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DTSTART;TZID=Europe/Rome:20221101T203000
DTEND;TZID=Europe/Rome:20221101T213000
DTSTAMP:20260507T230244
CREATED:20220727T130139Z
LAST-MODIFIED:20221007T075648Z
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SUMMARY:Double Side
DESCRIPTION:At Teatro Comunale in Ferrara Aterballetto presents the new production Double Side. \nBaroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto\, which features two choreographers from Canada and Cuba who are little known in Italy\, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma\, its orchestral counterpart from Emilia-Romagna Region\, the renowned company brings along a musical ensemble of singers and string players\, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt. \n \nSynopsis \nThe Cuban Norge Cedeño Raffo creates to religious music\, of all things. The young\, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba\, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic\, reduced style. The moving effect of this music also characterises the expressive\, free and\, in the most beautiful sense\, pure dance: how can one find hope again in a destroyed world and after such a great loss\, how can one go on living\, Norge Cedeño Raffo asks himself in his work. \n\nChoreographer Danièle Desnoyers comes from Montréal\, the metropolis of modern Canadian dance\, where her light\, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element\, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell. \n  \n \n  \nCredits \nSTABAT MATER\n(Creation for 3 dancers\, 3 musicians\, 3 singers) \nChoreography Norge Cedeño Raffo\nSet and lighting design Fabiana Piccioli\nMusic Stabat Mater by Arvo Pärt\nCostume design Norge Cedeño Raffo and Fabiana Piccioli\nAssistant to the choreographer Thais Suàrez Fernàndez \nWITH DROOPING WINGS\n(Creation for 8 dancers\, 4 strings) \nChoreography Danièle Desnoyers\nMusic An English Suite by Federico Gon after Henry Purcell\nSet and lighting design Fabiana Piccioli\nCostume design Danièle Desnoyers\nWith the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec \n \n\nCo-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini\nCo-production Festspiele Ludwigshafen\, Fondazione I Teatri di Reggio Emilia \nWorld-premiere 23 October 2022\, Reggio Emilia\, Festival Aperto\, Teatro Municipale Romolo Valli (I)\nGerman premiere 9-10 December 2022\, Ludwigshafen\, Theater Im Pfalzbau (D) \n\nDancers Aterballetto Company\nQuartetto Motus for La Toscanini: Giulia Soli\, Agnese Rava violin\, Dario Carrera viola\, Margherita Curti cello\nSoprano: Theodora Io Koutsothodoru\nCountertenor: Nicolò Balducci\nTenor: Kim Bowoo\nMusical coaching: Antonio De Lorenzi \nDocufilm Stabat Mater - Danzare oltre i confini\nNorge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders). \nThe docufilm closely reports the artistic and human experience of the young talented choreographer\, for the first time in Italy\, and shows his creative process\, in the setting of the Teatro Asioli in Correggio\, a small Italian-style theatre immersed in the Po Valley\, one of the most fascinating and evocative. \nThe filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio\, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021\, on the occasion of the International Day of Dance. \nMEDIA PARTNER\n \nWatch the docufilm
URL:https://www.fndaterballetto.it/en/evento/double-side-ferrara-aterballetto/
LOCATION:Teatro Comunale\, Corso Martiri della Libertà\, 5\, Ferrara\, 44121\, Italia
CATEGORIES:Aterballetto,Stabat Mater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221103T180000
DTEND;TZID=Europe/Rome:20221103T190000
DTSTAMP:20260507T230244
CREATED:20221027T105649Z
LAST-MODIFIED:20221103T160003Z
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SUMMARY:POLLICINO SHOW - Open Rehearsal
DESCRIPTION:CHILDREN’S SHOW (6-11 years)\n\nOPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPollicino is small but\, in some ways\, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine\, food is no longer enough to feed everyone. \nThe father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins. \n\nCREDITS \nDirection Cinzia Pietribiasi\nChoreography and interpretation Davide Tagliavini\nIllustrations Giovanni Copelli\nProduction Artemis Danza\nin collaboration with Compagnia Pietribiasi/Tedeschi \nGRUPPO IBRIDO \nGRUPPO IBRIDO (Reggio Emilia\, 2021) was created by the will of the dancer Davide Tagliavini\, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance\, voice\, video projection\, art\, sculpture and new technologies. Pollicino is the first work\, produced by the Artemis Danza Company. \nDavide Tagliavini (1990) works with Luna Cenere\, Artemis Danza\, Marina Abramović\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo and others. For years he has been conducting dance workshops for children\, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory. \nCinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca\, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children. \nGiovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe. \nINFO & TICKETS \nTICKETS \nFull price: 3 euro\nReduced under 6: free
