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DTSTART;TZID=Europe/Rome:20210910T150000
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SUMMARY:A Poetry Abstraction - Eppur si muove
DESCRIPTION:ph. Jennifer Moyes \nFondazione Nazionale della Danza / Aterballetto opens its season at Contemporary Dance Festival of Teatro Comunale in Ferrara in the framework of the Interno verde Festival\, where the secret gardens in town become open-air theatres. \nOn stage A Poetry Abstraction\, creation by Diego Tortelli born in 2019 for Marina Rinaldi by Roksanda capsule\, and Eppur si muove by Francesca Lattuada.\nThe choreographies are danced by specifically selected performers. \nThese performances are scheduled: \n\nFriday 10 September h 15.00\, 16.30\, 18.00\n\nSaturday 11 September h 15.00\, 16.30\, 18.00\n\nSunday 12 September h 15.00\, 16.30\, 18.00\n\n\nA Poetry Abstraction \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nEppur si muove \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \n \n 
URL:https://www.fndaterballetto.it/en/evento/a-poetry-abstraction-eppur-si-muove/2021-09-10/
LOCATION:Chiostro Grande di San Paolo\, Piazzetta Schiatti 7\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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DTSTART;TZID=Europe/Rome:20210911T150000
DTEND;TZID=Europe/Rome:20210911T180000
DTSTAMP:20260508T173237
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SUMMARY:A Poetry Abstraction - Eppur si muove
DESCRIPTION:ph. Jennifer Moyes \nFondazione Nazionale della Danza / Aterballetto opens its season at Contemporary Dance Festival of Teatro Comunale in Ferrara in the framework of the Interno verde Festival\, where the secret gardens in town become open-air theatres. \nOn stage A Poetry Abstraction\, creation by Diego Tortelli born in 2019 for Marina Rinaldi by Roksanda capsule\, and Eppur si muove by Francesca Lattuada.\nThe choreographies are danced by specifically selected performers. \nThese performances are scheduled: \n\nFriday 10 September h 15.00\, 16.30\, 18.00\n\nSaturday 11 September h 15.00\, 16.30\, 18.00\n\nSunday 12 September h 15.00\, 16.30\, 18.00\n\n\nA Poetry Abstraction \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nEppur si muove \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \n \n 
URL:https://www.fndaterballetto.it/en/evento/a-poetry-abstraction-eppur-si-muove/2021-09-11/
LOCATION:Chiostro Grande di San Paolo\, Piazzetta Schiatti 7\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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DTSTART;TZID=Europe/Rome:20210911T180000
DTEND;TZID=Europe/Rome:20210911T190000
DTSTAMP:20260508T173237
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SUMMARY:Dante Solo Inferno - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\nAn intricate forest\, swamps and rivers with dark\, stagnant water\, caves\, mud and stones\, rains of fire\, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno\, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia. \n \nCREDITS \nChoreography Monica Casadei\nMusic Franz Liszt\, Giuseppe Verdi\, Alfred Schnittke\, Krzysztof Penderecki\nMusical arrangements Luca Vianini\nProduction Compagnia Artemis Danza\nIn partnership with Ravenna Festival\n \nSynopsis \nIn this performance\, conceived to celebrate the 700th anniversary of the Poet’s death\, the dancers redraw the contours of an inhospitable land\, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment\, the bodies are shaped in torsions\, syncopes\, contractures\, insoluble weaves. And yet\, as in Dante’s Inferno\, there are traces of a decayed humanity\, souls that preserve memory of themselves and their past\, individualities that emerge like spots of colour in the indistinct magma\, out of a desire to tell the outside observer about their lives before death. \nSome of them cross the stage still wearing their worn-out earthly clothes\, remnants of a nobility that is no longer worth anything\, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini\, Pier Della Vigna in the forest of suicides\, Tiresia\, Ulysses\, Minos… characters that Monica Casadei chooses to investigate the human soul\, in a path that from the awareness of sin goes beyond condemnation\, towards compassion and acceptance of human nature. There is no lack of moments of sacredness\, such as a dance by dervishes in their ample red robes\, spinning moved by the wind. \nMusic contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie\, inspired by the composer’s reading of Dante’s Commedia\, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem\, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki\, and the sound atmospheres of Luca Vianini.\nDante Solo Inferno is a constantly evolving journey\, part of a wider project of exploration by Monica Casadei of Dante’s Inferno\, which has also taken shape in her creations Ombre and Frammenti di Inferno. \n  \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & BIGLIETTI \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/dante-solo-inferno-artemis-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210912T150000
