BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Centro Coreografico Nazionale / Aterballetto - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.fndaterballetto.it/en/ X-WR-CALDESC:Events for Centro Coreografico Nazionale / Aterballetto REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240313T203000 DTEND;TZID=Europe/Rome:20240313T213000 DTSTAMP:20260504T171021 CREATED:20240216T201530Z LAST-MODIFIED:20240418T140657Z UID:10003228-1710361800-1710365400@www.fndaterballetto.it SUMMARY:COL TEMPO - AMBRA SENATORE DESCRIPTION:Ambra Senatore loves to surprise and mischievously lead the audience along paths\, true or false\, with which she plays and makes fun of the spectator. As always in her choreographies\, characters take shape\, situations and stories develop. Unexpected discrepancies\, absurdity\, and distraction from reality are the main ingredients of her choreographies. Ambra Senatore wants to create amazement\, she sets out to provoke laughter. A keen observer of the human world\, she is always attentive\, being different is her second nature and she gives precise meaning to her dance. That’s why she often breaks the fourth wall\, becoming a confidant of the spectators\, playing with them and engaging them. Ten years after her first group choreography entitled Passo\, Ambra Senatore dedicates herself to a new creation with the complicity of the performers from that time. She now brings together this group of dancers\, now well-seasoned after ten years of working together\, to create a generous and open dance towards the other; a pas de quatre on being a group\, questioning existence and desiring happiness. \n \n   \n \n \n \n \n \n \n \n \n\n\n  \nCREDITS \nCoreography Ambra Senatore with the participation of the performers\nInterpretation Caterina Basso\, Claudia Catarzi\, Matteo Ceccarelli\, Ambra Senatore \nOriginal Music Jonathan SeilmanLighting Fausto BonviniDuration 1hProduction CNN de Nantes \nCo-production Théâtre de La Ville (Paris)\, Torinodanza Festival/Teatro Stabile – Teatro Nazionale Torino \nCHOREOGRAPHY \n“We started rehearsals at the end of January 2020\, and one of the basic reasons was reflection on the creative act in the historical\, political\, and social context: a reflection also inspired by interesting encounters with scientists and philosophers with different views on the world and the present\, realized through the project Conversation\, dialogue ouvert avec la danse. Being a small community part of a much larger community\, we wondered what our desires were and how to achieve them together. Some of them can be realized on stage. And the others? Not always finding the answers\, we meanwhile played with the questions. Shortly after the start of rehearsals\, time stopped for everyone. For a long time\, compressing. Rehearsal weeks were cut in half. The desires and questions no longer had anything to do with the unexpected experience of the last few months. At the time I write these lines\, the show does not yet exist. It will exist thanks to the encounter with the spectators. Creating a show is like traveling: you prepare\, you rehearse\, but there are always many surprises and unexpected events. We are at the beginning of the journey and I do not know exactly what form it will take. Certainly\, the desire to dance and feel good together is present from the beginning\, with the hope that it will be possible on a large scale.”Ambra Senatore \nAMBRA SENATORE \nAMBRA SENATORE \n\n\n\n\n\n\n\n\nAmbra Senatore\, choreographer and performer\, director of the Centre Chorégraphique National de Nantes. Ambra Senatore’s dance is close to human beings and loves to go out and meet people and places. The choreographer creates works that speak of collectivity and create bonds between people. Relationships are at the heart of all her research. In her work\, everyday life is “observed under a magnifying glass\,” shifted and turned upside down. A lover of surprises\, cuts\, and repetitions reminiscent of cinema\, Ambra Senatore recomposes reality like a film director. In Italy\, she trained with R. Castello and R. Giordano\, with whom she soon collaborated. As a performer\, she has worked with J. C. Gallotta\, G. Rossi\, G. Lavaudant\, and A. Tagliarini. In the early 2000s\, she created pieces in collaboration while completing a doctorate in contemporary dance. In 2004\, she began writing choreographies with solos\, which she performed until 2009\, and then with group pieces\, asserting her hybrid style that combines dance\, theater\, and profound humanity. As director of the CCN in Nantes since 2016\, Ambra Senatore promotes a generous and curious style of dance (site-specific creations in public parks\, markets\, schools\, museums\, heritage sites\, train stations\, etc.)\, which she considers a means of sharing and knowing oneself and others.\nINFO & TICKETS \nTICKETSFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/col-tempo-ambra-senatore/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season January - June 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/02/Col-Tempo-1-©AndreaMacchia2-2.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240306T180000 DTEND;TZID=Europe/Rome:20240306T190000 DTSTAMP:20260504T171021 CREATED:20240223T071358Z LAST-MODIFIED:20240418T140711Z UID:10003232-1709748000-1709751600@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL - Corpi violati #DjOperaNoir DESCRIPTION:Translation leaving HTML code:   \nIn CorpiViolati \, a community of bodies\, both feminine and masculine\, thrives\, thirteen in total\, bound by the memory of a wound. Whether still open or healed\, this wound reverberates on the stage in an incessant dance fueled by impulses\, instincts\, anger\, and pain\, where overwhelming group dances alternate with duets and solos\, and vulnerable bodies stand alongside violent and ruthless bodies of aggressors upon whom a veil of pity never descends\, at least until they themselves become victims. \nBorn from the search for testimonies of rape and abuse victims and from improvisational work in the studio with the dancers\, Monica Casadei constructs a performance oscillating between raw realism and poetry dictated by a possible redemption. At its core\, the victims\, too often blamed and cornered in the lengthy judicial processes faced to obtain justice\, inhabit a bare stage dominated by two defendant benches and a backdrop of gold and black damask. Antithetical colors – on one side\, the brilliance and light of gold; on the other\, the enigmatic darkness of black – create a precious tapestry of an imaginary domestic hearth where respect and love should reign. Musically\, the remixed electronic samples by Fiandrini ebb and flow within the story in melodrama and symphonic music. \n  \n\n  \nCREDITS \nChoreography\, direction\, set design\, lighting\, and costumes by Monica Casadei.\nLive Electronics by Fabio Fiandrini.\nProduction by Compagnia Artemis Danza/Monica Casadei.\nCo-produced with Festival di Danza Contemporanea Teatro Comunale di Ferrara.\nIn collaboration with Comune di Rimini and Teatro Galli.\nWith the support of Ministero della Cultura\, Regione Emilia Romagna\, and Comune di Parma. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and whatsapp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-corpi-violati-djoperanoir/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/02/corpi-violati-2.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240305T180000 DTEND;TZID=Europe/Rome:20240305T190000 DTSTAMP:20260504T171021 CREATED:20240223T070110Z LAST-MODIFIED:20240418T141007Z UID:10003233-1709661600-1709665200@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL - Puccini’s Opera. Voci di donne DESCRIPTION:  \nCompagnia Artemis Danza\, with this new creation by Monica Casadei\, dedicates its artistic project to the contemporary representation\, investigation\, and interpretation of four captivating heroines of the Lucchese composer: Tosca\, Madama Butterfly\, Mimì \, and Turandot. \nUnderstanding Puccini’s music involves analyzing its deep relationship with the female world. A clear message from the titles chosen for his most celebrated works: Tosca\, Butterfly\, Turandot\, La Bohème. A kaleidoscope of different personalities\, a universe full of facets\, sensitivities. In the four scenes that make up Puccini’s Opera\, recognizable even without any didactic necessity\, we find Casadei’s personal interpretation of the feminine theme\, placed at the center of a process of choreographic\, visual\, and musical reinterpretation. Tragic love\, thwarted and opposed love\, cruel love that annihilates\, the desire for possession that leads to destruction\, live in the faces\, bodies\, and gestures of the Company and continue to make us reflect on the relevance of stories that have moved audiences worldwide. The creation is permeated with a poignant atmosphere\, full of tension and poetic suggestion. \nAgainst Puccini’s orchestral score\, the electronic tracks of composers Luca Vianini and Fabio Fiandrini counterpose\, creating an enveloping and at times apocalyptic sound space. A choral dance\, swollen with impulses and passions\, instinctive and at times wild\, which makes a swirling use of space and appears\, also symbolically\, visually full: solos protected by frames of ensembles in a dynamic accelerated by propulsive forces make the drama and passions of the protagonists live in the body and guts. \n  \n\n  \nCREDITS \nChoreography\, direction\, set design\, lighting\, and costumes by Monica Casadei.\nMusic by Giacomo Puccini.\nMusical elaboration by Fabio Fiandrini. \nProduction by Compagnia Artemis Danza.\nCo-produced with Fondazione Teatro Comunale di Ferrara.\nWith the support of Ministero della Cultura\, Regione Emilia-Romagna – Assessorato alla Cultura\, Comune di Parma. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and whatsapp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-puccinis-opera-voci-di-donne/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/02/Butterfly6-ph-Carla-Falconetti-1.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240302T203000 DTEND;TZID=Europe/Rome:20240302T213000 DTSTAMP:20260504T171021 CREATED:20240216T192728Z LAST-MODIFIED:20240418T142157Z UID:10003235-1709411400-1709415000@www.fndaterballetto.it SUMMARY:THE RED SHOES - NBDT/PHILIPPE KRATZ DESCRIPTION:  \nOpen rehearsal at 6:00 PM – Show at 8:30 PM \nDancers from the Nuovo Balletto di Toscana present The Red Shoes\, choreographed by the award-winning German choreographer Philippe Kratz\, based on the fairy tale by Hans Christian Andersen. \nLike in the tale of the girl Karen and a pair of strange red shoes\, Andersen repeatedly challenges in his works the traditional juxtaposition between subject and object. Kratz’s creation\, with music specially composed by Pierfrancesco Perrone\, tackles this strangely unbreakable bond\, which is not only determined by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of commodities and consumption are also reflected by dividing the stage space into two. In contrast to the fairy tale\, which ends with the violent liberation of the protagonist from the red shoes and her redemption\, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships. \nI don’t perceive Karen as disobedient or vain; a perspective that is emphasized in the fairy tale. Nowadays\, we are so accustomed to consuming and often see products as a means to an end\, to be noticed by others\, to relate to others\, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. She fails miserably in this. Yet\, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.\nPhilippe Kratz \n  \n. \n  \n  \nCREDITS \nChoreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)\nDramaturgy: Sarah Ströbele (Leipzig/Magdeburg)\nMusic: Pierfrancesco Perrone\nLights: Giulia Maria Carlotta Pastore (Light Designer)\nCostumes: Grace Lyell (Paris)\nFirst Performance: October 19\, 2023\, Teatro Sociale Di Trento\nDuration: 60 Minutes\nPerformers: Nuovo Balletto Di Toscana\, 10 Danzatrici E Danzatori (Florence) \nTHE AUTHORS \nNUOVO BALLETTO DI TOSCANA \n\n\n\n\n\n\n\nThe Nuovo Balletto Di Toscana is a strictly professional production structure\, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company\, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini\, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.\n\nFor several years\, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino\, with the representation of full-length ballets\, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola\, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro\, Fernando Cortez choreographed by Alessio Maria Romano\, and Die Fledermaus choreographed by Karl Schreiner.\n\nAt the same time\, the company has been engaged in a new creation by Arianna Benedetti\, staging the show titled Pulcinella\, Uno di Noi\, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma\, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola\, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021)\, Mario Bermùdez Gil’s Quatuor pour la fin du temps\, and Philippe Kratz’s Midnight Youth.\n\n\n\n\nPHILIPPE KRATZ \nWinner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza)\, Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan\, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián\, Nacho Duato\, David Dawson\, invited by the director of the La Scala ballet corps Manuel Legris. \n\n\n\n\n\n\nINFO & TICKETS\n“`html \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/the-red-shoes-nbdt-philippe-kratz/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season January - June 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/02/BOT_3625-scaled.jpg.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240302T180000 DTEND;TZID=Europe/Rome:20240302T190000 DTSTAMP:20260504T171021 CREATED:20240220T225105Z LAST-MODIFIED:20240418T142759Z UID:10003236-1709402400-1709406000@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL - THE RED SHOES DESCRIPTION:Open rehearsal at 6:00 PM – Performance at 8:30 PM \nDancers from the Nuovo Balletto di Toscana present The Red Shoes\, choreographed by the award-winning German choreographer Philippe Kratz\, dedicated to the homonymous fairy tale by Hans Christian Andersen. \nAs in the tale of the girl Karen and a pair of strange red shoes\, Andersen repeatedly challenges in his works the traditional dichotomy between subject and object. Kratz’s creation\, with music specially composed by Pierfrancesco Perrone\, addresses this strangely indissoluble bond\, which is not determined solely by functional utility or vain desire for possession but can also entail a loss of autonomy. The projections related to the desires that dominate our world of goods and consumption are also reflected by dividing the scenic space in two. In contrast to the fairy tale\, which ends with the violent liberation of the protagonist from the red shoes and her redemption\, Kratz’s choreography ultimately focuses on questioning the role of objects in interpersonal relationships. \nI don’t perceive Karen as disobedient or vain\, a perspective that is emphasized in the fairy tale. Nowadays\, we are so accustomed to consuming and often see products as a means to an end\, to get noticed by others\, to relate to others\, and to emphasize our individuality. Karen also tries to connect with others and find security through the red shoes. In this\, she fails miserably. Yet\, what she seeks corresponds to a desire that many of us probably know: to belong to a collective and yet remain an individual.