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DTSTART;TZID=Europe/Rome:20251002T193000
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DTSTAMP:20260405T172309
CREATED:20250729T154636Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-02/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251003T193000
DTEND;TZID=Europe/Rome:20251003T210000
DTSTAMP:20260405T172309
CREATED:20250729T154636Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-03/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251004T193000
DTEND;TZID=Europe/Rome:20251004T210000
DTSTAMP:20260405T172309
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:  \nFrom October 2 to 4 in Winterthur\, the Centro Coreografico Nazionale/Aterballetto will perform Notte Morricone by Marcos Morau\, alongside the Musikkollegium Winterthur orchestra.\nFrom October 3 to 5\, 2025\, Aterballetto presents a tribute to the music of Ennio Morricone\, performed live at the Swiss theater by the Musikkollegium Winterthur Orchestra under the baton of Maestro Maurizio Billi. These performances mark the beginning of the company’s 2025-2026 tour. \n“I\, Ennio Morricone\, am dead\,” wrote the composer before his farewell. But his music cannot die. This is how creators and artists always leave us without truly leaving\, and how memory keeps them alive\, keeping them safe. Notte Morricone is my gift—a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind\, alone and dazed before his sheets\, taking notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.— Marcos Morau\, director and choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that washes over the audience in waves\, embracing them with emotional tides\, capturing them in the memory of timeless melodies that have outlived the images that inspired them. The choreography\, too\, is enchanting—crafted with obsessive attention to detail: legs and neck seem jointless\, bending and snapping rhythmically like metronomes.— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration: 90 minutes
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-13/2025-10-04/
LOCATION:Theater Winterthur\, Theaterstrasse 4-6\, Winterthur\, 8402\, Svizzera
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251008T203000
DTEND;TZID=Europe/Rome:20251008T213000
DTSTAMP:20260405T172309
CREATED:20250905T145323Z
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SUMMARY:VISIONI DEL CORPO: LE DONNE DELLA FOTOGRAFIA CONTEMPORANEA (WOMEN IN CONTEMPORARY PHOTOGRAPHY)
DESCRIPTION:Women’s photography is the focus of the new Visioni del corpo event — discovering contemporary art through signature dance.\nThanks to the curatorial collaboration of Nicolas Ballario (listed among the 100 most influential figures in the art world by Il Giornale dell’Arte)\, the “dancing encyclopedia” continues to take shape — a project that tells the story of the world through dance\, placing the body at the center of the human experience. \nFor the festival Anthologies. New Readings of the Body\, Nicolas Ballario has chosen to present the photographic works of Tina Modotti\, Diane Arbus\, Cindy Sherman\, Nan Goldin\, and Lisetta Carmi\, accompanied by original choreographies created for the occasion by Sofia Nappi\, one of the most acclaimed Italian choreographers on the contemporary scene. \n\nAPERITIF AT THE FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with Coldiretti Reggio Emilia. \n\n \n\nSofia Nappi \n\n\n\n\n\n\n\nSofia Nappi is a choreographer and the artistic director of KOMOCO\, a contemporary dance company based in Italy and active internationally\, which she co-founded together with her first muses\, Adriano Popolo Rubbio and Paolo Piancastelli. From the outset\, Sofia’s early creations with KOMOCO earned major recognition\, including the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021) and the First Prize\, Critics’ Award\, and Production Award at the 35th International Choreography Competition Hannover\, presented by the Tanja Liedtke Foundation and Marco Goecke (2021). \nToday\, KOMOCO’s works choreographed by Sofia are performed throughout Italy and internationally across Europe\, as well as in Mexico\, Canada\, and Serbia\, featured in renowned institutions and festivals. As an independent choreographer\, Sofia also creates original works for internationally acclaimed dance companies and theatres such as