DTEND;TZID=Europe/Rome:20210912T180000
DTSTAMP:20260508T173237
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SUMMARY:A Poetry Abstraction - Eppur si muove
DESCRIPTION:ph. Jennifer Moyes \nFondazione Nazionale della Danza / Aterballetto opens its season at Contemporary Dance Festival of Teatro Comunale in Ferrara in the framework of the Interno verde Festival\, where the secret gardens in town become open-air theatres. \nOn stage A Poetry Abstraction\, creation by Diego Tortelli born in 2019 for Marina Rinaldi by Roksanda capsule\, and Eppur si muove by Francesca Lattuada.\nThe choreographies are danced by specifically selected performers. \nThese performances are scheduled: \n\nFriday 10 September h 15.00\, 16.30\, 18.00\n\nSaturday 11 September h 15.00\, 16.30\, 18.00\n\nSunday 12 September h 15.00\, 16.30\, 18.00\n\n\nA Poetry Abstraction \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nEppur si muove \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \n \n 
URL:https://www.fndaterballetto.it/en/evento/a-poetry-abstraction-eppur-si-muove/2021-09-12/
LOCATION:Chiostro Grande di San Paolo\, Piazzetta Schiatti 7\, Ferrara\, 44121\, Italia
CATEGORIES:Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210912T203000
DTEND;TZID=Europe/Rome:20210912T213000
DTSTAMP:20260508T173237
CREATED:20210726T142632Z
LAST-MODIFIED:20210910T075452Z
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SUMMARY:Dante Solo Inferno
DESCRIPTION:An intricate forest\, swamps and rivers with dark\, stagnant water\, caves\, mud and stones\, rains of fire\, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno\, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia. \n \n  \nCREDITS \nChoreography Monica Casadei\nMusic Franz Liszt\, Giuseppe Verdi\, Alfred Schnittke\, Krzysztof Penderecki\nMusical arrangements Luca Vianini\nProduction Compagnia Artemis Danza\nIn partnership with Ravenna Festival \nSynopsis \nIn this performance\, conceived to celebrate the 700th anniversary of the Poet’s death\, the dancers redraw the contours of an inhospitable land\, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment\, the bodies are shaped in torsions\, syncopes\, contractures\, insoluble weaves. And yet\, as in Dante’s Inferno\, there are traces of a decayed humanity\, souls that preserve memory of themselves and their past\, individualities that emerge like spots of colour in the indistinct magma\, out of a desire to tell the outside observer about their lives before death. \nSome of them cross the stage still wearing their worn-out earthly clothes\, remnants of a nobility that is no longer worth anything\, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini\, Pier Della Vigna in the forest of suicides\, Tiresia\, Ulysses\, Minos… characters that Monica Casadei chooses to investigate the human soul\, in a path that from the awareness of sin goes beyond condemnation\, towards compassion and acceptance of human nature. There is no lack of moments of sacredness\, such as a dance by dervishes in their ample red robes\, spinning moved by the wind. \nMusic contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie\, inspired by the composer’s reading of Dante’s Commedia\, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem\, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki\, and the sound atmospheres of Luca Vianini.\nDante Solo Inferno is a constantly evolving journey\, part of a wider project of exploration by Monica Casadei of Dante’s Inferno\, which has also taken shape in her creations Ombre and Frammenti di Inferno. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & BIGLIETTI \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/dante-solo-inferno-artemis-danza-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210912T203000
DTEND;TZID=Europe/Rome:20210912T220000
DTSTAMP:20260508T173237
CREATED:20210730T091656Z
LAST-MODIFIED:20210730T091656Z
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SUMMARY:Feeling Good
DESCRIPTION:Feeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Oriente Occidente Festival in Rovereto\, Italy. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented on Mixed Doubles evening\, along with three other duets produced by Onassis Cultural Centre (GR)\, Holland Dance Festival (NL)\, Skånes Dansteater (SE). \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \nFND/Aterballetto – Feeling Good – ph. Albert Vidal / Vèrtex Comunicació
URL:https://www.fndaterballetto.it/en/evento/feeling-good-5/
LOCATION:Auditorium Fausto Melotti\, Corso Bettini\, 43\, Rovereto\, TN\, 38068\, Italia