\nPhilippe Kratz \n  \n. \n  \n  \nCREDITS \nChoreography and set design: Philippe Kratz (Reggio Emilia/Leverkusen)\nDramaturgy: Sarah Ströbele (Leipzig/Magdeburg)\nMusic: Pierfrancesco Perrone\nLights: Giulia Maria Carlotta Pastore (Light Designer)\nCostumes: Grace Lyell (Paris)\nFirst Performance: October 19\, 2023\, Teatro Sociale Di Trento\nDuration: 60 Minutes\nPerformers: Nuovo Balletto Di Toscana\, 10 dancers (Florence) \nAUTHORS \nNUOVO BALLETTO DI TOSCANA \n\n\n\n\n\n\n\nThe Nuovo Balletto Di Toscana is a strictly professional production structure\, founded in 2018 with a team of 10 dancers. The artistic program of the Florentine company\, thanks also to a team of renowned collaborators and authors alongside Cristina Bozzolini\, reflects a constant and coherent cultural line with the affirmation of the primacy of contemporary choreography and a plurality of expressive languages.\n\nFor several years\, it has had a consolidated relationship with the Teatro del Maggio Musicale Fiorentino\, with the representation of full-length ballets\, such as Diego Tortelli’s La Bella Addormentata and Jiří Bubeníček’s Cenerentola\, as well as participating in some operas such as: Le Villi choreographed by Susanna Sastro\, Fernando Cortez choreographed by Alessio Maria Romano\, and Die Fledermaus choreographed by Karl Schreiner.\n\nAt the same time\, the company has been engaged in a new creation by Arianna Benedetti\, staging the show titled Pulcinella\, Uno di Noi\, winner in 2019 of the SIAE Per chi crea grant. The collaborations of the NBDT also extend to other prestigious Italian theaters including La Fenice in Venice and the Teatro Regio in Parma\, and it is currently continuing its tours in Italy and abroad with Jiri Bubenicek’s Cenerentola\, Michele Di Stefano’s Bayadère – il regno delle ombre (awarded the Danza&Danza prize as best Italian production of 2021)\, Mario Bermùdez Gil’s Quatuor pour la fin du temps\, and Philippe Kratz’s Midnight Youth.\n\n\n\n\nPHILIPPE KRATZ \nWinner of the 32nd International Choreography Competition in Hannover and Choreographer of the Year 2019 (Danza&Danza)\, Kratz is known for his diverse compositional language that combines contemporary dance with technical elements from hip hop and European classical dance. He recently presented his choreography ‘Solitude Sometimes’ at the Teatro alla Scala in Milan\, sharing the evening with acclaimed authors in theaters worldwide such as Jiří Kylián\, Nacho Duato\, David Dawson\, invited by the director of the La Scala ballet corps Manuel Legris. \n\n\n\n\n\n\nINFO & TICKETS\n“`html \nTICKETS\nFull price: three euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \n“` URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-the-red-shoes/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/02/BOT_3625-scaled.jpg.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240229T180000 DTEND;TZID=Europe/Rome:20240229T190000 DTSTAMP:20260504T171021 CREATED:20240123T144607Z LAST-MODIFIED:20240418T143441Z UID:10003237-1709229600-1709233200@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL -LENA DESCRIPTION:Lena is a performance that arises from an investigation into the gesture of pushing\, understood as a multifaceted relational gesture. \nThe object to which this research refers is the swing: an object of ancestral simplicity of which we all know the sensation and condition. An object capable of providing us with a specific and exclusive dynamic of movement. Starting from these premises and from the investigation around the swing object\, of which the playful dimension is also mentioned\, the performance focuses on the search for that gray area between play and violence\, between playful and sadistic\, between joke and spite. The push\, in its repetition\, changes meaning\, unleashes different imaginaries\, acquires new values: it is a gesture that in the relational sphere often defines roles of power and strength. \nThis research aims to investigate the different meanings that this gesture carries with it\, encapsulating them\, showing them\, and transforming them through the repetition of a dynamic. In this physical dialogue\, a mechanism of pushed and pushing bodies is composed\, a human machine made of actions and reactions\, in which the intention behind the gesture is lost and confused. \n  \nCREDITS \nThe research has developed through the exchange in the studio\, at different moments of the process\, with the performers Teodora Grano\, Chiara Luccisano\, Michael Incarbone\, Erica Bravini\, Daria Greco\, Elena Bastogi\, Luca Della CorteAnd with the Light Designer Francesco Tasselli \nPerformers Giulia Cannas\, Claudio Larena\, Marta Magini\nArtistic Consulting Sofia Naglieri\nSound Designer Lorenzo Minozzi\nLight Designer Francesco Tasselli \nProject supported by Artisti Associati; Associazione Culturale Chiasma; Fondazione Nazionale della Danza / Aterballetto \nAUTHORS \nCLAUDIO LARENA \nA young author and performer who explores the languages of installation\, dance\, and performance. After the studio debut of his first work at the RomaEuropaFestival 2020\, he continues his creative path with the conception of three new projects: -LENA; Le Spinte; Stiamo Lavorando per voi (ci scusiamo per il disagio). He trains by participating in workshops with national and international artists\, with particular attention to the performative field. His authorial projects always take different formats: urban performance and scenic writing; word performance and choreographic research. A craftsman by training\, he often questions the entity of objects\, their meanings\, and the physical\, historical\, or conceptual relationship that arises from our connection with them. \n  \nINFO & TICKETS \nTICKETS\nFull price: three euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-lena/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season January - June 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/DSC03575.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240223T203000 DTEND;TZID=Europe/Rome:20240223T213000 DTSTAMP:20260504T171021 CREATED:20240115T115655Z LAST-MODIFIED:20240418T144253Z UID:10003239-1708720200-1708723800@www.fndaterballetto.it SUMMARY:YELED / RHAPSODY IN BLUE / SECUS DESCRIPTION:  \n\n  \n\n“`html\n  \nThursday 22 / Friday 23 February 2024 – 8:30 PM \nIn February\, the Aterballetto Company returns to dance at the Fonderia in Reggio Emilia with a double bill. \n\nOn stage\, a triptych composed of two repertoire choreographies: Yeled by Eyal Dadon opening the evening and Secus by Ohad Naharin concluding it. Interspersing them\, the new production created by Iratxe Ansa and Igor Bacovich set to the notes of George Gershwin\, debuting at the Teatro Regio in Parma on February 17: Rhapsody in Blue. \nThe evening involves the entire company of 16 dancers: in the first creation\, Israeli choreographer Eyal Dadon leads a reflection on the moment in life when children lose their innocence; with Rhapsody in Blue Iratxe Ansa and Igor Bacovich offer an innovative interpretation of Gershwin’s famous rhapsody\, just as it celebrates its 100th anniversary; Secus\, the eclectic masterpiece by Ohad Naharin\, concludes\, a bold and extravagant choreography of races\, solos\, crisp gestures\, and interrupted duets. \n\nIt is recommended to purchase tickets online. Booking by phone\, email\, and WhatsApp will be available from Tuesday\, February 13\, 2024. \n \n“` \nCREDITS \n“`html\nYELED \nCreation for 16 dancers of the company \nChoreography Eyal Dadon\nMusic Eyal Dadon\nSet and lights Fabiana Piccioli\nCostumes Bregje Van Balen \nProduction National Dance Foundation / Aterballetto\nCo-production Foundation I Teatri di Reggio Emilia\nWith the support of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30′ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography Iratxe Ansa and Igor Bacovich\nMusic George Gershwin\, Rhapsody in Blue\nSet and costumes Fabio Cherstich\nLights Eric Soyer \nProduction National Dance Foundation / Aterballetto\nCo-produced with Foundation Teatro Regio di Parma\nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′ \n— \nSECUS \nRestaging for 16 dancers of the company \nChoreography Ohad Naharin\nMusic Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys\nSound design & editing Ohad Fishof\nCostumes Rakefet Levy\nLights Avi Yona Bueno (Bambi)\nChoreography assistants Rachael Osborne\, Ian Robinson\nCreation for Batsheva Dance Company (within Three\, 2005) \nProduction National Dance Foundation / AterballettoCo-produced with Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F)\nPremiere September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, RoveretoDuration 30′ \n“`\n\nInfo & Tickets \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-2/2024-02-23/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Rhapsody in Blue,Season,Season January - June 2024,Secus,Storie ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/Fondazione-Nazionale-della-Danza-Aterballetto-Secus-by-Ohad-Naharin_ph.-Alice-Vacondio-216-16.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240222T203000 DTEND;TZID=Europe/Rome:20240222T213000 DTSTAMP:20260504T171021 CREATED:20240115T115655Z LAST-MODIFIED:20240418T144253Z UID:10003238-1708633800-1708637400@www.fndaterballetto.it SUMMARY:YELED / RHAPSODY IN BLUE / SECUS DESCRIPTION:  \n\n  \n\n“`html\n  \nThursday 22 / Friday 23 February 2024 – 8:30 PM \nIn February\, the Aterballetto Company returns to dance at the Fonderia in Reggio Emilia with a double bill. \n\nOn stage\, a triptych composed of two repertoire choreographies: Yeled by Eyal Dadon opening the evening and Secus by Ohad Naharin concluding it. Interspersing them\, the new production created by Iratxe Ansa and Igor Bacovich set to the notes of George Gershwin\, debuting at the Teatro Regio in Parma on February 17: Rhapsody in Blue. \nThe evening involves the entire company of 16 dancers: in the first creation\, Israeli choreographer Eyal Dadon leads a reflection on the moment in life when children lose their innocence; with Rhapsody in Blue Iratxe Ansa and Igor Bacovich offer an innovative interpretation of Gershwin’s famous rhapsody\, just as it celebrates its 100th anniversary; Secus\, the eclectic masterpiece by Ohad Naharin\, concludes\, a bold and extravagant choreography of races\, solos\, crisp gestures\, and interrupted duets. \n\nIt is recommended to purchase tickets online. Booking by phone\, email\, and WhatsApp will be available from Tuesday\, February 13\, 2024. \n \n“` \nCREDITS \n“`html\nYELED \nCreation for 16 dancers of the company \nChoreography Eyal Dadon\nMusic Eyal Dadon\nSet and lights Fabiana Piccioli\nCostumes Bregje Van Balen \nProduction National Dance Foundation / Aterballetto\nCo-production Foundation I Teatri di Reggio Emilia\nWith the support of the Cultural Office of the Embassy of Israel in Italy \nPremiere April 27\, 2022\, Reggio Emilia\, Teatro Municipale Valli\nDuration 30′ \n— \nRHAPSODY IN BLUE \nCreation for 16 dancers of the company \nChoreography Iratxe Ansa and Igor Bacovich\nMusic George Gershwin\, Rhapsody in Blue\nSet and costumes Fabio Cherstich\nLights Eric Soyer \nProduction National Dance Foundation / Aterballetto\nCo-produced with Foundation Teatro Regio di Parma\nPremiere February 17\, 2024\, Teatro Regio di Parma\nDuration 20′ \n— \nSECUS \nRestaging for 16 dancers of the company \nChoreography Ohad Naharin\nMusic Chari Chari\, Kid 606 + Rayon (mix: Stefan Ferry)\, AGF\, Chronomad (Wahed)\, Fennesz\, Kaho Naa Pyar Hai\, Seefeel\, The Beach Boys\nSound design & editing Ohad Fishof\nCostumes Rakefet Levy\nLights Avi Yona Bueno (Bambi)\nChoreography assistants Rachael Osborne\, Ian Robinson\nCreation for Batsheva Dance Company (within Three\, 2005) \nProduction National Dance Foundation / AterballettoCo-produced with Festival Oriente Occidente (I)\, Les Halles de Schaerbeek (B)\, Malraux scène nationale Chambéry Savoie (F)\nPremiere September 6\, 2019\, Festival Oriente Occidente\, Teatro Zandonai\, RoveretoDuration 30′ \n“`\n\nInfo & Tickets \nTICKETS\nFull price: 10 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/yeled-rhapsody-in-blue-secus-2/2024-02-22/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Performances,Rhapsody in Blue,Season,Season January - June 2024,Secus,Storie ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/Fondazione-Nazionale-della-Danza-Aterballetto-Secus-by-Ohad-Naharin_ph.-Alice-Vacondio-216-16.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240212T180000 DTEND;TZID=Europe/Rome:20240212T190000 DTSTAMP:20260504T171021 CREATED:20240130T145340Z LAST-MODIFIED:20240418T150742Z UID:10003240-1707760800-1707764400@www.fndaterballetto.it SUMMARY:Open rehearsal - Rhapsody in Blue DESCRIPTION: \nAlso this month\, the Foundry opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, February 12th\, at 6:00 PM\, the audience at the Foundry will be able to witness the preparation of Rhapsody in Blue\, the new creation for 16 dancers that will debut at the Teatro Regio di Parma on February 17th\, 2024. The creation\, set to the music of the famous rhapsody by George Gershwin\, is entrusted to Iratxe Ansa and Igor Bacovich\, internationally renowned award-winning choreographers. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and marvel at the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \n  URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/Rhapsody-in-Blue-filata-ph-Nicola-Stasi-7.