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DTSTART;TZID=Europe/Rome:20230402T193000
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DTSTAMP:20260507T161254
CREATED:20220729T103025Z
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SUMMARY:Double Side
DESCRIPTION:The Fondazione Nazionale della Danza / Aterballetto dances Double Side in Lörrach\, Germany. \nBaroque music and contemporary dance are combined in the new programme of the Italian Fondazione Nazionale della Danza / Aterballetto\, which features two choreographers from Canada and Cuba who are little known in Italy\, Danièle Desnoyers and Norge Cedeño Raffo. In close collaboration with the Fondazione Arturo Toscanini from Parma\, its orchestral counterpart from Emilia-Romagna Region\, the renowned company brings along a musical ensemble of singers and string players\, dancing to a baroque suite and a “Stabat Mater” by Arvo Pärt. \n \nSynopsis \nThe Cuban Norge Cedeño Raffo creates to religious music\, of all things. The young\, up-and-coming choreographer was a soloist with Danza Contemporánea de Cuba\, the most important contemporary company in Cuba. Arvo Pärt’s “Stabat Mater” becomes a painful farewell work for him. The Estonian composer set the medieval text about the pain of the Mother of God to music in his characteristic\, reduced style. The moving effect of this music also characterises the expressive\, free and\, in the most beautiful sense\, pure dance: how can one find hope again in a destroyed world and after such a great loss\, how can one go on living\, Norge Cedeño Raffo asks himself in his work. \n\nChoreographer Danièle Desnoyers comes from Montréal\, the metropolis of modern Canadian dance\, where her light\, fluid style and her own company make her a permanent fixture on the contemporary scene. In addition to a theatrical element\, her pieces always have a strong relationship to music. Her creation for Aterballetto is based on a suite by the Italian composer Federico Gon; the specialist for baroque music was inspired by Henry Purcell. \n  \n \n  \nCredits \nSTABAT MATER\n(Creation for 3 dancers\, 3 musicians\, 3 singers) \nChoreography Norge Cedeño Raffo\nSet and lighting design Fabiana Piccioli\nMusic Stabat Mater by Arvo Pärt\nCostume design Norge Cedeño Raffo and Fabiana Piccioli\nAssistant to the choreographer Thais Suàrez Fernàndez \nWITH DROPPING WINGS\n(Creation for 8 dancers\, 4 strings) \nChoreography Danièle Desnoyers\nMusic An English Suite by Federico Gon after Henry Purcell\nSet and lighting design Fabiana Piccioli\nCostume design Danièle Desnoyers\nWith the support of Délégation du Québec à Rome and Conseil des arts et des lettres du Québec \n \n\nCo-design and co-production Fondazione Nazionale della Danza / Aterballetto and Fondazione Arturo Toscanini\nCo-production Festspiele Ludwigshafen\, Fondazione I Teatri di Reggio Emilia \nWorld-premiere 23 October 2022\, Reggio Emilia\, Festival Aperto\, Teatro Municipale Romolo Valli (I)\nGerman premiere 9-10 December 2022\, Ludwigshafen\, Theater Im Pfalzbau (D) \n\nDancers Aterballetto Company\nQuartetto Motus for La Toscanini: Giulia Soli\, Agnese Rava violin\, Dario Carrera viola\, Margherita Curti cello\nSoprano: Theodora Io Koutsothodoru\nCountertenor: Niccolò Balducci\nTenor: Kim Bowoo\nMusical coaching: Antonio De Lorenzi \nDocufilm Stabat Mater - Danzare oltre i confini\nNorge Cedeño Raffo’s creation Stabat Mater inspired Rai5 to make the docufilm Stabat Mater – Danzare oltre i confini (Dancing Beyond Borders). \nThe docufilm closely reports the artistic and human experience of the young talented choreographer\, for the first time in Italy\, and shows his creative process\, in the setting of the Teatro Asioli in Correggio\, a small Italian-style theatre immersed in the Po Valley\, one of the most fascinating and evocative. \nThe filming of the docufilm (directed by Alessandro D’Onghia) began on 29 January 2021 (the choreographer’s first day of work with the three dancers) and ended on 6 March 2021 (the day of the closed-door preview at the Teatro Asioli in Correggio\, with musicians and singers from the Istituto Superiore di Studi Musicali Achille Peri in Reggio Emilia). The airing of the docufilm on Rai5 was on 29 April 2021\, on the occasion of the International Day of Dance. \nMEDIA PARTNER\n \nWatch the docufilm
URL:https://www.fndaterballetto.it/en/evento/double-side-loerrach-aterballetto/
LOCATION:Burghof\, Herrenstraße 5\, Lörrach\, 79539\, Germania
CATEGORIES:Aterballetto,Stabat Mater
