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DTSTART;TZID=Europe/Rome:20250101T170000
DTEND;TZID=Europe/Rome:20250101T183000
DTSTAMP:20260504T130433
CREATED:20240619T163450Z
LAST-MODIFIED:20240712T135233Z
UID:10003371-1735750800-1735756200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:«”I\, Ennio Morricone\, am dead”\, wrote the composer before saying goodbye. His music\, on the other hand\, cannot. And this is how creators and artists always leave us without leaving us\, and this is how memory takes care of keeping them alive\, keeping them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father\, or my grandfather\, I am a direct heir of his legacy\, of the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.» – Marcos Morau \nNotte Morricone\, the new creation of CCN/Aterballetto signed by the award-winning choreographer Marcos Morau\, is at the Théâtre d’Orléans to bid farewell to 2024 and welcome 2025. \nTuesday\, December 31\, 2024 at 8:30 PM\nWednesday\, January 1\, 2025 at 5:00 PM \n\nNotte Morricone is a devoted tribute by choreographer Marcos Morau to the beauty that Oscar winner Ennio Morricone gave to the world. \nNotte Morricone takes place in the twilight of an ordinary night in the life of a creator\, who alone and dazed in front of his sheets\, takes notes and visualizes melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room. \n\n  \nPURCHASE THE TICKET\n  \nCREDITS \nDirection and choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical direction and adaptation by MAURIZIO BILLI\nSound design ALEX RÖSER VATICHÉ\, BEN MEERWEIN\nSet and lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU\nChoreography assistants SHAY PARTUSH\, MARINA RODRÍGUEZ   \nProduction Fondazione Nazionale della Danza / Aterballetto   \nCommission\, co-production\, first outdoor performance Macerata Opera Festival\nCo-production\, first indoor performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini   \nOutdoor premiere August 1\, 2024\, Macerata Opera Festival   \nIndoor premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina   \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, what music inspires or accompanies me in my daily life\, and I always respond the same way: from classical music to the new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is unspoken and unseen in films. Although it is almost impossible to separate his music from the images it accompanies\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day. His music has a powerful melancholic quality that comes from both the contemplation of the past and the impossibility of capturing any past experience. \nClassically trained and avant-garde by vocation\, Morricone has always been beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries from different fields\, and his music belongs to an entire century\, having revived many of our great masters. His music was a genre unto itself\, and for this evening I want to build a universe based on his sensibility to confirm that his legacy is more alive than ever and that\, as he would say himself\, “my music has a life of its own\, which can live far from the films for which it was created.”» \nMarcos Morau \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York in photography\, choreography\, and theatrical theory and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe that is constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival in Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, and The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater interact more than ever\, seeking new ways to express and communicate in our ever-turbulent and constantly evolving present time. \nFrom this season\, he is an associate artist at Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we find ourselves immersed in what turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-orleans-aterballetto/2025-01-01/
LOCATION:Théâtre d’Orléans\, Boulevard Pierre Ségelle\, Orléans\, 45000\, Francia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20250119T180000
DTEND;TZID=Europe/Rome:20250119T190000
DTSTAMP:20260504T130433
CREATED:20241223T141011Z
LAST-MODIFIED:20250113T164843Z
UID:10003786-1737309600-1737313200@www.fndaterballetto.it
SUMMARY:K (A) O
DESCRIPTION:If in chat we use the laughing emoji\, are we laughing with it? And if we use the one shedding copious tears? What expression do we really have? Choreographer Kenji Shinohe explores\, through the body and digital technologies\, how emotions are expressed through keyboard symbols. A show that sets aside words to tackle the highly relevant theme of “superficial communication” created by new technologies. \nRecommended age: from 8 years old \n \nCREDITS \nby and with Kenji Shinohe \nlighting design Cristina Fresia \nProduction Fondazione Sipario Toscana \nRecommended age: from 8 years old | running time: 45′ \nDiscover more \nAt the heart of the performance are emojis\, the colorful faces tasked with expressing feelings in digital communication\, and the doubt that their overuse impoverishes and conceals real emotional expressions. \nIf in a chat we use the laughing face emoji\, do we laugh with it? And if we use the one that sheds copious tears\, what face do we really make? But the real question at the core of the work is: how can we recover our true feelings? \n\nChoreographer Kenji Shinohe explores\, through the body and digital technologies\, the way emotions are expressed through the symbols of the keyboard. A performance that sets aside words to address the very contemporary issue of “superficial communication\,” created by new technologies and especially—though not exclusively—used by younger generations. \nKenji Shinohe\nKenji Shinohe is a Japanese choreographer and dancer born in 1990\, currently residing in Wuppertal\, Germany. He started ballroom dancing in early childhood with his grandmother and represented Japan at the Junior World Ballroom Dance Championships when he was a teenager. \nHe studied dance philosophy and art history at the University of Japan\, where he later earned a master’s degree. In 2015\, he received an international exchange student scholarship at the Folkwang Universität der Künste in Essen\, Germany. After graduating in the summer of 2019\, he began