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DTSTART;TZID=Europe/Rome:20220503T180000
DTEND;TZID=Europe/Rome:20220503T190000
DTSTAMP:20260508T050951
CREATED:20220502T132836Z
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SUMMARY:Corpi Violati
DESCRIPTION:OPEN REHEARSAL\nThe choreographic project was born from the desire to focus attention on the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network Against Violence). \nCREDITS \nChoreography\, direction\, set\, lighting and costume design Monica Casadei\nMusic Luca Vianini\, AAVV \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara \nWith the support of Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna \nSynopsis \n“Never shall Carmen yield! She was born free and she will die free.” “I shall always be free”. These are the hymns to freedom by Carmen\, the protagonist of Prosper Mérimée’s novel and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Figures of women who are symbols of independence of thought\, strength and courage and at the same time fragility in the face of violence and abuse. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. The project “Corpi violati” by the Compagnia Artemis Danza\, founded and directed by Monica Casadei\, is inspired by the many stories of gender violence told in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news.\nThe choreographic project stems from the desire to draw attention to the issue of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in networks against violence). \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/corpi-violati/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220506T180000
DTEND;TZID=Europe/Rome:20220506T190000
DTSTAMP:20260508T050951
CREATED:20220105T175222Z
LAST-MODIFIED:20220502T144034Z
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SUMMARY:MADE IN ITALY 26.0 - OPEN REHEARSAL
DESCRIPTION:{%CAPTION%} \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 by Giuseppe Spota\, paolo Mohovich and Michele Merola.\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220507T210000
DTEND;TZID=Europe/Rome:20220507T223000
DTSTAMP:20260508T050951
CREATED:20220105T175858Z
LAST-MODIFIED:20220502T151613Z
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SUMMARY:MADE IN ITALY 26.0
DESCRIPTION: \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 with choreographies by Giuseppe Spota\, Paolo Mohovich and Michele Merola. \nDancers: Camilla Aiazzi\, Erica Barusco\, Silvia Bellot Romanet\, Agnese Biavati\, Veronica Biondini\, Marek Brafa\, Margherita Cardinalini\, Greta Cecconi\, Filippo Cosso\, Sally Demonte\, Pietro Di Salvo\, Annachiara Gallo\, Sofia Lacava\, Carlotta Lo Piano\, Giorgia Mantovan\, Letizia Melchiorre\, Lorenzo Molinaro\, Marta Monaci\, Martina Pagliari\, Alessio Saccheri\, Rossana Samele\, Viviana Sanfilippo\, Diletta Torelli \n  \nCHOREOGRAPHIES \nSNAPES\nChoreography GIUSEPPE SPOTA\nMusic ATMO music production\nCostume designed by GIUSEPPE SPOTA and made by NUVIA VALESTRI \nWe lose ourselves in a flood of futility\, only to experience moments of true beauty\, lucidity and fragility. In a constant non-listening\, we react to the domino effect triggered by our elected leaders of the moment\, only to find ourselves empty and fragile. \nPICCOLI RITI NOTTURNI\nChoreography PAOLO MOHOVICH\nMusic MUCHAEL KIWANUKA \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (loving or not) … to be a little older the next day…\nNighttime rituals that with hindsight appear small\, but how can we forget the emotion that made them appear immense? \nExcerpts from BOLERO\nChoreography MICHELE MEROLA\nMusic MAURICE RAVEL / STEFANO CORRIAS\nCostume design NUVIA VALESTRI\nAssistant to the choreographer PAOLO LAURI \nA clockwork mechanism of rigorous precision\, Bolero (1928) is still one of the best known and most listened to pieces in the history of music. On stage is a choreographic version of Bolero created by Merola for Agora Coaching Project\, inspired by the one created for MMContemporary Dance Company. The choreographer confronted this obsessive and repetitive music\, trying to understand its identity\, reason and function\, to arrive at his interpretation: at the end of this path the inspiration focused on the inexhaustible range of human relationships. In the choreography\, fears\, repressed desires\, existential shocks that reveal entire universes\, secret ties that exist between people are projected from the inside out\, and irony gives way to fear\, love to disenchantment\, detachment to sharing\, and so on\, between crescendo and diminuendo\, like the music of the Bolero.\nStefano Corrias spoke on this same music\, with the licence and inventiveness that are the true mark of every artist. As a refined and experienced composer\, aware of the demands of the stage\, Corrias created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analysing the pages of Bolero\, and integrates perfectly with it. \n  \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & Tickets \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can only be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220512T170000
DTEND;TZID=Europe/Rome:20220512T180000
DTSTAMP:20260508T050951
CREATED:20220502T152627Z
LAST-MODIFIED:20220502T152937Z
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SUMMARY:NEXT STOP_PALCOSCENICO
DESCRIPTION:Studio XL ph Silvia Casali \nOPEN REHEARSAL\nThe young dancers of StudioXL Intenational Contemporary Dance Education\, directed by Emanuela Baratin and Laura Matano\, dance choreographies by Giovanni Insaudo\, Nunzio Perricone\, Laura Matano and Daniele Bianco. \nStudioXL International Contemporary Dance Education \nStudioXL International Contemporary Dance Education – Artistic Direction Laura Matano\, Emanuela Baratin \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 16.30.\nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/next-stop_palcoscenico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220513T203000
DTEND;TZID=Europe/Rome:20220513T221000
DTSTAMP:20260508T050951
CREATED:20211217T173920Z
LAST-MODIFIED:20220801T151818Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Modena Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-33/
LOCATION:Teatro Comunale L. Pavarotti\, Via del Teatro\, 8\, Modena\, MO\, 41121\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220519T200000
DTEND;TZID=Europe/Rome:20220519T214000
DTSTAMP:20260508T050951
CREATED:20210909T141315Z
LAST-MODIFIED:20210910T073215Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto performs in Monthey Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage.