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240211T180000 DTEND;TZID=Europe/Rome:20240211T190000 DTSTAMP:20260504T171021 CREATED:20240116T142657Z LAST-MODIFIED:20240418T150948Z UID:10003191-1707674400-1707678000@www.fndaterballetto.it SUMMARY:Anastasia - L'ultima figlia dello Zar DESCRIPTION:“`html\n  \nBerlin\, 1920. A woman\, after being rescued from death in a canal and months of muteness in a hospital\, reveals herself to be Anastasia\, the last daughter of the Romanovs\, the Russian royals slaughtered by Bolshevik militias in 1918. A survivor. One of the most mysterious cases of the twentieth century. Is it her or isn’t it? \nOne detail could reveal it… the color of her eyes… the scar hidden beneath the clothes worn out by time and madness. A saying! A secret word never revealed that now passes from mouth to mouth. The people want her now. Is it me or isn’t it me? Memory will play with her image reflected in the hospital window glass\, closed off from the world; it will be revealed by the whistle of the train lost in the snow\, the music of a suddenly enchanting music box. A desire\, a dream\, a memory\, or reality? \nThe music keeps the beat and time passes\, fleeing like a horse\, relentless\, leaving behind particles of memory and desire\, which become a timeless dance. The dance bursts into space and\, in dialogue with the video projections\, recreates distant places that transform\, expand\, crumble the walls of that hospital in which Anastasia is trapped in the search for herself. \nBut is reality always necessary? \nShow suitable for an audience of all ages \n \n“` \n\n– \nCREDITS \nIdea by Roberta Ferrara \nDirection\, dramaturgy\, set design\, and lighting design by Michelangelo Campanale (artistic director of La luna nel letto)\nChoreography by Roberta Ferrara\nPerformers Antonello Amati and Moreno Guadalupi / Giulia Bertoni\, Serena Angelini\, and Rebecca Moriondo Visual artists Alessandro Vangi and Raffaele Fiorella\nNarrator Maria Pascale\nCostume designer Franco Colamorea\nProduction Equilibrio Dinamico Company and La luna nel letto \nTHE AUTHORS \nFERRARA ROBERTA \nRoberta Ferrara (1988) is the founder\, artistic director\, and choreographer since 2011 of Equilibrio Dinamico Dance Company\, based in the city of Bari\, Puglia\, Italy. In 2020/21\, she served as the associate artistic director for Odyssey Dance Theatre\, Singapore\, one of the leading organizations in professional dance arts in Asia. For over ten years\, she has been the artistic director and coordinator of the international pedagogy programs TEEN and ENSEMBLE\, hosting annually over 30 international artists. Her methodology has cultivated a perpetual nursery of future dance generations\, fostering synergistic educational and cultural exchanges with various formations in England\, India\, Japan\, and Korea. \nGraduating in Modern Literature with a focus on Theater Culture from the University of Bari A.Moro\, Ferrara wrote an experimental thesis on the value of instinctive movement as a therapeutic gift for both dancers and non-dancers. As a passionate pedagogue\, her research expands through immersive studies with various artists in techniques\, practices\, and languages of international contemporary dance. This combination forms the basis for her personal creative work dedicated to a poetics always connected to human beings and their inner universe\, creating her own teaching methodology that addresses multiple levels of perception: body – mind – spirit. \nShe has been a guest for various renowned dance institutions\, including Theater Basel (CH)\, Teatrul de Balet Sibiu (RO)\, English National Ballet School (UK)\, Delattre Dance Company (DE)\, Northern School of Contemporary Dance (UK)\, Copenhagen Dance Festival (DNK)\, Conservatorio Professional de Danza\, Lugo (ES)\, Korea Ballet House (KR)\, Staatstheater Augsburg (DE)\, Conservatorio Internacional Annarella Sanchez (PT)\, Eko Dance Project (IT)\, Experimental Film Virginia (USA)\, Teatro Moravo Olomuc (CZ)\, Odt (SGP). \nHer creations have been selected and invited to various international festivals\, including Masdanza\, FIDCMX Mexico\, Cortoindanza\, Network Danza Urbana XL\, Festival Ammutinamenti Anticorpi XL\, ZED Festival\, Puglia Showcase\, DanzInc\, BallettGala Staatstheater Bremerhaven\, Prospettiva Danza Teatro\, Festival delle 100 Scale\, Danza in Rete Festival\, Lucky Trimmer\, Fuoriformato Festival\, Vivadança\, Albania Dance Meeting\, SoloCoreografico USA\, Solo Contemporary Dance Festival Ankara\, Sid Festival Seattle\, Interdans\, Split Summer Festival\, Quinzena de Dança de Almada\, and the Solo Tanz Theater Festival\, where she received the award for best choreographer and a residency award from the director and chief choreographer R. Fernando of Staatstheater Augsburg\, Linkage-Contemporary Dance Miniatures Sophia\, where she received an invitation as a guest choreographer for Stara Zagora State Opera by director S. Tomova\, and the InDivenire Award\, where she received the best dance project award presented by the étoile L. Savignano. \nHer classes and creations have been invited in Italy\, Mexico City\, America\, Albania\, Kosovo\, Vietnam\, Belgium\, Germany\, Croatia\, Singapore\, India\, Japan\, Korea\, Portugal\, Turkey\, Brazil\, Lebanon\, Spain\, Romania\, Bulgaria\, Switzerland\, Czech Republic\, and Denmark. \nEQUILIBRIO DINAMICO \nEquilibrio Dinamico was founded in 2011 by its current artistic director\, Roberta Ferrara. The company\, now based in Bari\, has gained attention for being a unique entity in the Italian dance scene. Recognized since 2021 by the Ministry of Culture as an Under35 Dance Production Organization\, it is the only entity in the Puglia region with such recognition. Equilibrio Dinamico is often described as “a voice outside the chorus\,” highlighting an artistic strategy counter to the trends in young Italian dance\, with the aim of creating a European-profiled reality that nurtures synergies among artists. \nFrom the beginning\, Roberta Ferrara aimed to build a contemporary repertoire company with an international scope\, inviting various choreographers to create new works. The dance cahier includes voices such as Jiří Pokorný\, Igor Kirov\, Bert Uyttenhove\, Matthias Kass & Clément Bugnon\, Marco Blázquez\, Riccardo Buscarini\, Aida Vainieri\, Brandon Lagaert\, among others\, contributing to the creation of a repertoire with diverse perspectives. Additionally\, Equilibrio Dinamico has an equally significant educational repertoire\, featuring works by Imre van Opstal\, Guy Shomroni\, Lior Tavori\, Alejando Moya\, Miguel Altunaga Verdecia\, Alice Godfrey\, Isaiah Wilson\, Manuel Rodriguez\, Sasha Riva & Simone Repele\, Pablo Girolami. The company has been invited to perform in seasons and festivals across Europe\, America\, and Asia\, establishing collaborations with various Italian Institutes of Culture in Mexico\, New York\, Athens\, São Paulo\, San Francisco\, Ankara\, Cologne\, and Zagreb\, thanks to the collaboration of the current general director Vincenzo Losito\, production manager. \nFurthermore\, Equilibrio Dinamico develops collateral training and audience promotion projects\, creating an active dialogue with the regional circuit Teatro Pubblico Pugliese and affiliated municipalities. In 2022\, marking the ten-year celebration of the international training program ENSEMBLE\, the company entered into a partnership with VERVE\, the postgraduate company of the Northern School of Contemporary Dance\, Leeds (UK). Attentive to emerging national choreographic voices\, Equilibrio Dinamico supports the perspectives of new generations through the annual residency call ABITARE\, a productive support project in collaboration with the over thirty-year-old multidisciplinary international festival Castel dei Mondi\, Andria. \nCarmelo Zapparrata on Hystrio\, YEAR XXXV 2/2022 April/June \nINFO & TICKETS\nTICKETS\nFull Price: 10 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 5:00 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/anastasia-lultima-figlia-dello-zar/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Season January - June 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/foto-1-anastasia-Stefano-Sasso.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240206T203000 DTEND;TZID=Europe/Rome:20240206T213000 DTSTAMP:20260504T171021 CREATED:20240115T101859Z LAST-MODIFIED:20240418T152559Z UID:10003241-1707251400-1707255000@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL - FÀTICO DESCRIPTION:  \n\nThe show FÀTICO will be presented in its world premiere on the upcoming 18th of February\, by ORBITA|Spellbound in collaboration with Festival Equilibrio\, at the Teatro Palladium in Rome. \nFÀTICO is a choreographic and musical project in which singing and dancing mark the time of three prayers. On stage are two performers\, equipped with a microphone in contact with the skin\, an extension of the body\, a trigger point for the almost-physical relationship with the audience\, thanks to the instrument provided by vocal action. \nHere\, singing is not an act of spontaneity\, but the product of modification\, integration\, and enhancement of the encyclopedia of this corporeality. In the words that mark the timing of the choreography\, references to nature and the senses give space to memories in their mental space before melting into the words of worship. Progressing through connections and collisions between sonic and choreutic matters\, a secular discourse on sanctity is composed\, asking the audience to let themselves be directed by the fàtico listen! \nIt doesn’t come from nothing\, it’s the peak reached after a long climb.\nThe sight of the stars now that you know how to look. This show is a song\, the voice that persists.\nThe chorus murmured in the field when your hands are still dirty from working.\nFàtico is not just time passing\, it’s medicine.\nThe potion that exalts and condemns life.\nTo reinvent descent and legitimacy. Because a step was missing.\nFàtico is a rope\, a prosthesis\, an act\, that power that cannot be exploited.\nThat distance where we have never touched\, but almost. \n  \nCREDITS \n“`html\nProject\, choreography\, vocal writing\, and performance Irene Russolillo\nSound creation\, vocal writing\, and performance Edoardo Sansonne/Kawabate\nLighting design and technical direction Valeria Foti\nCostume creation Marta Genovese\nPattern maker Sandra Barlocci\nCollaboration on vocal dramaturgy and vocal coaching Patrizia Rotonda \nTexts by Ladan Osman\, Adam Zagajewski\, Annamaria Ortese\, David Thoreau\, Irene Russolillo \nProduction by ORBITA|Spellbound – National Dance Production Center of RomeSupport for creative residencies by Cango – Centre of Relevant Interest for Dance Virgilio Sieni\, National Dance Foundation Aterballetto/National Choreographic Centerwith the support of TRAC – Theatres of Contemporary Artistic Residency in Puglia and in collaboration with SPINTIME labs \nDuration 45′\n“` \nAUTHORS \nIRENE RUSSOLILLO \nIrene Russolillo is a dancer\, vocalist\, performer\, and choreographer. Her journey is characterized by a hybrid and transdisciplinary approach to the stage. She creates solo projects or collaborates with visual artists\, musicians\, and dancers\, both in Italy and internationally. She is an associated artist of ORBITA|Spellbound\, the national dance production center in Rome\, where she is based. Her latest creations in 2022 include “Dov’è più profondo\,” created in collaboration with producer and composer Edoardo Sansonne and researcher and curator Irene Pipicelli\, which debuted at the T*Danse Festival in Aosta\, and “If there is no sun\,” co-authored with video artist and director Luca Brinchi and musician and performer Karima DueG\, which premiered at the Teatro India in Rome. Since 2014\, she has received numerous awards: Equilibrio Best Performer Award\, Masdanza Best Performer Award\, Virginia Reiter Best Actress Under 35 Award (nomination)\, Prospettiva Danza Award; she was selected as an artist for “Le promesse dell’arte” at the IIC in Paris\, CROSS Award\, and the “Bando Abitante” selection by Virgilio Sieni Danza. She was an associated artist of the Oriente Occidente Dance festival\, selected by the Crisol and Crossing the Sea networks\, and collaborated with GRIOT for the production “Mirrors” as part of Italia Culture Africa 2019. As a dancer\, she worked for many years with Roberto Castello and collaborated with Lisi Estaras\, Abbondanza-Bertoni\, and many other choreographers. Her nomadic training has allowed her to have important encounters with educators throughout Italy and Europe. Among them\, the pivotal early encounters for her career were with Gabriella Musacchio for classical dance\, Ivan Wolfe and his movement research\, and the Ensemble of Micha Van Hoecke\, where she gained her first professional experiences. Later on\, she trained with Italian masters such as Sosta Palmizi and instructors like David Zambrano\, Thomas Hauert\, Company Blu for improvisation\, Julyen Hamilton\, and many others. Her background also includes a degree in Political Science and the French diploma for teaching contemporary dance. \nINFO & TICKETS \nTICKETS\nFull price: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACT \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-fatico/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Season January - June 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/ph.-giuseppe-follacchio-1.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240130T180000 DTEND;TZID=Europe/Rome:20240130T190000 DTSTAMP:20260504T171021 CREATED:20240110T131435Z LAST-MODIFIED:20240418T152947Z UID:10003174-1706637600-1706641200@www.fndaterballetto.it SUMMARY:Open Rehearsal - Rhapsody in Blue DESCRIPTION:  \nThis month\, Fonderia is opening its doors for an open rehearsal with the Aterballetto Company. \nOn Tuesday\, January 30th\, at 6:00 PM\, the audience at Fonderia can witness the preparation of Rhapsody in Blue\, the new creation for 16 dancers premiering at the Teatro Regio di Parma on February 17\, 2024. The choreography\, set to the famous rhapsody by George Gershwin\, is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers. \nOpen rehearsals are unique moments where you can witness the creation of a performance\, engage with the artists\, and be amazed by the art of dance: a special occasion that allows the audience to glimpse into the daily routine of dancers and choreographers. \n  URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Rhapsody in Blue,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/Rhapsody-in-Blue-filata-ph-Nicola-Stasi-52.