URL:https://www.fndaterballetto.it/en/evento/pollicino-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T160000
DTEND;TZID=Europe/Rome:20221104T170000
DTSTAMP:20260507T230244
CREATED:20221027T085727Z
LAST-MODIFIED:20221027T145852Z
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SUMMARY:DARWIN-M/ETA/MORFOSI - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nAs the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, man also goes through several stages before making an evolution. From single-celled organisms to Homo Sapiens\, from newborns to adults\, everything evolves in the continuous search for perfection … but something went wrong! The planet is in danger and humanity is certainly not without faults. \nThus an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and to the Earth from the Big Bang to today. A multifaceted and ever-changing character\, who does not communicate with words but with the body and movement\, will help him in the enterprise\, emboding the different phases of this crazy metamorphosis. \nCREDITS \nby / with Francesco Marchi e Christian Pellino\nproduction Artemis Danza ed EUROPA TEATRI \nShow for children aged 11 to 14 \n\nINFO & TICKETS \nTICKETS\nFull: 3 euros\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/darwin-m-eta-morfosi-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T180000
DTEND;TZID=Europe/Rome:20221104T190000
DTSTAMP:20260507T230244
CREATED:20221027T084744Z
LAST-MODIFIED:20221027T145613Z
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SUMMARY:NOVILUNIO - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nReflection\, empathy\, loneliness\, sweetness\, being always herself while always showing herself different\, cyclicality\, awareness\, beauty… How many things do our wonderful satellite and the human being have in common? How much does this same satellite affect us? Novilunio is the story of an individual’s relationship with the moon but above all with that phase of it in which everything is hidden\, in which there is no showing of oneself\, being oneself\, especially for better or for worse: NEW MOON. \nCREDITS \nChoreography Salvatore Sciancalepore\nPerformers Samuele Arisci\, Teresa Morisano\nMusic Ben Frost\, Philip Glass & Robert Black\, Frederic Chopin\nProduction Compagnia Artemis Danza \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/novilunio-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T203000
DTEND;TZID=Europe/Rome:20221104T220000
DTSTAMP:20260507T230244
CREATED:20220727T132145Z
LAST-MODIFIED:20221002T191049Z
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SUMMARY:Don Juan
DESCRIPTION:At Teatro Sociale in Como Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-como-aterballetto/
LOCATION:Teatro Sociale\, Via Bellini\, 3\, Como\, 22100\, Italia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221106T193000
DTEND;TZID=Europe/Rome:20221106T203000
DTSTAMP:20260507T230244
CREATED:20220912T110647Z
LAST-MODIFIED:20221102T194342Z
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SUMMARY:Cosmogony
DESCRIPTION:  \n \nPERFORMANCE CANCELLED\nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience in Reggio Emilia and Bologna. \nThe performance is in partnership with Compagnia della Quarta / Zed Festival and ERT Emilia Romagna Teatro. \n\nCREDITS \nDirection Gilles Jobin\nDancers Susana Panadés Diaz\, Rudi van der Merwe\, Jozsef Trefeli\nLead Dance Artist Susana Panadés Diaz\nLead 3D Artist Tristan Siodlak\nLead Technologist Camilo de Martino\nLead Technical Artist Pierre-Igor Berthet\nMotion Capture Pedro Ribot\nMocap cameras Qualisys\nMusic Tar Pond\nMusic Arrangement Marky Edelmann\, Tommy Vetterli\nMastering Dan Suter – Echo Chamber \nAdministration Gonzague Bochud\nProduction manager\nProduction Cie Gilles Jobi Lucía Díaz-Tejeiron \nWith the support of the City and Canton of Geneva and the Swiss Arts Council Pro Helvetia\n \nPremiere Singapore International Festival of Arts\, 14–16 May 2021 \nDuration 32′ \nSYNOPSIS \nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience. in Reggio Emilia\, Bologna and Turin. \nThe