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-monthey/
LOCATION:Théâtre du Crochetan\, Av. du Théâtre 9\, Monthey\, 1870\, Svizzera
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T140000
DTEND;TZID=Europe/Rome:20220522T183000
DTSTAMP:20260508T050951
CREATED:20220506T153927Z
LAST-MODIFIED:20220530T165834Z
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SUMMARY:MicroDanze - Reenactment
DESCRIPTION:In the framework of the Creative Europe An Ideal City project\, on 21 and 22 May the MicroDances will restart their tour from where they left off\, at their partner Les Halles de Schaerbeek in Brussels\, before continuing to Reggio Emilia (10-12 June) and Athens (17 June). \nSome of the MicroDances are at the center of a process of reenactment: a transposition of the original versions for young dancers and public spaces aimed at the creation of an urban version that can interpret the spirit and characteristics of the three cities involved. \nIn Brussels the 8 MicroDances re-enacted are surrounded in the urban landscape of the Tour & Taxis area. The performances are on 21 and 22 May (h 14.00-15.30-17.00). \nDiscover more about the reenactment here. \nMicroDances & Urban Mutations \nIn Brussels\, MicroDances are rooted in an urban landscape that beats at two different rhythms. \nTachycardique in Tour & Taxis\, a trade centre and former industrial freight station located along the canal.\nBiorythmique in the Coulée verte\, a green trail grounded in the living beings and the knowledge buried beneath the metropolis. \nFor two decades\, the land\, which was abandoned at the end of the twentieth century\, has been fuelling the imaginations of town planners\, artists\, architects\, circus performers\, promoters\, gardeners\, and developers.\nA massive urban project will be completed in 2022. The land has the appearance of wrinkled skin. The soil is worn out. Neighbours\, runners\, children\, cyclists\, and pets and their owners are crossing public\, semi-public\, private\, common\, and liminal zones. \nWho are we? A melting pot of Brussels citizens experimenting with body-landscape interactions. Among us\, eight dancers were chosen by Les Halles for their multidisciplinary and outdoor skills. After participating in a European workshop\, they will perform six MicroDances shaped by Italian and Greek choreographers during the Covid crisis. \nEach MicroDance is a microworld\, a dialogue with the open space. A sort of acupuncture in which each point calls for a shared story told by watchmen who weave connections between the spirits of the location\, passers-by\, and the present moment. \nWith their disquieting beauty\, the MicroDances’ journeys from the underground to the surface are an essential part of the vital art of healing our connections to places. \nPauline de La Boulaye \nAn Ideal City curator\n \n\n\n\n\n\n\n\n  \n \nPannenhuis subway station\n\nLet’s explore what’s under our feet\, under Pannenhuis\, Pan’s home… There is no distinction between the living and the dead in the proto city: two spirits open the route.\nMicroDance: Eppur si muove by Francesca Lattuada\n\nPerformers: Carolina Morais Fonseca & Arti Servaes\nStreet workout park\n\nUnder the next bridge\, facing a street workout park\, one singer and one dancer embody the pain of performing: should you prioritise art before life or put art at the service of life?\nMicroDance: Phantasmagoria by Markella Manoliadi\nPerformer: Sally Demonte\nSinger: Katrishania Renata\nParckfarm greenhouse\n\nAt Parckfarm greenhouse\, we grow the land\, the connections\, and the creativity to restore the resources of the uprooted metropolis. There\, a woman is looking for a place to call home. But she is losing herself when her head invades her body.\nMicroDance: Pensieri di Carta by Hélias Tur-Dorvault\nPerformer: Eliza Pais Sogos\nUnder the skyline\n\nAfter the last bridge\, under the skyline of the towering skyscrapers of Brussels’ little Manhattan\, a proto-architect dances with wood\, in search of Human scale\, like a Vitruvian man.