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DTSTART;TZID=Europe/Rome:20230108T203000
DTEND;TZID=Europe/Rome:20230108T220000
DTSTAMP:20260507T193927
CREATED:20220729T083135Z
LAST-MODIFIED:20221216T130555Z
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto’s first performance of 2023 is at Opéra Grand Avignon. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-avignone-aterballetto/
LOCATION:Opéra Grand\, Place de l'Horloge\, Avignone\, 84000\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230110T200000
DTEND;TZID=Europe/Rome:20230110T211500
DTSTAMP:20260507T193927
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto performs at Opéra de Saint Étienne\, in Loire region. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Essentially a concert. Of dance\, however\, and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-saint-etienne-aterballetto/
LOCATION:Opéra de Saint-Étienne\, Jardin des Plantes\, Saint-Étienne\, BP 237 42013\, Francia
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230113T200000
DTEND;TZID=Europe/Rome:20230113T211500
DTSTAMP:20260507T193927
CREATED:20220728T152513Z
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SUMMARY:Golden Days
DESCRIPTION:Aterballetto dances near Barcelona\, in Sant Cugat del Vallès. \nGolden Days is an evening that begins with the smoky atmospheres of Rain Dogs and ends with the light and smiles of BLISS through the ironic female solo of Birdland. \nAll accompanied by the music of Tom Waits\, Patti Smith and Keith Jarrett. \n“An andante cantabile\, an adagio and a rondo. Basically a concert. Of dance though and yet with a great soundtrack.”\nSergio Trombetta\, La Stampa\, 10.07.2017
URL:https://www.fndaterballetto.it/en/evento/golden-days-sant-cugat-aterballetto/
LOCATION:Teatre Auditori\, Pl. de Victòria dels Àngels\, 1\, Sant Cugat del Vallès\, 08172
CATEGORIES:Aterballetto,BLISS,Golden Days,Rain Dogs
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230115T203000
DTEND;TZID=Europe/Rome:20230115T220000
DTSTAMP:20260507T193927
CREATED:20221027T091423Z
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SUMMARY:SECUS - "O" - SHOOT ME
DESCRIPTION:Aterballetto continues its tour and arrives in Terrassa\, Catalonia. \nThe evening opens with  Secus\,  a creation by Israeli choreographer Ohad Naharin with an enthralling soundtrack. This is followed by “O”\, Philippe Kratz’s little masterpiece\, an hypnotic pas de deux with an unstoppable rhythm. All 16 dancers in the company close the evening with Shoot me\, a new creation by Diego Tortelli to the music of the rock band Spiritualized\, an abstract but tense and energetic choreography. \n\n  \n\n  \n\n  \nSECUS \nSecus is a creation by Ohad Naharin that boasts a musical collage extending from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai to the resonant harmonies of the Beach Boys. This adventurously eclectic mix serves as a fitting background for the boldly extravagant choreography. A human alphabet of runs\, solos\, neat and clean gestures\, interrupted duets is composed before our incredulous eyes\, which\, through precise and sudden kicks\, sinuous disarticulations of the hips\, torsos bending in all directions like molding rubber\, expresses pure emotions and feelings without becoming sentimental. Joy\, vulnerability\, fear\, innocence\, confusion and anger weave an harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nO \nThe idea behind “O” is eternity and how to achieve it is the ultimate goal of humanity. As for example in the summer of 2017 in Hong Kong\, when for the first time two humanoid robots interacted with each other. It has become clear to all that a future\, in which all human knowledge is transmitted by communicating inorganic material\, is at our fingertips. \n“O” can be seen as two human beings or two robots celebrating this event in a state of transcendence and emotional realization\, in which both move together to the infinite rhythm of their unstoppable hearts.\nOr\, like the spaceship’s computer Hal in Stanley Kubrick’s film “2001: A Space Odyssey” when he says deceptively\, “I know I’ve made some very poor decisions recently\, but I can give you my complete assurance that my work will return to normal. I still have the utmost enthusiasm and confidence in the mission. And I want to help you.” \nSHOOT ME \nSHOOT ME is a new creation for the whole company accompanied by the music of Spiritualized\, an English rock band formed in 1990\, and by some recordings of poems recited by singer Jim Morrison that tell us about freedom. \nThe work in its construction is inspired by the concept of “concert-ballet”\, revisited in a contemporary key where music and dance combine each other in a composition devoid of narrative\, but which\, thanks to the power of music\, sometimes aggressive and other times poetic guides us to create open imageries and to feel emotions. \nA fundamental part of SHOOT ME is the strength of a group guided by individual voices\, the desire of a body that wants to be observed and a body that wants to be heard\, that wants to transmit. \nThe work is inspired by images of demonstrations\, pride\, catwalks\, everything that unites us in a group that at the same time allows us not to lose our voice. The exact opposite of a military parade or a political party. We talk about the beauty of the body serving the community as an  entertainment medium\, but also of reflection and research.