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SUMMARY:MICRODANZE
DESCRIPTION:MicroDanze\, the complex project of the Fondazione Nazionale della Danza / Aterballetto combining dance\, visual art\, public art and virtual reality\, premieres (as far as the “exhibition” dimension is concerned) in Athens on 9 and 10 October\, at several relevant cultural venues of the city: the Greek National Opera / Stavros Niarchos Cultural Center\, the Acropolis Museum and the EMST Museum. \nThe project is conceived by the general director and programming manager Gigi Cristoforetti\, the choreographies by Norge Cedeño Raffo\, Francesca Lattuada\, Pietro Marullo\, Fernando Melo\, Angelin Preljocaj\, Roberto Zappalà\, Diego Tortelli\, Saul Daniele Ardillo\, Philippe Kratz\, Ina Lesnakowski\, Roberto Tedesco\, Hélias Tur-Dorvault. \n  \n\nOn the occasion of the dates in the Greek capital\, the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto are joined by 9 other creations by Greek choreographers and dancers\, with the artistic coordination of the Greek National Opera Ballet\, directed by Konstantinos Rigos. Among the various artists involved on the Greek side are Lenio Kaklea\, Cecilia Bengolea\, Yiannis Nikolaidis and Rigos himself. Thus\, an exhibition of 21 creations comes to life\, celebrating 200 years since the 1821 revolution that led to Greek independence. \nThe exhibition of the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto is curated by director Fabio Cherstich. \nMicroDanze\, co-produced by the Fondazione Palazzo Magnani of Reggio Emilia\, is part of the project An Ideal City\, co-financed by the Creative Europe programme of the European Union and developed by the Fondazione Nazionale della Danza / Aterballetto in partnership with the Greek National Opera in Athens and Les Halles de Schaerbeek in Brussels. \nThe world premiere in Athens is supported by: \n  \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-aterballetto-an-ideal-city-athens/2021-10-09/
LOCATION:Acropolis Museum / EMST Museum / Stavros Niarchos Center\, Athens\, Grecia
CATEGORIES:Aterballetto,MicroDanze
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DTSTART;TZID=Europe/Rome:20211010T110000
DTEND;TZID=Europe/Rome:20211010T180000
DTSTAMP:20260508T154940
CREATED:20210920T170325Z
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SUMMARY:MICRODANZE
DESCRIPTION:MicroDanze\, the complex project of the Fondazione Nazionale della Danza / Aterballetto combining dance\, visual art\, public art and virtual reality\, premieres (as far as the “exhibition” dimension is concerned) in Athens on 9 and 10 October\, at several relevant cultural venues of the city: the Greek National Opera / Stavros Niarchos Cultural Center\, the Acropolis Museum and the EMST Museum. \nThe project is conceived by the general director and programming manager Gigi Cristoforetti\, the choreographies by Norge Cedeño Raffo\, Francesca Lattuada\, Pietro Marullo\, Fernando Melo\, Angelin Preljocaj\, Roberto Zappalà\, Diego Tortelli\, Saul Daniele Ardillo\, Philippe Kratz\, Ina Lesnakowski\, Roberto Tedesco\, Hélias Tur-Dorvault. \n  \n\nOn the occasion of the dates in the Greek capital\, the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto are joined by 9 other creations by Greek choreographers and dancers\, with the artistic coordination of the Greek National Opera Ballet\, directed by Konstantinos Rigos. Among the various artists involved on the Greek side are Lenio Kaklea\, Cecilia Bengolea\, Yiannis Nikolaidis and Rigos himself. Thus\, an exhibition of 21 creations comes to life\, celebrating 200 years since the 1821 revolution that led to Greek independence. \nThe exhibition of the 12 MicroDanze of the Fondazione Nazionale della Danza/Aterballetto is curated by director Fabio Cherstich. \nMicroDanze\, co-produced by the Fondazione Palazzo Magnani of Reggio Emilia\, is part of the project An Ideal City\, co-financed by the Creative Europe programme of the European Union and developed by the Fondazione Nazionale della Danza / Aterballetto in partnership with the Greek National Opera in Athens and Les Halles de Schaerbeek in Brussels. \nThe world premiere in Athens is supported by: \n  \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/microdanze-aterballetto-an-ideal-city-athens/2021-10-10/
LOCATION:Acropolis Museum / EMST Museum / Stavros Niarchos Center\, Athens\, Grecia
CATEGORIES:Aterballetto,MicroDanze
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DTSTART;TZID=Europe/Rome:20211016T200000
DTEND;TZID=Europe/Rome:20211016T214000
DTSTAMP:20260508T154941
CREATED:20210730T094731Z
LAST-MODIFIED:20211004T080010Z
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SUMMARY:Don Juan
DESCRIPTION:Ludwigsburg is the first German city to stage Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-ludwigsburg/2021-10-16/