CATEGORIES:feeling good,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210919T163000
DTEND;TZID=Europe/Rome:20210919T173000
DTSTAMP:20260508T173237
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
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SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210919T180000
DTEND;TZID=Europe/Rome:20210919T190000
DTSTAMP:20260508T173237
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
UID:10002205-1632074400-1632078000@www.fndaterballetto.it
SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210919T193000
DTEND;TZID=Europe/Rome:20210919T203000
DTSTAMP:20260508T173237
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
UID:10002206-1632079800-1632083400@www.fndaterballetto.it
SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210925T180000
DTEND;TZID=Europe/Rome:20210925T190000
DTSTAMP:20260508T173237
CREATED:20210726T160841Z
LAST-MODIFIED:20210914T150232Z
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SUMMARY:HOME Altrove - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nHome Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts\, between what is here and what is elsewhere. \n \n\n\nCREDITS \nby and with Daniele Albanese\nvoice Eva Karczag\nvideo and technical assistance Salvatore Insana\nsound Daniela Cattivelli\nlight design Alessio Guerra\npromotion and curatorship Francesca Divano \nproduction Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo\, Regione Emilia Romagna\, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche\, Teatro il Lavatoio Santarcangelo\, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, ACS Abruzzo \nSynopsis \nDance as subtraction and separation\, that restrains itself from freeing impulses and piling up gestures and movements\, its poses shine with those things they do not produce. _ Maurizio Zanardi \nHome Altrove brings into the actual context the shared creation process Elsewhere undertaken together with the historical dancer Eva Karczag and the solo project Home\, transforming them into a new way of approaching the scene that carries the signs of the last year’s complex experience. \nStarting from the assumption that the process behind the act of performing can be considered ‘home’ as a personal\, functional and emotional archive – and therefore as a place of identity – Home Altrove explores shifting\, floating languages that flow within a living\, heterogeneous environment in which the boundaries – between spaces\, languages and directions – are both sources of turbulence and richness.\nOver the last year\, the project has evolved as a result of a series of events and circumstances\, leading to different possible versions on (or off) the stage.\nFor the debut of the theatrical version\, Daniele Albanese is inviting the philosopher Maurizio Zanardi to participate in a discussion that\, starting from the questions raised by the work (“In a world of  constantly changing and liquid boundaries like the contemporary one\, what is home?”)\, opens up to a wider conversation on the role of dance “in the current society of control”. \n“Dance” would therefore be on the one hand the name of the unconditional\, absolute gesture-step-passage\, and on the other hand the scheme that\, both in the dance action and in the organisation of its public use\, sometimes excludes it\, sometimes anticipates it\, sometimes neutralises it while codifying it.\nIn any case\, dance seems to be a practice pervaded by heterogeneous forces that are constantly bringing it into play. So how does dance come into play in today’s society of control? _ Maurizio Zanardi \nDANIELE ALBANESE \nDaniele Albaneseis a choreographer\, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer\, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.\nSince 1995\, while developing his work as an independent author\, he has been collaborating with many renowned artists such as Benoit Lachambre\, Virgilio Sieni\, Nigel Charnock\, Jennifer Lacey\, Enzo Cosimi\, Eva Karczag. \n\nIn 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures\, in search of a choreographic sign which would be precise and mutable at the same time. \nHis research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.\nHis works explore the hybrid forms that arise in the transition from a place to another\, from a movement to another\, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience\, thus leading it to unusual dimensions of perception. \ncompagniastalker.com \nMAURIZIO ZANARDI \nMaurizio Zanardi is a philosophy expert and one of the founders of the Cronopio publishing house\, for which he has edited: Le lingue di Napoli\, 1994; Aporie napoletane. Sei posizioni filosofiche\, 2006; La democrazia in Italia\, 2011; Comunità e politica\, 2011; Sulla danza\, 2017. His writings on dance include: Forme radiose\, in Virgilio Sieni\, La ragazza indicibile\, Maschietto Editore 2011; Danzare nella società di controllo\, in Altri corpi / Nuove danze\, edited by Andrea Porcheddu\, Cue Press 2019. \nINFO & BIGLIETTI \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/home-altrove-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210926T203000