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DTSTART;TZID=Europe/Rome:20230405T180000
DTEND;TZID=Europe/Rome:20230405T190000
DTSTAMP:20260507T161254
CREATED:20230330T094042Z
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SUMMARY:Yeled - open rehearsal
DESCRIPTION:FND/Aterballetto - rehearsal - ph. Christophe Bernard\nOPEN REHEARSAL\n\nAfter the tour in Germany and Italy\, Aterballetto stops at Fonderia and rehearses YELED by Eyal Dadon for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230411T180000
DTEND;TZID=Europe/Rome:20230411T190000
DTSTAMP:20260507T161254
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SUMMARY:SHOOT ME - open rehearsal
DESCRIPTION:FND Aterballetto – SHOOT ME by Diego Tortelli – ph Christophe Bernard \n \nOPEN REHEARSAL\nAterballetto rehearses SHOOT ME by Diego Tortelli for the performances in Budapest. \nOpen rehearsals are unique moments when you can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance: an exclusive experience of entering the daily routine of the dancers and choreographers. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in Fonderia runs from 5:30 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/shoot-me-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230413T210000
DTEND;TZID=Europe/Rome:20230413T223000
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SUMMARY:DON JUAN
DESCRIPTION:Aterballetto is in Sassari\, a superb Sardinian province\, with Don Juan by Johan Inger. \nThe choreography stems from Inger’s desire to confront Don Juan\, an ancient and still contemporary paradigmatic myth. The original comedy by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character. \nIn the creation we find all the characters in the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasize nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, and subtly but clearly reveals the inner worlds of the men and women on stage. \nDanza&Danza ‘Best Production’ Award 2020 \n 
URL:https://www.fndaterballetto.it/en/evento/don-juan-38/
LOCATION:Teatro Comunale\, Viale Trieste\, 5\, Sassari\, SS\, 07100\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230415T180000
DTEND;TZID=Europe/Rome:20230415T190000
DTSTAMP:20260507T161254
CREATED:20230220T221944Z
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SUMMARY:GAP OF 42
DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \n  \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS \nBy and with Iris Pelz e Christopher Schlunk  \nOutside-eye: Stefan Schönfeld  \nMusicc: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent)  \nObject theatre coaching: Anne-Kathrin Klatt  \nDance coaching: Laura Börtlein  \nLighting design: Marvin Wöllner \nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5 p.m. onwards. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/gap-of-42-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230415T203000
DTEND;TZID=Europe/Rome:20230415T220000
DTSTAMP:20260507T161254
CREATED:20221214T143415Z
LAST-MODIFIED:20230220T204147Z
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SUMMARY:DON JUAN
DESCRIPTION:Per due serate\, il 15 e 16 aprile\, Aterballetto è a Cagliari con Don Juan\, la serata intera firmata da Johan Inger. \nLa coreografia nasce dal desiderio di Inger di confrontarsi con Don Giovanni\, mito paradigmatico antico e ancora contemporaneo. La commedia originale di Tirso de Molina\, Molière\, Bertold Brecht e l’opera teatrale di Suzanne Lilar sono solo alcune delle fonti d’ispirazione: Inger e il drammaturgo Gregor Acuña-Pohl hanno potuto consultare venticinque diversi testi ispirati al personaggio. \nNella creazione troviamo tutti i personaggi della storia\, da Donna Elvira a Donna Anna a Zerlina e Masetto. Il Don Juan può essere considerato un Kammerspiel\, con sua capacità di sottolineare sfumature ed emozioni: e nel caso di questa creazione la danza diviene lente d’ingrandimento dei singoli caratteri\, e svela in modo sottile ma evidente il mondo interiore degli uomini e delle donne in scena. \nPremio Danza&Danza ‘Miglior Produzione’ 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-39/
LOCATION:Teatro Massimo\, Via E. De Magistris\, 12\, Cagliari\, CA\, 09123\, Italia
CATEGORIES:Aterballetto,Don Juan
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230416T180000
DTEND;TZID=Europe/Rome:20230416T190000
DTSTAMP:20260507T161254
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SUMMARY:GAP OF 42