LOCATION:Forum am Schlosspark\, Stuttgarter Straße 33\, Ludwigsburg\, 71638\, Germania
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20211017T190000
DTEND;TZID=Europe/Rome:20211017T204000
DTSTAMP:20260508T154941
CREATED:20210730T094731Z
LAST-MODIFIED:20211004T080010Z
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SUMMARY:Don Juan
DESCRIPTION:Ludwigsburg is the first German city to stage Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-ludwigsburg/2021-10-17/
LOCATION:Forum am Schlosspark\, Stuttgarter Straße 33\, Ludwigsburg\, 71638\, Germania
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20211020T203000
DTEND;TZID=Europe/Rome:20211020T213000
DTSTAMP:20260508T154941
CREATED:20210728T080159Z
LAST-MODIFIED:20210910T100636Z
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SUMMARY:Bayadère. Il regno delle ombre
DESCRIPTION:NuovO BallettO di ToscanA – Bayadère. Il regno delle ombre \nA contemporary Bayadère\, light years away from the exoticism\, the Brahmins and Pashas of the nineteenth-century archetype designed by Marius Petipa to the music by Ludwig Minkus. Michele Di Stefano captures the timelessness of the ‘classic’ in Act III of Bayadère\, the so-called Kingdom of Shadows\, where the impalpable souls that appeared in a dream to the warrior Solor after smoking a hookah descend in arabesques penchées the slopes of the Himalayas. \nAn enchanting vision\, a white act of amazement that is now translated into a psychedelic and contemporary vision but always with Minkus accompanying it. \n \n  \n\n  \nCREDITS \nBallet in one act for 12 dancers \nChoreography Michele Di Stefano\nMusic Ludwig Minkus\nOriginal music composition Lorenzo Bianchi Hoesch\nCostume design Santi Rinciari\nLighting design Giulia Broggi \nCompagnia Nuovo BallettO di ToscanA\nDancers Lisa Cadeddu\, Matteo Capetola\, Francesca Capurso\, Carmine Catalano\, Beatrice Ciattini\, Matilde Di Ciolo\, Roberto Doveri\, Veronica Galdo\, Aisha Narciso\, Aldo Nolli\, Niccolò Poggini\, Paolo Rizzo \nArtistic Director Cristina Bozzolini\nMaitre de Ballet Sabrina Vitangeli\nProduction manager Serena Roberti\nTechnical and stage director Saverio Cona\nDressmaker Chiara Fontanella\nLighting technicians Luca Cittadoni\, Luisa Giusti \nwith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni \n  \nSynopsis \nBayadère is a ballet steeped in idealised exoticism\, both in its melodramatic plot and in its overall aesthetic.\nTraditionally its most famous scene\, the Kingdom of Shadows\, is borderline on the boundary between the real and the afterlife\, where the shadows that appear are as if frozen in their tragic condition and the movements they make are ritualistic; the act expresses a vision that goes beyond the context and opens up a passage of pure movement\, abstract and lucid in its formal simplicity. \nMy interest lies precisely in the compositional potential that this scene contains\, not to replicate it but to unleash all its dynamic force and also to give Solor’s hallucination back its true psychedelic nature. Conceived for an ensemble of very young talents\, this new Kingdom of Shadows\, so mysteriously full of suggestions\, belongs to the exceptional times we are living\, because it refers to something lost and something possible at the same time\, something that concerns the presence of bodies and the interweaving of their trajectories\, in a space that is no longer just a beyond but a present that wants to be reinvented with grace and passion. \nMichele Di Stefano \nNuovO BallettO di ToscanA \nThe Compagnia Professionale Nuovo Balletto di Toscana\, now managed by the new cultural association ‘Balletto di Toscana’\, has been a significant presence in the news and history of Italian dance since 1970. \nIt has always been animated by the commitment\, skills and passion of its leader Cristina Bozzolini\, first with the ‘Collettivo Danza Contemporanea’ (Contemporary Dance Collective)\, then with the experience of the professional company of the Balletto di Toscana\, which for fifteen years\, from 1985 to 2000\, became a major presence of outstanding excellence on the international scene\, and finally with the operation of its own youth ensemble\, the ‘Junior BdT’\, which in the last ten years has been able to conquer the stages of many prestigious Italian theatres. \nThe Nuovo BdT is now a rigorously professional production structure\, supported by the MIC\, the Region of Tuscany and the Municipality of Florence\, with a medium-sized artistic company of 12/14 dancers\, in accordance with the most significant and qualified experiences of professional companies. \nThe current artistic programme\, thanks also to a team of collaborators and authors of renowned reputation\, alongside Cristina Bozzolini\, recalls a constant and coherent cultural policy with the affirmation of the primacy of contemporary choreography\, with a plurality of expressive languages. In the past years the authors of great relevance have been Fabrizio Monteverde\, Mauro Bigonzetti\, Virgilio Sieni\, Cristina Rizzo\, and later Eugenio Scigliano\, Arianna Benedetti\, Davide Bombana\, Nicola Galli\, Diego Tortelli. \nhttps://scuoladelballettoditoscana.it/nuovo-balletto-toscana/?cli_action=1627458748.213 \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/bayadere-il-regno-delle-ombre-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T113000