movements of the dancers are captured in Geneva\, sliced up into digital ‘bits’ and sent instantaneously through cyberspace to appear as avatars\, on screen and in real time for a live audience\, thousands of miles away from the company’s studio. \nThe dancers’ bodies and their avatars are entangled like particles in a quantum state\, performing spooky actions at a distance\, their movements instantaneously teleported across the world. The dancers act as the puppeteers of their own bodies\, animating their avatars in real time and composing the cosmogony of a world in suspension. In a cosmic space or in the heart of a virtual city\, the moving bodies of the dancers break free from the laws of physics to the droning analog sounds of Swiss doom rock band Tar Pond\, offering the audience a mesmerizing journey beyond reality. \n\n  \n  \n Cie Gilles Jobin \nSince 1995 Cie Gilles Jobin has created more than 20 choreographic projects\, which have become references on the world stage. In 2015 Gilles Jobin received the Swiss Grand Award for Dance by the Swiss Office of Culture. \nWith the 3D film WOMB in 2016\, the company started investigating digital possibilities for contemporary dance within the volume of the frame. Discovering the power of motion capture\, the company created VR_I\, a groundbreaking dance piece in immersive virtual reality that premiered at the 2017 FNC – Festival du Nouveau Cinema in Montreal and won both the Innovation and People’s Choice awards for Most Innovative Work for New Platforms. In 2018 the work featured at the Sundance Film Festival and at the 75th Venice International Film Festival. A world tour followed in more than 50 cities and 20 countries in America\, Asia and Europe\, making it the most toured VR location-based installation in the world. The company created Dance Trail (AR) at the 2020 Sundance Film Festival and in 2020\, La Comédie Virtuelle – live show\, a multiuser live performance selected in official competition at the 77th Venice International Film Festival which won the Quebec XR industry award Numix 2021. \ngillesjobin.com \n  \nINFO & TICKETS \nENTRANCE\nFree \nRESERVATION\n \nYou are required to reserve your place \n– by sending an email to biglietteria@aterballetto.it\, or; \n– by sending an SMS or whatsapp message to 3341023554 \nCONTACTS \nPhone and whatsapp 3341023554 \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/cosmogony/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221109T200000
DTEND;TZID=Europe/Rome:20221109T213000
DTSTAMP:20260507T230244
CREATED:20220727T133237Z
LAST-MODIFIED:20220801T205117Z
UID:10002388-1668024000-1668029400@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:Aterballetto starts its France tour from Narbonne\, in Occitania. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-narbonne-aterballetto/
LOCATION:Scène Nat. Grand Narbonne\, 2 avenue Maître Hubert Mouly\, Narbonne\, 11100\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221111T180000
DTEND;TZID=Europe/Rome:20221111T190000
DTSTAMP:20260507T230244
CREATED:20220801T131756Z
LAST-MODIFIED:20220909T191223Z
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SUMMARY:Alcune coreografie - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \n\n\n\nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \n\n\n\nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221111T203000
DTEND;TZID=Europe/Rome:20221111T213000
DTSTAMP:20260507T230244
CREATED:20220801T131233Z
LAST-MODIFIED:20221221T101816Z
UID:10002470-1668198600-1668202200@www.fndaterballetto.it
SUMMARY:Alcune Coreografie
DESCRIPTION:Alcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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DTSTART;TZID=Europe/Rome:20221112T203000
DTEND;TZID=Europe/Rome:20221112T220000
DTSTAMP:20260507T230244
CREATED:20220727T134607Z
LAST-MODIFIED:20220727T134607Z
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SUMMARY:Don Juan
DESCRIPTION:The French tour goes on in Reims. For two nights\, on 12th and 13th November\, at the Opéra de Reims\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-48/2022-11-12/
LOCATION:Opéra de Reims\, 1 rue de Vesle\, Reims\, 51100\, Francia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20221113T143000
DTEND;TZID=Europe/Rome:20221113T160000
DTSTAMP:20260507T230244
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UID:10002398-1668349800-1668355200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:The French tour goes on in Reims. For two nights\, on 12th and 13th November\, at the Opéra de Reims\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-48/2022-11-13/