\nIn fact\, the term “SHOOT ME” is used by videomakers  when a camera’s gaze is caught on an action to be immortalized. In pop culture instead\, the term “SHOOT ME” in slang is also often referred to as a request to feel emotions after a period of alexithymia “please\, shoot me with some feelings…” \nA frontal work that aims to put the dancers on stage and the audience in the stall in a direct exchange relationship: a game of seduction\, glances\,  sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \nCREDITS \nSECUS \nChoreography Ohad Naharin\nMusic Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys\nSound design & editing Ohad Fishof\nCostume Design Rakefet Levy\nLighting Design Avi Yona Bueno (Bambi)\nAssistant choreographers Rachael Osborne\, Ian Robinson\nCreation for Batsheva Dance Company (as part of Three\, 2005) \nDuration 30′ – For 16 dancers from the company \nProduction Fondazione Nazionale della Danza / Aterballetto \nCo-production Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F) \n“O” \nChoreography Philippe Kratz\nMusic Mark Pritchard and The Field\nCostume Design Francesca Messori\nLighting Design Carlo Cerri \nDuration 12′ – For 2 dancers \nProduction Fondazione Nazionale della Danza / Aterballetto \nFirst prize at the 32nd Hannover Choreographic Competition – June 2018 \nPhilippe Kratz is a stARTacademy member of Bayer Arts & Culture. \nSHOOT ME \nChoreography Diego Tortelli\nMusic Spiritualized\nCostume Design Marco De Vincenzo\nLighting Design Roman Fliegel \nDuration 30′ – For 16 dancers from the company \nProduction Fondazione Nazionale della Danza / Aterballetto\nCoproduction Fondazione I Teatri di Reggio Emilia
URL:https://www.fndaterballetto.it/en/evento/shoot-me-o-secus-3/
LOCATION:LaFact Cultural\, Rambla d'Ègara\, 340\, Terrassa\, 08221\, Spagna
CATEGORIES:Aterballetto,O,Productions,Secus,Shoot me
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230119T180000
DTEND;TZID=Europe/Rome:20230119T190000
DTSTAMP:20260507T193928
CREATED:20221222T173015Z
LAST-MODIFIED:20230110T112144Z
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SUMMARY:Meeting Aterballetto
DESCRIPTION:OPEN REHEARSAL\nAfter three years\, Aterballetto reopens its rehearsals to the public. \nSince the last open rehearsal in Fonderia – Feb. 12\, 2020 – much has changed in the company. New dancers\, new choreography and new projects that we look forward to introducing to you at this very open rehearsal. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/meeting-aterballetto/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230121T203000
DTEND;TZID=Europe/Rome:20230121T230000
DTSTAMP:20260507T193928
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SUMMARY:DANCING BRUNO
DESCRIPTION:Compagnia Sanpapié – Dancing Bruno – ph. Donato Aquaro \nWe open the new season at Fonderia\, making just about everyone dance in an evening of about two and a half hours\, where 12 artists including musicians\, dancers\, singers and actors\, compete for the audience\, challenging each other not to leave a single spectator sitting. \n Dancing Bruno by the Milan-based company               Sanpapié is a ride through popular dance between the early 1900s and the early 1970s\, clinging to the saddle of the history of social and political changes that have transformed the way we experience spaces\, relationships\, roles and steps in common. \nIn Dancing Bruno\, irony opens the door wide to encounter and experimentation. It is a participatory experience where audience and performer merge in the same game\, creating a surreal space in which time is suspended. \n\nCREDITS \nConcept Lara Guidetti\, Saverio Bari\nWith contributions from Marco De Meo\, Marcello Gori\, Susanna Gozzetti\, Cecilia Vecchio\nChoreography and direction Lara Guidetti\nTexts Saverio Bari\nOriginal music and soundtrack Marcello Gori\nLive music Andrea Vulpani\nCostume Design Daniela De Blasio\nWith Saverio Bari\, Caterina Cescotti\, Luis Fernando Colombo\, Gioele Cosentino\, Marco De Meo\, Marcello Gori\, Susanna