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DTSTART;TZID=Europe/Rome:20220102T160000
DTEND;TZID=Europe/Rome:20220102T174000
DTSTAMP:20260508T135839
CREATED:20211126T114655Z
LAST-MODIFIED:20211228T130151Z
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SUMMARY:Preludio - ''O'' - BLISS
DESCRIPTION:Due to the quarantine that some of the protagonists of the ballet Don Juan had to undergo\, the Teatro Comunale di Bologna and the Fondazione Nazionale della Danza / Aterballetto have decided to replace the title\, scheduled from 29 December 2021 to 2 January 2022\, with three of the most popular choreographies created in recent years by the dance company. The times and dates of the performances remain unchanged.\nWednesday 29 December h 20.00 \nThursday 30 December h 20.00 \nFriday 31 December h 18.00 \nSunday 2 January h 16.00 \nThe evening opens with Preludio\, a creation for five performers by Diego Tortelli – Aterballetto’s resident choreographer – created around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, one of the greatest exponents of Post Punk. Cave tackles the interweaving of themes such as love\, addiction\, obsession and loss. \nThe programme continues with “O” by Philippe Kratz – a former Aterballetto dancer and choreographer – a duet that has already been appreciated abroad. “O” represents two human beings or two robots that force us to question ourselves on how the sense of physical contact could change: will it remain emotional and heart-felt\, or will it become serial and alienated? \nClosing is BLISS by Johan Inger\, which won the 2016 Danza&Danza Award as ‘Italian Production of the Year’\, inspired by the music of Keith Jarrett’s Köln Concert. Inger and the dancers on stage talk about how one relates to this iconic music: a compositional and emotional challenge. \n 
URL:https://www.fndaterballetto.it/en/evento/prelufio-o-bliss-bologna-aterballetto/2022-01-02/
LOCATION:Teatro Comunale\, Fondazione\, Largo Respighi 1\, Bologna\, 40126\, Italia
CATEGORIES:Aterballetto,BLISS,O,Storie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220114T180000
DTEND;TZID=Europe/Rome:20220114T210000
DTSTAMP:20260508T135839
CREATED:20220104T165223Z
LAST-MODIFIED:20220112T183828Z
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SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-14/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220115T180000
DTEND;TZID=Europe/Rome:20220115T210000
DTSTAMP:20260508T135839
CREATED:20220104T165223Z
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SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-15/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220116T150000
DTEND;TZID=Europe/Rome:20220116T180000
DTSTAMP:20260508T135839
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SUMMARY:MicroDanze
DESCRIPTION:Due to several cases of dancers testing positive for Covid\, the Fondazione Nazionale della Danza and the Fondazione Palazzo Magnani are forced to cancel the event.\n\nHowever\, the visiting hours for the exhibition have been extended\, from 10 a.m. to 7 p.m. on Fridays\, Saturdays and Sundays.\nThe appointment with the MicroDances – recent winners of the prestigious “Danza & Danza 2021” Award for original project\, multimediality and internationality – is only postponed to next summer\, when they will be protagonists on the Reggio Emilia scene. \nSpectators who had already purchased tickets for the live performances at Palazzo da Mosto will be contacted directly by Vivaticket for a refund.\n \nSix of the thirteen MicroDances will be performed for the last time in Italy\, in Reggio Emilia\, in an innovative and original context: the contemporary art exhibition ORIZZONTI DEL CORPO Art / Dance / Virtual Reality\, produced by Palazzo Magnani Foundation and curated by Marina Dacci\, in the historical Palazzo da Mosto. The project combines visual\, performing arts and technology in a continuous exchange: the MicroDances\, in fact\, are designed to be enjoyed together with the works of art and are performed live during the last weekend of the exhibition: \n\n14\, 15 January 2022 (three performances at h 18.00 / 19.30 / 21.00)\n16 January 2022 (three performances at h 15.00 / 16.30 / 18.00)\n\n\nLive performance:\nShelter by Saul Daniele Ardillo\, Kepler by Diego Tortelli\, Afterimage by Philippe Kratz\, Platform02 by Ina Lesnakowski\, Near Life Experience by Angelin Preljocaj \nVirtual reality:\nMeridiana by Diego Tortelli \n\nShelter \nchor. Saul Daniele Ardillo\nRead more \nKepler \nchor. Diego Tortelli\nRead more \nAfterimage \nchor. Philippe Kratz\nRead more \n\nPlatform02 \nchor. Ina Lesnakowski\nRead more  \nNear Life Experience \nchor. Angelin Preljocaj\nRead more \nMeridiana \nchor. Diego Tortelli\nRead more 
URL:https://www.fndaterballetto.it/en/evento/microdanze/2022-01-16/
LOCATION:Palazzo da Mosto\, via Mari\, 8\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220120T193000
DTEND;TZID=Europe/Rome:20220120T211000
DTSTAMP:20260508T135839
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-20/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220121T193000
DTEND;TZID=Europe/Rome:20220121T211000
DTSTAMP:20260508T135839
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-21/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220122T193000
DTEND;TZID=Europe/Rome:20220122T211000
DTSTAMP:20260508T135839
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-22/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/02/FND-Aterballetto-Don-Juan-ph.-Viola-Berlanda-5-Don-Juan-Saul-Daniele-Ardillo-Donna-Ana-Ivana-Mastroviti.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T143000
DTEND;TZID=Europe/Rome:20220123T161000
DTSTAMP:20260508T135839
CREATED:20211215T152227Z
LAST-MODIFIED:20211215T163257Z
UID:10002258-1642948200-1642954200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Winterthur Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation\, we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n\n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-winterthur/2022-01-23/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T180000
DTEND;TZID=Europe/Rome:20220123T190000
DTSTAMP:20260508T135839
CREATED:20220105T110532Z
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SUMMARY:ARA! ARA! - OPEN REHEARSAL
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza \n  \nOPEN REHEARSAL\nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio  \nARA! ARA! is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \n  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/ara-ara-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220123T203000
DTEND;TZID=Europe/Rome:20220123T213000
DTSTAMP:20260508T135839
CREATED:20220105T102835Z
LAST-MODIFIED:20220110T161208Z
UID:10002285-1642969800-1642973400@www.fndaterballetto.it
SUMMARY:ARA! ARA!