LOCATION:Opéra de Reims\, 1 rue de Vesle\, Reims\, 51100\, Francia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20221113T143000
DTEND;TZID=Europe/Rome:20221113T160000
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CREATED:20220727T134607Z
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UID:10002391-1668349800-1668355200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:The French tour goes on in Reims. For two nights\, on 12th and 13th November\, at the Opéra de Reims\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-reims-aterballetto/2022-11-13/
LOCATION:Opéra de Reims\, 1 rue de Vesle\, Reims\, 51100\, Francia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221115T203000
DTEND;TZID=Europe/Rome:20221115T220000
DTSTAMP:20260507T230244
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SUMMARY:Don Juan
DESCRIPTION:Compiègne is the third stop of the French tour. At Espace Jean Legendre Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-compiegne/
LOCATION:Espace Jean Legendre\, Place Briet Daubigny - rue du Général Koenig\, Compiègne\, 60200\, Francia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221117T203000
DTEND;TZID=Europe/Rome:20221117T220000
DTSTAMP:20260507T230244
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SUMMARY:Don Juan
DESCRIPTION:The France tour goes on in Saint Germani en Laye\, near Paris. At Théâtre Alexander Dumas Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-saint-germain-en-laye/
LOCATION:Théâtre Dumas\, Jardin des Arts\, 3 Rue Henri IV\, Saint-Germain-en-Laye\, 78100\, Francia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20221118T180000
DTEND;TZID=Europe/Rome:20221118T190000
DTSTAMP:20260507T230244
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LAST-MODIFIED:20221207T213907Z
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SUMMARY:Winter Forest - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. \n\n  \n  \nCREDITS\nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Valentina Staltari\, Po-Nien Wang\nSet\, costume and art work First Rose\nSounds recorded in zoos of different countries around the world Fabrizio Favale\nMusic Massimo Carozzi\, Daniela Cattivelli\, Christian Fennesz\, Jónsi\, Alex Somers \nCo-produced by Festival Danza in Rete – Fondazione Teatro Comunale di Vicenza\, KLm – Kinkaleri / Le Supplici / mk\nSupported by MIBAC / Regione Emilia-Romagna\nIn collaboration with h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore \nSYNOPSIS \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. Here three dancers move in a dance made of the intertwining of a very high technical complexity and unknown movements\, like creatures from other worlds. Space and costumes of the dancers have similar aesthetic traits\, resulting in a camouflage effect. The choreography is built with a cyclical idea whose elements\, while varying\, return with an apparent randomness\, as happens to thunderstorms and storms. \n \nAfter having attended for a long time outdoor landscapes in their changes within the alternation of the seasons (The Invisible Seasons – Infinite Choreographic Cycle 2018-2021\, awarded with the Siae and Mibac Prize For Who Creates and selected by the Big Pulse Alliance as one of the eight best European outdoor projects 2021 in the programme Open Air Commission)\, with this project Fabrizio Favale now investigates the concept of mimicry. Sometimes useful in nature\, sometimes useless\, mimicry is seen here first of all as an aesthetic event. A way of disappearing\, dissolving into the surrounding\, to reappear with the appearance of the surrounding. \nFabrizio Favale \nHis dance is oriented towards abstraction\, typical of the American techniques with which he was trained. The choreographic landscapes that he draws in his works seem to refer from time to time to distant and unknown worlds\, in which dance presents itself as a horizon free from interpretation and classification. \nFabrizio studied classical ballet with Denis Carey\, Victor Litvinov\, Sue Carlton Jones. Contemporary techniques with Andé Peck\, Roberta Garrison\, Jeff Slayton\, Betty Jones\, Nina Watt\, Irene Hultmann\, Louise Burns\, Alwin Nicholais. \nFrom a very young age he was awarded numerous scholarships including Full Scholarship at the American Dance Festival\, Duke University\, USA in 1990.\nAt 19 he was awarded with the Prize “Nati per la danza” at the Theatre Romolo Valli in Reggio Emilia and at 26 he was nominated “best Italian dancer of the year 1996” by the G. Tani Prize.