Gozzetti\, Lara Guidetti\, Francesca La Stella\, Matteo Sacco\, Cecilia Vecchio \nCoproduction Sanpapié and Fondazione Luzzati – Teatro della Tosse \nWHAT'S DANCING BRUNO? \nWhat comes naturally to the question is what is a dancing and especially who is Bruno. \nTo the first question the answer comes seemingly easy: a dancing is a dance hall before it is called a discotheque and after it has lost its definition of balera. Dancing is the middle ground where couple dancing opens up to rhythmic contaminations\, cultures\, forms and figures from other parts of the world. In common with the balera are the rules and\, above all\, the powerful voice of popular extraction\, while the strain toward disco reveals a world that is broadening and opening itself to encounter and experimentation\, looking at the foreigner with a fascinated and curious manner\, imitating his movements\, and ready to exchange its own. \nCompagnia Sanpapié – Dancing Bruno – ph. Donato Aquaro  \nAnd Bruno? Who’s Bruno? \nBruno is the secret word\,\n        it is the memory that one carries within                                    oneself  forever\,\n        able to renew itself\n        with each generation. \nHe\, too\, is a clandestine idea: that of a theater where there is no barrier between audience and stage\, the secret and intimate receptacle of a popular universe in which we sink our roots\, the guardian of a world that is never completely lost but is transformed it is the pole that warns us when we are in danger\, to give us time to move elsewhere\, to be reborn changed\, contaminated… it is someone we have all met\, on any corner\, between any two streets\, who reminds us who we are\, who we have been\, who we could be… it is a question without the rush of the answer and the excitement of discovery… \nCompagnia Sanpapié – Dancing Bruno – ph. Donato Aquaro  \nSanpapié Company \n\nSanpapié was founded in 2008 by the will of four young people then fresh out of academy: Lara Guidetti\, dancer and choreographer; Sarah Chiarcos\, playwright; Marcello Gori\, musician; and Fabio Ferretti\, organizer\, interested in investigating the depths of research without forgetting the Excel sheets. \nLike all companies\, in 13 years it has gone through very different phases and seasons\, lost pieces and then found them again\, missed trains and won calls\, but it has never betrayed its original spirit: seeking the most special and impervious way to reach the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and organizers in perpetual motion\, constantly searching for new stimuli and new challenges; an extended family from Emilia-Milan-Romagna-Genoa (with flashes of Campania\, Puglia\, Sicily and Tuscany) that has not been afraid to grow and transform itself into a virtuous cultural enterprise. From 2015 to 2017\, Sanpapié received a grant from MiBACT as a Dance Production enterprise; from 2017 to 2019\, it won the Funder35 call from Fondazione Cariplo; and in its history it has performed not only in Italy but also in France\, the United Kingdom\, Spain\, Germany\, Portugal\, and China. \nsanpapie.com \n\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nTicket service in Fonderia is active from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\nCompagnia Sanpapié – Dancing Bruno – ph. Donato Aquaro \n 
URL:https://www.fndaterballetto.it/en/evento/dancing-bruno/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230122T110000
DTEND;TZID=Europe/Rome:20230122T193000
DTSTAMP:20260507T193928
CREATED:20230112T182736Z
LAST-MODIFIED:20230116T170402Z
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SUMMARY:MICRODANCES
DESCRIPTION:On Sunday 22 January\, Bergamo and Brescia will open the doors of all their cultural venues on the occasion of the celebrations for the official start of the year Bergamo Brescia Capital of Culture 2023. Theatres\, museums\, cinemas\, libraries\, foundations and many other entities\, some of which will be open to the public on an exceptional basis\, will host exhibitions\, conferences\, exhibitions and events. A moment of widespread and pervasive culture that will officially inaugurate the year of the Italian Capital of Culture 2023. \nWithin this context\, thanks to the collaboration with the Fondazione Brescia Musei\, four of our MicroDances will animate some of the city’s most iconic cultural venues such as the Capitolium\, the Museum of Santa Giulia (Basilica di San Salvatore e Coro delle Monache) and the Pinacoteca Tosio Martinengo. These pieces will anticipate the show An Ideal City\, with several replicas between 3 and 5 March in the museum spaces of Brescia\, soon available for pre-sale to the public. \nThe MicroDances on stage are: \nEppur si muove by Francesca Lattuada at the Capitolium – 11.00 am\, 2.30 pm and 3.30 pm \nPlatform02 di Ina Lesnakowski at the Museo di Santa Giulia / Coro delle Monache – 12.00 pm\, 4.00 pm and 5.30 pm \nNear Life Experience by Angelin Preljocaj at the Pinacoteca Tosio Martinengo – 12.30 pm\, 5.00 pm and 7.00 pm \nThe fourth MicroDanza is a new creation by Diego Tortelli for two dancers entitled Yes\, Yes… and to the music Silver Factory Redux by Dean&Britta. It will be performed at the Museo di Santa Giulia / Basilica di San Salvatore – 11.30 am\, 4.00 pm and 5.30 pm \n  \n\n\n\n  \n  \n 