DESCRIPTION:GAP of 42 – Chris Iris – ph. Kai Hebestreit \nThe acrobatic dance show Gap of 42 created and performed by two very talented German artists\, Christopher Schlunk and Iris Pelz\, is coming to the Fonderia for the first time. Extraordinary acrobatics and situational comedy meet in a contemporary and entertaining show where two apparently very different bodies come together to create something incredible. \nCREDITS\nCreated and performed by: Iris Pelz and Christopher Schlunk \nOff-stage: Stefan Schönfeld \nMusic: Schroeder (with Jan Fitschen | Felix Borel | Bella Nugent) \nObject theatre coaching: Anne-Kathrin Klatt \nDance coaching: Laura Börtlein \nLighting: Marvin Wöllner\nSYNOPSIS \nTwo dissimilar bodies meet acrobatically. 42 cm separate them in height\, 42 kg in weight. A difference that unites and creates possibilities instead of being an obstacle. The extraordinary acrobatics surprise the audience while the duo’s subtle humour makes them smile. The performers sympathetically and thought-provokingly show how relationships change and how they meet at eye level. Philosophical questions are raised\, absurd moments arise and there is a glimmer of magic. Three wooden objects even out the height difference and become a third partner on stage. The piece is a compilation of contemporary circus\, physical theatre\, dance and object theatre. Acrobatics performed with precision and ease; touching\, poetic and original. \n“Rarely has a dance or acrobatic couple been seen that portrays the great themes of being so subtly\, so poetically.” (Bernd Guido Weber in ‘Schwäbische’ about GAP of 42) \n  \n \n  \nCHRIS IRIS \nChristopher Schlunk and Iris Pelz met at the Academy of Circus and Performing Arts in Tilburg\, the Netherlands\, where they graduated in 2011. They perform all over the world with renowned companies such as Cirque Éloize (Canada)\, Cikus Monti (Switzerland)\, Cirkus Cirkör (Sweden)\, La Soirée (Australia) and Palazzo (Germany). Their innovative number ‘The Microphone’ won numerous awards\, including a silver medal at the Festival Mondial du Cirque de Demain\, the audience award at Young Stage\, first place at Newcomershow and a special award at the Moscow International Circus Festival. The duo has performed in venues such as the famous Sydney Opera House\, Roundhouse in London\, La Tohu in Montreal and the Chamäleon Theater in Berlin. Together with four colleagues from the circus school\, they founded the collective Common Ground. Their first tour took them to festivals such as Atoll (Germany)\, Theater op de Markt (Belgium) and Circus Circle (Netherlands). \nIn 2020/21 Chris and Iris created the duo piece GAP of 42\, their first full-length production as a duo. \nINFO & TICKETS \nTICKETS\nFull: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/gap-of-42/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230416T190000
DTEND;TZID=Europe/Rome:20230416T203000
DTSTAMP:20260507T161254
CREATED:20221214T143553Z
LAST-MODIFIED:20221216T124420Z
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SUMMARY:DON JUAN
DESCRIPTION:For two evenings\, April 15 and 16\, Aterballetto is in Cagliari with Don Juan\, the full evening signed by Johan Inger. \nThe choreography stems from Inger’s desire to confront Don Juan\, an ancient and still contemporary paradigmatic myth. The original play by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character. \nIn the creation we find all the characters in the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasize nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, and subtly but clearly reveals the inner worlds of the men and women on stage. \nDanza&Danza ‘Best Production’ Award 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-41/
LOCATION:Teatro Massimo\, Via E. De Magistris\, 12\, Cagliari\, CA\, 09123\, Italia
CATEGORIES:Aterballetto,Don Juan
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DTSTART;TZID=Europe/Rome:20230417T180000
DTEND;TZID=Europe/Rome:20230417T190000
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UID:10002953-1681754400-1681758000@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi-3/2023-04-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230417T180000
DTEND;TZID=Europe/Rome:20230417T190000
DTSTAMP:20260507T161254
CREATED:20230329T092543Z
LAST-MODIFIED:20230329T171023Z
UID:10002952-1681754400-1681758000@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230418T180000
DTEND;TZID=Europe/Rome:20230418T190000
DTSTAMP:20260507T161254
CREATED:20230323T123934Z
LAST-MODIFIED:20230403T183340Z
