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DTSTART;TZID=Europe/Rome:20240801T210000
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SUMMARY:NOTTE MORRICONE
DESCRIPTION:“‘I\, Ennio Morricone\, am dead\,’ wrote the composer before bidding farewell. His music\, on the other hand\, cannot. And thus\, creators and artists always leave us without leaving us\, and thus memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devout tribute to the beauty he gave to the world. Ennio Morricone could be my father\, or my grandfather\, I am a direct heir to his legacy\, to the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.” – Marcos Morau \nNotte Morricone\, the new creation of CCN / Aterballetto by the award-winning choreographer Marcos Morau\, debuts on August 1\, 2024\, at the Arena Sferisterio of the Macerata Opera Festival. The show features the entire ensemble of the Aterballetto Company and\, thanks to a group of national co-producers\, celebrates the indelible artistic legacy of Oscar-winning Ennio Morricone. \nAfter collaborating with some of the most renowned international choreographers\, such as Jiří Kylián\, Ohad Naharin\, and Johan Inger\, the CCN now turns to Marcos Morau\, one of the most sought-after choreographers in the contemporary scene. The Spanish author\, with his visionary power and the ability to transfigure musical universes\, proposes a unique evening that intertwines dance\, visual arts\, and cinematic suggestions. According to Gigi Cristoforetti\, “thanks also to the collaboration of important production partners\, some of whom have been faithful over the years\, others brand new and arrived for the occasion\, the CCN/Aterballetto faces its most ambitious challenge.” \nWith an innate tendency to reconcile very different vocabularies and inspirations\, Marcos Morau is an artist capable of deeply interrogating contemporaneity\, of which he is an intense choreographic voice\, but not only. In him\, the theme of the hybridization of languages is “native\,” as we could say borrowing the expression used for millennials and their digital practice. \nThe show is the result of interdisciplinary collaborations between dance\, music\, and theater entities. Two main co-producers: Macerata Opera Festival (first outdoor: August 1\, 2024) and Teatro di Roma (first indoor: October 24 at Teatro Argentina\, where the performances will continue until November 10). Also co-producing are the Fondazione I Teatri di Reggio Emilia\, the Centro Servizi Culturali Santa Chiara of Trento\, the Centro Teatrale Bresciano\, and Ravenna Festival which has made available the Orchestra Giovanile Luigi Cherubini\, to which the score is entrusted\, adapted and transcribed by Maestro Maurizio Billi. \nPURCHASE THE TICKET\n  \nCREDITS \nDirection and choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical direction and adaptation by MAURIZIO BILLI\nSound design ALEX RÖSER VATICHÉ\, BEN MEERWEIN\nSet and lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU\nChoreography assistants SHAY PARTUSH\, MARINA RODRÍGUEZ   \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, co-production\, outdoor premiere Macerata Opera Festival\nCo-production\, indoor premiere Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nOutdoor premiere August 1\, 2024\, Macerata Opera Festival \nIndoor premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n“People often ask me what music I listen to\, what music inspires or accompanies me in my daily life\, and I always respond in the same way: from classical music to the new contemporary waves\, I draw inspiration from many different sources and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is unsaid and unseen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith a classical background and avant-garde vocation\, Morricone has always been beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries from various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening\, I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, ‘my music has a life of its own\, which can live far from the films for which it was created’.” \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe that is constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival in Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always halfway between performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Prize\, the highest recognition in Spain\, the future of Morau and La Veronal aims at the search for new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expression and communication in our present time\, always turbulent and constantly evolving. \nFrom this season onwards\, he is an associated artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we are drawn into what also proves to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-macerata-opera-festival-aterballetto/
LOCATION:Arena Sferisterio\, Piazza Nazario Sauro\, 2\, Macerata\, MC\, 62100\, Italia
CATEGORIES:Aterballetto,Notte Morricone,Productions
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DTSTART;TZID=Europe/Rome:20230727T210000
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SUMMARY:DON JUAN
DESCRIPTION:At the Arena Sferisterio in Macerata Aterballetto dances Don Juan\, the full evening signed by Johan Inger. \nFor the Macerata Opera Festival the company will dance with the live music played by FORM-Orchestra Filarmonica Marchigiana and directed by the baton of  Manuel Coves. \nThe choreography stems from Inger’s desire to confront Don Juan\, an ancient and still contemporary paradigmatic myth. The original play by Tirso de Molina\, Molière\, Bertold Brecht and the play by Suzanne Lilar are just some of the sources of inspiration: Inger and playwright Gregor Acuña-Pohl were able to consult twenty-five different texts inspired by the character. \nIn the creation we find all the characters in the story\, from Donna Elvira to Donna Anna to Zerlina and Masetto. Don Juan can be considered a Kammerspiel\, with its ability to emphasize nuances and emotions: and in the case of this creation\, dance becomes a magnifying glass for the individual characters\, and subtly but clearly reveals the inner worlds of the men and women on stage. \nDanza&Danza ‘Best Production’ Award 2020
URL:https://www.fndaterballetto.it/en/evento/don-juan-42/
LOCATION:Arena Sferisterio\, Piazza Nazario Sauro\, 2\, Macerata\, MC\, 62100\, Italia
CATEGORIES:Aterballetto,Don Juan,Productions
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