DTEND;TZID=Europe/Rome:20210926T220000
DTSTAMP:20260508T173237
CREATED:20210726T163238Z
LAST-MODIFIED:20210923T151720Z
UID:10002191-1632688200-1632693600@www.fndaterballetto.it
SUMMARY:HOME Altrove
DESCRIPTION:Home Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts\, between what is here and what is elsewhere. \nThe performance will be introduced by a short lecture by the philosopher Maurizio Zanardi and will be followed by an open conversation between the philosopher and Daniele Albanese. \n \n\n\nCREDITS \nby and with Daniele Albanese\nvoice Eva Karczag\nvideo and technical assistance Salvatore Insana\nsound Daniela Cattivelli\nlight design Alessio Guerra\npromotion and curatorship Francesca Divano \nproduction Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo\, Regione Emilia Romagna\, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche\, Teatro il Lavatoio Santarcangelo\, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, ACS Abruzzo \nSynopsis \nLa danza come sottrazione e separazione\, che si trattiene dal liberare gli impulsi\, dall’ammucchiare gesti e movimenti\, le cui posture risplendono piuttosto di ciò cui non danno luogo. _ Maurizio Zanardi \nHome Altrove ricolloca nel contesto attuale il processo di creazione condivisa Elsewhere intrapreso insieme alla storica danzatrice Eva Karczag e il progetto solista Home\, traducendosi in un nuovo modo di affrontare la scena che porti i segni della complessità del vissuto dell’ultimo anno. \nA partire dal presupposto che il meccanismo sotteso all’atto performativo può essere considerato ’casa’ in quanto archivio personale\, funzionale\, emotivo – quindi luogo dell’identità – Home Altrove indaga forme di linguaggio mutevoli\, flottanti\, che fluiscono all’interno di un ambiente vivo\, eterogeneo in cui il confine – tra spazi\, linguaggi e direzioni – è luogo di turbolenza\, di problematicità ma anche di ricchezza.\nNell’ultimo anno il progetto si è sviluppato per concatenazioni di eventi e contingenze\, dando vita a diverse possibilità di traduzione sulla (o fuori dalla) scena.\nIn occasione del debutto della sua versione più propriamente teatrale\, Daniele Albanese invita il filosofo Maurizio Zanardi a un dialogo aperto che\, a partire dalle questioni sollevate dal lavoro (“In un mondo dai confini liquidi e in continuo divenire come quello contemporaneo\, cos’è casa?”)\, si apre a un discorso più ampio sul ruolo della danza “nell’attuale società di controllo”. \n“Danza” sarebbe\, dunque\, il nome allo stesso tempo\, ma secondo due linee eterogenee\, del gesto-passo-passaggio incondizionato\, assoluto\, e lo schema che\, nell’effettuarsi stesso della danza o nella organizzazione del suo uso pubblico\, ora lo esclude\, ora lo anticipa\, ora lo neutralizza codificandolo. In ogni caso\, la danza appare come una pratica percorsa da forze eterogenee che la mettono di volta in volta in ballo. Ebbene\, come entra in ballo la danza nell’attuale società di controllo? _ Maurizio Zanardi \nDANIELE ALBANESE \nDaniele Albaneseis a choreographer\, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer\, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.\nSince 1995\, while developing his work as an independent author\, he has been collaborating with many renowned artists such as Benoit Lachambre\, Virgilio Sieni\, Nigel Charnock\, Jennifer Lacey\, Enzo Cosimi\, Eva Karczag. \n\nIn 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures\, in search of a choreographic sign which would be precise and mutable at the same time. \nHis research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.\nHis works explore the hybrid forms that arise in the transition from a place to another\, from a movement to another\, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience\, thus leading it to unusual dimensions of perception. \ncompagniastalker.com \nMAURIZIO ZANARDI \nMaurizio Zanardi si occupa di filosofia ed è tra i fondatori della casa editrice Cronopio\, per la quale ha curato: Le lingue di Napoli\, 1994; Aporie napoletane. Sei posizioni filosofiche\, 2006; La democrazia in Italia\, 2011; Comunità e politica\, 2011; Sulla danza\, 2017. Tra i suoi scritti sulla danza: Forme radiose\, in Virgilio Sieni\, La ragazza indicibile\, Maschietto Editore 2011; Danzare nella società di controllo\, in Altri corpi / Nuove danze\, a cura di Andrea Porcheddu\, Cue Press 2019. \nINFO & BIGLIETTI \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/home-altrove-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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