UID:10002954-1681840800-1681844400@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi-3/2023-04-18/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230418T180000
DTEND;TZID=Europe/Rome:20230418T190000
DTSTAMP:20260507T161254
CREATED:20230329T092528Z
LAST-MODIFIED:20230329T170635Z
UID:10002951-1681840800-1681844400@www.fndaterballetto.it
SUMMARY:SIMBIOSI
DESCRIPTION:OPEN REHEARSAL\n\nFormer Aterballetto dancer Roberto Tedesco returns to the Fonderia to present the work in progress of his new creation SIMBIOSI. \nhttps://youtu.be/FaJAcBSA2Cg \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Laila Lovino and Eloise Listuzzi\nMusic: Rival Consoles\, Senking\, Pan-American\, Raime\nDuration: 32 minuti \nIn partnership with Fondazione Teatro Comunale Città di Vicenza – Festival Danza in Rete\, Fondazione Teatro Comunale di Ferrara – Festival di Danza Contemporanea\, Scenario Pubblico Centro di Rilevante Interesse Nazionale \nWith the support of SupportER\, action of Anticorpi – network of showcases\, festivals and creative residencies in Emilia Romagna. \nproduction KLM- Kinkaleri/Le supplici/mk \nSYNOPSIS \nSymbiotic relationships in which two people behave as one and often one of them decides for both.\nIn some cases it is essential to work on the original symbiosis\, the mother/child symbiosis\, to arrive at a healthy evolution of the same. In this way today’s adult can bear a farewell without it becoming the unbearable abandonment of the infant it was in the past. \n“When in a couple the two partners always agree on everything\, one of them is thinking for both.”\n(Freud) \n  \nRoberto Tedesco \nRoberto Tedesco trained at the Balletto di Toscana School under the direction of Cristina Bozzolini and at the same time danced in the Junior BdT from 2009 to 2011.\nIn 2011\, he worked at the Maggio Musicale Fiorentino company. \nShe then joined Aterballetto where she remained for 10 years dancing choreographies by O. Naharin\, J. Kylian\, H. Shechter\, W. Forsythe\, J. Inger\, M. Bigonzetti\, A. Foniadakis… Already in the first years with Aterballetto she experimented with young choreographers of the company through the evenings. In 2017 she creates Apnea selected for the 32nd edition of the International Choreographic Competition Hannover. In 2018 he creates Cemento for Aterballetto’s dance and photography project In/Finito. In 2019 she wins the Critic’s Award and the NTM-Production Award with AGR Duet at the 34th International Choreographic Competition Hannover. In 2020 he creates Punch 24 being selected for the Vetrina Giovane Danza D’Autore Anticorpi XL and Turn the tide for the Fondazione Nazionale della Danza / Aterballetto’s MicroDanze project. \nIn 2021 he worked on a first study of Superorganismo with Agora Coaching Project and staged with Michele Merola’s MM Contemporay Dance Company Round trip\, a version for 6 dancers of Punch 24. At the end of the same year he developed a new version of AGR Duet\, which changed its name to Line-up\, for the National Theater Mannheim in Germany. In 2022 he creates By the throat for Ballett Vorpommern\, Ad Eva for XL dance company and elaborates a new version of Superorganismo for the Think Big project of the Staatsoper Hannover and the Festival Tanz Theater International Hannover. Through the action Residance XL of Antibodies XL he works on a first study of with Decisione consapevole which he is among the 4 finalists of DNA appunti coreografici 2022. \nHe creates Memory Lab for Studio XL and concludes 2022 by winning the competition SupporER of Cantieri Danza. \nHe is nominated Network Artist by the Teatro Comunale di Vicenza for the 2023 edition of the Festival. \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/simbiosi/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/03/tedesco.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230426T180000
DTEND;TZID=Europe/Rome:20230426T193000
DTSTAMP:20260507T161254
CREATED:20230208T223952Z
LAST-MODIFIED:20230329T160454Z
UID:10002917-1682532000-1682537400@www.fndaterballetto.it
SUMMARY:BEAST WITHOUT BEAUTY - OPEN REHEARSAL
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nOPEN REHEARSAL \nThe young choreographer Carlo Massari draws inspiration from Samuel Beckett’s Theatre of the Absurd and his Happy Days to narrate the trap of the existential condition. On stage an authentic plunge into non-sense\, an irreverent\, cynical study on the archetypes of human misery\, on inexpressiveness\, on the despicable cruelty in interpersonal relationships. Pale faces\, bloodless\, dehumanised and exhausted figures face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, with no holds barred. \n  \n\n  \n CREDITSOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”SYNOPSISYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni CARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETSTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione gennaio giugno 2023