\nFrom 1991 to 2001 he danced for the Virgilio Sieni Danza Company. \nSince 1999 he has created over 30 choreographies\, receiving awards in Spain\, Germany\, Italy and Serbia\, performing in numerous festivals and theaters such as Théâtre National de la Danse Chaillot Paris\, Biennale de la Danse de Lyon\, La Biennale di Venezia\, Suzanne Dellal Tel Aviv\, SIDance Seoul\, Varna International Festival and many more.\nHis works have been co-produced by Théâtre National de la Danse Chaillot Paris\, MUSEION – National Museum of Arts in Bolzano\, Tanz Bozen Festival\, Festival MILANoLTRE Milan\, Fondazione Teatro Comunale di Vicenza.\nIn 2011\, on the occasion of the presentation of the work “Un ricamo fatto sul nulla” at the Grand Theater of the National Academy of Dance in Rome\, he received the “Medal of the President of the Republic for Italian choreographic talent”. \nHe invents a series of experimental programming formats\, which will be invited by Italian Festivals and Theaters. The main ones are: “Piattaforma della Danza Balinese” (2014-2015) for the Santarcangelo Festival and “Circo Massimo” (2016-2017) for the Duse Theater in Bologna. \nHe collaborates with musicians and composers such as Mountains (USA)\, Teho Teardo (IT)\, Daniela Cattivelli (IT) and visual artists such as ZimmerFrei (IT)\, Lele Marcoianni (IT). \nHis outdoor project Le Stagioni Invisibili – Ciclo Coreografico Infinito 2018-2021\, received the “PerChiCrea 2019” Production Award from Siae and Mibac – Italian Ministry of Culture and was shortlisted by the Big Pulse Dance Alliance as one of the best 8 European projects 2021 in its programme Open Air Commissions. \nWith the duo First Rose (Fabrizio Favale and Andrea Del Bianco)\, he also designs scenes\, costumes and artifacts\, which sometimes graft the choreographic works with an enigmatic figuration of strange beings\, as hybrids of a kind of organic and inorganic world. \nFor the three-year period 22-24 Fabrizio Favale is nominated Italian Associate Artist of MILANoLTRE\, Teatro Elfo-Puccini Milan. \nlesupplici.it \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/winter-forest-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221118T203000
DTEND;TZID=Europe/Rome:20221118T213000
DTSTAMP:20260507T230244
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LAST-MODIFIED:20221207T213836Z
UID:10002473-1668803400-1668807000@www.fndaterballetto.it
SUMMARY:Winter Forest
DESCRIPTION:Winter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. \n\n  \n  \nCREDITS\nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Valentina Staltari\, Po-Nien Wang\nSet\, costume and art work First Rose\nSounds recorded in zoos of different countries around the world Fabrizio Favale\nMusic Massimo Carozzi\, Daniela Cattivelli\, Christian Fennesz\, Jónsi\, Alex Somers \nCo-produced by Festival Danza in Rete – Fondazione Teatro Comunale di Vicenza\, KLm – Kinkaleri / Le Supplici / mk\nSupported by MIBAC / Regione Emilia-Romagna\nIn collaboration with h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore \nSYNOPSIS \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. Here three dancers move in a dance made of the intertwining of a very high technical complexity and unknown movements\, like creatures from other worlds. Space and costumes of the dancers have similar aesthetic traits\, resulting in a camouflage effect. The choreography is built with a cyclical idea whose elements\, while varying\, return with an apparent randomness\, as happens to thunderstorms and storms. \n \nAfter having attended for a long time outdoor landscapes in their changes within the alternation of the seasons (The Invisible Seasons – Infinite Choreographic Cycle 2018-2021\, awarded with the Siae and Mibac Prize For Who Creates and selected by the Big Pulse Alliance as one of the eight best European outdoor projects 2021 in the programme Open Air Commission)\, with this project Fabrizio Favale now investigates the concept of mimicry. Sometimes useful in nature\, sometimes useless\, mimicry is seen here first of all as an aesthetic event. A way of disappearing\, dissolving into the surrounding\, to reappear with the appearance of the surrounding. \nFabrizio Favale \nHis dance is oriented towards abstraction\, typical of the American techniques with which he was trained. The choreographic landscapes that he draws in his works seem to refer from time to time to distant and unknown worlds\, in which dance presents itself as a horizon free from interpretation and classification. \nFabrizio studied classical ballet with Denis Carey\, Victor Litvinov\, Sue Carlton Jones. Contemporary techniques with Andé Peck\, Roberta Garrison\, Jeff Slayton\, Betty Jones\, Nina Watt\, Irene Hultmann\, Louise Burns\, Alwin Nicholais. \nFrom a very young age he was awarded numerous scholarships including Full Scholarship at the American Dance Festival\, Duke University\, USA in 1990.