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240124T203000 DTEND;TZID=Europe/Rome:20240124T213000 DTSTAMP:20260504T171021 CREATED:20240109T170044Z LAST-MODIFIED:20240116T144618Z UID:10003176-1706128200-1706131800@www.fndaterballetto.it SUMMARY:Ruggine / PLAY_BACH DIVERTISSEMENT DESCRIPTION:  \n  \n\n  \n\n  \nOpen Rehearsal – 6:00 PM \nPerformance – 8:30 PM \nRuggine / Manfredi Perego \nRuggine is a contemplation of the outcome of the antagonism between darkness and light within humans. It is a dramaturgical exploration of the obscure\, restlessness\, caprice\, suffering; observing these emotions and the actions they provoke without judgment. Ruggine is a dedication to the area that is usually concealed with great effort. The choreography doesn’t generate an answer but rather creates a path that allows immersion and traversal of these moods\, dissecting them without prejudice. Like a liberating dedication to the bothersome part of ourselves\, the choreography sketches and traverses a sequence without chronology\, an ideal representation of what is usually considered a flaw. \nPLAY_BACH DIVERTISSEMENT / Balletto Teatro di Torino \nThe choreographic challenge is to give visual and dynamic concreteness to the emotion that each note expresses\, capturing the nuances of Bach’s music and translating into dance an emotional analysis process of what the musical score suggests. The violence and sweetness that arise from the vibration of the played notes must have a physical correspondence\, creating dances that traverse worlds of new carnal frequencies. The project starts from the need to challenge classical musical scores\, never tackled before\, to discover new approaches to choreography and open up to new dynamic visions. Studies on Bach will be a choreographic gym\, a mutable choreutic place that doesn’t end its evolution. Live music stitches the dancer’s epidermis to the space\, taking interpretation and listening to another level. At the same time\, the air moved by the bodies impacts the musicians\, making tangible the dance’s action on the instrument. \nCREDITS \nRUGGINE \nCoreography/Dance by Manfredi Perego\nOriginal Music by Paolo Codognola\nLighting Design by Roberta Faiolo\nDuration 20′\nA work produced by Tirdanza\, co-produced by Milanoltre Festival\, in collaboration with Fondazione TeatroDue Parma\, Europa Teatri \nPLAY_BACH DIVERTISSEMENT \nChoreography by Manfredi Perego\nDancers Flavio Ferruzzi\, Lisa Mariani\, Luca Tomasoni\, Nadja Guesewell\, Viola Scaglione\nMusic by J.S. Bach performed live by Janine Bratu\nLighting Design by Roberta Faiolo\nCostumes by Majatai\nProduction by Balletto Teatro di Torino\nIn collaboration with the State Conservatory of Music “Giuseppe Verdi” in Turin\nDuration 30′ \nTHE AUTHORS \nMANFREDI PEREGO \nBorn in Parma in 1981\, Manfredi Peregо began practicing contemporary dance at the age of 17 in his mother’s school. In 2002\, he was a scholarship holder at the Isola Danza Academy directed by Carolyn Carlson and worked as a freelance dancer in theater-dance and contemporary dance companies across Europe. Upon returning to Italy\, he collaborated with Simona Bertozzi and Damian Munoz for various dance companies. In 2014\, he founded MP.ideograms and won the Equilibrio Prize with the solo “Grafiche del Silenzio.” In 2016\, he participated in the VITA NOVA project at the Venice Biennale with the first chapter of the Primitiva project\, which continued in 2017 at the National Center for Dance Production Scenario Pubblico/Compagnia Zappalà Danza\, where he became an Associate Choreographer for the triennium 2018/20. In 2017\, he began collaborating as a guest teacher with the Balletto del Teatro di Torino\, winning the GDA Award in the same year from Emilia Romagna. \nBALLETTO TEATRO DI TORINO \nBalletto Teatro di Torino is an organism for production\, training\, and programming in the field of dance. Supported by MIC\, Regione Piemonte\, Fondazione Compagnia di San Paolo\, Fondazione CRT\, Città di Torino\, TAP Torino Arti Performative. In collaboration with NEST\, the Network of Dance Production Organizations in Piedmont. \nINFO & TICKETS \nTICKETS\nFull Price: 10 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 5:00 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/ruggine-play_bach-divertissement/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/20230430BTT-Play_BachDivertissement_ManfrediPerego_phandreamacchia_1892-1.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240124T180000 DTEND;TZID=Europe/Rome:20240124T190000 DTSTAMP:20260504T171021 CREATED:20240115T095325Z LAST-MODIFIED:20240418T153536Z UID:10003242-1706119200-1706122800@www.fndaterballetto.it SUMMARY:OPEN REHEARSAL - RUGGINE / PLAY_BACH DIVERTISSEMENT DESCRIPTION:  \n\n  \nOpen Rehearsal – 6:00 PM \nShow – 8:30 PM \n  \nRust / Manfredi Perego \n“Self-portrait\nNoise grinds\nNatural within” \nRust is a reflection on the product of the antagonism between darkness and light in humans. Rust is a dramaturgical thought that deals with the dark\, unease\, caprice\,\nsuffering; observing these emotions and the actions they provoke without judgment. Rust is a dedication to the area that is usually hidden with great effort. The choreography does not generate an answer\, but rather creates a path that allows one to immerse and cross these moods and dissect them without prejudice. Like in a liberating dedication to the annoying part of ourselves\, the choreography outlines and crosses a sequence devoid of chronology\, an ideal representation of what is usually considered a flaw. \nPLAY_BACH DIVERTISSEMENT / Balletto Teatro di Torino \n“The choreographic challenge is to give visual and dynamic concreteness to the emotion that each note expresses\, capturing the nuances of Bach’s music by translating into dance a process of emotional analysis of what the musical score suggests.\nThe violence and sweetness that arise from the vibration of the played notes must have a physical correspondence\, creating dances that traverse worlds of new carnal frequencies. The project starts from the need to challenge oneself with classical musical scores\, never tackled before\, to discover new approaches to choreography and open up to new dynamic visions. Studies on Bach will be a choreographic gym\, a mutable choreographic space\, which does not end its evolution. Live music stitches the dancer’s epidermis to the place\, bringing it to another level of interpretation and listening. At the same time\, the air moved by the bodies impacts the musicians\, making tangible the action of dance on the instrument.” – Manfredi Perego \n  \nCREDITS \n“`html\nRUST \nChoreography/Dance by Manfredi Perego\nOriginal Music by Paolo Codognola\nLighting Design by Roberta Faiolo\nDuration 20 minutes\nA work produced by Tirdanza\, with the co-production of Milanoltre Festival\, in collaboration with Fondazione TeatroDue Parma\, Europa Teatri \nPLAY_BACH DIVERTISSEMENT \nChoreography by Manfredi Perego\nDancers: Flavio Ferruzzi\, Lisa Mariani\, Luca Tomasoni\, Nadja Guesewell\, Viola Scaglione\nMusic by J.S. Bach performed live by Janine Bratu\nLighting Design by Roberta Faiolo\nCostume Design by Majatai\nProduction by Balletto Teatro di Torino\nIn collaboration with Conservatorio Statale di Musica “Giuseppe Verdi” di Torino\nDuration 30 minutes\n“` \nAUTHORS \nMANFREDI PEREGO \nBorn in Parma in 1981\, Manfredi Perego began studying contemporary dance at his mother Lucia Perego’s school. He graduated from the Academy of Fine Arts in Bologna and continued his dance studies while simultaneously starting his professional career as a freelance dancer in Switzerland and Germany. In 2013\, he developed his first personal movement research project. In 2014\, he founded MP.ideograms and the following year debuted at the Equilibrio Festival and at the Vetrina della Giovane danza d’autore in Ravenna. In 2016\, he participated in the “VITA NOVA” project of the Venice Biennale with the first chapter of the “Primitiva” project\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A Giovane Danza D’Autore Award. Since 2017\, he has collaborated with BTT \ Balletto Teatro di Torino as a guest teacher and since 2019 as a choreographer. He was an Associated Choreographer at the National Dance Production Center Scenario Pubblico/CZD in the three-year period 2019-2021. In the three-year period 2022-24\, he became an Associated Choreographer at the MilanOltre Festival. Currently\, he teaches as a freelance instructor in various professional training programs in Italy and abroad. \nBALLETTO TEATRO DI TORINO \nBalletto Teatro di Torino is an organization dedicated to production\, training\, and programming in the field of dance.\nSupported by MIC\, Regione Piemonte\, Fondazione Compagnia di San Paolo\, Fondazione CRT\, Città di Torino\, TAP Torino Arti Performative. In network with NEST Rete degli Organismi di Produzione di Danza del Piemonte. \nINFO & TICKETS \nTICKETS\nFull Price: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at Fonderia is active from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-ruggine-play_bach-divertissement/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/20230430BTT-Play_BachDivertissement_ManfrediPerego_phandreamacchia_1892.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240121T180000 DTEND;TZID=Europe/Rome:20240121T190000 DTSTAMP:20260504T171021 CREATED:20240109T164242Z LAST-MODIFIED:20240116T091842Z UID:10003185-1705860000-1705863600@www.fndaterballetto.it SUMMARY:POP UP - UN FOSSILE DI CARTONE ANIMATO DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \nINFO & TICKETS\nTICKETS \n  \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n– URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato-2/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/JkNkJ_gw-2.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240120T180000 DTEND;TZID=Europe/Rome:20240120T190000 DTSTAMP:20260504T171021 CREATED:20240109T163911Z LAST-MODIFIED:20240116T091759Z UID:10003175-1705773600-1705777200@www.fndaterballetto.it SUMMARY:POP UP - Un fossile di cartone animato DESCRIPTION:Reinventing the animated book in a theatrical form\, Pop up – Un fossile di cartone animato weaves together the micro-stories of a paper child and a small\, enigmatic sphere. The rhythmic\, chromatic\, and sonic evolutions of their relationship\, their encounters\, reflections\, and transformations come to life on stage. \nThe adventures of the child and their little ball give rise to a symbolic play of geometries and metamorphoses\, touching on central aspects of imagination: fantasy\, invitation\, threat\, and dream. Two actresses\, both animators\, breathe life and voice into the two paper protagonists\, playing with the emergence of figures and shapes over time\, their interweaving with their bodies\, movement\, and the illusion of motion\, as well as the synchronicity between voices and images. \nSuitable for children aged 3 and up \nCREDITS \nA project by Giulia Gallo\, Giovanni Guerrieri | I Sacchi di Sabbia\nIn collaboration with Giulia Solano\nWith Marta Capaccioli\, Lucrezia Palandri\, and Paolo Romanini\nBooks by Giulia Gallo\nLighting concept by Emiliano Curà\nSet construction by Paolo Romanini\nProduction by Teatro delle Briciole – Solares Fondazione delle Arti \nPOP UP: THE SHOW \nThe chromatic exploration of various cartoons comprising the performance serves as a powerful means to delve into basic emotions and create sets of associations between feelings\, shapes\, and colors. The variations on the theme\, harmonizing with the musical exploration of ambient sounds\, become a flexible tool for an experimental exploration of the child’s imagination. \nThe concept of scenically reinventing the pop-up book\, the challenge of creating a handcrafted cartoon—a sort of cardboard fossil in the age of 3D—is a precious opportunity for reflection on animation\, its contemporary techniques’ saturation and invasiveness. It opens the door to a more evocative and less aggressive direction\, allowing more room for imagination in the era of digital dominance. Additionally\, it provides a chance to experimentally blend manipulation\, object theater\, and sounds—lines of exploration cherished by I Sacchi di Sabbia\, now\, for the first time\, directed towards and compared with a young audience. \nTHE AUTHORS \n\n\n\n\n\n\n\n\n\n\n\n\nI SACCHI DI SABBIA\nOver the years\, the Company has distinguished itself on the national stage\, receiving significant recognition for the uniqueness of its research focused on reinventing contemporary popular scenes. Already winners of two ETI Awards for “Il Debutto di Amleto\,” I Sacchi di Sabbia received a nomination for the 2003 Ubu Award for the show Orfeo. Il respiro (“…for their intertwining of irony\, history\, and metaphysics”) and won the Special Ubu Award in 2008. In perpetual oscillation between tradition and exploration\, between the comic and the tragic\, I Sacchi di Sabbia’s work has materialized into a language balancing various arts (visual arts\, dance\, music). They explore unconventional performance spaces while maintaining a keen and attentive eye on the territory in which the spectacular event takes place. \n\n\n\n\n\n\n\n\n\n\n\n\nINFO & TICKETS\nTICKETS \nFull Price: 6 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service at Fonderia is available from 5:00 PM. \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: +39 3341023554 \nEmail: biglietteria@aterballetto.it\n\n. URL:https://www.fndaterballetto.it/en/evento/pop-up-un-fossile-di-cartone-animato/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione gennaio-giugno 2024 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/01/JkNkJ_gw-2.jpeg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240112T203000 DTEND;TZID=Europe/Rome:20240112T203000 DTSTAMP:20260504T171021 CREATED:20230803T111332Z LAST-MODIFIED:20240109T092020Z UID:10003019-1705091400-1705091400@www.fndaterballetto.it SUMMARY:Golden Days DESCRIPTION:In January\, Aterballetto returns to the Fonderia in Reggio Emilia with Golden Days by Johan Inger\, kicking off the new year and dance season. The evening blends the smoky vibes of Rain Dogs with the upbeat energy of BLISS and a playful solo in Birdland\, creating a nostalgic journey set to the tunes of Tom Waits\, Patti Smith\, and Keith Jarret. \n“As we age\, we often reflect on our life journey. This time\, I look back with a genuine smile\, reminiscing about the radiant and carefree days.”\nJohan Inger \n“It’s like a dance concert—a cantabile andante\, an adagio\, and a rondo. Yet\, it’s all about dance\, accompanied by a magnificent soundtrack.”\nSergio Trombetta\, La Stampa \n  \n\nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/golden-days-16/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,BLISS,Golden Days,Performances,Rain Dogs,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/FND-Aterballetto-Golden-Days-Rain-Dogs-ph.-Christophe-Bernard-91.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231222T180000 DTEND;TZID=Europe/Rome:20231222T220000 DTSTAMP:20260504T171021 CREATED:20230803T142752Z LAST-MODIFIED:20240418T154053Z UID:10003027-1703268000-1703282400@www.fndaterballetto.it SUMMARY:Made in Italy 30.0 DESCRIPTION:  \n\n“`html\n  \nThe performance will take place on December 22nd with two showings:\n1st showing: 6:00 PM\n2nd showing: 9:00 PM \n  \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nB.7 SYMPHONY by Emanuele Soavi\nThe tireless drive of Beethoven towards artistic renewal and his dissected and even visionary vision of the social and political movements of his time give his work an inexhaustible energy\, like a continuous flow\, just like the flood in nature when it changes the shape of the landscape and living conditions. This idea of constant change\, of juxtaposition of opposites\, of interaction\, of exchange\, of shared emotions and experiences is essentially the starting point for this choreographic composition. Both the stage itself and the protagonists who inhabit it with their movements\, which continually take on a new form in each of the individual parts\, create abstract images that consciously and unconsciously define the idea of a multiform self\, which lives today in a modern society that is in a state of continuous upheaval and change. \nGERSHWIN SUITE by Michele Merola\nIn the notes of George Gershwin (1898-1937)\, one of the most representative musicians of the 20th century\, reflects the spirit of the time in which they are created\, the moods and atmospheres of the Roaring Twenties. Starting from the best pieces of the composer\, and from the suggestions of the pictorial works of another great American artist of the ‘900\, Edward Hopper (1882-1967)\, Michele Merola has created Gershwin Suite. On stage\, a lot of variety takes on the ways of a movie set\, thanks also to a constantly changing set design\, just like on a set\, and a choreography that touches more keys\, the work of a choreographer capable of declining his creativity and his talent in step with the times of contemporaneity. \n PERFORMERS \n6:00 PM\nCorrado Azzollini\, Jasmine Begici\, Elisa Bocconi\, Laura Dell’Agnese\, Sara Ferrentino\, Nicole Forni\, Giulia Lusetti\, Lucrezia Maggiore\, Maya Maselli\, Carlotta Maucioni\, Martina Procacci\, Federico Musumec\, Filippo Penco\, Jada Piccinini\, Susanna Russing\, Gennaro Todisco\, Gaia Camilla\, Zorrilla Leonini. \n9:00 PM\nChiara Barril\, Jacopo Bellan\, Giulia Boccarossa\, Giovanni Karol Borriello\, Salvatore Bruno\, Lucrezia Capuzzell\, Anna Dal Maso\, Vittoria Facci\, Chiara Gionti\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Alessia Russo\, Diletta Suman.\n“` \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training program aimed at dancers aged between 18 and 22 years old\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and Centro Permanente Danza of Reggio Emilia. Its goal is to train artists ready to face the variety of the international dance market in a flexible manner\, capable of responding to requests of different nature\, both technical and stylistic\, coming from this same market. The project aims to offer a wide range of stimuli\, including technical\, cultural\, and exchange opportunities between students and choreographers\, each of whom comes from different and interesting backgrounds in the international dance scene. Agora allows students to meet established choreographers with different stylistic orientations\, and over the years has seen the participation of many illustrious names. Michele Merola and Enrico Morelli collaborate with various teachers\, each of whom has proven and qualified experience in the field\, to realize the project. \nMICHELE MEROLA \nMichele Merola is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With the company\, he has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, winner of the Anita Bucchi Award in 2010\, and Bolero\, Europaindanza Award 2017 – Choreography Merit Award. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo di Napoli\, Dominic Walsh Dance Theatre\, Teatro Massimo di Palermo\, Junior Balletto di Toscana\, Teatro Nazionale di Belgrado\, Tanzcompagnie Landesbühnen Sachsen in Dresden\, and Teatro dell’Opera di Roma. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016\, the GD Awards 2016 as Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Encounter with Dance” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been the artistic director\, alongside Enrico Morelli\, of Agora Coaching Project\, a professional training project for dancers based in Reggio Emilia. \nEMANUELE SOAVI \nEmanuele Soavi began his dance studies in Ferrara and later at the Balletto di Toscana. In 1996\, he started working in various Italian theaters\, including the Teatro Petruzzelli in Bari and the Teatro dell’Opera di Roma. In 1998\, he moved to Germany\, where he worked for three years as a soloist for the Ballet Dortmund\, before moving to the Netherlands to join the renowned Introdans company. Throughout his career\, he has interpreted works by choreographers such as Maurice Béjart\, Jiří Kylián\, Hans van Manen\, Nils Christe\, Renato Zanella\, William Forsythe\, Ton Wiggers\, Nacho Duato\, Karole Armitage\, and Mats Ek. Since 1999\, Soavi has also worked as a choreographer in numerous theaters\, including Theater Dortmund\, Theater Duisburg\, Staatstheater Regensburg\, Theater Aachen\, Introdans\, Staatstheater am Gärtnerplatz in Munich\, Opera Köln\, Dansateliers Rotterdam\, Folkwang Essen\, ZHdK Zürich\, Dance Limerick\, MM Contemporary Dance Company\, and AGORA Coaching Project. Since 2012\, he has been the director of the Emanuele Soavi Incompany collective in Cologne. He has received the award for Best Performing Artist in Germany and has collaborated on co-productions since 2016 with Susanne Linke\, Jone San Martin of the Forsythe Company\, Cora Bos\, and Joris-Jan Bos of the Netherlands Dance Theatre. \n\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/made-in-italy-30-0/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/Gershwin-Suite_cor.-Michele-Merola_foto-Riccardo-Panozzo_D753000.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231217T180000 DTEND;TZID=Europe/Rome:20231217T190000 DTSTAMP:20260504T171021 CREATED:20230803T135722Z LAST-MODIFIED:20240418T164448Z UID:10003025-1702836000-1702839600@www.fndaterballetto.it SUMMARY:Darwin DESCRIPTION:Darwin – M/eta/morfosi is a dance and theater show for children and families on the theme of growth and transformation\, which elicits more than just a smile from the audience.\n \nThe authors Christian Pellino and Francesco Marchi are associated artists of the Artemis Danza Company / Monica Casadei. \n[Watch the video here](https://vimeo.com/887649437) \n\nCredits \nBy and with Francesco Marchi and Christian Pellino\nDirection and dramaturgy: Francesco Marchi\nChoreographies: Christian Pellino\nRunning time: 50′ \nRecommended for an audience of 8 to 14 years of age \nA co-production Artemis Danza and Europa Teatri\nWith the support Mic\, Regione Emilia Romagna Assessorato alla Cultura\, Comune di Parma \nDarwin \nLike the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, so does man go through multiple phases before undergoing evolution. From single-celled organisms to Homo Sapiens\, from newborn to adult\, everything evolves in continuous pursuit of perfection… but something went wrong! The planet is in danger\, and humanity is certainly not without flaws. Thus\, an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and Earth from the Big Bang to today. To help him in this endeavor\, a multifaceted and constantly changing character\, who communicates not with words but with body and movement\, will embody the different phases of this crazy metamorphosis. A synergy between dance and prose theater\, expressive gestures\, and words that accompanies young people on a fun and educational journey where fantasy\, science\, and creativity meet. \nDarwin – M/eta/morfosi arises from the need to try to bring the younger audience closer to the world of dance theater\, often perceived as distant from the new generations and therefore difficult to understand. Through a path that involves meetings with schools\, teacher training\, and stage representation\, Darwin – M/eta/morfosi will attempt to explore the concept of transformation by combining the language of dance\, curated by choreographer Christian Pellino\, with the word and gesture of prose theater by actor Francesco Marchi. The goal is to introduce young people to a new language\, facilitating their understanding and involving them in a journey of genre exploration while\, simultaneously\, allowing them to develop personal reflections on the theme of growth and transformation. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/darwin/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/12/darwin4.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231205T203000 DTEND;TZID=Europe/Rome:20231205T213000 DTSTAMP:20260504T171021 CREATED:20230803T125038Z LAST-MODIFIED:20230803T131922Z UID:10003021-1701808200-1701811800@www.fndaterballetto.it SUMMARY:THE DAY WHEN I CHOSE TO BE A DAUGHTER DESCRIPTION:DaCru – The day when I chose to be a daughter – ph. Sara Meliti \nThe Dacru Dance Company returns to the Fonderia with its latest performance The day when I chose to be a daughter. \nDancers with a highly virtuosic technique\, performers with a communicative directness\, they have the talent to transform urban dance into a real theatrical tale. \n\nCredits \nConcept and direction: Marisa Ragazzo\nChoreographies: Marisa Ragazzo and Omid Ighani\nBy and with Elda Bartolacci\, Davide Angelozzi\, Alessandra Ruggeri\nMusiche: Jocelyn Pook \, Julia Kent\, David Lang\, The Books\, Max Richter \, Nils Frahm \nProduction: Compagnia Naturalis Labor\nCo-production: Festival Abano Danza 2022\nWith the support ofMic / Regione Veneto / Comune di Vicenza\nIn partnership with DanceLab / Latina \nThe day when I chose to be a daughter \nThree dancers investigate the state of sonship. A profound and poetic analysis\, steeped in secret visions\, that answers one main question: does being a child last a lifetime?… and from others that follow spontaneously… does this privileged state of sonship persist even when the point that formally grants it disappear?… without parents\, is one still a child? Does the state of sonship change when one becomes a mother or a father? \nThe company’s new production stems from the choreographer’s involved and individual vision of the theme\, which becomes collective through meetings and discussions with the dancers.\nIt has been a long and complex work of reflection on the state of sonship that we stage\, a search through the specific memories of each of us\, choreographers and dancers. Memories written down\, detailed\, shared\, made narrative and almost always referring above all to the mother\, in whom we danced for months immersed in her vital paste. \nDaCru – The day when I chose to be a daughter – ph. Sara Meliti \nWe began the creative process related to the project ‘THE DAY WHEN I CHOSE TO BE A DAUGHTER’ by taking time for everything\, talking at length\, sharing memories and emotional states… four children reflecting on the state of sonship. No mother\, no father\, only sons. Much has been written about motherhood and fatherhood\, extensive and articulate narratives\, but about the state of sonship\, very little. What is the state of sonship? The first of many questions that drives us to an active sharing: we would like to dialogue with other sons in order to arrive at a more extensive and in-depth narrative by interweaving a silent dialogue with the audience\, prompting everyone to undertake a process to recover memories and small stories hidden in the secret places of the mind. \nMarisa Ragazzo and Omid Ighani \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop training schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional training schools\, they carry out an intense teaching activity\, in Italy and abroad. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/the-day-when-i-chose-to-be-a-daughter/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/52916689735_c5d01ce69a_k.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231120T180000 DTEND;TZID=Europe/Rome:20231120T190000 DTSTAMP:20260504T171021 CREATED:20231115T170225Z LAST-MODIFIED:20240419T155004Z UID:10003253-1700503200-1700506800@www.fndaterballetto.it SUMMARY:Open Rehearsal - Secus DESCRIPTION:Also this month\, the Fonderia opens its doors to an open rehearsal with the Aterballetto Company. \nOn Monday\, November 20th\, at 6:00 PM\, the audience can attend the rehearsal of Secus\, a choreography created by Ohad Naharin in 2019: one of those performances that is difficult to forget\, capable of uniquely highlighting the technical skills and expressiveness of dancers. \nThe creation boasts a musical collage ranging from the unusual electronic styles of AGF to the seductive Indian melodies of Kaho Naa Pyar Hai\, to the resonant harmonies of the Beach Boys. This adventurously eclectic mix takes shape before our eyes in the form of a human alphabet made of runs\, solos\, clean and precise gestures\, interrupted duets. Joy\, vulnerability\, fear\, innocence\, confusion\, and anger weave a harmonious and dynamic canvas that oscillates between delicacy and exaggeration. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-secus/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Season,Stagione settembre-dicembre 2023 GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231118T180000 DTEND;TZID=Europe/Rome:20231118T185000 DTSTAMP:20260504T171021 CREATED:20230803T092049Z LAST-MODIFIED:20230913T183952Z UID:10003015-1700330400-1700333400@www.fndaterballetto.it SUMMARY:Esercizi di fantastica DESCRIPTION:Sosta Palmizi – Esercizi di Fantastica – ph. Vincenzo Siniscalco \nSpettacolo perfetto per ogni età – per la complessità\, la raffinatezza delle azioni in un crescendo gioioso – ben si comprende come abbia potuto meritare il Premio della giuria e del pubblico Vimercate Ragazzi Festival 2021. Valeria Ottolenghi\, Gazzetta di Parma \nEsercizi di Fantastica\, produzione Sosta Palmizi\, si ispira ai racconti di Gianni Rodari ed è un’occasione imperdibile per portare i bambini e le bambine dai 4 anni in su a teatro. \n\nCredits \nFrom an idea by Giorgio Rossi\nA creation by Elisa Canessa\, Federico Dimitri\, Francesco Manenti\, Giorgio Rossi\nPerformers Elisa Canessa\, Federico Dimitri e Francesco Manenti\nScenographies Francesco Givone\, Francesco Manenti\, Francesca Lombardi\nCostumes Beatrice Giannini\, Francesca Lombardi\nIllustrations Francesco Manenti\nLighting design Elena Tedde \nProduction Associazione Sosta Palmizi\nWith the contribution of MiBACT\, Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo; Regione Toscana/Sistema Regionale dello Spettacolo\nWith the support of Armunia (Rosignano LI)\, Wintergarten – Atelier di Teatro Permanente (Livorno)\, Comune di Castiglion Fiorentino (Ar)\nThanks to Spazio Nunc\, Elena Giacomin \nEsercizi di fantastica \nA grey house. Three grey characters. Bored\, dull and clouded by the technological means\, they move like prisoners of a predetermined mechanism\, their gaze is always turned to the screens. But here comes an unexpected element! A butterfly will move their look elsewhere and the house will become the theatre of new adventures and transformations. A crescendo of emotions and vicissitudes in which the three protagonists will finally rediscover the power of fantasy\, in a continuous game to free their bodies and minds. \nSosta Palmizi – Esercizi di fantastica \n\nEsercizi di Fantastica tells\, with the language of dance and movement\, the power of imagination that transforms things and people into something always unexpected and extraordinary. The authors were inspired by the idea of “Fantastica” by the writer Gianni Rodari\, whose 100th anniversary is celebrated in 2020. Close to the surrealism of the 50s and inspired by the work of Alfred Jarry and his pataphysics (the science of imaginary solutions)\, Rodari affirmed the existence of a Fantastica in total contrast to Logic. \nSosta Palmizi – Esercizi di fantastica \nThe AuthorsGiorgio Rossi\nAs E. Satie would probably say\, “he is a dancing mammal”. At the age of 4\, seeing the Swiss clown Dimitri perform in surreal stage time\, he realised that theatre was his life. He owes his artistic fortune to having been able to witness the work of great masters (Kantor\, Brook\, Bausch\, Carlson)\, with some of whom he learnt the art of the stage’ both as a student and as a performer. In 1984\, he co-founded Sosta Palmizi\, an acronym under which\, in 30 years\, over 400 dancers and others have worked\, who have found work in the major Italian and European dance theatre companies or founded their own groups: some of these are part of the nucleus of the association as Artisti Associati. With his performances\, over 30 productions\, he has travelled the world\, thanks to the universality of the poetic art of movement. Over the years\, he has collaborated with artists from the most diverse fields such as: Andrea Pazienza\, Paolo Fresu\, Bernardo Bertolucci\, Terry Gilliam\, Stefano Benni\, Paola Turci\, Lucia Poli\, David Riondino\, Paolo Rossi\, Banda Osiris\, Gabriele Mirabassi\, Danilo Rea\, Elisabetta Pozzi\, Jovanotti and many others\, as well as working with people of all ages\, students\, therapeutic communities and social rehabilitation groups. \nFederico Dimitri\nHe graduated in 2004 from the Accademia Teatro Dimitri\, Verscio (CH). In 2005 he won the Pinokkio Prize in Belgium with his performance entitled Perfectly Coupled. In the same year\, he co-founded the company I Tre Secondi\, and created the performances Zurigo Stazione Centrale (2005)\, I Doganieri (2010) and Kaspar (2015). In 2006\, he moved to Geneva\, where he continued to work as an actor. In the same period\, a meeting with director Teresa Ludovico led him to collaborate with the Teatro Stabile d’Innovazione Kismet Opera in Bari. He starred in the performance La Regina delle Nevi\, directed by Teresa Ludovico. In 2008\, he participated in the founding of the research group Progetto Brockenhaus\, based in Ticino\, with which he created the performances Non facciamone una tragedia and Sagra. In the summers of 2009-2010-2012\, he participated in the Origen festival\, Riom (CH) under the artistic direction of Giovanni Netzer. Arriving in Livorno in 2010\, he continued his artistic collaboration between Italy\, Switzerland and Germany. Since 2012\, he has collaborated with Theater Werkstatt Gleis 5 in Frauenfeld (CH)\, with whom he creates Laina Viva. In 2013\, together with Elisa Canessa\, he founded the Compagnia Dimitri/Canessa. Central point\, always\, the body\, container of the whole\, of the gesture as of the word of the concrete and the subtle; fundamental instrument of communication. The company has been working for years both in Italy and abroad\, particularly in Switzerland\, and has four performances to its credit: Bruno (2013)\, a performance that won the FIT\, International Theatre Festival of Lugano; …di Giulietta e del suo Romeo (2014) and Hallo!I’m Jacket! (2016)\, Ad esempio questo cielo (2019). He also made the video clips Show me\, for French singer Marina P. and Lettera di San Paolo agli operai\, Virginiana Miller\, Targa Tenco 2014.\nFor years\, he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. This collaboration will see him involved from October 2016 in the creation of the children’s performance Col naso all’insù. \nElisa Canessa\nElisa began her training in 1999\, dedicating herself to the study of more specifically corporeal languages. In 2001 she graduated from the School of Theatre in Bologna\, a training course in Nouvea-Cirque. Since 2002\, she has been studying Commedia dell’Arte with the Pantakin company in Venice. In 2003\, she received a scholarship from the Ass. Sosta Palmizi. He has attended numerous Contact Improvvisation seminars with masters Dieter Hetikamp (Berlin) and Benno Voorham (Stockholm) and with the latter he collaborated for two years on a project to develop Contemporary Dance in Eastern European countries. Among others\, she studied with Maestros Giorgio Rossi\, Raffaella Giordano\, Michele Modesto Casarin\, Gey Pin Ang\, Chiara Guidi\, Francesca della Monica\, Daniel Lepkoff\, Since 2001 Elisa has been actively working as a performer for: Compagnia Agar\, Sant’Arcangelo dei Teatri; Arcipelago Circo- Teatro\, La Biennale di Venezia; Compagnia Pantakin da Venezia\, Commedia dell’arte; Benno Voorham for ADDM Fest (Moldavia); Massimiliano Barrachini\, Resolution Festival (London); Compagnia Sosta Palmizi\, Giorgio Rossi/Raffaella Giordano; Teatro Kismet Opera – Teresa Ludovico; Teatro all’Improvviso\, Mantova; Segni Particolari/Amina Amici; Origen Festival (CH). Since 2002\, alongside her activity as a performer\, she has been conducting her own theatrical research. She is the author of the performances Esercizi and Drunk. In 2008\, she co-founded the research group Progetto Brockenhaus in Switzerland\, with which she created the performances Non facciamone una tragedia and Sagra. In 2010 she graduated from the Teatro Stabile di Torino in “Scritture per la Danza Contemporanea”\, a professional specialisation course held by Raffaella Giordano. She played the lead role in one of Lorenzo Jovanotti’s video clips\, Mezzogiorno. In 2013\, Federico Dimitri founded the Dimitri/Canessa Company. For years he has been actively collaborating with Ticino choreographer Giorgio Rossi\, of the Sosta Palmizi company. \nFrancesco Manenti\nHe works in the field of theatre\, performance and visual art. He graduated from the Professional Training Course in Noveau Cirque at the Theatre School of Bologna Galante Garrone. He studies and deepens the Contact Improvisation\, in particular following the seminars of D.Heitkamp and Benno Voorham. In 2003-2004 he was awarded a scholarship by Raffaella Giordano and Giorgio Rossi\, with whom he studied at the theatre-dance seminars held at Sosta Palmizi. Since 2010 he follows the work of Masaki Iwana attending his intensive workshops at the Atelier du Butoh Blanc in Normandy. He graduated from the International Master WTTL (World Theatre Training Library) under the artistic direction of Master Yuri Alschitz which took place at the UNAM University in Mexico City with the aim of developing theatrical pedagogy. For several years he has been studying martial arts (Ki Aikido\, Kung Fu\, TaiJiQuan)\, circus arts (in particular aerial acrobatics and dance with flaming sticks); in 2011 he graduated as Teacher of Dao Yin Fa Qi Gong at the Tao Yin Italy School. With Elisa Canessa he gives life to the Agatharandagio Project and together they create the shows “ESERCIZI” and “DRUNK” (co-production TIR-Dance) participating in several festivals including: “Lavori in Pelle”\, Iceberg Award 2005\, Festival DANAE 2006\, Italia Wave 2009\, GD’A 2004-2005 and Festival Inequilibrio-Armunia 2009. In 2008 he created together with E. di Terlizzi\, E. Canessa\, F. Dimitri\, E. Rosenberg and P. Gianotti the Swiss movement theatre company Progetto Brockenhaus. He has worked and still works as interpreter for some of the most interesting Italian and foreign companies such as Sosta Palmizi (Giorgio Rossi)\, Pantakin (Michele Modesto Casarin)\, Teatro Kismet Opera (Teresa Ludovico)\, Eccentrici Dadarò. He has also worked with: Riccardo Palmieri-ArterieCIRT\, PierrNosari-Acidi Alteri\, Maria Carpaneto-Filo di Paglia\, Company Mafalda\, Dimensioni Parallele Teatro (Stefano Cenci). At the same time he carries on a personal research in the field of visual arts.\nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.00 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/esercizi-di-fantastica/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/Esercizi-di-Fantastica-Vincenzo-Siniscalco10.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231029T180000 DTEND;TZID=Europe/Rome:20231029T190000 DTSTAMP:20260504T171021 CREATED:20230803T074315Z LAST-MODIFIED:20230803T083145Z UID:10003013-1698602400-1698606000@www.fndaterballetto.it SUMMARY:Hold Your Horses DESCRIPTION:De Dansers – Hold Your Horses – ph. Bart Grietens \nHold Your Horses by De Dansers can be seen as an ode to our versatile\, longing arms\, as well as a cry for help in an increasingly elusive world – NRC \nThe Fonderia is one of the few stops on the Italian tour of De Dansers\, a Utrecht-based company that must be seen at least once in a lifetime. \nPerformance for children and adults. \nSuggestion to health insurers: include a visit to this cheerful dance and music company in the standard health plan. It will significantly reduce the cost of antidepressants. Daily paper Theaterfestival Boulevard \n\n  \nCredits \nChoreography: Josephine van Rheenen\nMusic (live): Guy Corneille\nMade with and performed by Yeli Beurskens\, Liam McCall\, Youri Peters\, Arturo Vargas\, Marie Khatib-Shahidi\, Noëmi Wagner\, Yoko Haveman\, Guy Corneille\nStage and lighting design: Timme Afschrift\nDramaturgy: Moniek Merkx\nCostume design: Nicky Nina de Jong \nA co-production by De Dansers and Theater Strahl Berlin\nWith the support of Gemeente Utrecht\, Fonds Podiumkunsten\, Prins Bernhard Cultuurfonds\, K.F. Hein Fonds\, Fonds 21\, Schäxpir Festival \nRunning time: 1h \nHold Your Horses \nHold Your Horses is an energetic and sensitive dance concert about the desire to hold on. De Dansers tell their story with twelve hands\, including the accompanying bodies\, and a few guitars. We see hands grasping\, mistaking\, touching\, taking off\, falling down and plucking guitar strings. We see passion and distance. We don’t see horses\, although we do feel them. We see an unconstrained dance party\, where the cry for help slowly creeps in. \nDe Dansers – Hold Your Horses – ph. Bart Grietens \nHold Your Horses is about the urge to hold on to something or someone\, in a world that is becoming increasingly elusive. With a spectacular\, acrobatic movement language\, six performers trot on with full dedication\, without losing human sensitivity. Suddenly we meet a personal dance solo\, or we abruptly feel the tension between the group and the individual. As one body\, the dancers move in a continuous flow\, propelled by Guy Corneille’s live music full of compelling guitar compositions and moving songs. \nHold Your Horses was partly created in Berlin and premiered in Berlin and Utrecht in September/October 2021. \nDe Dansers \nDe Dansers is a company of dancers and musicians from Utrecht directed by choreographer/dancer Josephine van Rheenen and composer/musician Guy Corneille. Their performances are ‘dance concer ‘dance concerts’\, a meeting of modern dance and live music on the theme of liberation from everything that can make the individual feel stuck\, all in an atmosphere of playful anarchy.\nPerformances that recall the liveliness of children and the almost forgotten desire of adults to indulge in physical contact. \nJosephine van Rheenen // Choreographer She studied dance at the Theaterschool in Amsterdam and\, in parallel\, performed as a dancer with De Dansers. After dancing for five years with De Dansers\, Vloeistof and Breekgoed\, she replaced Wies Merkx as artistic director of De Dansers together with Guy Corneille in 2014. Since then\, she has created performances for children and adults for this company. As a choreographer\, she is dedicated to the search for humanity in dance and a language of movement based on instinct. Openness\, surrender and interaction are the keywords of her works. \nGuy Corneille // Composer and musician He has been the artistic director of De Dansers together with Josephine van Rheenen since 2014. On stage he is a musician and physical performer at the same time. He also participates in the creation of choreographer Josephine van Rheenen’s performances as a composer and musical dramaturg. He studied sociocultural anthropology and has a background in pop with his indie band La Corneille. Her artistic interest is in communicating the physical and emotional experience\, the improvisation typical of pop concerts and the accessibility of any music without being superficial\nor of low quality. In 2017\, Guy Corneille won a VSCD Gouden Krekel for his multi-performance in The Basement (De Dansers / Theater Strahl / Wies Merkx). \nTHEATER STRAHL BERLIN\nTheater Strahl was founded in 1987 in Berlin as an independent theatre group and has been producing contemporary dance performances for young audiences in collaboration with international artists since 2013. With Theatrer Strahl\, young people are involved in the selection and development of performances\, thus actively coming into contact with the theatrical world. \nInfo & Tickets \nTICKETS\nFull price: 6 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/hold-your-horses/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/DE-DANSERS_HOLD-YOUR-HORSES_FOTO-DI-BART-GRIETENS_20.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231025T203000 DTEND;TZID=Europe/Rome:20231025T213000 DTSTAMP:20260504T171021 CREATED:20231003T132709Z LAST-MODIFIED:20240419T160057Z UID:10003255-1698265800-1698269400@www.fndaterballetto.it SUMMARY:TACA TÈ / talk DESCRIPTION:Why do we remember the past and not the future? Do we exist in time or does time exist in us? What does it really mean for time to flow? What links time to our nature as subjects? What do I listen to when I listen to time flowing? \nCarlo Rovelli \nAfter its debut at the Teatro Elfo Puccini in Milan\, as part of the MILANoLtre festival\, TACA TÈ lands at the Fonderia. The show is produced by Compagnia Sanpapié with artistic direction by Lara Guidetti\, in co-production with the Fondazione Nazionale della Danza / Aterballetto. \nTaca Tè\, in Emilian dialect meaning “you start\,” is a challenge to the right to exist in time\, played out between two bodies that are chronologically distant but converge in the present of dance. On stage\, Antonio Caporilli and Francesca Lastella confront the grand theme of time and intergenerational encounter through relentless physical debate. Past and future mirror each other in an attempt to build a relationship capable of moving fearlessly along the timeline in both directions. Thus\, the codes of ballroom dancing\, which dictate roles\, melodies\, and spaces\, dissolve in an “other” environment that progressively frees itself from structures to open multiple perspectives on the body and the relationship. The choreography develops a unique and ever-evolving flow of movement where the internal rhythms of the dancers diverge and oppose each other before finding common ground that allows for the transcendence of roles in an ironic\, at times theatrical and surreal game. \nFollowing the performance\, there will be a talk with Elisabetta Donati\, a sociologist and Head of the Culture and Research Department for the Ravasi-Garzanti Foundation\, the scientific partner of the Over Dance project\, which is entirely oriented towards research and policies for aging. \nCREDITS \nA co-production by Sanpapié\, Fondazione Nazionale della Danza/Aterballetto\, and MILANoLTRE \nChoreography: Lara Guidetti \nPerformers: Antonio Caporilli\, Francesca Lastella \nChoreography assistant and costumes: Fabrizio Calanna \nSet design: Maria Croce \nOriginal music and arrangements: Marcello Gori\, Alberto Sansone \nPremiere: September 30\, 2023\, Teatro Elfo Puccini – MILANoLTRE Festival\, Milan (replica October 1) \nCOMPAGNIA SANPAPIÉ / LARA GUIDETTI \nEmiliana\, after competitive acrobatics studies and theatrical acting\, graduated in 2006 as a dancer and choreographer from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with great national and international masters such as Susanne Linke\, Emio Greco\, André Minvielle\, Franco Brambilla\, Luciana Melis\, Reinhild Hoffman\, Lucinda Childs\, Susanna Beltrami; Yong Min Cho\, and Sarah Taylor. She continued her training\, both in the world of dance and performing arts and in various actor training methods\, by attending workshops and productions by international artists such as Rimas Tuminas\, Cesar Brie\, Paz Rojo\, Carolina Bolouda\, Joao Garcia Miguel\, Virgilio Sieni\, and many others. \nIn 2006\, she founded the Sanpapié Company\, of which she is artistic director\, choreographer\, and performer. She has choreographed 40 works and performances for the company\, presented throughout Europe and China. In 2017\, her show Lei won the Sonia Bonacina Award\, dedicated to women in theater. Alongside her work with Sanpapié\, she works as a choreographer and performer in theater\, dance\, and classicalANTONIO CAPORILLI / FRANCESCA LASTELLA \nAntonio Caporilli\nAntonio is a performer\, dancer\, teacher\, creator of multimedia events\, and videomaker. After experiences with Jerome Savary\, Robert Wilson\, Amy Luckenbach\, and others\, he has collaborated as a dancer/performer with Teatro alla Scala di Milano\, L’Opera National De Paris\, Staatsoper Berlin\, The Place Theater of London\, etc. His interest in the performative act as a social event\, shared with other artists and with people of different ages\, backgrounds\, and cultures\, has gradually materialized in various interventions carried out in the territory\, involving the people who live there\, such as the “Blu del Lago” Festival in Trevignano R.\, Rome. In recent years\, his attention has turned to the everyday life of urban contexts\, with surprise blitzes or collective performances aimed at suddenly subverting the rhythms and habits of a place. \nFrancesca Lastella\nFrancesca is a dancer and teacher. After attending the Duncan Centre dance conservatory and deepening her training with international masters like the Forsythe Dance Company and Sasha Waltz & Guest\, she has worked on numerous projects alongside professionals like Lara Russo and Anna Albertarelli. Since 2019\, she has been a teacher at Artemente\, a high-level dance training center. She has collaborated with companies such as Déjà Donné\, Compagnia Balafori\, and Veicolo Danza\, while currently dancing for companies like Sanpapié\, Lost Movement\, and Luna Cenere. \nELISABETTA DONATI \nElisabetta\, the Head of the Culture and Research Department at the Ravasi-Garzanti Foundation in Milan\, is associated with a philanthropic organization aimed at promoting the well-being of elderly people. She contributed as an expert to drafting a document on the role of the family in promoting gender equality and education equality for the World Family Organization (WFO) at the 2010 Paris Summit. Previously\, she served as the Research Manager at Pari e Dispari\, a consultant for the Social Research Institute of the Piedmont Region on international studies on aging\, and a part-time lecturer in Sociology of the Family at the University of Turin’s Social Service Course. She also held positions as the President of the Equal Opportunities Commission of the Municipality of Brescia and the President of the Family Counseling Center Onlus in Brescia. Additionally\, she is a founding member of the Documentation and Information Center on Gender Health in Brescia and has authored several publications. URL:https://www.fndaterballetto.it/en/evento/taca-te-talk/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/02/foto-Taca-te-2.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231025T183000 DTEND;TZID=Europe/Rome:20231025T193000 DTSTAMP:20260504T171021 CREATED:20231017T155529Z LAST-MODIFIED:20240419T161046Z UID:10003256-1698258600-1698262200@www.fndaterballetto.it SUMMARY:REVIVAL RHAPSODY WORKSHOP - OPEN DAY DESCRIPTION:“After the success of ‘From Liscio to Rave\,’ here comes ‘Revival Rhapsody’: the new edition of the intergenerational dance workshop curated by Lara Guidetti. The workshop is free and open to all ages\, and no previous experience in dance or ballet is required to participate. \nOn Wednesday\, October 25th\, starting from 6:30 PM\, during the open day of the course\, it will be possible to participate in a trial workshop. \nTo participate in the open day\, it is necessary to book by contacting lab@aterballetto.it. \n‘Revival Rhapsody’ is part of Over Dance\, the project by FND/Aterballetto dedicated to longevity.” URL:https://www.fndaterballetto.it/en/evento/revival-rhapsody-workshop-open-day/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231023T180000 DTEND;TZID=Europe/Rome:20231023T190000 DTSTAMP:20260504T171021 CREATED:20231017T151603Z LAST-MODIFIED:20240419T161945Z UID:10003257-1698084000-1698087600@www.fndaterballetto.it SUMMARY:Open rehearsal - Rhapsody in Blue DESCRIPTION:The open rehearsals are back in the halls of the Foundry! \nOn Monday\, October 23rd\, at 6:00 PM\, the audience of the Foundry will be able to attend the creation of our new production: “Rhapsody in Blue.” The choreography is entrusted to Iratxe Ansa and Igor Bacovich\, internationally acclaimed choreographers\, and is inspired by the music of George Gershwin. For several days\, the sixteen dancers have been working on the choreography\, and the open rehearsal will be a unique opportunity to witness live the creative process. \nOpen rehearsals are unique moments where you can experience the backstage of a show\, interact with the artists\, and be amazed by the art of dance: an exclusive experience to enter the daily routine of dancers and choreographers. URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-rhapsody-in-blue-3/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Aterballetto,Open rehearsals,Stagione settembre-dicembre 2023 GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231018T203000 DTEND;TZID=Europe/Rome:20231018T213000 DTSTAMP:20260504T171021 CREATED:20230802T163553Z LAST-MODIFIED:20230802T164838Z UID:10003011-1697661000-1697664600@www.fndaterballetto.it SUMMARY:Davidson DESCRIPTION:Balletto Civile – Davidson – ph. Donato Aquaro \nA metà strada tra racconto e sceneggiatura\, Il Padre Selvaggio\, scritto nel 1962 e pubblicato postumo nell’anno della sua morte\, è un abbozzo di film che Pasolini non ha mai realizzato\, nonostante fosse quasi tutto pronto e il regista avesse anche fatto un viaggio in Africa con Alberto Moravia e Dacia Maraini per trovare i posti dove girare. \nBalletto Civile porta in scena Davidson\, un oggetto coreografico con un giovane performer di talento: una messinscena danzata\, una vertigine tra opera letteraria e teatro fisico. \nCredits \nfreely adapted from the screenplay Il Padre Selvaggio by Pier Paolo Pasolini \nConcept and dramaturgy: Maurizio Camilli\nChoreography: Michela Lucenti\nWith Maurizio Camilli and Confident Frank\nLighting design: Vincenzo De Angelis\nSound design: Andrea Gianessi\nAssistant director: Ambra Chiarello\nAssistant to choreography: Francesco Collavino \nProduction Balletto Civile\, in collaboration with ERT Emilia Romagna Teatro / Teatro Nazionale / focus CARNE \nwith the support of ATER (Modena) and ICK (Amsterdam) and the Italian Ministry of Culture MIC \nDavidson \n– What is poetry\, sir?” asks Davidson\n– But you know it! – says the professor.\n– No I do not know! – protests the boy shaking his curly head.\n– Yes you know!\n– No I do not know!\n– You are an African\, you are immersed in poetry!\n– No\, poetry is a white thing.\n– Sing a song from your village!\nDavidson begins to sing one of his village songs.\nBut the singing is in his head closely connected with the dance. And then\, singing\, he starts dancing.\nA long song\, a long dance.\n– Here\, this is poetry!\n \nBalletto Civile – Davidson – ph. Donato Aquaro \nIl Padre Selvaggio (The Savage Father) is an outline of a screenplay written in 1963 by Pier Paolo Pasolini and published posthumously in the fateful 1975. The director did not find financers\, frightened by his freedom of thought\, and the film was never made. It is the story of Davidson\, a sensitive and acute black boy from an African tribe and his encounter with a progressive and tormented teacher – a frontier figure\, alter ego of Pasolini himself – who tries to give his boys a modern and anti-colonialist education. Above all\, this suspended work recounts the conflict between the teacher and Davidson\, wary of the new method and culture of the new teacher precisely because he is the smartest. The heart of this contrast is the dilemma of the relationship between blacks and whites\, the problem of freedom and democracy\, of the tension towards the other than oneself. \nA short and intense piece of writing\, with a strong political and not just poetic value\, a sort of canvas that escapes definitions\, conceived above all as a succession of images and indications of actions. A hybrid screenplay that mixes codes and languages and precisely in the absence of its realization offers great expressive potential. \nAn indefinite form that presents visual qualities that lend themselves to dance staging\, in a vertigo between literary work and physical theatre.\nBalletto Civile met its Davidson on the outskirts of Modena. \nBalletto Civile – Davidson – ph. Donato Aquaro \nBalletto Civile \nA nomadic group by definition\, animated by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theatre\, dance and original song interact naturally. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/davidson/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/HD-066-076-Davidson-02.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231011T203000 DTEND;TZID=Europe/Rome:20231011T220000 DTSTAMP:20260504T171021 CREATED:20230802T123204Z LAST-MODIFIED:20240419T163722Z UID:10003007-1697056200-1697061600@www.fndaterballetto.it SUMMARY:Night Stories DESCRIPTION:MM Contemporary Dance Company – Short Stories – cor. Michele Merola\, foto di Creativite \nNIGHT STORIES is the new evening by MM Contemporary Dance Company composed of Quarto Canto by Enrico Morelli\, Short Stories by Michele Merola and Skirk by Adriano Bolognino. \nProduction: MM Contemporary Dance Company \nCo-production Skirk: Comune di Bassano del Grappa – Operaestate Festival Veneto \nWEIRDO_Primo Studio \nChoreography: Enrico Morelli \nOriginal Music: Giuseppe Villarosa \nLighting: Gessica Germini \nCostumes: Nuvia Valestri \nAssistant Choreographer: Paolo Lauri \nPerformers: Filippo Begnozzi\, Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella \nDuration: 25 minutes \nThe feeling of inadequacy: the only true obstacle to any form of relationship\, including the one with oneself. Who\, in their life\, has never been pervaded by it? Often\, this state stems from the desire to meet others’ expectations: feeling the weight of risk\, fear of failure\, and judgment. Starting from these feelings\, Enrico Morelli presents an initial choreographic study\, drawing inspiration not only from his personal experience but also from that of the performers\, to whom he posed the same question he asks himself: “When do you feel inadequate and out of place\, how do you feel?” \nSHORT STORIES \nChoreography: Michele Merola\nMusic composed and live performed by Natalia Abbascià\nCostumes: Nuvia Valestri\nChoreography assistant: Paolo Lauri\nDancers: Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Fabiana Lonardo\, Nicola Stasi\, Giuseppe Villarosa\nRunning time: 28′ \nShort Stories involves the dancing bodies in a continuous design\, built on repetitions and differences\, moments of solos\, duets and choral scores\, a succession of short stories\, pictures generated by the sound of live music: Natalia Abbascià\, who will play live\, has created a soundtrack that brings together evocative lyrical parts for violin and solo voice. The dancers will make the audience lose the sense of the boundary separating audience and stage space.\nThe pieces that make up the work will be articulated as an expressive landscape that will leave to the subjectivity of the audience the intimate reading of the feelings that the dance and music suggest. \nSKRIK \nChoreography: Adriano Bolognino\nMusic: Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri\nChoreography assistant: Rosaria Di Maro\nRepetiteur: Paolo Lauri\nDancers Emiliana Campo\, Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nRunning time: 25′ \nCreation in the framework of Prove d’Autore – azione del Network Anticorpi XL. \nAdriano Bolognino’s new work for the MM Contemporary Dance Company\, entitled Skrik\, is inspired by the painting The Scream by Edvard Munch\, a work that led the choreographer to investigate the theme of tragedy\, anguish and the littleness of man in the immensity of the universe. The choreographer himself explains: “The dull cry of the painting – of which I have decided to keep the Norwegian title “Skrik”\, which phonetically recalls an unpleasant sound\, a bump\, a shock – seems to deform the landscape\, giving us instability and fear\, while preserving its immense beauty. Clinging to this dualism that I feel close to me\, I wanted to create a dancing moment that could be a breathless accumulation of all the discontent of these last few years\, but also reach the eyes of the audience as a regenerating waterfall.” \n\n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic…). \nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Award of Merit for Choreography\, for the performance Bolero by Michele Merola. In 2022\, MMCDC won the Danza&Danza Award for the best Italian production with the performance Ballade (chor. Mauro Bigonzetti\, Enrico Morelli). On 1 January 2021 and 1 January 2022 MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” performing choreographies by Mauro Bigonzetti and Lorca Massine. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the Trentino Alto Adige InDanza Circuit. \nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it \n\n  URL:https://www.fndaterballetto.it/en/evento/night-stories/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/Short-Stories_cor.-Michele-Merola_foto-di-Creativite_DSC3237.