ATTACH;FMTTYPE=image/webp:https://www.fndaterballetto.it/wp-content/uploads/2023/02/Schermata-2023-02-01-alle-14.31.57.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230426T210000
DTEND;TZID=Europe/Rome:20230426T220000
DTSTAMP:20260507T161254
CREATED:20230208T224029Z
LAST-MODIFIED:20230329T161802Z
UID:10002916-1682542800-1682546400@www.fndaterballetto.it
SUMMARY:BEAST WITHOUT BEAUTY
DESCRIPTION:Beast Without Beauty – Carlo Massari – ph. Davide Colagiacomo \n  \nIl giovane coreografo Carlo Massari si ispira al teatro dell’assurdo di Samuel Beckett e al suo Giorni felici per raccontare la trappola della condizione esistenziale. In scena un autentico tuffo nel non-sense\, un irriverente\, cinico studio sugli archetipi della miseria umana\, sull’inespressività\, sulla spregevole crudeltà nelle relazioni interpersonali. Volti pallidi\, figure esangui\, disumanizzate e stremate che si affrontano in un algido duello; in palio c’è l’affermazione di un ruolo\, un’identità\, una posizione sociale\, senza esclusione di colpi. \n  \n\n  \nCREDITS\nOriginal creation Carlo Massari \nProduction C&C Company \nWith Carlo Massari\, Emanuele Rosa\, Giuseppina Randi \nSound and lighting design Francesco Massari \nConsulting costumes Gabriella Strangolini \nHairstyling Bruna Toneatto \nIn co-production Festival “Danza in Rete” Fondazione Teatro Comunale Città di Vicenza \nWith the support of Festival Oriente Occidente/CID Centro Internazionale della Danza\, CSC/OperaEstate\, Piemonte dal vivo\, ARTEVEN\, Komm-tanz Compagnia Abbondanza/ Bertoni\, h(abita)t – Rete di Spazi per la Danza/Leggere Strutture Art Factory\, Municipality of San Lazzaro di Savena “Protagonismo e Creatività \nWith the support of Residenza I.DRA. and Teatri di Vita within the framework of the “Progetto CURA 2018” \nWith the support of the programme MOVIN’UP SPETTACOLO – PERFORMING ARTS single session 2018/2019 curated by MINISTRY FOR CULTURAL HERITAGE AND ACTIVITIES – General Directorate for the Performing Arts (MiBAC – DG S) and Association for the Circuit of Young Italian Artists (GAI) together with Association of Young Artists of Emilia-Romagna (GA/ER ) With the support of MiBACT and SIAE “Sillumina – Private copies for young people\, for culture”\nSYNOPSIS\nYet another cold\, cold\, merciless look at society. \nAn irreverent\, cynical study of the archetypes of human misery\, of inexpressiveness\, of despicable cruelty in interpersonal relationships. Losers in a superficial relationship face each other in an icy duel; at stake is the affirmation of a role\, an identity\, a social position\, survival. There are no rules\, everything is allowed: we lend ourselves to be prey\, designated victims of the other\, we are aware of it\, we are just waiting for it to happen\, and in turn we are ready to pounce\, offend\, cleave\, crush\, tear\, to mercilessly finish him off\, but without getting our hands dirty. \nA perverse aristocratic game of double-crossing\, of abuse; a hidden\, unspoken\, pastel-coloured violence that leads irretrievably to slaughter\, to extinction; there will be no winners\, only losers. Of all the fussing\, nothing happens…. And so we implode\, unable to get back up\, we abandon ourselves but being careful not to ruin our hairdo\, smudge our make-up\, crease our suits\, not to lose dignity lest we suffer acts of cannibalism\, be devoured by others\, by our emptiness\, by the deaf silence. An attempt to physically recount the evil of living\, the Beckettian paralysis: a man deluded\, desperate to the point of becoming insensitive\, now unable to take charge of his life and remove it from the misery in which he has become mired. A comedy of the absurd (in which we suffer the absurd in spite of ourselves) with the existentialist and post-existentialist flavour of Beckett’s theatre\, perfectly expressed in his ‘Happy Days‘. \nAn authentic plunge into non-sense\, a black irony counterpointing the emaciated pallor of the faces\, a fascination in the absurdity of the scenes\, in the estrangement from human participation in the actions\, in the facts; bloodless figures\, devoid of