Nederlands Dans Theater 2\, Leipzig Ballet\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, Ballet BC\, Göteborg Opera\, National Theatre Mannheim\, Staatsoper Hannover\, and Scottish Dance Theatre. \nAlongside her creative work\, Sofia Nappi is deeply engaged in research and professional training on an international level\, in close collaboration with the dancers of KOMOCO. Since 2022\, she has organized the Komoco Intensive workshop twice a year in Florence\, welcoming professional dancers from around the world. A graduate of the Alvin Ailey American Dance Theater in New York\, Sofia’s artistic development has been profoundly shaped by her close connection with the Hofesh Shechter Dance Company and her study of Gaga\, the movement language developed by the renowned choreographer Ohad Naharin. \n\n\n\n\n\n\n\n  \nNicolas Ballario \nBorn in 1984\, Nicolas Ballario works at the intersection of contemporary art and media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. Over the years\, he has collaborated with major artistic institutions and numerous publications\, and in 2016 he became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in the fields of culture and the environment. \nHe is currently the author and host of contemporary art programs on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 he has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nNicolas is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. He curates exhibitions and catalogues\, and has been featured twice in Artribune’s “Best of” list of leading art professionals — in 2019 for radio and in 2020 for television projects. \n \nInfo & Tickets \nTICKETS\nSingle price: 3 euro \nTICKET PURCHASE\nITickets can be purchased online at www.biglietteriafonderia39.it.\nThe Fonderia box office is open from 7:30 p.m. onwards.\nSeats are unassigned. \nCONTACTS\nMobile e whatsapp 3341023554\nEmail biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-le-donne-della-fotografia-contemporanea-women-in-contemporary-photography/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251011T180000
DTEND;TZID=Europe/Rome:20251011T191500
DTSTAMP:20260405T172309
CREATED:20250926T103602Z
LAST-MODIFIED:20251016T093632Z
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SUMMARY:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire). Teatro San Carlo di Napoli
DESCRIPTION:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire)\, curated and presented by dance journalist and critic Francesca Pedroni\, featuring the étoiles of Teatro San Carlo\, Naples.\n \nGiselle: Romanticism\, Pointe Shoes\, and the Ballet Blanc \nCurated by Francesca Pedroni \nWith Étoiles Anna Chiara Amirante and Alessandro Staiano\, Ballet Company of Teatro San Carlo\, Naples \nAn iconic title of Romanticism\, Giselle premiered in Paris in 1841 with choreography by Jean Coralli and Jules Perrot and music by Charles Adam. It remains an essential work in the repertoire of every major classical ballet company. A love story unfolding between the radiant\, pastoral realism of the first act and the nocturnal forest realm of the Wilis — spirits of young women who died of heartbreak after being abandoned before their weddings. Diaphanous in their white tutus and pointe shoes\, they rise from midnight to dawn\, forcing any man who enters their haunted circle to dance to his death. \nThe Ballet Company of Teatro San Carlo\, directed by Clotilde Vayer\, will stage Giselle in Naples this November in Patricia Ruanne’s choreographic version. Around this title\, the Journey into Ballet Repertoire series curated by Francesca Pedroni for the National Choreographic Centre / Aterballetto resumes. This performance-conversation blends readings\, stories\, and video excerpts\, featuring the invaluable participation of Étoiles Anna Chiara Amirante and Alessandro Staiano of the Teatro San Carlo Ballet\, who will perform live some of the ballet’s most emblematic scenes in dialogue with the curator. \n \n  \nANNA CHIARA AMIRANTE \n\n\n\n\n\n\n\nBorn in Naples\, she trained at the Ballet School of the Teatro San Carlo.In 2006\, she joined the ballet company of the Teatro San Carlo in Naples under the direction of Elisabetta Terabust. That same year\, Alberto Testa awarded her the “Premio Positano” as an emerging young talent. In December 2006\, she joined the ballet company of Teatro alla Scala in Milan\, directed by Frédéric Olivieri. \nIn 2007\, she became a member of the Teatro dell’Opera di Roma company\, directed by Carla Fracci\, where she immediately performed soloist and principal roles — among them the Russian Princess\, the two Big Swans and the Pas de trois in Swan Lake\, the Jewels in The Sleeping Beauty\, and the Three Odalisques in Scheherazade. For A Midsummer Night’s Dream\, Paul Chalmer created the role of Venus especially for her\, and she was later chosen to dance the Sugar Plum Fairy in The Nutcracker. \nIn October 2011\, La Bayadère premiered at the Teatro dell’Opera\, with Anna Chiara cast in the leading role of Nikia. In October 2012\, she danced the principal role of the Street Dancer and one of Kitri’s friends in Messerer’s Don Quixote. \n\n\n\n\n\n\n\n \nAlso in 2014\, she performed various principal and soloist roles at her home theatre\, the Teatro San Carlo in Naples\, including Giselle by Lyudmila Semenyaka.In 2016\, she was chosen by Mikhail Lavrovsky to dance the role of one of the “Young Troubadours” in Romeo and Juliet.More recently\, she has performed as the Sugar Plum Fairy in Charles Jude’s The Nutcracker. \nShe has also danced other leading roles\, including: \n\n\n\n\n\n\n\n\nQueen of Hearts in Alice in Wonderland (chor. Gianluca Schiavoni)\nEchos Pas de Deux in Pink Floyd Ballet (chor. Roland Petit)\nGymnopédies Pas de Deux (chor. Roland Petit)\nMarina in Zorba the Greek (chor. Lorca Massine)\nCinderella (chor. Giuseppe Picone)\nMarguerite in The Lady of the Camellias (chor. Derek Deane)\nHippolyta in A Midsummer Night’s Dream (chor. Paul Chalmer)\nQueen of the Dryads in Don Quixote (chor. Aleksej Fadeechev)\nOdette/Odile in Swan Lake (chor. Patrice Bart)\nTheme and Variations (chor. George Balanchine)\nJuliet in Romeo & Juliet (chor. Kenneth MacMillan)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn December 2022\, following her performance as Odette/Odile\, she was named Étoile of the Teatro San Carlo by Artistic Director Clotilde Vayer. \nIn January 2023\, she took part as the leading performer in Francesco Ventriglia’s A Thousand Tales at the Dubai Opera\, also dancing the role of Raymonda in Raymonda and Serenade by George Balanchine. \nIn September 2023\, she was once again awarded the “Premio Positano”\, this time as Best Performer. \nShe has since appeared in productions such as Suite en Blanc by Serge Lifar\, In the Middle\, Somewhat Elevated by William Forsythe\, and Onegin by John Cranko. \nShe also performs in numerous national and international galas\, interpreting both classical and contemporary repertoire. \n\n\n\n\n\n\n\nALESSANDRO STAIANO \n\n\n\n\n\n\n\nHe graduated in 2011 from the Ballet School of the Teatro di San Carlo. In 2012\, he joined the Teatro dell’Opera di Roma for the production of Romeo and Juliet by Patrice Bart. With the Ballet Company of the Teatro di San Carlo\, he has performed as a soloist and principal dancer in productions such as The Nutcracker\, Romeo and Juliet\, Carmen\, Swan Lake\, Without Words\, The Bat (Czarda soloist)\, Cantata\, Don Quixote\, Carmina Burana\, Mozart Requiem\, and Le Corsaire (as Conrad). \nIn 2015\, he danced as principal in The Nutcracker and Giselle\, and took part in the 9th Festival Internacional de Ballet in Cali\, Colombia. In 2016\, he performed the role of Frantz in Roland Petit’s Coppélia\, and was selected by Mikhail Lavrovsky to interpret one of the leading roles in Romeo and Juliet. He also appeared in “Bolle and Friends”\, performing alongside the international star in the Pas de deux from Proust ou les Intermittences du Cœur (Roland Petit) in the role of Saint Loup. \nHe was invited as a guest principal dancer by the Opéra National de Bordeaux\, performing the role of Frantz in Charles Jude’s Coppélia. In 2017\, he danced the role of the Prince\, partnering Maria Eichwald\, in Cinderella\, and in the same year performed as the Knave in Alice in Wonderland (chor. Gianluca Schiavoni) alongside Alicia Amatrain. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nIn 2022\, under the direction of Clotilde Vayer\, he was named Étoile of the Teatro San Carlo\, following his performance as Romeo in Romeo and Juliet (chor. Kenneth MacMillan). \nAs an Étoile\, he has performed:La Rose Malade (chor. Roland Petit)\, leading roles in Pink Floyd Ballet (chor. Roland Petit)\, Zorba the Greek (chor. Leonide Massine)\, The Lady of the Camellias (chor. Derek Deane)\, Don Quixote (chor. Aleksej Fadeechev)\, Swan Lake (R. Nureyev / P. Bart / R. Nuñez)\, Theme and Variations (chor. George Balanchine)\, In the Middle\, Somewhat Elevated (chor. William Forsythe)\, Serenade (chor. George Balanchine)\, A Thousand Tales (chor. Francesco Ventriglia)\, Don Quixote (R. Nureyev)\, Suite en Blanc (chor. Serge Lifar)\, Le Jeune Homme et la Mort (chor. Roland Petit)\, and Onegin (chor. John Cranko). \nHe has participated in numerous national and international galas\, performing pas de deux such as Diana and Acteon\, Swan Lake\, Pas d’Esclave\, Le Corsaire\, Raymonda\, The Talisman\, Don Quixote\, Scheherazade\, and Thaïs. \nThroughout his career\, he has danced alongside internationally renowned étoiles including Maria Eichwald\, Alicia Amatriain\, Maia Makhateli\, Ludmila Konovalova\, Maria Yakovleva\, and many others. \n\n\n\n\n\n\n\nFRANCESCA PEDRONI \n\n\n\n\n\n\n\nDance critic for the daily newspaper Il Manifesto and for the magazine Danza&Danza. For Classica HD (formerly Sky Classica\, channel 124)\, she has worked as author and director of the series Danza in Scena — over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. \nFor cinema\, she wrote and directed the docufilm Roberto Bolle. L’arte della danza\, produced by Classica and Artedanza srl. She also curated the DVD collection I capolavori della danza\, published by Classica HD and Corriere della Sera. \nSince 2000\, she has been teaching Dance History at the Accademia Teatro alla Scala\, where she also leads ballet talks for the theatre’s Under 30/35 subscribers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nSingle price: 6 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens half an hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \nCONTACTS FOR RESERVATIONS \nMobile e whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-journey-into-ballet-repertoire-teatro-san-carlo-di-napoli/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251015T200000
DTEND;TZID=Europe/Rome:20251015T213000
DTSTAMP:20260405T172309
CREATED:20250901T124328Z
LAST-MODIFIED:20251013T143556Z
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:Aterballetto performs Notte Morricone by Marcos Morau at the International Dance Festival of Tirana\, directed by Angelin Preljocaj.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone takes place in the twilight of an ordinary night in the life of a creative mind\, who\, alone and dazed before his sheets of paper\, takes notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful piece that arrives in waves to the spectator\, envelops them with emotional currents\, and captures them through the memory of timeless melodies that have long outlived the images that first generated them. Equally enchanting is the finely crafted\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more »
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-tirana-aterballetto/
LOCATION:National Theater of Opera and Ballet\, Pallati i Kulturës\, Sheshi Skënderbej\, Tirana\, Albania
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251016T203000
DTEND;TZID=Europe/Rome:20251016T213000
DTSTAMP:20260405T172309
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SUMMARY:Stuporosa
DESCRIPTION:Francesco Marilungo’s Stuporosa is a whirling dance in which tarantism\, “possession\,” and funeral lament hypnotize the audience.\n \nThe Ubu Award for Best Dance Performance 2024 comes to Fonderia. Francesco Marilungo draws inspiration from popular funeral rituals\, tarantism\, and the dance of Saint Vitus to create Stuporosa\, an extraordinary collective work for five performers exploring the universality of grief and its healing. \n\n  \n  \nCredits \nDirection and Choreography: Francesco MarilungoWith: Vera Di Lecce\, Martina Di Prato\, Barbara Novati\, Roberta Racis\, Francesca Linnea Ugolini\, Music and Vocal Coaching: Vera Di LecceSet and Lighting Design: Gianni StaropoliCostumes: Lessico FamiliarePhotography and Video: Luca Del Pia \n  \nProduction: Körper | National Dance Production CentreCo-production: Fabbrica EuropaWith the support of IntercettAzioni – Centro di Residenza Artistica della LombardiaWith the support of Short Theatre Festival\, Fuori Programma Festival\, Teatro Akropolis & Dracma Teatro – Progetto CURA\, Did Studio\, Base Milano\, Qenhun \nDiscover more \nThus\, apparently without reason\, the five performers of Stuporosa weep\, giving life to a cry that takes on many shades: at times restrained\, at times stifled\, at times becoming music\, then flowing into hope\, then transforming into song\, echoing the sounds of an ancient Salentinian funeral lament.\n \nTheir bodies fragment in search of archaic\, distant forms that vanish and dissolve instantly. These forms are figures of pathos\, archetypal images of human suffering handed down over centuries and civilizations—images drawn from ancient funeral rites but universal in meaning\, for since the dawn of humanity\, suffering has always been endured in the same way. The five performers attempt to reclaim a sense of collectivity\, of rituality\, to create new forms of mutual support—whispering ancient magical formulas\, evoking traditional dances\, singing a Salentinian lullaby. \n \nIn Stuporosa\, as in ritual weeping\, one witnesses a stylization of pathos\, a de-hystericization of grief; and the performance itself seeks to be an invitation to reflect on mourning\, on the human need for a shared cultural institution\, a communal rite\, to overcome moments of individual crisis. \n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has collaborated with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own creative journey\, seeking a personal language between performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the NEXT 2017/2018 call in Lombardy. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stuporosa-marilungo-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTEND;TZID=Europe/Rome:20251018T185000
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SUMMARY:Ti vedo. La leggenda del Basilisco
DESCRIPTION:What if a fairy tale were told by an enormous dress of fabric?\n \nTi vedo. La leggenda del Basilisco \n \nby Teatro del Buratto is an immersive and poetic performance designed for children\, weaving together theatre\, myth\, and magic. Among witches\, spells\, and the dreaded King of Serpents\, children will be carried on an exciting journey where fear and courage meet. A little hero and a fearsome basilisk teach us that sometimes it is enough to look beyond appearances to discover that every creature holds the possibility of change. \n \nRecommended age: from 4 years \n \nCREDITS \nA project by: Emanuela Dall’AglioWith: Emanuela Dall’Aglio\, Riccardo PaltenghiDirection: Emanuela Dall’AglioSoundscapes and Lighting: Mirto BalianiConstructions: Emanuela Dall’Aglio\, Michele Columna\, Riccardo Paltenghi\, Caterina BertaAssistant Director: Beatrice Masala \n \nA co-production by: Teatro del Buratto\, CSS Teatro Stabile di Innovazione del Friuli Venezia Giulia \n \nRecommended age: from 4 yearsDuration: 50 minutes \nDiscover more \n\n“I see you\, all the creatures that men call monsters.\nMonstrous creatures? Monstrous?… Who are they\, really? They are those who cannot be saved\, who are of a form unsuited to this world. But what if\, for once\, they were the heroes—clumsy\, reckless\, involuntary saviors of themselves?”\nN. Haynes \n\n \nA dress-story that tells a myth.A great skirt that contains within itself all the elements of this tale. A mountain of red fabric in which a narrator recounts the story of a witch and her basilisk. \n \nHumankind has always needed to create and to fight monsters that embody evil and the flaws of the world\, and this performance begins with the act of creation—the magical rite that gives birth to a basilisk. \n \nBut now we must face the King of Serpents\, a creature unsuited to life among men\, with supernatural powers\, sowing terror\, and with a single gaze turning living beings into stone. Through the centuries\, countless legends have cast him as a terrible and deadly figure. Drawing on some of these\, our story begins with the arrival of the Basilisk in a peaceful village. His power breeds fear and dismay; the villagers\, not knowing how to banish him and powerless against his magic\, lock themselves in their homes in fear. \n \nBut is this creature truly a monster\, or is it simply unable to change its nature?Perhaps\, unaware of how to handle its power\, it is imprisoned by it.Only through the encounter and clash with a small\, unsuspecting hero—through his reckless courage and his gentleness—will the Basilisk be offered a way out: in this case\, a magical antidote\, a trick to ensure that no one dies—neither the monster nor the village. \n \nThrough knowledge\, courage\, encounter\, and even a touch of magic\, we find a new solution to an old legend. \nTeatro del Buratto \nFounded in 1975 in Milan\, Teatro del Buratto is a theatre production center that combines actor’s theatre\, puppet and animation theatre\, and black theatre\, with a strong focus on visual\, musical\, and scenographic research. Its productions\, aimed at children\, adolescents\, and adults\, range from reimagined classics to new dramaturgies\, often addressing contemporary social issues. \n \nActive both nationally and internationally\, Buratto is recognized by the Italian Ministry of Culture as a Theatre Production Centre and manages the Teatro Bruno Munari and Teatro Verdi in Milan. Beyond production\, it promotes residencies\, training\, workshops\, and festivals such as IF Festival and Segnali\, standing as a key reference point for visual and innovative theatre. \nInfo\, Tickets\, Workshop \nSATURDAY\, OCTOBER 18 – 4:30 pmFAMILY CONTACT \n \nWorkshop led by choreographer Laura Matano \n \nFamily Contact is a moment of sharing between children and parents\, exploring new worlds together. Through the body\, movement\, and physical contact\, participants create and build a new sense of harmonious connection. For children accompanied by one parent. \n \n(Includes ticket for the 6:00 pm performance) \n \nTICKETSSingle ticket: €6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONSPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ti-vedo-la-leggenda-del-basilisco/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251022T203000
DTEND;TZID=Europe/Rome:20251022T220000
DTSTAMP:20260405T172309
CREATED:20250901T124318Z
LAST-MODIFIED:20251014T074233Z
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SUMMARY:Solo Echo / Reconciliatio / Glory Hall
DESCRIPTION:CCN/Aterballetto performs at Teatro Valli in Reggio Emilia for Festival Aperto.\n  \nThe dancers of CCN/Aterballetto take center stage in a production by multi-award-winning Canadian choreographer Crystal Pite\, now considered among the greats of contemporary dance. Solo Echo is inspired by two sonatas for cello and piano by Johannes Brahms and by Mark Strand’s poem Lines for Winter. As in Strand’s poem\, Solo Echo invokes winter\, music\, and the moving body to express something essential about acceptance and loss. \n  \nReconciliatio is a delicate female duet inspired by the reading of the Apocalypse\, created by one of today’s most important international choreographers\, Angelin Preljocaj. \n  \nThe final piece\, Glory Hall\, is a new creation by Diego Tortelli\, offering the company and the audience a fresco of sensuality and overwhelming vitality. \n\nCREDITS \nSolo Echo\n  \nChoreography: Crystal PiteMusic: Johannes Brahms (Sonata for Cello and Piano in E Minor\, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major\, Op. 99: II. Adagio affettuoso)Production and Restaging: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna \n \nReconciliatio\n  \nChoreography: Angelin PreljocajMusic: Ludwig van Beethoven\, Moonlight SonataProduction: Fondazione Nazionale della Danza / Aterballetto \n \nGlory Hall\nChoreography: Diego TortelliMusic: Godspeed You! Black EmperorProduction: Fondazione Nazionale della Danza / AterballettoCo-production: Teatro Comunale di Bologna
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-reggio-emilia-teatro-valli/
LOCATION:Teatro Municipale Valli\, Piazza Martiri del 7 luglio\, Reggio Emilia\, 42121\, Italia
CATEGORIES:Aterballetto,glory hall,Productions,reconciliatio,solo echo,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251029T203000
DTEND;TZID=Europe/Rome:20251029T213000
DTSTAMP:20260405T172309
CREATED:20250926T145956Z
LAST-MODIFIED:20251027T163437Z
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SUMMARY:Sogni (di una notte di mezza estate)
DESCRIPTION:The Natiscalzi DT Company debuts at Danza in Fonderia with its contemporary reinterpretation of Shakespeare’s A Midsummer Night’s Dream.\n \n\n\n\n\n\n\n\nAmid metamorphic bodies\, desire\, magic\, and fate\, dance becomes a language to explore Shakespeare’s timeless themes\, supported by Giuseppe Cordaro’s soundscape that weaves together electronic textures and fragments of Mendelssohn. A poetic and visionary journey that renews the dialogue with the classics\, revealing the ever-living power of their enchantment. \n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\nby Natiscalzi DTchoreography by Tommaso Monza and Claudia Rossi Valliwith Marco Bissoli\, Julia Canard\, Chiara Esposito\, Elena Grappi\, Federico Russo\, Maxime Schiavonoriginal music by Giuseppe Cordaro / Mendelssohntexts by Claudia Rossi Valli / William Shakespeare \nproduced by cinqueminuti APSwith the support of MIC – Italian Ministry of Culture and Regione Emilia-Romagna – Performing Arts Departmentspecial thanks to Vignale in Danza\, Festival Teatro nel Bicchiere\, and Teatro Sociale di Gualtieri \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nIn a forest that belongs to no time\, suspended in a limbo between dream and reality\, six dancers move in search of answers\, like pawns in a cosmic game seemingly governed by chance. \n\n\n\n\n\n\n\n \nThe performance is a contemporary reinterpretation of Shakespeare’s classic A Midsummer Night’s Dream\, where body and dance become the means to explore universal themes such as love and desire\, as well as magic and transformation — alongside the play of misunderstandings and the unpredictable hand of fate.\n \n\n\n\n\n\n\n\nThe six performers are fluid\, multifaceted\, and metamorphic figures who move between the roles of lovers\, woodland creatures\, and dreamlike alter egos\, challenging the conventions of identity and reality. The figure of Puck — guide of the dream world and symbol of chance — emerges through choral compositions that reclaim unpredictability as a space of possibility and transformation\, and the dream as both escape and refuge\, an ephemeral tool of assertion and rebellion. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThe visionary power of the dream is supported — as a well-established stylistic hallmark of the company — by the scenographic design and the soundscape specially created by composer Giuseppe Cordaro\, who combines electronic sonorities with fragments of Mendelssohn’s work. This interplay between classical and contemporary elements permeates the entire performance\, echoing the intricate web of Shakespearean relationships. \nOnce again\, Natiscalzi DT takes on the challenge of reinterpreting the classics\, as previously seen in The Nutcracker and Annotations for a Faust. This time\, the company breathes new life into Shakespeare’s timeless poetry\, guided by the deep conviction that the great works must be revisited with fresh eyes\, generation after generation — to connect authors\, performers\, and audiences in a journey of rediscovery of art itself\, reminding us that magic (in theatre and beyond) has not vanished: it is merely hidden\, waiting to be awakened. \n\n\n\n\n\n\n\n \n  \nCOMPAGNIA NATISCALZI DT \n\n\n\n\n\n\n\nNatiscalzi DT was founded through the collaboration between Tommaso Monza and Claudia Rossi Valli — dancers and choreographers united by a shared language that intertwines poetry\, irony\, and a keen gaze on life. Established in 2016\, the company represents a creative laboratory in constant evolution: blending dance\, theatre\, and performance art\, Natiscalzi DT explores universal themes through a poetic vision that is both profound and\, at times\, dreamlike. \nA prominent presence in the national dance-theatre and contemporary dance scene\, Natiscalzi DT has created works such as Mary’s Bath (Critics’ Award – Palio Poetico ErmoColle 2015\, Special Mention – Premio Sonia Bonacina 2016\, Finalist – Direction Under 30\, 7th edition 2020\, Honorable Mention – Teatro Festival Valtellina 2021); The Nutcracker (Winner – Lavanderia a Vapore Choreographic Residencies Call 2016 | Fondazione Piemonte dal Vivo\, selected by CID Cantieri OrienteOccidente 2017); DIVINO (Winner – Toscana Terra Accogliente 2022); Dreaming Costa Rica (supported in distribution by MIC / SIAE “Per Chi Crea” 2024); and COSA HAI IN TESTA? (Winner – Premio Scenario Infanzia 2024). \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\n\n\n\n\n\n\n \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \n  \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sogni-di-una-notte-di-mezza-estate/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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