URL:https://www.fndaterballetto.it/en/evento/microdances/
CATEGORIES:Aterballetto,MicroDanze
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230124T203000
DTEND;TZID=Europe/Rome:20230124T220000
DTSTAMP:20260507T193928
CREATED:20221222T181651Z
LAST-MODIFIED:20230110T145200Z
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SUMMARY:PROVE IN CORSO - I° PUNTATA
DESCRIPTION:The new FND/Aterballetto series curated by Nicolas Ballario. \nWhat is behind an Aterballetto performance? What happens in the halls of the Fonderia in Reggio Emilia? \nYou’ll find out with PROVE IN CORSO\, our first four-part series curated by Nicolas Ballario: one of the most highly regarded contemporary art journalists whose unique verve and extraordinary expertise bring just about everyone closer to the art world with his broadcasts on Sky Arte and RadioUnoRai. \nTogether with Ballario you will enter the world of the Fondazione Nazionale della Danza / Aterballetto. Between hilarious encounters\, ironic situations with those who live the Fonderia every day and danced moments\, in four episodes directed by Fabrizio Spucches\, we will discover the curiosities of the company and the behind-the-scenes of the shows\, in a way never told before. \nWhat will you see? \nIn the first episode\, scheduled for Tuesday\, January 24\, 9 p.m.\, you cannot help but be seduced by Johan Inger‘s  Don Juan \, choreography inspired by the Don Juan myth. \nThe evening will be hosted by Nicolas Ballario who will talk about what it was like to work on this series\, along with Aterballetto dancers who will show some sequences from Don Juan. \nThis will be followed by a screening of the first installment of PROVE IN CORSO and then finish with a talk in the company of Ballario and Aterballetto. \nInfo & Tickets \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 7:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \nhttps://www.fndaterballetto.it/wp-content/uploads/2021/11/Aterballetto_ProveInCorso-DonJuan-Stories01-16_9.mp4\n 
URL:https://www.fndaterballetto.it/en/evento/prove-in-corso-i-puntata/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230128T203000
DTEND;TZID=Europe/Rome:20230128T220000
DTSTAMP:20260507T193928
CREATED:20220728T153514Z
LAST-MODIFIED:20221216T130938Z
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SUMMARY:Don Juan
DESCRIPTION:Aterballetto comes back to Teatro Regio in Parma and dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-parma-aterballetto/
LOCATION:Teatro Regio\, Strada Giuseppe Garibaldi\, 16/a\, Parma\, 43121\, Italia
CATEGORIES:Aterballetto,Don Juan
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Regio Strada Giuseppe Garibaldi 16/a Parma 43121 Italia;X-APPLE-RADIUS=500;X-TITLE=Strada Giuseppe Garibaldi\, 16/a:geo:10.326797,44.803247
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230131T203000
DTEND;TZID=Europe/Rome:20230131T220000
DTSTAMP:20260507T193928
CREATED:20220729T073039Z
LAST-MODIFIED:20230329T174351Z
UID:10002420-1675197000-1675202400@www.fndaterballetto.it
SUMMARY:Don Juan
DESCRIPTION:From 31st January to 2nd February at Centro Teatrale Bresciano Aterballetto dances Don Juan\, the full evening production by Johan Inger. \nThe choreography comes from Inger’s desire to confront Don Juan\, a paradigmatic myth that is both ancient and still contemporary. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl consulted twenty-five different texts inspired by the character. \nIn the creation we find all the characters of the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasise nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, subtly but clearly revealing the inner world of the men and women on stage. \nDanza&Danza Award ‘Best Production’ 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-37/2023-01-31/
LOCATION:Teatro Sociale\, Piazza Giuseppe Garibaldi 14\, Rovigo\, 45100\, Italy
CATEGORIES:Aterballetto,Don Juan
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Sociale Piazza Giuseppe Garibaldi 14 Rovigo 45100 Italy;X-APPLE-RADIUS=500;X-TITLE=Piazza Giuseppe Garibaldi 14:geo:10.22020539674,45.53625785173
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