energy\, exhausted and dehumanised\, as at the end of a long war\, who know they have served no purpose except to do themselves and their own useless harm\, to become cynical and opportunistic in the face of death to the point of contradicting themselves and betraying their playmates. \nBeast Without Beauty – Carlo Massari – ph. Giulia Marangoni  \nCARLO MASSARI \nCarlo Massari is a performer\, choreographer and transdisciplinary creator active on the Italian and international contemporary scene. He has always been committed to the research of new performing languages\, and he delves into the hybridisation and mixing of different artistic disciplines\, defining in the “amphibious” form his clear and recognisable distinctive trait. \nHis eclectic training and professional career is characterised by experiences that alternate between prose and musical theatre\, and even dance and physical theatre. His Masters include: Malou Airaudo\, Michela Lucenti\, Sonia Schoonejans\, Theatre de l’Ange Fou\, ATER Balletto\, Lucio Dalla\, Csaba Antal\, Walter Le Moli\, Claudio Longhi\, Pietro Luigi Floridia.  \nOver the years he has collaborated as a performer for: Biennale di Venezia\, Barbara Nativi\, Marco Baliani\, Teatro dell’Argine\, TeatroDue\, Cie.Balletto Civile\, Cie.Abbondanza-Bertoni\, Cie.della Rancia\, Cie.Petri Dish. \nIn 2011 he co-founded C&C Company\, a research and production company in the field of dance-theatre (recognised by the MIC)\, for which he is Artistic Director and is responsible for the award-winning creations: Maria Addolorata (HiverOclytes – Avignon\, International Choreographic Competition – Hannover\, Tanzpreize – Berne)\, Tristissimo (Premio Roma Danza\, Les Lendemains qui Dansent – Arques)\, Beast without Beauty (ActFestival – Bilbao)\, Les Miserables (NID Platform)\, Right./span> \nIn 2020 he was awarded the CollaborActionXL prize by the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, scuole di danza\, Liceo Coreutico Matilde di Canossa\, over 65\, soci CRAL Comune di Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online su www.biglietteriafonderia39.it.\nThe ticket office service at the Fonderia is open from 8 pm. \nTickets are not numbered. \nCONTACTS \nCell and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/beast-without-beauty/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione gennaio giugno 2023
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DTSTART;TZID=Europe/Rome:20230427T190000
DTEND;TZID=Europe/Rome:20230427T203000
DTSTAMP:20260507T161254
CREATED:20230323T161346Z
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SUMMARY:YELED - SHOOT ME
DESCRIPTION:For the first time Aterballetto dances in Budapest. On stage YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \nThe performance is in the framework of the 10th International Theatre Olympics in partnership with Istituto Italiano di Cultura in Budapest. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-5/
LOCATION:National Dance Theatre\, Kis Rókus u. 16-20\, Budapest\, 1024\, Ungheria
CATEGORIES:Aterballetto,Shoot me,Yeled/Shoot me
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DTSTART;TZID=Europe/Rome:20230428T190000
DTEND;TZID=Europe/Rome:20230428T203000
DTSTAMP:20260507T161254
CREATED:20230323T161309Z
LAST-MODIFIED:20230323T161309Z
UID:10002947-1682708400-1682713800@www.fndaterballetto.it
SUMMARY:YELED - SHOOT ME
DESCRIPTION:For the first time Aterballetto dances in Budapest. On stage YELED and SHOOT ME\, by the two young choreographers Eyal Dadon and Diego Tortelli. \nYELED\, a Hebrew word meaning “child\,” brings to the stage Israeli choreographer Eyal Dadon’s reflection\, together with Aterballetto dancers\, on the moment in life when we come to lose the innocence of children.\nSHOOT ME\, by our resident choreographer Diego Tortelli\, on the other hand\, is a frontal work that aims to put the dancers on stage and the audience in the stalls in a direct exchange relationship: a game of seduction\, of glances\, of sweat\, an assault on the senses and an ode to the body\, to breathing the same air\, sweat\, tears\, fury\, pride. \nThe performance is in the framework of the 10th International Theatre Olympics in partnership with Istituto Italiano di Cultura in Budapest. \n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/yeled-shoot-me-4/
LOCATION:National Dance Theatre\, Kis Rókus u. 16-20\, Budapest\, 1024\, Ungheria
CATEGORIES:Aterballetto,Shoot me,Yeled/Shoot me
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