DTEND;TZID=Europe/Rome:20211024T123000
DTSTAMP:20260508T154941
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001772-1635075000-1635078600@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T143000
DTEND;TZID=Europe/Rome:20211024T153000
DTSTAMP:20260508T154941
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001773-1635085800-1635089400@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T163000
DTEND;TZID=Europe/Rome:20211024T173000
DTSTAMP:20260508T154941
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001774-1635093000-1635096600@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211029T203000
DTEND;TZID=Europe/Rome:20211029T213000
DTSTAMP:20260508T154941
CREATED:20210728T142641Z
LAST-MODIFIED:20211026T165935Z
UID:10001776-1635539400-1635543000@www.fndaterballetto.it
SUMMARY:Oh Peter\, hello. Goodbye - Prima di domani
DESCRIPTION:XL Dance Company – “Prima di domani” – ph. Elena Barchi \nTwo choreographies that highlight the talent of the young XL Dance Company directed by Emanuela Baratin and Laura Matano. \n \nOh Peter\, hello. Goodbye \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic by various authors\nDuration 13’40” \nHere is the greeting you had to become.\nI awaited it comprehensively because in all our things there were sentences and redemptions.\nInside there is the desire to which I had to return to and which I had to preserve.\nA resolute control of aspirations is needed in order not to become a victim of them.\nYou are without siege\, and I am no longer a smile but the winter.\nCover yourself too.\nYou said that every body is seeking\, calling\, must fulfil itself.\nIt’s true\, here is the ritual to leave.\nI feel that you want to drag me into your space but I have chosen to let myself return to myself\, in symbiosis\nwith my wide gestures and without constraints.\nUntil they are accomplished we will guard our\nsleep\, but standing sideways\, to give access to nightmares.\nThen I will open my hands as if I am in a space of my own\, without having yours around me trying to\ntake one last close-up look. \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nSet design Cinzia Macis\nDramaturgical preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic various authors\nDuration 24’30” \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and look after it. A game that never ends.\nEach time\, pain is a great discovery. Lightning\, like a black star.\nSomething is missing\, you begin to live without it\, as you search for the vanishing point of life. It scrapes the empty words\, invents a new language\, obtains by subtraction.\nIt is fear that comes but arrives together with courage.\nStrength. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo make the balance square again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in its own way hospitable.\nAnd you walk\, you go ahead in the disorder of destiny\, you obey the failure of time that falls on you\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, no escaping\, no running away\, the bridge has collapsed.\nCount the hours\, the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time. \nCompelled state of necessity.\nThat’s it\, you’ve got to get through it before tomorrow.\nAnd don’t forget it from tomorrow. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/seamless-prima-di-domani/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211031T203000
DTEND;TZID=Europe/Rome:20211031T213000
DTSTAMP:20260508T154941
CREATED:20210728T160701Z
LAST-MODIFIED:20211019T082858Z
UID:10001778-1635712200-1635715800@www.fndaterballetto.it
SUMMARY:NEXT STOP_ PALCOSCENICO
DESCRIPTION:NEXT STOP_ PALCOSCENICO\nContainer of contemporary creations that open the doors to the professional performing world. \nChoreographers in Creation 2021\nLuna Cenere\, Daniele Ziglioli\,Emma Cianchi\, Sabrina Rigoni \nPerformers\nYoung dancers of the StudioXL advanced training course Reggio Emilia \n \nSTUDIOXL CONTEMPORARY DANCE \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nArtistic Direction Laura Matano\, Emanuela Baratin \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/next-stop-placoscenico-studioxl-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/07/Ph-Bruno-Cattani-3.jpg
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END:VEVENT
END:VCALENDAR