\nMicroDance: Forget me not by Konstantinos Rigos\nPerformer: Noémie Boes\nMusician: Karen van Schaik\nCurved tunnel\n\nAt the entrance of a tunnel\, along a curved timeline\, an extraordinary creature recreates the first motion: drawing a line\, locating their skeleton\, their hand\, and their eye before engaging with the world.\nMicroDance: Active motivation by Elena Kekkou\nPerformer: Agathe Tarillon\nGare Maritime\n\nAt the maritime station\, a temple of commercial reconversion and food concepts\,\ntwo characters emerge from an above-ground café to exorcise plastic\, a polluter of bodies that have become objects.\nMicroDance: Turn the Tide by Roberto Tedesco\nPerformers: Margaux Lissandre & Salima Brahimi\nThe Land relic\n\nAt the exit\, let’s meditate in front of the scraps of land that were stripped from the ground before development began. The majesty of simple things.\n\n \nInfo \nurban dramaturgy Pauline de La Boulaye\ncostumes Khadija Karam \npartnership in Brussels\nla cocof\, Bruxelles environnement\, Molenbeek 1080\, Tour & Taxis\, Parckfarm \nMay 21 & May 22\n14h / 15h30 / 17h \nMore Info
URL:https://www.fndaterballetto.it/en/evento/microdanze-reenactment/
LOCATION:Bruxelles\, Bruxelles\, Belgio
CATEGORIES:MicroDanze,Productions
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T180000
DTEND;TZID=Europe/Rome:20220521T190000
DTSTAMP:20260508T050951
CREATED:20220107T095658Z
LAST-MODIFIED:20220505T160951Z
UID:10002297-1653156000-1653159600@www.fndaterballetto.it
SUMMARY:My Body trio - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/My-Body-trio-Stefania-Tansini-foto-di-Luca-Del-Pia-4.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220522T210000
DTEND;TZID=Europe/Rome:20220522T215000
DTSTAMP:20260508T050951
CREATED:20220107T093438Z
LAST-MODIFIED:20220505T161205Z
UID:10002302-1653253200-1653256200@www.fndaterballetto.it
SUMMARY:My Body trio
DESCRIPTION:PREVIEW IN FONDERIA\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \n  \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \n  \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
ATTACH;FMTTYPE=image/png:https://www.fndaterballetto.it/wp-content/uploads/2022/01/Stefania-Tansini-My-Body-My-Space.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220526T183000
DTEND;TZID=Europe/Rome:20220526T200000
DTSTAMP:20260508T050951
CREATED:20220516T084253Z
LAST-MODIFIED:20220516T084253Z
UID:10002339-1653589800-1653595200@www.fndaterballetto.it
SUMMARY:IN/FINITO
DESCRIPTION:Following an invitation by the Italian Cultural Institute of Tunis\, the Fondazione Nazionale della Danza / Aterballetto is back to dance in the Tunisian capital after eighteen years since its last performance\, dating back to 2004. On Thursday 26 May\, Tunis will host the final stop of In/Finito\, a dance and photography project for urban\, natural or historical spaces\, born in Reggio Emilia in 2018 from an idea of FND director Gigi Cristoforetti\, in collaboration with Fotografia Europea and in partnership with Fondazione Palazzo Magnani. \nAfter Reggio Emilia\, Capri\, Bologna\, Milan\, Athens and Paris\, Tunis will represent the artistic conclusion of the In/Finito project. For this occasion\, the artist of Greek-Tunisian origin Marianne Catzaras will photograph the six performances set in significant places in the city\, chosen by the Italian Cultural Institute of Tunis. \n 
URL:https://www.fndaterballetto.it/en/evento/in-finito-4/
LOCATION:Ennejma Ezzahra\, 8\, rue du 2 mars 1934\, Tunisi\, Tunisia
CATEGORIES:Aterballetto,In/Finito
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/05/Lorenzo-Cicconi-Massi-Le-Ville-di-Tiberio-Villa-Jovis-2018-2.jpg
GEO:36.86937204052;10.347816782367
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END:VEVENT
END:VCALENDAR