\nAt 19 he was awarded with the Prize “Nati per la danza” at the Theatre Romolo Valli in Reggio Emilia and at 26 he was nominated “best Italian dancer of the year 1996” by the G. Tani Prize.\nFrom 1991 to 2001 he danced for the Virgilio Sieni Danza Company. \nSince 1999 he has created over 30 choreographies\, receiving awards in Spain\, Germany\, Italy and Serbia\, performing in numerous festivals and theaters such as Théâtre National de la Danse Chaillot Paris\, Biennale de la Danse de Lyon\, La Biennale di Venezia\, Suzanne Dellal Tel Aviv\, SIDance Seoul\, Varna International Festival and many more.\nHis works have been co-produced by Théâtre National de la Danse Chaillot Paris\, MUSEION – National Museum of Arts in Bolzano\, Tanz Bozen Festival\, Festival MILANoLTRE Milan\, Fondazione Teatro Comunale di Vicenza.\nIn 2011\, on the occasion of the presentation of the work “Un ricamo fatto sul nulla” at the Grand Theater of the National Academy of Dance in Rome\, he received the “Medal of the President of the Republic for Italian choreographic talent”. \nHe invents a series of experimental programming formats\, which will be invited by Italian Festivals and Theaters. The main ones are: “Piattaforma della Danza Balinese” (2014-2015) for the Santarcangelo Festival and “Circo Massimo” (2016-2017) for the Duse Theater in Bologna. \nHe collaborates with musicians and composers such as Mountains (USA)\, Teho Teardo (IT)\, Daniela Cattivelli (IT) and visual artists such as ZimmerFrei (IT)\, Lele Marcoianni (IT). \nHis outdoor project Le Stagioni Invisibili – Ciclo Coreografico Infinito 2018-2021\, received the “PerChiCrea 2019” Production Award from Siae and Mibac – Italian Ministry of Culture and was shortlisted by the Big Pulse Dance Alliance as one of the best 8 European projects 2021 in its programme Open Air Commissions. \nWith the duo First Rose (Fabrizio Favale and Andrea Del Bianco)\, he also designs scenes\, costumes and artifacts\, which sometimes graft the choreographic works with an enigmatic figuration of strange beings\, as hybrids of a kind of organic and inorganic world. \nFor the three-year period 22-24 Fabrizio Favale is nominated Italian Associate Artist of MILANoLTRE\, Teatro Elfo-Puccini Milan. \nlesupplici.it \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/winter-forest/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221122T204500
DTEND;TZID=Europe/Rome:20221122T223000
DTSTAMP:20260507T230244
CREATED:20220727T154024Z
LAST-MODIFIED:20220801T204841Z
UID:10002396-1669149900-1669156200@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:The fifth stop of the French tour is Arcachon\, on the Atlantic coast.\nAt Théâtre Olympia Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-arcachon/
LOCATION:Théâtre Olympia\, 21 Avenue Charles de Gaulle\, Arcachon\, 33120\, Francia
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221125T193000
DTEND;TZID=Europe/Rome:20221125T211500
DTSTAMP:20260507T230244
CREATED:20220727T155241Z
LAST-MODIFIED:20220801T204757Z
UID:10002394-1669404600-1669410900@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:In the framework of Festival Internacional de Teatro in Vitoria-Gasteiz\, in Basque Country\, Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-vitoria-gasteiz-aterballetto/
LOCATION:Teatro Principal Antzokia\, San Prudencio Kalea\, 29\, Vitoria-Gasteiz\, 01005\, Spagna
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221127T193000
DTEND;TZID=Europe/Rome:20221127T210000
DTSTAMP:20260507T230244
CREATED:20220727T161202Z
LAST-MODIFIED:20221207T213809Z
UID:10002404-1669577400-1669582800@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:Aterballetto is in Logroño\, in Spain\, with Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-aterballetto-logrono/
LOCATION:TEATRO BRETÓN\, Bretón de los Herreros 11\, Logroño\, Spagna
CATEGORIES:Aterballetto,Don Juan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221130T200000
DTEND;TZID=Europe/Rome:20221130T213000
DTSTAMP:20260507T230244
CREATED:20220727T162825Z
LAST-MODIFIED:20220801T155440Z
UID:10002408-1669838400-1669843800@www.fndaterballetto.it
SUMMARY:Golden Days
DESCRIPTION:Aterballetto dances on 30th November and 1st December in Échirolles\, near Grenoble. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-23/2022-11-30/
LOCATION:La Rampe\, 15\, avenue du 8 mai 1945\, Échirolles\, 38130\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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END:VEVENT
END:VCALENDAR