his career as a freelance dancer and choreographer. \nAs a dancer\, he has worked with the NEUR TANZ company (Düsseldorf)\, Tanztheater Erfurt (Erfurt)\, Carla Jordão (Cologne)\, Kompanie merighi | mercy (Wuppertal)\, Saeed Hani (Luxembourg)\, Dinamo Danza (Pamplona\, Spain)\, and other international choreographers. \nAs a choreographer\, he was awarded the first prize and the audience award “contact.energy 16” at the 5th Internationales Tanz Theater Festival 2016 in Erfurt\, the Best Newcomer Solo award at the 10th Internationales Tanzfestival SoloDuo NRW in Cologne 2018\, the Best Solo award and the audience award at the SzólóDuó International Dance Festival 2019 in Budapest\, Hungary. In addition\, he won 5 awards at TEATRI RIFLESSI in Catania\, Italy in 2023. He has received international recognition for various choreographic works\, both for his solos and group dances. \nIn his artistic work\, he is interested in uniting body movements in relation to the structures of music\, extending the expression of dance through metanarrative techniques. His choreographic pieces are hosted and performed in many theaters across more than 15 countries and 55 cities. \nInfo\, Tickets\, Workshop \nSUNDAY\, JANUARY 19\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents that seeks to explore new worlds. Being together through the body\, movement\, and physical contact\, creating and building a new harmonic connection. For children accompanied by one parent. \n(includes a ticket for the performance K(A)O at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox office at Fonderia: The box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/k-a-o/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250123T203000
DTEND;TZID=Europe/Rome:20250123T213000
DTSTAMP:20260504T130433
CREATED:20250113T173339Z
LAST-MODIFIED:20250218T111437Z
UID:10003807-1737664200-1737667800@www.fndaterballetto.it
SUMMARY:ALCE
DESCRIPTION:A work by Fabrizio Favale / Le Supplici\, a rare and powerful dance\, at times rhythmic and tribal\, at times ethereal and elusive\, performed by a cast of exceptional dancers. Ten dancers shape an unnatural\, artificial\, otherworldly landscape and inhabit it as its creatures. \nWatch the trailer \nCREDITS \nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Daniel Cantero\, Vincenzo Cappuccio\, Giuseppe Catalfamo\, Matteo Di Ciommo\, Martina Di Giacomo\, Alessandro Girardi\, Alicia Ianeselli\, Valentina Verini\, Po-Nien Wang\nMusic Christian Fennesz\, James Holden\, Dark Morph\, Nathan Fake\, Team Ghost\, Jónsi & Alex\, M83\, Sigur Rós\nSet\, lighting\, costumes First Rose   \nCo-produced by Festival MILANoLTRE / KLM – Kinkaleri / Le Supplici / mk\nWith the support of MIBAC\, Regione Emilia-Romagna\nWith the contribution of ATER / h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore; Regione Lombardia and Fondazione Cariplo for the Next project\nSpecial thanks to Teatro Consorziale di Budrio\, Teatro Duse Bologna\, and DAS Bologna for the kind use of their spaces \nRead more \nWith this work\, the group delves into a theme that has long been explored and has inspired the creation of several works: the presence of animals and our relationship with them. \nThe presence of animals has always sparked human imagination and seems mysteriously connected to dreams. But it also seems to suggest new senses of space and time\, new languages\, impossible intelligences of shapes and movement. \nFrom these premises\, this work moves in search of abstractions of movement that seem to belong to worlds different from the human one. The enigmatic aerial spinning of an ultra-light aluminum backdrop\, operated by the performers at the beginning of the performance\, introduces vast horizons of unknown landscapes. Here\, a series of dances appears and disappears from a distant\, misty place\, illuminated by a light in the background. \n \nThe dancers often work closely together in a woven pattern\, creating atmospheres that are sometimes rhythmic and tribal\, sometimes rarefied and ethereal. \nIn Alce\, zoomorphic figures (some inspired by ancient popular traditions\, others invented) punctuate the choreography\, like an enigmatic dialogue from afar. \nFabrizio Favale \nFabrizio Favale\, Full Scholarship at the American Dance Festival in 1990. In 1996\, he was named “Best Italian Dancer” by the Premio G. Tani. From 1991 to 2001\, he danced for the Virgilio Sieni company. In 2011\, he received the “Presidential Medal for Italian Choreographic Talent.” His works have been invited to prestigious venues such as: Théâtre National de la Danse Chaillot in Paris\, Biennale de la Danse de Lyon\, Varna Festival\, and many others. He is the creator of programming projects including: the Balinese Dance Platform\, Circo Massimo\, and Plantings on Pluto. In 2019\, the project Le Stagioni Invisibili won the PerChiCrea award from SIAE and MIBAC\, and in 2021 it was shortlisted as one of the eight best outdoor projects in Europe by the Big Pulse Dance Alliance. From 2022 to 2024\, Fabrizio Favale is Associate Artist of MILANoLTRE. \nInfo & Tickets \nTICKETS   \nFull price: 10 euros   \nReduced price (Under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, Over 65\, CRAL Comune di Reggio Emilia members): 6 euros   \nReduced price (Under 8): 3 euros   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/alce/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250127T180000
DTEND;TZID=Europe/Rome:20250127T190000
DTSTAMP:20260504T130433
CREATED:20250114T134256Z
LAST-MODIFIED:20250114T135228Z
UID:10003789-1738000800-1738004400@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, January 27\, at 6:00 PM\, the audience of the Fonderia will have the opportunity to witness the preparation of Glory Hall\, a creation by choreographer Diego Tortelli\, which will premiere on February 6 and 7 at the Teatro Comunale Nouveau in Bologna. \nThe event will be hosted by Valeria Crippa\, journalist and dance critic for Corriere della Sera. \nOpen rehearsals are unique moments where you can watch the making of a performance\, engage in dialogue with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to step into the daily routine of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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