánchez\, Morikawa Dance Academy\, Ateneo della Danza\, Elan Ballet\, Mosa Ballet School\, Balletto di Siena\, ODT\, Experimental Film Virginia\, Eko Dance Project\, and has been supported in her work by the Italian Cultural Institutes of Cologne\, New York\, Mexico City\, Zagreb\, San Francisco\, Ankara\, São Paulo. \nHer creations have been selected and hosted in various international festivals including MASDANZA\, FIDCMX\, Cortoindanza\, Network Danza Urbana XL\, Festival Ammutinamenti Anticorpi XL\, ZED Festival\, Puglia Showcase\, DanzInc\, BallettGala Staatstheater Bremerhaven\, Prospettiva Danza Teatro\, Festival delle 100 Scale\, Danza in Rete Festival\, Lucky Trimmer\, Fuoriformato Festival\, VIVADANCA\, SoloCoreografico USA\, Solo Contemporary Dance Festival Ankara\, Sid Festival Seattle\, Interdans\, Split Summer Festival\, and Solo Tanz Theater\, where she received the Best Choreographer Award and a residency prize from R. Fernando\, the director and chief choreographer of Staatstheater Augsburg. She was also invited as a guest choreographer for the Stara Zagora State Opera by director S. Tomova and received the InDivenire Award for Best Dance Project\, presented by étoile L. Savignano. \n  \n \n  \nNicolas Ballario \nNicolas Ballario\, born in 1984\, specializes in contemporary art applied to media. After completing his studies at the photography academy\, he joined Oliviero Toscani’s factory ‘La Sterpaia’\, where he later became the cultural manager. He has collaborated with major art institutions and numerous publications\, and in 2016\, he became the youngest ever to win the Bassani Prize\, one of the most prestigious awards for journalists who have excelled in cultural and environmental fields. Currently\, he is the author and host of contemporary art programs on Radio Uno Rai and collaborates with L’Espresso (where he has a weekly column)\, Living del Corriere della Sera\, il Post\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format “Camera Oscura” on LA7\, and since 2020\, he has been the host on Sky Arte for the programs “Io ti vedo\, tu mi senti?”\, “Italia Contemporanea\,” and “The Square.” He directs the newly established exhibition production company “Piuma” and is the founder and president of Cucù\, a communication studio dedicated to culture. He also curates exhibitions and catalogs. The magazine Artribune included him in its ‘Best of’ list of art world excellence for two consecutive years: in 2019 for radio and in 2020 for television projects. \n \nInfo&Tickets \nAPERITIVO AT FONDERIA\nFrom 7:00 PM\n \nTICKETS\nSingle: 3 euros \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nCell and WhatsApp: 3341023554\nEmail biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-grande/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241130T160000
DTEND;TZID=Europe/Rome:20241130T170000
DTSTAMP:20260630T090136
CREATED:20241125T152230Z
LAST-MODIFIED:20241125T152810Z
UID:10003721-1732982400-1732986000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:FND/Aterballetto-Stravaganze in Sol Minore \nStravaganze in Sol Minore by Francesca Lattuada arrives in Florence as the closing show of the Komorebi project\, curated by Stazione Utopia for the Autunno Fiorentino 2024.  \nThe magical virtuosity of Toti Scialoja (1914–1998)\, a master not only of images but also of words\, forms the foundation of this new creation for children and young audiences by Fondazione Nazionale della Danza / Aterballetto. \nThe almost magical vibrations emanating from Scialoja’s poetry are like the endless ripples created on the surface of water when a stone is thrown: evocative of surreal or hyperreal images\, carrying a musicality that blends poetry and nursery rhyme\, and uniting the extraordinary and the eerie. \nSotto un cespo di rose scarlatte\nOffre il rospo tè caldo con latte\nSotto un cespo di rose paonazze\nTocca al rospo sciacquare le tazze.\n(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \nDirection and Choreography: Francesca Lattuada\nTexts: Toti Scialoja (from The Apple of Hamlet)\nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore\nMasks and Props: Natali Fortier\nPerformers: Vittoria Franchina\, Rocco Ancarola   \nCoproduction: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale Bresciano\nIn coproduction with Centro Servizi Culturali Santa Chiara   \n \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-16/
LOCATION:PARC\, Piazzale delle Cascine 4/5/7\, Firenze\, 50144
CATEGORIES:Productions,Stravaganze in sol minore
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