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DTSTART;TZID=Europe/Rome:20221213T203000
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SUMMARY:Esercizi per un manifesto poetico
DESCRIPTION:The debut work of the MINE Collective\, Esercizi per un manifesto poetico coincides  with the founding act of the company. \nA choral poetic/choreographic manifesto\, a hymn to human and artistic encounter\, shared authorship and the poetics of the body through which the collective investigates its relationship with aesthetics\, choreography\, languages\, rules and rebellion. \n\nCREDITS\nChoreography\, invention and dance Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nPerformers Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nOriginal music Samuele Cestola\nLighting design Luca Serafini\nAdministration\, executive production Fabbrica Europa\nPromotion Jean-François Mathieu \nSupport for production FVG/Artisti Associati Gorizia; Centro Nazionale di Produzione Firenze – Compagnia Virgilio Sieni\, Operaestate Festival/ CSC Centro per la scena contemporanea del Comune di Bassano del Grappa\, L’arboreto – Teatro Dimora | La Corte Ospitale Centro di Residenza Emilia Romagna\, Fondazione Romaeuropa\, Gender Bender Festival of Bologna and Triennale Milano Teatro\, Teatro India- Teatri di Roma\, Fondazione Fabbrica Europa\, Spazio13Bari \nSelected for NID New Italian Dance Platform 2022\, Aerowaves Twenty22 Artist\nWinner DNA- Appunti Coreografici Giovani Coreografi Italiani 2019\, Romaeuropa\nSYNOPSIS \nThe debut work of the MINE Collective\, Esercizi per un manifesto poetico coincides  with the founding act of the company.\nThe co-authorial manifesto finds its dance  writing in a choreographic practice written by ten hands where individual breath and  unison interpenetrate and where the choral and synchronic weaving of space and  bodies becomes the inspiration of a collective language and of an evocative  poetics. \nRepetition\, stubborn determination\, a single stage action\, powerful and  structured as an instrument of shared writing\, able to generate interactions and  ignite correspondences\, giving rise to a single body that reflects on the ability to cross together the change and the passage of time.\nEsercizi per un manifesto poetico investigates the coexistence of a rigorous choreographic writing and an open and vibrant emotional temperature that plays in the here and now. \n \n  \nCOLLETTIVO MINE \nMINE is the result of an artistic encounter between Francesco Saverio Cavaliere\, Siro Guglielmi\, Fabio Novembrini\, Roberta Racis and Silvia Sisto. MINE is an experiment of collective\, horizontal creation and choreographic writing by ten hands that aims to carry on a research work focused on the sharing of practices\, experimentations and languages. \nEsercizi per un manifesto poetico\, winner of the 2019 edition of DNA Appunti Coreografici marks the beginning of their artistic collaboration. \nIn 2020 they debut with the choreographic project Corpi Elettrici\, in collaboration with the Gender Bender Festival and the Electronic Music School of the G.B. Martini Conservatory in Bologna. The work was initially conceived as a special project by Gender Bender and the G.B. Martini Conservatory in Bologna\, developed during the lockdown to make the 5 dancemakers of the Collective work together with 20 students from the Electronic Music and Applied Music courses. From these meetings\, which took the form of videoconference sessions\, 20 short video works were produced. From these 20 videos the MINE Collective subsequently developed a creation for the stage. \nIn 2021 they are choreographers for the project Swans never die(Danzare la memoria 2020-2022) a project of Lavanderia a Vapore – Centro di Residenza per la Danza (Piemonte dal Vivo – Circuito Multidisciplinare dello Spettacolo\, Coorpi\, Didee Arti e Comunicazioni\, Mosaico Danza\, Zerogrammi); Operaestate Festival Veneto and Centro per la Scena Contemporanea CSC Bassano del Grappa; Triennale Milano Teatro; Fondazione Teatro Grande di Brescia; Festival Bolzano Danza – Fondazione Haydn; Gender Bender Festival; “Memory in Motion. Re-Membering Dance History (Mnemedance)” – Ca’ Foscari University Venice; DAMS – University of Turin\, with the scientific coordination of Susanne Franco. \n \n  \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Fonderia is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/esercizi-per-un-manifesto-poetico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221210T173000
DTEND;TZID=Europe/Rome:20221210T183000
DTSTAMP:20260505T011632
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SUMMARY:Pollicino Show
DESCRIPTION:CHILDREN’S SHOW (6-11 years)\n\nPollicino is small but\, in some ways\, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine\, food is no longer enough to feed everyone. \nThe father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins. \n\nCREDITS \nDirection Cinzia Pietribiasi\nChoreography and interpretation Davide Tagliavini\nIllustrations Giovanni Copelli\nProduction Artemis Danza\nin collaboration with Compagnia Pietribiasi/Tedeschi \nGRUPPO IBRIDO \nGRUPPO IBRIDO (Reggio Emilia\, 2021) was created by the will of the dancer Davide Tagliavini\, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance\, voice\, video projection\, art\, sculpture and new technologies. Pollicino is the first work\, produced by the Artemis Danza Company. \nDavide Tagliavini (1990) works with Luna Cenere\, Artemis Danza\, Marina Abramović\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo and others. For years he has been conducting dance workshops for children\, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory. \nCinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca\, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children. \nGiovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe. \nINFO & TICKETS \nTICKETS\nFor everyone 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 16.30. \nTickets are not numbered. \nCONTACTS \nTel +39 0522273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/pollicino/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221204T180000
DTEND;TZID=Europe/Rome:20221204T193000
DTSTAMP:20260505T011632
CREATED:20221125T120205Z
LAST-MODIFIED:20221207T192144Z
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SUMMARY:NEXT STOP_ PALCOSCENICO
DESCRIPTION:NEXT STOP_ PALCOSCENICO\nContainer of contemporary creations that open the door to the professional performing world. \nChoreographers 2022\nRoberto Tedesco\, Laura Matano\, Taulant Shehu\n \nPerformers\nGiovani danzatori del Corso di perfezionamento StudioXL Reggio Emilia\nCompagnia XL\n \nMEMORY LAB \n(Ricordare) remember comes from the Latin: re- indietro and cor cuore. Recall in heart.\nIn ancient times\, the heart was thought to be the home of memory\, which today we know to be the brain.\nIn these terms\, therefore\, remembering does not only mean ‘having memory’ but having past experiences live inside you\, making them impact your essence and your life. \nTales and anecdotes\, but also desires\, goals and dreams. And also assumptions\, fears and apprehensions about what we will be\, about what is to come. \nThe end result of a workshop on childhood seen by those who lived it not too long ago and at the same time\, in imagining themselves old\, by those who today can only assume memories still unknown. \nChoreography Roberto Tedesco\nPerformers Dancers from the formazione StudioXL \nMusic Hiro Kone\, Colleen\nLight design Gessica Germini \nOh Peter\, hello. Goodbye. \nHere was the greeting you had to become.\nI awaited it with understanding because in all our things there were sentences and redemptions. In it is included the desire to which I had to return and which I had to keep. A resolute control of aspirations is necessary in order not to become a victim of them.\nYou are without siege\, and I am no longer a smile but winter. Cover yourself too.\nYou said that every body seeks\, calls\, must fulfil itself. It is true\, here is the ritual to go.\nI feel that you want to drag me into your space but I have chosen to return to myself\, in symbiosis with my wide gestures and without constraints. Until they are fulfilled we will guard our sleeps but stand in profile to give access to the nightmares.\nThen I will open my hands as in a space of my own\, without having yours around to take one last close look. \nChoreography Laura Matano\nPerformers Compagnia XL\nMusic Various Authors\nLight design Gessica Germini \n \nTime \nThe perception of time is highly subjective\, each of us has its own past. We are our past. This is shown by our faces with the signs of advancing age\, it is shown by our eyes in which a mixture of disappointment and satisfaction shines through.\nWithout memory of the past\, without projection into the future\, we cannot make sense of the world and the people in it.\nSo it is up to us to choose and ask ourselves questions\, is time our ally? Can it heal our wounds? Or do we use time only to forget and eventually forgive? \nChoreography Taulant Shehu\nPerformers Dancers from formazione StudioXL \nAuthors Ezio Bosso\nLight design Gessica Germini \nStudioXL International Contemporary Dance Education \nArtistic Direction Emanuela Baratin\, Laura Matano \nStudioXL is aimed at dancers aged 18 and over who wish to deepen their study of the contemporary performing arts.\nIt is an eight-month long advanced training course during which they will alternate study\, research and performance throughout Europe.\nInternationally renowned professional choreographers also participate in the project in order to give the dancers the best training possible.\nThe aim of the study course is to refine the technical\, scenic and expressive skills of each dancer and to guide them to the discovery and enhancement of their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in Fonderia is open from 5 pm. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nCell and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/next-stop_-palcoscenico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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DTSTART;TZID=Europe/Rome:20221118T203000
DTEND;TZID=Europe/Rome:20221118T213000
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SUMMARY:Winter Forest
DESCRIPTION:Winter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. \n\n  \n  \nCREDITS\nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Valentina Staltari\, Po-Nien Wang\nSet\, costume and art work First Rose\nSounds recorded in zoos of different countries around the world Fabrizio Favale\nMusic Massimo Carozzi\, Daniela Cattivelli\, Christian Fennesz\, Jónsi\, Alex Somers \nCo-produced by Festival Danza in Rete – Fondazione Teatro Comunale di Vicenza\, KLm – Kinkaleri / Le Supplici / mk\nSupported by MIBAC / Regione Emilia-Romagna\nIn collaboration with h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore \nSYNOPSIS \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. Here three dancers move in a dance made of the intertwining of a very high technical complexity and unknown movements\, like creatures from other worlds. Space and costumes of the dancers have similar aesthetic traits\, resulting in a camouflage effect. The choreography is built with a cyclical idea whose elements\, while varying\, return with an apparent randomness\, as happens to thunderstorms and storms. \n \nAfter having attended for a long time outdoor landscapes in their changes within the alternation of the seasons (The Invisible Seasons – Infinite Choreographic Cycle 2018-2021\, awarded with the Siae and Mibac Prize For Who Creates and selected by the Big Pulse Alliance as one of the eight best European outdoor projects 2021 in the programme Open Air Commission)\, with this project Fabrizio Favale now investigates the concept of mimicry. Sometimes useful in nature\, sometimes useless\, mimicry is seen here first of all as an aesthetic event. A way of disappearing\, dissolving into the surrounding\, to reappear with the appearance of the surrounding. \nFabrizio Favale \nHis dance is oriented towards abstraction\, typical of the American techniques with which he was trained. The choreographic landscapes that he draws in his works seem to refer from time to time to distant and unknown worlds\, in which dance presents itself as a horizon free from interpretation and classification. \nFabrizio studied classical ballet with Denis Carey\, Victor Litvinov\, Sue Carlton Jones. Contemporary techniques with Andé Peck\, Roberta Garrison\, Jeff Slayton\, Betty Jones\, Nina Watt\, Irene Hultmann\, Louise Burns\, Alwin Nicholais. \nFrom a very young age he was awarded numerous scholarships including Full Scholarship at the American Dance Festival\, Duke University\, USA in 1990.\nAt 19 he was awarded with the Prize “Nati per la danza” at the Theatre Romolo Valli in Reggio Emilia and at 26 he was nominated “best Italian dancer of the year 1996” by the G. Tani Prize.\nFrom 1991 to 2001 he danced for the Virgilio Sieni Danza Company. \nSince 1999 he has created over 30 choreographies\, receiving awards in Spain\, Germany\, Italy and Serbia\, performing in numerous festivals and theaters such as Théâtre National de la Danse Chaillot Paris\, Biennale de la Danse de Lyon\, La Biennale di Venezia\, Suzanne Dellal Tel Aviv\, SIDance Seoul\, Varna International Festival and many more.\nHis works have been co-produced by Théâtre National de la Danse Chaillot Paris\, MUSEION – National Museum of Arts in Bolzano\, Tanz Bozen Festival\, Festival MILANoLTRE Milan\, Fondazione Teatro Comunale di Vicenza.\nIn 2011\, on the occasion of the presentation of the work “Un ricamo fatto sul nulla” at the Grand Theater of the National Academy of Dance in Rome\, he received the “Medal of the President of the Republic for Italian choreographic talent”. \nHe invents a series of experimental programming formats\, which will be invited by Italian Festivals and Theaters. The main ones are: “Piattaforma della Danza Balinese” (2014-2015) for the Santarcangelo Festival and “Circo Massimo” (2016-2017) for the Duse Theater in Bologna. \nHe collaborates with musicians and composers such as Mountains (USA)\, Teho Teardo (IT)\, Daniela Cattivelli (IT) and visual artists such as ZimmerFrei (IT)\, Lele Marcoianni (IT). \nHis outdoor project Le Stagioni Invisibili – Ciclo Coreografico Infinito 2018-2021\, received the “PerChiCrea 2019” Production Award from Siae and Mibac – Italian Ministry of Culture and was shortlisted by the Big Pulse Dance Alliance as one of the best 8 European projects 2021 in its programme Open Air Commissions. \nWith the duo First Rose (Fabrizio Favale and Andrea Del Bianco)\, he also designs scenes\, costumes and artifacts\, which sometimes graft the choreographic works with an enigmatic figuration of strange beings\, as hybrids of a kind of organic and inorganic world. \nFor the three-year period 22-24 Fabrizio Favale is nominated Italian Associate Artist of MILANoLTRE\, Teatro Elfo-Puccini Milan. \nlesupplici.it \nINFO & TICKETS \nTICKETS\nFull: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/winter-forest/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221118T180000
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DTSTAMP:20260505T011632
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SUMMARY:Winter Forest - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. \n\n  \n  \nCREDITS\nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Valentina Staltari\, Po-Nien Wang\nSet\, costume and art work First Rose\nSounds recorded in zoos of different countries around the world Fabrizio Favale\nMusic Massimo Carozzi\, Daniela Cattivelli\, Christian Fennesz\, Jónsi\, Alex Somers \nCo-produced by Festival Danza in Rete – Fondazione Teatro Comunale di Vicenza\, KLm – Kinkaleri / Le Supplici / mk\nSupported by MIBAC / Regione Emilia-Romagna\nIn collaboration with h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore \nSYNOPSIS \nWinter Forest creates an unclassifiable landscape with a winter\, glacial character\, like a Nordic forest\, obtained with special light effects reflected on a silk backdrop. Here three dancers move in a dance made of the intertwining of a very high technical complexity and unknown movements\, like creatures from other worlds. Space and costumes of the dancers have similar aesthetic traits\, resulting in a camouflage effect. The choreography is built with a cyclical idea whose elements\, while varying\, return with an apparent randomness\, as happens to thunderstorms and storms. \n \nAfter having attended for a long time outdoor landscapes in their changes within the alternation of the seasons (The Invisible Seasons – Infinite Choreographic Cycle 2018-2021\, awarded with the Siae and Mibac Prize For Who Creates and selected by the Big Pulse Alliance as one of the eight best European outdoor projects 2021 in the programme Open Air Commission)\, with this project Fabrizio Favale now investigates the concept of mimicry. Sometimes useful in nature\, sometimes useless\, mimicry is seen here first of all as an aesthetic event. A way of disappearing\, dissolving into the surrounding\, to reappear with the appearance of the surrounding. \nFabrizio Favale \nHis dance is oriented towards abstraction\, typical of the American techniques with which he was trained. The choreographic landscapes that he draws in his works seem to refer from time to time to distant and unknown worlds\, in which dance presents itself as a horizon free from interpretation and classification. \nFabrizio studied classical ballet with Denis Carey\, Victor Litvinov\, Sue Carlton Jones. Contemporary techniques with Andé Peck\, Roberta Garrison\, Jeff Slayton\, Betty Jones\, Nina Watt\, Irene Hultmann\, Louise Burns\, Alwin Nicholais. \nFrom a very young age he was awarded numerous scholarships including Full Scholarship at the American Dance Festival\, Duke University\, USA in 1990.\nAt 19 he was awarded with the Prize “Nati per la danza” at the Theatre Romolo Valli in Reggio Emilia and at 26 he was nominated “best Italian dancer of the year 1996” by the G. Tani Prize.\nFrom 1991 to 2001 he danced for the Virgilio Sieni Danza Company. \nSince 1999 he has created over 30 choreographies\, receiving awards in Spain\, Germany\, Italy and Serbia\, performing in numerous festivals and theaters such as Théâtre National de la Danse Chaillot Paris\, Biennale de la Danse de Lyon\, La Biennale di Venezia\, Suzanne Dellal Tel Aviv\, SIDance Seoul\, Varna International Festival and many more.\nHis works have been co-produced by Théâtre National de la Danse Chaillot Paris\, MUSEION – National Museum of Arts in Bolzano\, Tanz Bozen Festival\, Festival MILANoLTRE Milan\, Fondazione Teatro Comunale di Vicenza.\nIn 2011\, on the occasion of the presentation of the work “Un ricamo fatto sul nulla” at the Grand Theater of the National Academy of Dance in Rome\, he received the “Medal of the President of the Republic for Italian choreographic talent”. \nHe invents a series of experimental programming formats\, which will be invited by Italian Festivals and Theaters. The main ones are: “Piattaforma della Danza Balinese” (2014-2015) for the Santarcangelo Festival and “Circo Massimo” (2016-2017) for the Duse Theater in Bologna. \nHe collaborates with musicians and composers such as Mountains (USA)\, Teho Teardo (IT)\, Daniela Cattivelli (IT) and visual artists such as ZimmerFrei (IT)\, Lele Marcoianni (IT). \nHis outdoor project Le Stagioni Invisibili – Ciclo Coreografico Infinito 2018-2021\, received the “PerChiCrea 2019” Production Award from Siae and Mibac – Italian Ministry of Culture and was shortlisted by the Big Pulse Dance Alliance as one of the best 8 European projects 2021 in its programme Open Air Commissions. \nWith the duo First Rose (Fabrizio Favale and Andrea Del Bianco)\, he also designs scenes\, costumes and artifacts\, which sometimes graft the choreographic works with an enigmatic figuration of strange beings\, as hybrids of a kind of organic and inorganic world. \nFor the three-year period 22-24 Fabrizio Favale is nominated Italian Associate Artist of MILANoLTRE\, Teatro Elfo-Puccini Milan. \nlesupplici.it \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/winter-forest-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season
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UID:10002470-1668198600-1668202200@www.fndaterballetto.it
SUMMARY:Alcune Coreografie
DESCRIPTION:Alcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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END:VEVENT
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DTSTART;TZID=Europe/Rome:20221111T180000
DTEND;TZID=Europe/Rome:20221111T190000
DTSTAMP:20260505T011632
CREATED:20220801T131756Z
LAST-MODIFIED:20220909T191223Z
UID:10002465-1668189600-1668193200@www.fndaterballetto.it
SUMMARY:Alcune coreografie - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS\nconcept\, direction and videochoreography: Jacopo Jenna\ncollaboration and dance: Ramona Caia\ncollaboration and video: Roberto Fassone\noriginal sound: Francesco Casciaro\nlight design: Mattia Bagnoli\ncostume design: Eva di Franco \norganization: Luisa Zuffo\nproduction: KLm – Kinkaleri\nco-production: Centrale Fies\nwith the support of Azienda Speciale Palaexpo – Mattatoio | Progetto PrendersiCura \nSELECTED FOR NID PLATFORM 2022\nSELECTED FOR AEROWAVES 2022 \nINSIGHTS \nAlcune Coreografie (Some Choreographies) stages a dialogue between the dancer Ramona Caia and a precious video collection of different styles of dance\, edited and reworked. \n\n\n\n\n\n\nThe choreography unfolds as a mimetic process\, a multitude of fragments put together in a fast sequence; dug up from the history of dance and performance as told by the cinema and the Internet\, in a search for a sensitive kinetic matter. \nThe dancer embodies\, transforms\, connects and gives shape to the body portrayed in those images\, analyses its dynamics\, its freedom and linguistic immediacy from a neutral perspective\, uproots it from imagination in the performance of a precise choreography. \n\n\n\n\n\n\n \nIn the second part\, an original video by the artist Roberto Fassone shows a sequence of visual choreographies\, a symbolic landscape with no human traces and yet looking for a relationship with the body on stage\, and pondering on the intangible matter that dance is made of. \n \n  \nJacopo Jenna \n\n\n\nJacopo Jenna is a choreographer\, performer and filmmaker creating stage works\, video pieces\, and installations. His works reframe the body in relationship with movement\, through dance and choreography generating a variety of performative contexts.  As a graduate of Sociology\, he also studied dance in Codarts (Rotterdam Dance Academy). \nHe creates training and educational programmes for various age groups experimenting with new ways of relating to performance art. In Europe he has worked with dance companies\, choreographic research projects and various artists like Jacopo Miliani\, Caterina Barbieri\, Roberto Fassone\, Ramona Caia\, Bassam Abou Diab. \nHis projects are produced and supported by spazioK/Kinkaleri. His work partecipated to festivals and venues including Centrale Fies Dro\, Virgilio Sieni\, MART Museum Rovereto\, Contemporanea Festival Prato\, Pépinières européennes pour jeans artistes / Young Video Creation\, Palazzo Strozzi Firenze\, Pecci Center for Contemporary Art Prato\, Fabbrica Europa Firenze\, CROSS International performance award\,  Short Theatre Rome\, Danae Festival Milan\, Dansem Marseille\, Bipod Festival Beirut\, Palazzo Grassi Punta della Dogana Venice\, Chantiers d’Europe – Théâtre de la Ville Paris\, Do Disturb – Palais de Tokyo Paris\, Mudam Contemporary Art Museum of Luxembourg\, Aerowaves Twenty22. \njacopoj.it \n\n\n\nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/alcune-coreografie-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221106T193000
DTEND;TZID=Europe/Rome:20221106T203000
DTSTAMP:20260505T011632
CREATED:20220912T110647Z
LAST-MODIFIED:20221102T194342Z
UID:10002047-1667763000-1667766600@www.fndaterballetto.it
SUMMARY:Cosmogony
DESCRIPTION:  \n \nPERFORMANCE CANCELLED\nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience in Reggio Emilia and Bologna. \nThe performance is in partnership with Compagnia della Quarta / Zed Festival and ERT Emilia Romagna Teatro. \n\nCREDITS \nDirection Gilles Jobin\nDancers Susana Panadés Diaz\, Rudi van der Merwe\, Jozsef Trefeli\nLead Dance Artist Susana Panadés Diaz\nLead 3D Artist Tristan Siodlak\nLead Technologist Camilo de Martino\nLead Technical Artist Pierre-Igor Berthet\nMotion Capture Pedro Ribot\nMocap cameras Qualisys\nMusic Tar Pond\nMusic Arrangement Marky Edelmann\, Tommy Vetterli\nMastering Dan Suter – Echo Chamber \nAdministration Gonzague Bochud\nProduction manager\nProduction Cie Gilles Jobi Lucía Díaz-Tejeiron \nWith the support of the City and Canton of Geneva and the Swiss Arts Council Pro Helvetia\n \nPremiere Singapore International Festival of Arts\, 14–16 May 2021 \nDuration 32′ \nSYNOPSIS \nCosmogony is a live performance featuring three dancers who are motion captured live at Gilles Jobin Company’s studio in Geneva and screened in real time for audience. in Reggio Emilia\, Bologna and Turin. \nThe movements of the dancers are captured in Geneva\, sliced up into digital ‘bits’ and sent instantaneously through cyberspace to appear as avatars\, on screen and in real time for a live audience\, thousands of miles away from the company’s studio. \nThe dancers’ bodies and their avatars are entangled like particles in a quantum state\, performing spooky actions at a distance\, their movements instantaneously teleported across the world. The dancers act as the puppeteers of their own bodies\, animating their avatars in real time and composing the cosmogony of a world in suspension. In a cosmic space or in the heart of a virtual city\, the moving bodies of the dancers break free from the laws of physics to the droning analog sounds of Swiss doom rock band Tar Pond\, offering the audience a mesmerizing journey beyond reality. \n\n  \n  \n Cie Gilles Jobin \nSince 1995 Cie Gilles Jobin has created more than 20 choreographic projects\, which have become references on the world stage. In 2015 Gilles Jobin received the Swiss Grand Award for Dance by the Swiss Office of Culture. \nWith the 3D film WOMB in 2016\, the company started investigating digital possibilities for contemporary dance within the volume of the frame. Discovering the power of motion capture\, the company created VR_I\, a groundbreaking dance piece in immersive virtual reality that premiered at the 2017 FNC – Festival du Nouveau Cinema in Montreal and won both the Innovation and People’s Choice awards for Most Innovative Work for New Platforms. In 2018 the work featured at the Sundance Film Festival and at the 75th Venice International Film Festival. A world tour followed in more than 50 cities and 20 countries in America\, Asia and Europe\, making it the most toured VR location-based installation in the world. The company created Dance Trail (AR) at the 2020 Sundance Film Festival and in 2020\, La Comédie Virtuelle – live show\, a multiuser live performance selected in official competition at the 77th Venice International Film Festival which won the Quebec XR industry award Numix 2021. \ngillesjobin.com \n  \nINFO & TICKETS \nENTRANCE\nFree \nRESERVATION\n \nYou are required to reserve your place \n– by sending an email to biglietteria@aterballetto.it\, or; \n– by sending an SMS or whatsapp message to 3341023554 \nCONTACTS \nPhone and whatsapp 3341023554 \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/cosmogony/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T180000
DTEND;TZID=Europe/Rome:20221104T190000
DTSTAMP:20260505T011632
CREATED:20221027T084744Z
LAST-MODIFIED:20221027T145613Z
UID:10002476-1667584800-1667588400@www.fndaterballetto.it
SUMMARY:NOVILUNIO - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nReflection\, empathy\, loneliness\, sweetness\, being always herself while always showing herself different\, cyclicality\, awareness\, beauty… How many things do our wonderful satellite and the human being have in common? How much does this same satellite affect us? Novilunio is the story of an individual’s relationship with the moon but above all with that phase of it in which everything is hidden\, in which there is no showing of oneself\, being oneself\, especially for better or for worse: NEW MOON. \nCREDITS \nChoreography Salvatore Sciancalepore\nPerformers Samuele Arisci\, Teresa Morisano\nMusic Ben Frost\, Philip Glass & Robert Black\, Frederic Chopin\nProduction Compagnia Artemis Danza \nINFO & TICKETS \nTICKETS\nFull: 3 euro\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/novilunio-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T160000
DTEND;TZID=Europe/Rome:20221104T170000
DTSTAMP:20260505T011632
CREATED:20221027T085727Z
LAST-MODIFIED:20221027T145852Z
UID:10002488-1667577600-1667581200@www.fndaterballetto.it
SUMMARY:DARWIN-M/ETA/MORFOSI - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n  \nAs the caterpillar transforms and becomes a butterfly through a biological cycle called metamorphosis\, man also goes through several stages before making an evolution. From single-celled organisms to Homo Sapiens\, from newborns to adults\, everything evolves in the continuous search for perfection … but something went wrong! The planet is in danger and humanity is certainly not without faults. \nThus an eccentric scientist tries to tell us what\, for better or for worse\, has happened to humanity and to the Earth from the Big Bang to today. A multifaceted and ever-changing character\, who does not communicate with words but with the body and movement\, will help him in the enterprise\, emboding the different phases of this crazy metamorphosis. \nCREDITS \nby / with Francesco Marchi e Christian Pellino\nproduction Artemis Danza ed EUROPA TEATRI \nShow for children aged 11 to 14 \n\nINFO & TICKETS \nTICKETS\nFull: 3 euros\nUnder 6: free
URL:https://www.fndaterballetto.it/en/evento/darwin-m-eta-morfosi-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221103T180000
DTEND;TZID=Europe/Rome:20221103T190000
DTSTAMP:20260505T011632
CREATED:20221027T105649Z
LAST-MODIFIED:20221103T160003Z
UID:10002495-1667498400-1667502000@www.fndaterballetto.it
SUMMARY:POLLICINO SHOW - Open Rehearsal
DESCRIPTION:CHILDREN’S SHOW (6-11 years)\n\nOPEN REHEARSAL \nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPollicino is small but\, in some ways\, already big. He has six siblings and two parents who chop wood for a living. With the arrival of a severe famine\, food is no longer enough to feed everyone. \nThe father then has an idea: abandon his children in the forest to avoid starvation. This is where the adventure of Pollicino and his siblings begins. \n\nCREDITS \nDirection Cinzia Pietribiasi\nChoreography and interpretation Davide Tagliavini\nIllustrations Giovanni Copelli\nProduction Artemis Danza\nin collaboration with Compagnia Pietribiasi/Tedeschi \nGRUPPO IBRIDO \nGRUPPO IBRIDO (Reggio Emilia\, 2021) was created by the will of the dancer Davide Tagliavini\, the digital artist Cinzia Pietribiasi and the painter Giovanni Copelli. The Group creates multidisciplinary works for children that intersect dance\, voice\, video projection\, art\, sculpture and new technologies. Pollicino is the first work\, produced by the Artemis Danza Company. \nDavide Tagliavini (1990) works with Luna Cenere\, Artemis Danza\, Marina Abramović\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo and others. For years he has been conducting dance workshops for children\, teenagers and inclusive groups. Since 2020 he has assisted Luna Cenere in running the Genealogy Laboratory. \nCinzia Pietribiasi (1979) is Junior Scientist at the Academy of Fine Arts in Rome and teacher of Computer Art. As a member of Jan Voxel she wins the Digital Residences 2021 competition. She plays the role of Mowgli with la Baracca\, Teatro Testoni Ragazzi in Bologna and with Ambaradan Teatro. With the Pietribiasi / Tedeschi Company you work on Tanztheater projects for children. \nGiovanni Copelli (1989) is a visual artist. He graduated in 2015 from Goldsmiths University in London and in 2013 from the Academy of Bologna. He realizes several solo and group exhibitions throughout Europe. \nINFO & TICKETS \nTICKETS \nFull price: 3 euro\nReduced under 6: free
URL:https://www.fndaterballetto.it/en/evento/pollicino-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221030T173000
DTEND;TZID=Europe/Rome:20221030T183000
DTSTAMP:20260505T011632
CREATED:20220801T104803Z
LAST-MODIFIED:20220909T181912Z
UID:10002467-1667151000-1667154600@www.fndaterballetto.it
SUMMARY:Il piccolo re dei fiori
DESCRIPTION:SHOW FOR CHILDREN (4-8 years old)\nIl piccolo Re dei Fiori (The Little Flower King) is a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flower bed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him secretly\, that begins to write for him\, on little cards\, the fairy tale that will lead them to their happy meeting. \n\nCREDITS\nFairy tale for music\, shadows and dance from The Little Flower King by KVĚTA PACOVSKÁ \nA creation by VALERIO LONGO and FABRIZIO MONTECCHI\nWith Marcello Giovani and Isabella Minosi \nDramaturgy: Enrica Carini and Fabrizio Montecchi\nChoreography: Valerio Longo\nDirection and sets: Fabrizio Montecchi\nMusic: Paolo Codognola\nShapes: Nicoletta Garioni and Agnese Meroni (based on drawings by Květa Pacovská)\nCostumes: Sara Bartesaghi Gallo and Nicoletta Garioni\nVoices: Valeria Barreca and Tiziano Ferrari\nLights: Anna Adorno \nDramaturgy collaboration: Valerio Longo and Francesca Magnini\nRealisation of sets and scenic objects: Giovanni Mutti\, Nicoletta Garioni and Agnese Meroni \nProduction: Balletto di Roma\, Teatro Gioco Vita \nLive Streaming Premiere: 14 February 2021\, Teatro Filodrammatici\, Piacenza \nAudience: from 4 to 8 years old\nDuration: 50 minutes \nINSIGHTS \nIl piccolo Re dei Fiori is the text by Květa Pacovská around which two historical theatre and dance organisations have come together: Balletto di Roma\, which in 2020 celebrated sixty years since its foundation\, and Teatro Gioco Vita\, which in 2021 celebrated its fiftieth anniversary and which\, at the end of the 1970s\, encountered shadow theatre\, making an original contribution to the birth of children’s theatre. The project explores a form of contamination between languages such as dance\, shadow and music\, conceiving it expressly for children. \nIl piccolo Re dei Fiori is a fairy tale. From the fairy tale there is the classic “Once upon a time” and also the unfailing “King” who\, however\, here is small and curious\, lives alone\, loves his garden and has pockets full of tulip bulbs. In the fairy tale there is also the theme of ‘waiting’\, the King’s long wait before the flowers bloom\, and also that of ‘lack’. Lack of what? The King does not know\, but he does know that his tulips\, though beautiful\, cannot make him happy. So here is the ‘journey’ in search of what can fill his lack. A journey that is like a dream\, on new routes unknown to the King\, that lasts only a day and a night but seems to encompass the time of a lifetime. \n \nIn the morning light\, the king hears a subtle voice coming from a newly opened tulip flower that repeats ‘I am here\, I am here…’. In front of a little princess\, the king\, full of wonder\, asks himself wonders: “Is it you whom I have been searching for so long?”.\nAs in any self-respecting fairy tale\, there is no shortage of ‘and they all lived happily ever after’\, which makes us think that\, yes\, it was indeed her that the King had so long desired. \nIl piccolo Re dei Fiori is also a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flowerbed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him surreptitiously\, that she begins to write for him\, on little cards\, the fairy tale that will lead them to their happy reunion. \n \nIl piccolo Re dei Fiori is a performance in which the theme of the search for happiness is rendered with lightness and poetry\, thanks to a simple and essential plot and exuberant and imaginative imagery. With the counterpoint of a few but important words\, the tale takes on stage form thanks to a rich musical fabric that accompanies and supports the spectacular shadow images of Teatro Gioco Vita\, taken from the splendid illustrations by Květa Pacovská\, and the expressive gestures of the two dancers from Balletto di Roma\, the result of original choreography by Valerio Longo. \nThe power of a fairy tale is contained in its ability to be incredibly distant and at the same time close to our daily lives. What is required of us in order to access a fairy tale is to agree to make ourselves small\, very small\, to pass through magical and unexpected entrances\, to know how to wait and\, while waiting\, to pay attention to every word\, every gesture\, every shadow in order to be amazed by the fairy tale itself. Thus it is also for us. In this almost archetypal fairy tale\, a king\, an enchanted garden\, waiting\, an unknown desire\, a journey\, a finding oneself in happiness\, come alive in the shadows through music and dance\, and allow everyone’s feelings to be revealed in it. Thus\, as each fairy tale\, word after word\, animates the desires of those who hear it\, so life\, unexpectedly\, leads them to fulfil them. \n \n  \nBalletto di Roma / Teatro Gioco Vita \nBalletto di Roma\, founded in 1960 by Franca Bartolomei and Walter Zappolini\, has always promoted the production and dissemination of Italian auteur dance in Europe and throughout the world\, with a repertoire that today is attentive to innovation and research while maintaining a strong focus on the history and tradition that have made it famous. Over the years\, the Roman theatre has seen a succession of prestigious collaborations and multiple creative souls\, and the production activity has grown\, both in terms of quantity and quality of the works staged during the seasons\, with growing public approval. Starting in 2018\, general director Luciano Carratoni brings a significant generational change to the top of the structure by appointing Francesca Magnini\, a university lecturer at the Sapienza University in Rome\, as artistic director. The new artistic figure strengthens the schemes and broadens the objectives of internationalisation by involving bodies and institutions: among the collaborations is also the one with the Department of History\, Anthropology\, Religions\, Arts and Performing Arts of the Sapienza University of Rome. \nballettodiroma.com \nTeatro Gioco Vita (artistic director Diego Maj) was founded in 1971 from the experience of theatrical animation and with its peculiar way of doing and experiencing theatre it made an original contribution to the birth of children’s theatre. It met shadow theatre at the end of the 1970s and developed a unique experience that earned it recognition and prestigious collaborations all over the world. The Shadow Company\, with Fabrizio Montecchi and Nicoletta Garioni as artistic directors\, is engaged not only in the production of performances but also in workshop activities and professional training. Teatro Gioco Vita combines its activities on the territory (Prose Season of the Municipal Theatre of Piacenza\, theatre reviews\, festivals and other cultural events\, hospitality\, workshops\, training) with an increasingly international dimension that has led its shadow theatre performances to be performed not only in Europe\, but also in the United States\, Brazil\, Mexico\, Canada\, Japan\, China\, Israel\, Taiwan\, Turkey\, Jordan and Senegal. \nteatrogiocovita.it \nINFO & TICKETS \nTICKETS\nFor everybody 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/il-piccolo-re-dei-fiori/2022-10-30/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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DTSTART;TZID=Europe/Rome:20221029T173000
DTEND;TZID=Europe/Rome:20221029T183000
DTSTAMP:20260505T011632
CREATED:20220801T104803Z
LAST-MODIFIED:20220909T181912Z
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SUMMARY:Il piccolo re dei fiori
DESCRIPTION:SHOW FOR CHILDREN (4-8 years old)\nIl piccolo Re dei Fiori (The Little Flower King) is a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flower bed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him secretly\, that begins to write for him\, on little cards\, the fairy tale that will lead them to their happy meeting. \n\nCREDITS\nFairy tale for music\, shadows and dance from The Little Flower King by KVĚTA PACOVSKÁ \nA creation by VALERIO LONGO and FABRIZIO MONTECCHI\nWith Marcello Giovani and Isabella Minosi \nDramaturgy: Enrica Carini and Fabrizio Montecchi\nChoreography: Valerio Longo\nDirection and sets: Fabrizio Montecchi\nMusic: Paolo Codognola\nShapes: Nicoletta Garioni and Agnese Meroni (based on drawings by Květa Pacovská)\nCostumes: Sara Bartesaghi Gallo and Nicoletta Garioni\nVoices: Valeria Barreca and Tiziano Ferrari\nLights: Anna Adorno \nDramaturgy collaboration: Valerio Longo and Francesca Magnini\nRealisation of sets and scenic objects: Giovanni Mutti\, Nicoletta Garioni and Agnese Meroni \nProduction: Balletto di Roma\, Teatro Gioco Vita \nLive Streaming Premiere: 14 February 2021\, Teatro Filodrammatici\, Piacenza \nAudience: from 4 to 8 years old\nDuration: 50 minutes \nINSIGHTS \nIl piccolo Re dei Fiori is the text by Květa Pacovská around which two historical theatre and dance organisations have come together: Balletto di Roma\, which in 2020 celebrated sixty years since its foundation\, and Teatro Gioco Vita\, which in 2021 celebrated its fiftieth anniversary and which\, at the end of the 1970s\, encountered shadow theatre\, making an original contribution to the birth of children’s theatre. The project explores a form of contamination between languages such as dance\, shadow and music\, conceiving it expressly for children. \nIl piccolo Re dei Fiori is a fairy tale. From the fairy tale there is the classic “Once upon a time” and also the unfailing “King” who\, however\, here is small and curious\, lives alone\, loves his garden and has pockets full of tulip bulbs. In the fairy tale there is also the theme of ‘waiting’\, the King’s long wait before the flowers bloom\, and also that of ‘lack’. Lack of what? The King does not know\, but he does know that his tulips\, though beautiful\, cannot make him happy. So here is the ‘journey’ in search of what can fill his lack. A journey that is like a dream\, on new routes unknown to the King\, that lasts only a day and a night but seems to encompass the time of a lifetime. \n \nIn the morning light\, the king hears a subtle voice coming from a newly opened tulip flower that repeats ‘I am here\, I am here…’. In front of a little princess\, the king\, full of wonder\, asks himself wonders: “Is it you whom I have been searching for so long?”.\nAs in any self-respecting fairy tale\, there is no shortage of ‘and they all lived happily ever after’\, which makes us think that\, yes\, it was indeed her that the King had so long desired. \nIl piccolo Re dei Fiori is also a story about two young people who live opposite each other. So close and yet so far apart that their eyes have never met. One morning\, however\, she sees him\, all melancholy\, taking care of a small flowerbed in front of their house\, with that attention that is only given to the deepest desires. It is thus\, observing him surreptitiously\, that she begins to write for him\, on little cards\, the fairy tale that will lead them to their happy reunion. \n \nIl piccolo Re dei Fiori is a performance in which the theme of the search for happiness is rendered with lightness and poetry\, thanks to a simple and essential plot and exuberant and imaginative imagery. With the counterpoint of a few but important words\, the tale takes on stage form thanks to a rich musical fabric that accompanies and supports the spectacular shadow images of Teatro Gioco Vita\, taken from the splendid illustrations by Květa Pacovská\, and the expressive gestures of the two dancers from Balletto di Roma\, the result of original choreography by Valerio Longo. \nThe power of a fairy tale is contained in its ability to be incredibly distant and at the same time close to our daily lives. What is required of us in order to access a fairy tale is to agree to make ourselves small\, very small\, to pass through magical and unexpected entrances\, to know how to wait and\, while waiting\, to pay attention to every word\, every gesture\, every shadow in order to be amazed by the fairy tale itself. Thus it is also for us. In this almost archetypal fairy tale\, a king\, an enchanted garden\, waiting\, an unknown desire\, a journey\, a finding oneself in happiness\, come alive in the shadows through music and dance\, and allow everyone’s feelings to be revealed in it. Thus\, as each fairy tale\, word after word\, animates the desires of those who hear it\, so life\, unexpectedly\, leads them to fulfil them. \n \n  \nBalletto di Roma / Teatro Gioco Vita \nBalletto di Roma\, founded in 1960 by Franca Bartolomei and Walter Zappolini\, has always promoted the production and dissemination of Italian auteur dance in Europe and throughout the world\, with a repertoire that today is attentive to innovation and research while maintaining a strong focus on the history and tradition that have made it famous. Over the years\, the Roman theatre has seen a succession of prestigious collaborations and multiple creative souls\, and the production activity has grown\, both in terms of quantity and quality of the works staged during the seasons\, with growing public approval. Starting in 2018\, general director Luciano Carratoni brings a significant generational change to the top of the structure by appointing Francesca Magnini\, a university lecturer at the Sapienza University in Rome\, as artistic director. The new artistic figure strengthens the schemes and broadens the objectives of internationalisation by involving bodies and institutions: among the collaborations is also the one with the Department of History\, Anthropology\, Religions\, Arts and Performing Arts of the Sapienza University of Rome. \nballettodiroma.com \nTeatro Gioco Vita (artistic director Diego Maj) was founded in 1971 from the experience of theatrical animation and with its peculiar way of doing and experiencing theatre it made an original contribution to the birth of children’s theatre. It met shadow theatre at the end of the 1970s and developed a unique experience that earned it recognition and prestigious collaborations all over the world. The Shadow Company\, with Fabrizio Montecchi and Nicoletta Garioni as artistic directors\, is engaged not only in the production of performances but also in workshop activities and professional training. Teatro Gioco Vita combines its activities on the territory (Prose Season of the Municipal Theatre of Piacenza\, theatre reviews\, festivals and other cultural events\, hospitality\, workshops\, training) with an increasingly international dimension that has led its shadow theatre performances to be performed not only in Europe\, but also in the United States\, Brazil\, Mexico\, Canada\, Japan\, China\, Israel\, Taiwan\, Turkey\, Jordan and Senegal. \nteatrogiocovita.it \nINFO & TICKETS \nTICKETS\nFor everybody 6 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/il-piccolo-re-dei-fiori/2022-10-29/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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DTSTART;TZID=Europe/Rome:20221018T203000
DTEND;TZID=Europe/Rome:20221018T220000
DTSTAMP:20260505T011632
CREATED:20220909T141431Z
LAST-MODIFIED:20221010T145402Z
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SUMMARY:LOVE POEMS
DESCRIPTION:Under the title LOVE POEMS\, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary: \n– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC \n– BRUTAL LOVE POEMS by THOMAS NOONE \n– VIVALDI UMANE PASSIONI by MICHELE MEROLA. \nThe three works are performed by eight dancers from MMCDC\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country.\nThe choreographies of the programme\, linked by the common denominator of a distinctive musicality\, are characterised by a strong implication as much interpretative as technical\, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next\, the dance will become one with the music\, marrying its compositional richness thanks to choreographies that emphasise movement\, plasticity\, but also the importance of the single gesture. \n  \n \nDUETTO INOFFENSIVO \nExcerpt from ‘Rossini Cards \nChoreography: Mauro Bigonzetti\nMusic: Gioachino Rossini\nAssistant to choreography: Roberto Zamorano\nLighting design: Carlo Cerri\nCostumes: Helena De Medeiros\nWith 2 dancers \nA passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing\, understanding\, but also disagreement\, and we find condensed the characters and stories of several female characters. Their encounter\, in a continuous repetition and alternation of complicity and conflict\, gives rise to an exchange of energies\, feelings and emotions linked to the disappointments of love. \n\nBRUTAL LOVE POEMS \nChoreography: Thomas Noone\nMusic: Jim Pinchen\nWith 4 dancers \n“I love you so much that I am in pain. I hope you suffer as much as I do …” \nRaw and dynamic\, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation\, of our most primordial\, terrible and brutal being\, is perhaps only ever manifested in front of those closest to us\, the person we love.\nAn abstract\, non-narrative work\, in which the resonance of movements echoes and combines to form a whole\, seeking to entertain\, provoke and seduce. \n\n  \n  \n VIVALDI UMANE PASSIONI  \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nWith 7 dancers \nCo-production Teatro Ristori di Verona\nNational Premiere: 1 February 2019 – Teatro Ristori\, Verona \nWith each creation\, Michele Merola aims higher\, convinced that it is possible to express\, in dance\, joys\, tenderness\, anger\, expectations\, impulses\, torments. For the choreographer\, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives\, symmetries\, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire\, for a new production where ‘the relationship between music and movement plays the lion’s share’\, says Merola. \nStarting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall\, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music\, I rediscover a love for pure choreographic design\, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915)\, On the City (1918)\, