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DTSTART;TZID=Europe/Rome:20251203T203000
DTEND;TZID=Europe/Rome:20251203T220000
DTSTAMP:20260406T065428
CREATED:20250901T124207Z
LAST-MODIFIED:20251014T104635Z
UID:10004059-1764793800-1764799200@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:At the Teatro Sociale in Como\, Aterballetto performs Notte Morricone by Marcos Morau.\n“I\, Ennio Morricone\, am dead\,” wrote the composer before taking his leave. His music\, however\, cannot die. This is how creators and artists always leave us without ever truly leaving\, and how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world.Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who\, alone and dazed before his papers\, jots down notes and envisions melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.Marcos Morau – Director and Choreographer \nIt is impossible to describe Notte Morricone\, a masterful work that washes over the spectator in waves\, embraces them with emotional currents\, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled\, ever-poetic choreography\, composed with meticulous attention to detail: legs and necks seem jointless\, bending and snapping rhythmically like metronomes.Maria Luisa Buzzi – Danza&Danza \nDuration: 90 minutesFind out more » \n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-teatro-sociale-como-aterballetto/
LOCATION:Teatro Sociale\, Via Bellini\, 3\, Como\, 22100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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DTSTART;TZID=Europe/Rome:20251204T110000
DTEND;TZID=Europe/Rome:20251204T120000
DTSTAMP:20260406T065428
CREATED:20251119T152441Z
LAST-MODIFIED:20251120T161335Z
UID:10004237-1764846000-1764849600@www.fndaterballetto.it
SUMMARY:HEI AI!
DESCRIPTION:On December 4\, the Sanpapié company performs with artificial intelligence for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nThrough words\, dance\, and metatheatrical interruptions\, an ironic and poetic narrative takes shape — suspended between present and future — inviting the audience to reflect on environment\, technology\, identity\, and relationships. A performance that blends spoken theatre\, dance\, physical action\, and philosophical inquiry to speak to young people in a direct\, profound\, and provocative way. \n“HEI AI!”\, written in collaboration with AI\, was born as a dance-theatre piece\, but is first and foremost a thinking device. \nA performance dedicated to middle and high school students. \n\n\n\n\n\n\n\n \nCREDITS \n\n\n\n\n\n\n\nA Sanpapié productionWith the support of MiC – TOCC Notice for the Ecological Transition of Cultural and Creative Organizations – Action B2In collaboration with Achab Group and Fabvision srl \nText: Saverio Bari and AIDirection and choreography: Lara GuidettiSoftware design: Fabvision srlCostumes: Maria Barbara De MarcoPop-up creation: Isadora BucciarelliSound design: Marcello GoriLight design: Marcello MarchiWith Francesca Lastella and Giacomo Stallone \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nDorian lands on Earth after a journey through space.He doesn’t remember exactly how long he has been away\, but it feels as if not much time has passed — perhaps a year. He recalls leaving on a mission to seek solutions to the environmental disaster unfolding on the planet\, which is making life on Earth increasingly difficult. But these memories are blurry… Are they really his? Was he truly on a mission? Who is he\, really? \nHe lands together with Ai\, the artificial intelligence that travelled with him\, and which helps him understand what is happening to him — and above all\, what has happened to the planet\, now inhospitable and\, it seems\, uninhabited. But suddenly he encounters Corpo\, apparently the only human being who survived the catastrophe — a being who has regressed to a primordial\, pre-historic state… \nCorpo does not speak. He communicates\, yes — but only through the language of the body\, through dance\, a language almost unintelligible to Dorian\, who is used to interacting only with Ai. Perhaps he has been away far longer than he thinks… or perhaps he has only just been “born\,” and has never before seen a real human being in flesh and blood. It is Ai\, through a dialogue of questions and answers\, who explains to Dorian what it means to be “human\,” what those expressions\, reactions\, and physical impulses of the creature before him signify — a creature he struggles to recognize as similar to himself. \nThrough direct experience — through being in the presence of Corpo — Dorian will finally discover the truth about his own nature:that he is\, in fact\, an artificial being. \n\n\n\n\n\n\n\nCompagnia Sanpapié \n\n\n\n\n\n\n\nFounded in 2008 and directed by Lara Guidetti\, Sanpapié is an artistic entity distinguished by the radical nature of its choreographic research and by a transdisciplinary approach that escapes any stylistic classification. The company investigates the body as a poetic and political device\, a meeting ground for the languages and imaginaries of the present. The organic intertwining of dramaturgy and movement generates works that transcend conventional formats\, engaging non-traditional spaces and diverse audiences. \nWith more than fifty productions and an international presence spanning Europe\, Asia\, and the Middle East\, Sanpapié has built a recognizable artistic vision in continuous transformation. \nIn 2025\, from the merger between Sanpapié and C&C Company\, SPaCCa is born — an acronym combining the two identities — a project of co-artistic direction led by Lara Guidetti and Carlo Massari. The result of an alliance between two mature and complementary artistic voices\, SPaCCa establishes itself on the international scene as an outpost for choreographic research and a center for interdisciplinary creation. \nA creative dialogue aimed at redefining — together — the territories of the contemporary. \n\n\n\n\n\n\n\nInfo & TICKETS \nTICKETS \n \nFull price: €3 \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hei-ai/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T180000
DTEND;TZID=Europe/Rome:20251206T190000
DTSTAMP:20260406T065428
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
UID:10004239-1765044000-1765047600@www.fndaterballetto.it
SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/05/Agora-Coaching-Project.3-foto-Nicola-Stasi.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T203000
DTEND;TZID=Europe/Rome:20251206T213000
DTSTAMP:20260406T065428
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
UID:10004240-1765053000-1765056600@www.fndaterballetto.it
SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T210000
DTEND;TZID=Europe/Rome:20251206T223000
DTSTAMP:20260406T065428
CREATED:20250901T124157Z
LAST-MODIFIED:20251120T150029Z
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SUMMARY:Aterballetto Gala
DESCRIPTION:Il CCN/Aterballetto dance at Teatro Sperimentale in Pesaro on 6 december 2025.\n\n\n\n\n\n\n\nThe company’s dancers present an evening featuring some of the most recent highlights from their repertoire\, including the brand-new female solo Terra Piccola\, choreographed by Antonella Bertoni. \n\n\n\n\n\n\n\n  \n\n  \n\n\n\n\n\n\n\nPreludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional triggers\, embodying obsessions\, dependencies\, and desires in a hymn to the body and its constant transformation. \n\n\n\n\n\n\n\nhttps://youtu.be/cN_5fZFrz4c \n  \n\n\n\n\n\n\n\nReconciliatio by Angelin Preljocaj is a delicate female duet set to Beethoven’s Moonlight Sonata. \n\n\n\n\n\n\n\nhttps://youtu.be/SBq99Tyc-xQ \n  \n\n\n\n\n\n\n\nAn Echo\, A Wave by Philippe Kratz draws inspiration from the hypnotic motion of the sea — a symbol of eternity and a place of encounters\, departures\, and returns. A poetic duet\, fluid like a wave that moves through time. \n\n\n\n\n\n\n\nhttps://youtu.be/pn4a6L_U-hs \n\n\n\n\n\n\n\nFinally\, Alpha Grace\, also by Philippe Kratz\, is a reflection on empathy — that ancient and sacred ability to recognize oneself in others. Solitudes and individualities gradually transform into a collective presence\, into a harmony built on listening and sharing.
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-glory-hall-pesaro-rossini/
LOCATION:Teatro Sperimentale\, Via Gioacchino Rossini\, Pesaro\, 61121\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Stagione 25/26,Storie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251209T180000
DTEND;TZID=Europe/Rome:20251209T190000
DTSTAMP:20260406T065428
CREATED:20251119T143733Z
LAST-MODIFIED:20251120T162302Z
UID:10004241-1765303200-1765306800@www.fndaterballetto.it
SUMMARY:Rhapsody in blue | Solo Echo - open rehearsal
DESCRIPTION:Aterballetto’s final open rehearsal of 2025\nOn Tuesday\, December 9 at 6:00 PM\, Aterballetto opens the doors of Sala Fusione to share with the Reggio Emilia audience the rehearsal process of Rhapsody in Blue by Iratxe Ansa & Igor Bacovich and Solo Echo by Crystal Pite. \nOpen rehearsals are unique moments in which audiences can witness how a performance is created\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that allows the public to step inside the daily practice of dancers and choreographers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n \nFull price: €3Free: under 6 \n \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251211T203000
DTEND;TZID=Europe/Rome:20251211T220000
DTSTAMP:20260406T065428
CREATED:20250908T150311Z
LAST-MODIFIED:20251014T112228Z
UID:10004163-1765485000-1765490400@www.fndaterballetto.it
SUMMARY:NOTTE MORRICONE
DESCRIPTION:At the Teatro Verdi in Pordenone\, Aterballetto performs Notte Morricone by Marcos Morau on the occasion of the International Mountain Day\, as part of the Montagna Teatro Festival 2025.\n  \nI\, Ennio Morricone\, am dead\,” wrote the composer before bidding farewell. His music\, however\, cannot die. Creators and artists never truly leave us; they remain\, held alive and safe by memory itself. Notte Morricone is my gift — a devoted tribute to the beauty he gave to the world. \nNotte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind — alone and dazed before his sheets of paper\, jotting down notes and envisioning melodies for films that do not yet exist\, bringing stories back to life in the rarefied air of his room.\n— Marcos Morau\, Director and Choreographer \nIt is impossible to describe Notte Morricone — a masterful work that reaches the spectator in waves\, enveloping them in emotion\, capturing them in the memory of timeless melodies that have long outlived the images that inspired them. The choreography is equally enchanting — refined and deeply poetic\, crafted with meticulous attention to detail: legs and necks seem jointless\, bending and springing rhythmically like metronomes.\n— Maria Luisa Buzzi\, Danza&Danza \nDiscover more » \nDuration 90′\n 
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-16/
LOCATION:Teatro Verdi\, Viale Martelli\, 2\, Pordenone\, 33170\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions,Stagione 25/26
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251213T180000
DTEND;TZID=Europe/Rome:20251213T190000
DTSTAMP:20260406T065428
CREATED:20251119T155321Z
LAST-MODIFIED:20251205T123153Z
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SUMMARY:AiAiAi Pinocchio!
DESCRIPTION:A new Pinocchio for Danza in Fonderia | Anthologies. New Readings of the Body.\n \nInspired by Collodi’s famous tale\, AiAiAi Pinocchio! shifts the action into the contemporary world\, speaking the language of Generation Alpha\, a world shaped by the presence of artificial intelligence.Geppa is a tech-enthusiast passionate about digital creation\, attempting to generate a Pinocchio no longer made of wood\, but of pixels\, data\, and algorithms. Accompanying the two characters in this adventure are a talking Cricket\, a robot\, and FATA TURKINA\, the virtual assistant. \n \nA performance for children aged 5 and up \nCREDITS \nPROJECT WINNER OF THE BUGS CALL — MULTIDISCIPLINARY HABITATS FOR YOUTH THEATRE 2024 \n \nby Gruppo IbridoConcept\, creation\, and performance: Cinzia Pietribiasi and Davide TagliaviniImages\, video\, and sound: Gruppo Ibrido with Copilot\, Haiper AI\, EaseUs Voice Over AI GeneratorVideo assistant: Federica Neri \n \nProduction: Compagnia Artemis DanzaWith the support of the Italian Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Comune di ParmaWith the support of progetto BUGS\, Associazione Settimo Cielo / Periferie Artistiche\, Cooperativa Teatrale Prometeo – Passo Nord\, Giocateatro Torino / Fondazione Teatro Ragazzi e Giovani\, IntercettAzioni – Centro di Residenza Artistica della Lombardia / Circuito CLAPS\, KanterStrasse\, Officine Della Cultura\, Officine Papage\, Pilar Ternera\, Straligut Teatro\, Teatro fra le Generazioni / Giallo Mare Minimal Teatro\, Teatro Trieste 34Robot design and implementation: Fab-lab KATAPULT (Slovenia)\, Santa Chiara Lab – University of Siena \n \nDuration: 60 minutes\, no intermissionRecommended age: 5 and up \nGRUPPO IBRIDO \nGRUPPO IBRIDO was founded in 2021 by dancer Davide Tagliavini and director/digital artist Cinzia Pietribiasi. It is supported by Compagnia Artemis Danza\, which produces Pollicino Show\, their first work for young audiences\, finalist at IN-BOX Verde 2024/2025 and performed more than 45 times.In 2024\, Gruppo Ibrido won the BUGS – Multidisciplinary Habitats for Youth Theatre call with AiAiAi Pinocchio! and the CollaborAction Kids call promoted by Network Anticorpi XL with Walt e l’arte di volare. \n \nCinzia Pietribiasi (1979) teaches Multimedia Dramaturgy and Aesthetics of New Media at the Academy of Fine Arts in Palermo. She was a Junior Scientist for an art–science research project at the Academy of Fine Arts in Rome\, in collaboration with the National Institute for Nuclear Physics (INFN). After earning her Master’s degree in Cultural Heritage Conservation\, she graduated in New Art Technologies at the Brera Academy of Fine Arts in Milan.Her latest work\, Padre d’amore Padre di fango\, won the Stazioni d’emergenza 2023 call at Galleria Toledo in Naples\, the First Prize and the Critics’ Prize at the Rimini festival Le voci dell’Anima 2021\, and was selected for the Visionari call for Kilowatt Festival 2020 in Sansepolcro. As a member of Jan Voxel\, she won the Residenze Digitali 2021 call. She also performs with La Baracca – Teatro Testoni in Bologna. \n \nDavide Tagliavini (1990)\, dancer\, performer\, and choreographer\, has worked with Emma Dante\, Marina Abramović\, Luna Cenere\, Artemis Danza\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo\, and others. He choreographed L’elisir d’amore for the Teatro Regio di Parma and Tristano e Isotta for the Teatro Massimo di Palermo.He performs in Luna Cenere’s works Vanishing Place (selected for the Venice Biennale Danza) and Shoes On (selected for the NID Platform in Cagliari).He teaches in the OVER Limited program in collaboration with CCN/Aterballetto.In 2024\, he premiered his first authorial solo\, THAT’S ALL\, created for the Visavì Gorizia Dance Festival\, and selected by Danza Urbana XL 2025\, This Must Be The Space (FDE Festival Danza Estate and Festival MILANoLTRE)\, WAM! Festival\, and the Vetrina della giovane danza d’autore eXtra 2025 – Network Anticorpi XL. \nINFO & TICKETS \nTICKETSFor everyone: €6 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe Fonderia box office is open from 5:00 PM. \n \nTickets are unreserved. \n \n \nCONTACTS \n \n📞 Cell & WhatsApp: 334 1023554
URL:https://www.fndaterballetto.it/en/evento/aiaiai-pinocchio/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251214T170000
DTEND;TZID=Europe/Rome:20251214T174500
DTSTAMP:20260406T065428
CREATED:20251016T175649Z
LAST-MODIFIED:20251017T084209Z
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SUMMARY:Stravaganze in sol minore
DESCRIPTION:Stravaganze in sol minore by Francesca Lattuada\, arrives at the Teatro Marenco in Novi Ligure.\n\n \n\n\n\n\n\n\n\nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-20/
LOCATION:Teatro Romualdo Marenco\, Via Nicolò Girardengo\, 48\, Novi Ligure\, AL\, Italy
CATEGORIES:Productions,Stravaganze in sol minore
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251214T204500
DTEND;TZID=Europe/Rome:20251214T220000
DTSTAMP:20260406T065428
CREATED:20250901T124150Z
LAST-MODIFIED:20251212T133034Z
UID:10004061-1765745100-1765749600@www.fndaterballetto.it
SUMMARY:Solo Echo / Reconciliatio / An echo\, a wave / Rhapsody in blue
DESCRIPTION:Aterballetto opens the 2025–2026 dance season at the Teatro Comunale Città di Vicenza on Sunday\, December 14.\nCCN/Aterballetto performs a true concert in dance. Solo Echo by Crystal Pite\, set to Brahms’ sonatas for piano and cello\, invokes winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj set to Beethoven’s Moonlight Sonata. In An echo\, a wave by Philippe Kratz\, the flowing movements of the two dancers recall the motion of the sea\, while Rhapsody in blue by Iratxe Ansa and Igor Bacovich is a playful\, lively choreography echoing Gershwin’s famous score. \n  \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/solo-echo-reconciliatio-an-echo-a-wave-rhapsody-in-blue-vicenza/
LOCATION:Teatro Comunale\, Viale Mazzini 39\, Vicenza\, 36100\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,solo echo,Stagione 25/26
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251218T210000
DTEND;TZID=Europe/Rome:20251218T223000
DTSTAMP:20260406T065428
CREATED:20251119T122115Z
LAST-MODIFIED:20251119T122115Z
UID:10004243-1766091600-1766097000@www.fndaterballetto.it
SUMMARY:Dreamers
DESCRIPTION:Aterballetto closes the 2025 season at the Teatro Magnani in Fidenza on Thursday\, 18 December.\nThe CCN/Aterballetto performs Dreamers\, a true dance concert.Preludio by Diego Tortelli is a creation for five dancers set to the unmistakable voice of Nick Cave.Reconciliatio\, by Angelin Preljocaj\, is a delicate female duet performed to Beethoven’s Moonlight Sonata.In An echo\, a wave by Philippe Kratz\, the dancers’ flowing movement recalls the motion of the sea.Finally\, Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively\, playful choreography — just like Gershwin’s iconic composition — performed by all 16 Aterballetto dancers. \n\n\n\n\n\n\n\nhttps://youtu.be/SBq99Tyc-xQ \n\n\n 
URL:https://www.fndaterballetto.it/en/evento/dreamers-5/
LOCATION:Teatro Magnani\, Piazza Giuseppe Verdi\, 1\, Fidenza\, PR\, 43036\, Italia
CATEGORIES:Aterballetto,Productions,reconciliatio,Rhapsody in Blue,Stagione 25/26,Storie
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END:VCALENDAR