DESCRIPTION:Panzetti/Ticconi – Ara! Ara! – ph. Valerio Figuccio \nGinevra Panzetti and Enrico Ticconi continue their investigation into power starting from the symbol of the national flag. \nARA! ARA! is the definition of a symbol of rising power\, a bird that is not powerful and threatening but cheerful and vivacious\, an exotic\, acrobatic icon\, a parrot with colourful and seductive plumage. But the word Ara brings out a second meaning that alludes to the ancient place of sacrifice\, understood here as a mechanism generating death\, inflicted as a gift to those who were recognised as having the highest power. \n  \n\n  \nCREDITS \nChoreography\, performance\, visual conception – Ginevra Panzetti / Enrico Ticconi\nSound design\, composition – Demetrio Castellucci\nSnare\, percussions\, recording – Michele Scotti\nLight design – Annegret Schalke\nSet design realization – Laila Rosato\nFlag design – Ginevra Panzetti\nCostume realization – Julia Didier\nFlag-waving coach – Carlo Lobina / Flag-wavers of Arezzo\nTechnical care – Paolo Tizianel\nTouring / distribution – Aurélie Martin\nItalian production management – VAN (Federica Giuliano\, Eleonora Cavallo)\nGerman production management – Monica Ferrari \nProduction : Ginevra Panzetti / Enrico Ticconi; Associazione Culturale VAN\nFunded by: Hauptstadtkulturfonds (German Cultural Capital Fund)\nSupported by: the Fondation d’entreprise Hermès within the framework of the New Settings Program\nCo-produced by: PACT Zollverein; La Briqueterie CDCN du Val-de-Marne within the framework of accueil-studio funded by the Ministry of culture / DRAC IDF; KLAP Maison pour la Danse (Residency 2021); Théâtre de Vanves / Scène conventionnée d’intérêt national « Art et création » pour la danse et les écritures contemporaines à travers les arts; Triennale Milano Teatro.\nSupported through: Programme Etape Danse\, sustained by Institut français d’Allemagne – Bureau du Théâtre et de la Danse\, in partnership with Maison CDCN Uzès Gard Occitanie\, théâtre de Nîmes-scène conventionnée d’intérêt national – Art et Création – danse contemporaine\, Fabrik Potsdam\, with the help of DGCA – ministère de la Culture et de la Communication\, and the city of Potsdam\, Mosaico Danza / Interplay Festival of Turin in partnership with Lavanderia a Vapore of Collegno; Radialstiftung.\nArtistic residency program: NAOcrea – Ariella Vidach AiEP; Teatro Félix Guattari – Masque Teatro; CSC Bassano del Grappa; PACT Zollverein; Armunia; Schaubühne Lindenfels; Sosta Palmizi.\nThanks to: Teatro Comandini – Societas; Anghiari Dance Hub.\nGinevra Panzetti / Enrico Ticconi are supported by DIEHL+RITTER/TANZPAKT RECONNECT\, which is funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative \nPreview 12 February 2021 / KLAP Maison pour la Danse – Marseille (FR)\nItalian Premiere 21 May 2021 / Interplay – Torino (IT)\nGerman premiere (digital) 10 – 16 June 2021 / Open Spaces Festival – Berlin (DE) \nDuration: 50′ \nSYNOPSIS \nAs slipping out of the cloth of constantly fluttering flags\, heraldic symbols take form and weight. Chimerical beings and oneiric figures appear\, like leafing through an armorial or medieval bestiary. They seem to tell us stories of conflicts which took place in the well delimited perimeter of an emblematic battlefield. \nIn ancient times\, graphic marks and color combinations showed up on the armors in response to the military need to identify opposite factions during fights. Thus arose coats of arms\, systems of signs\, shapes and colors organized in a form\, often that of a shield. They were used to reveal\, according to a precise sign alphabet\, the identity of a person\, a family\, a whole community. In the form of vivid colors and fantastic beasts\, those emblems hint at political tensions\, expressions of belonging\, dominance and power. \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \nARA! ARA!is the designation of a symbol. The symbol of a rising power that chooses a bird to represent itself. Not a majestic and fearsome raptor like the eagle\, an animal often used as a heraldic symbol of power. On the contrary\, a bird that communicates fun and quietness by becoming\, according to a popular western look\, an exotic icon: the parrot ARA. It was introduced to the circus for its acrobatic abilities which\, together with the bright colours of its plumage and the ability to repeat sounds and words by imitation\, made it a perfect animal for entertainment in captivity.\nARA! ARA! represents a seductive power for its friendly and festive appearance that\, like the bird\, imitates and repeats\, bringing back patterns from the past\, ignoring contents and effects. \nSecond part of a diptych started with AeReA\, ARA! ARA! continues to investigate the symbolic power of the flag\, drawing on the folkloristic tradition of flag waving.\nPresent in both titles\, the word ARA reveals a second meaning that alludes to the ancient place of sacrifice\, here meant as a mechanism generating death\, inflicted as a gift to those who were recognized the highest power.  \nPANZETTI/TICCONI \nGinevra Panzetti and Enrico Ticconi\, based in Berlin and Torino\, have been working as a duo since 2008. Their artistic research interlaces dance\, performance and visual art. Deepening themes related to the historical union between communication\, violence and power\, they draw on ancient imaginaries\, creating hybrid figures or images between history and contemporaneity.\nBoth graduated from the Academy of Fine Arts in Rome and attended Stoà\, School for rhythmic movement and philosophy in Cesena\, led by Claudia Castellucci. \nIn 2010 they moved to Germany and delved into individual\, but mutually complementary paths: Ginevra studied Media Art at the Hochschule für Grafik und Buchkunst (HGB) in Leipzig and Enrico Dance\, Context\, Choreography at the Inter-University Center for Dance (HZT) in Berlin. \nIn 2019 they won the 13th Arte Laguna Prize for the site-specific performance JARDIN / ARSENALE\, the first edition of Premio Hermès Danza Triennale Milano with which they realized the last work AeReA\, the Danza&Danza prize as emerging choreographers and were nominated “Promising Talent of the Year” by the Jahrbuch Tanz – Zeitschrift für Ballet Tanz und Performance.\nWith the work HARLEKING they have been selected by the european platform AEROWAVES Twenty 19\, the New Italian Dance (NID) Platform and by Tanzplatform Deutschland 2020. \npanzettiticconi.com \nPanzetti/Ticconi – Ara! Ara! – ph. Ettore Spezza  \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Foundry is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ara-ara-panzetti-ticconi-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220127T180000
DTEND;TZID=Europe/Rome:20220127T213000
DTSTAMP:20260508T135839
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002309-1643306400-1643319000@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-27/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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DTSTART;TZID=Europe/Rome:20220128T180000
DTEND;TZID=Europe/Rome:20220128T213000
DTSTAMP:20260508T135839
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002310-1643392800-1643405400@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-28/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220129T180000
DTEND;TZID=Europe/Rome:20220129T213000
DTSTAMP:20260508T135839
CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002311-1643479200-1643491800@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-29/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
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DTSTART;TZID=Europe/Rome:20220130T180000
DTEND;TZID=Europe/Rome:20220130T213000
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CREATED:20220107T104642Z
LAST-MODIFIED:20220107T112039Z
UID:10002312-1643565600-1643578200@www.fndaterballetto.it
SUMMARY:MicroDanze VR
DESCRIPTION:From 27 to 30 January\, in the frame of Expo Dubai 2020\, the Fondazione Nazionale della Danza/Aterballetto presents Virtual Dance for Real People\, a new form of immersive dance project promoting 3 MicroDances co-produced with the Fondazione Palazzo Magnani in Reggio Emilia. Virtual Dance for Real People is a provocation\, an experiment that combines dance and technology through the use of VR and 360° video. The performances\, presented through oculus (Shelter by Saul Daniele Ardillo\, Kepler and Meridiana by Diego Tortelli)\, nevertheless defend the special relationship with the spectator: technology is not an object but the language of a new work\, of a digital but never abstract dance. \nEvent promoted and supported by the Emilia-Romagna Region. \n\n\nShelter \nchor. Saul Daniele Ardillo\nDiscover more \nKepler \nchor. Diego Tortelli\nDiscover more \nMeridiana \nchor. Diego Tortelli\nDiscover more 
URL:https://www.fndaterballetto.it/en/evento/microdanze-vr/2022-01-30/
LOCATION:Italy Pavilion Expo 2020\, Hope Avenue\, Dubai\, Emirati Arabi Uniti
CATEGORIES:Aterballetto,Kepler,Meridiana,MicroDanze
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/05/FND-Aterballetto-MicroDanze-Meridiana-ph.-Celeste-Lombardi-33.jpg
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