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231004T203000 DTEND;TZID=Europe/Rome:20231004T214500 DTSTAMP:20260504T171021 CREATED:20230802T072012Z LAST-MODIFIED:20240419T164228Z UID:10003003-1696451400-1696455900@www.fndaterballetto.it SUMMARY:Callas\, Callas\, Callas DESCRIPTION:The 2023/24 season at the Fonderia opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays tribute to the great singer by bringing together for the first time three of the most interesting names in Italian contemporary choreography\, Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco (former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic figures of the twentieth century. \nEach choreographer brings to the stage a different aspect of Maria Callas’s life and work in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations\, and iconography merge with contemporary dance to create a new language. \nThe project ideally continues the artistic research path that the company has been pursuing for years\, engaging contemporary dance with classical stories and music\, considered “repertoire” that becomes fertile ground for the creation of something completely different. The classical becomes a lens for viewing the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak about a lived\, tangible reality that is close to us. \nCredits\n“`html \nCALLAS CALLAS CALLAS\nCoreography by Adriano Bolognino\, Carlo Massari\, and Roberto Tedesco\nA production by COB Compagnia Opus Ballet\nIn coproduction with Fondazione Festival La Versiliana \nArtistic Direction Rosanna Brocanello\nArtistic Consultant Laura Pulin\nLight Designer Giacomo Ungari\nRepetiteur Giulia Orlando\nOrganization Margherita Fantoni\nDistribution Laura Montagna \nWorld Premiere July 12\, 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic by Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic by Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal Creation by Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusic Editing by Luca Martone\nSupport for Stage Outfits Giovanna Ficaccio \n\nTotal Duration: 75 minutes\nA 6-minute intermission is included between the choreographies\n“` \nCallas\, Callas\, Callas \nMaria Callas\, “The Divine”\, was endowed with “three voices\,” it was said\, due to her exceptional vocal range. Described as having the talent of a “dramatic coloratura soprano\,” an 19th-century term for her unique timbre. A charismatic woman and artist\, possessing a powerful and theatrical voice\, she was skilled in blending singing and acting\, capable of fiery and engaging interpretations in embodying both seductive and tragic female characters. Her name is engraved in the history of opera. And beyond. Art and style\, triumphs and acclaim\, glamour and personal affairs intertwined in the life of Maria Callas\, “The Divine”. She is also remembered for her diva tantrums\, the mystery of her drastic weight loss\, chronic insomnia\, the child she never had\, her friendship with Pasolini\, and\, above all\, her ill-fated liaison with shipping magnate Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris apartment on September 16\, 1977\, for causes not yet determined. On the centenary of her birth\, amidst tributes already celebrated and others underway\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, holds a particular significance also for the originality that inspired it: entrusting three young\, and already established\, contemporary choreographers to create an evening production that reflects their personal vision of the legendary artist\, without intending to recount her life story. Three different perspectives\, therefore\, three approaches and renditions in dance that the beautiful title Callas Callas Callas already highlights. A title that also serves as an invitation\, for the audience\, to discover or rediscover within the folds of movement or the ensemble’s choreography\, among electronic sounds or fragments of famous arias scattered throughout the choreographic architecture\, within a light or a costume that shapes gestures and postures\, their own Callas. Or perhaps a new\, unseen one\, suggested\, evoked\, imprinted in the atmosphere and memory by abstract dance. Surely\, three famous arias will be recognized\, whether subtly hinted or prominently displayed: from Tosca\, Norma\, and Carmen. \n\n STANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani)\nRoberto Tedesco merges the notes of Vissi d’arte with the electronic musical score composed by Giuseppe Villarosa\, incorporating also snippets of interviews and voice interferences. In the famous aria’s lyrics\, extracted from Tosca\, the Calabrian choreographer identifies the moment when Callas is at death’s door\, wanting to reaffirm to everyone that she lived deeply for art and love as simply a person\, a woman\, before being considered a diva. It is mainly in the sound structure that the choreographer imbues his vision of Callas’s life\, almost wanting to prepare the audience – quoting George Balanchine – to “see the music and listen to the dance.” Tedesco weaves an imaginary dramaturgy with an almost chronological musical journey\, from the years in New York where Callas was born\, to her Greek origins; from Italy\, which\, with La Scala Theatre\, brought her the greatest success\, to France where she eventually retired. Vague jazz sounds initially allude to America\, then those of the Bouzouki to Greece\, and a 1970s pop song to the mood of suffering that accompanied her. On a gradually increasing techno rhythm\, a choral dance pulsates within the bodies – male and female\, a single entity -\, dressed in stylized \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Performances,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/BON_8554.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231004T170000 DTEND;TZID=Europe/Rome:20231004T181500 DTSTAMP:20260504T171021 CREATED:20230802T094011Z LAST-MODIFIED:20240418T172712Z UID:10003005-1696438800-1696443300@www.fndaterballetto.it SUMMARY:Callas\, Callas\, Callas - open rehearsal DESCRIPTION:OPEN REHEARSAL\nThe Fonderia’s 2023/24 season opens with CALLAS CALLAS CALLAS\, the new production by COB Compagnia Opus Ballet. \nThe evening pays homage to the great singer by bringing together for the first time three of the most interesting names in Italian auteur choreography\, Adriano Bolognino\, Carlo Massari and Roberto Tedesco (a former dancer of Aterballetto)\, in a contemporary and innovative interpretation of one of the most iconic personalities of the 20th century. \nEach choreographer brings to the stage a different aspect of the life and work of Maria Callas in a true “choreographic triptych”\, an unprecedented fresco in which biographical elements\, musical inspirations and iconography merge with contemporary dance in the creation of an original language. \nThe project ideally continues the artistic research path that the company has been pursuing for years and that sees contemporary dance dialoguing with classical stories and music\, considered “repertoire” that become fertile ground for the creation of something completely different. The classic becomes a key to the contemporary world\, with the aim of deconstructing and enriching the repertoire to speak of a lived reality\, tangible\, close to us. \nThe performance is on Wednesday 4 October at 8.30 p.m. \nCredits \nCALLAS\, CALLAS\, CALLAS\nChoreographies by Adriano Bolognino\, Carlo Massari and Roberto Tedesco\nA production COB Compagnia Opus Ballet\nIn co-production with Fondazione Festival La Versiliana \nArtistic direction Rosanna Brocanello\nArtistic advisor Laura Pulin\nLight designer Giacomo Ungari\nRepetiteur Giulia Orlando\nManagement Margherita Fantoni\nDiffusion Laura Montagna \nItalian premiere 12 July 2023\, Teatro “La Versiliana” (Marina di Pietrasanta) \n***\n/DIVINA \nChoreography Adriano Bolognino\nPerformers Giuliana Bonaffini\, Aura Calarco\, Sofia Galvan\, Ginevra Gioli\, Gaia Mondini\nChoreography Assistant Rosaria Di Maro\nMusic Vito Pizzo\nCostumes by Tns Brand \n/STANDPOINTS\nChoreography Roberto Tedesco\nPerformers Matheus Alves De Oliveira\, Giuliana Bonaffini\, Aura Calarco\, Emiliano Candiago\, Ginevra Gioli\, Gaia Mondini\, Riccardo Papa\, Frederic Zoungla\nMusic Giuseppe Villarosa\nCostumes by Opificio della Moda e del Costume \n/TOUJOURS LA MORT\nOriginal creation Carlo Massari\nPerformers Matheus Alves De Oliveira\, Aura Calarco\, Emiliano Candiago\, Riccardo Papa\, Frederic Zoungla\nMusical editing Luca Martone\nSupporting the making of costumes Giovanna Ficaccio \n*** \nRunning time 75′\nA 6-minute break is scheduled among the choreographies. \nCallas\, Callas\, Callas \nGifted with ‘three voices’\, it was said\, for her exceptional vocal range. And again: talented as a ‘dramatic soprano of agility’\, a 19th century description for her unique timbre. A charismatic woman and artist\, her voice was powerful and theatrical thanks to her technique and ability to fuse singing and acting\, capable of ardent and engaging interpretations in embodying seductive and tragic female characters. Her name is engraved in the history of melodrama. And not only. Art and style\, triumphs and acclaim\, worldliness and private affairs have intertwined in the life of Maria Callas\, ‘La Divina’. We also remember her diva outbursts\, the mystery of her drastic weight loss\, her chronic insomnia\, the son she never had\, her friendship with Pasolini and\, above all\, her inauspicious love affair with the shipping tycoon Aristotle Onassis\, who left his wife for her\, only to abandon her and marry Jackie Kennedy. Callas died\, suffering and alone\, in her Paris flat on 16 September 1977\, from causes not yet ascertained. In the centenary year of her birth\, amidst already celebrated tributes and others in progress\, that of the COB Compagnia Opus Ballet directed by Rosanna Brocanello\, has a particular value also for the originality that inspired it: entrusting three young\, and already established\, choreographers with a contemporary language\, with a creation for one evening\, reflecting their personal vision of the legendary artist\, without\, however\, wishing to describe her. Three different points of view\, therefore\, three approaches and restitutions in dance that the beautiful title Callas\, Callas\, Callas already highlights. A title that is also an invitation\, for the spectator\, to discover or rediscover through the folds of a movement or the ensemble chorus\, through the electronic sounds or the fragments of famous arias disseminated in the choreographic architecture\, through a light or a costume that shapes gestures and postures\, one’s own Callas. Or perhaps another\, unprecedented one that abstract dance can suggest\, evoke\, imprint in the atmosphere and memory. We will certainly recognise\, contaminated or barely revealed\, three famous arias: from Tosca\, Norma\, Carmen. \nSTANDPOINTS by Roberto Tedesco (ph. Paolo Bonciani) \n\nRoberto Tedesco blends the notes of Vissi d’arte on the electronic musical score composed by Giuseppe Villarosa\, within which he also mixes excerpts from interviews and interference of voices. In the words of the famous aria\, extrapolated from Tosca\, the Calabrian choreographer pinpoints the moment when Callas is on the point of death\, and wants to reiterate to everyone that she lived profoundly of art and love\, being simply a person\, a woman\, before being considered a diva. It is above all in the sound structure that the choreographer imprints his vision of Callas’s life\, as if to predispose the spectator – quoting George Balanchine – to “see the music and hear the dance”. Tedesco interweaves an imaginary dramaturgy with a musical journey\, almost chronological\, from the years in New York\, where Callas was born\, to her Greek origins; from Italy\, which\, with the Teatro alla Scala\, gave her her greatest success\, to France\, where she retired for good. Vague jazz sounds at first recall America\, then those of the Bouzouki to Greece\, and a piece of light music from the 1970s to the mood of suffering that accompanied her. Over a rising\, almost techno rhythm\, a choral dance grafts the bodies – male and female\, a single entity -\, clad in stylised red corsets and black masks in the shape of abatjours.\nAn aesthetic that harks back to the theatrical costumes of opera\, and to that world of fashion of which Callas\, inspiring many designers\, was also an icon. \nDIVINA by Adriano Bolognino (ph. Paolo Bonciani) \nThe Neapolitan choreographer Adriano Bolognino – a lover of all that is part of that glamorous universe – emphasises this fashionable divism in his creation\, emphasising his ‘Callas imagery’ also in terms of aesthetics\, combined with the strength\, rigour and whimsy of dance.\nSpeed and rhythm characterise his language. It is embodied by the five dancers with a combative gesturality that underlies certain references from the soprano’s life: her singing\, her Greek roots\, her failed motherhood\, her tormented love affair. Always on stage\, the quintet plays between softness and broken movements\, rhythms and pauses\, to the introductory music composed by Vito Pizzo\, which acts as a prelude to flow and close with Casta diva (from a recording by the Opéra de Paris). \nTOUJOURS LA MORT by Carlo Massari (ph. Paolo Bonciani) \nCarlo Massari\, on the other hand\, does not engage with any particular sound contaminations in his creative journey through the Callas universe. With a dramaturgy linked to an even ironic component that impacts with the sound dimension\, what envelops the ether is\, after listening on a loop\, the recognisable voice of the singer in the famous Habanera from Carmen – the simple bolero of the costumes recalls Bizet’s opera – and further on the Aria delle carte\, when the playing cards predict to the gypsy woman the approach of death. And it is this vision that allows Massari’s choreography\, with Callas who\, in her physical perishing\, lives knowing the end that awaits her. The applause we hear at the beginning accompanies her as she retraces the thread of her existence\, until she leaves us with the memory of her sublime voice\, of the immortal artist. “There is no movement if there is no thought and there is no thought if there is no sense” is the assumption that has always animated Massari’s work. In line with his own modality that crosses and combines the different languages of the performing arts – theatre\, dance\, music -\, the Bolognese choreographer stages the protagonist accompanied by ‘black souls’\, a sort of coloured spirits – the colours of the voice – that follow and support her in her last breath of life. \nEverything contributes\, in the three creations\, to the spectator’s reading of the scenic event\, who is thus urged to find his own Callas\, to identify his own myth. \nby Giuseppe Distefano \nCOB COMPAGNIA OPUS BALLET \nDirected by Rosanna Brocanello since its foundation\, the company is made up of a stable core of professional dancers and to date has produced a vast repertoire of productions. The latest include: Vivaldi’s Le Quattro stagioni (2020) by choreographer Aurelie Mounier and with music performed live by the Orchestra di Padova e del Veneto; RIGHT. La Sagra della Primavera (2021) by Carlo Massari in a co-production with C&C Company and Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, Associazione Culturale Mosaico Danza/Interplay Festival (Project winner of the CollaborAction XL 2020 action Network Anticorpi XL coordinated by the Ass. Cantieri Danza supporto per la danza d’autore); Il labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; White Room (2022) by Adriano Bolognino in collaboration with the Centro Nazionale Virgilio Sieni; La diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi in co-production with the Compagnia Bellanda; Coding dance (2023) by Leonardo Diana in co-production with Versiliadanza; OTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, Project winner of the 13th edition of the International Prize Prospettiva Danza Teatro and realised in co-production with Festival Danza In Rete-Teatro Comunale Città di Vicenza. From 2021 the company is financed by the Ministry of Culture. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online on www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it URL:https://www.fndaterballetto.it/en/evento/callas-callas-callas-open-rehearsal/ LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy CATEGORIES:Open rehearsals,Season,Stagione settembre-dicembre 2023 ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2023/08/BON_8196.jpg GEO:44.707269;10.623427 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269 END:VEVENT END:VCALENDAR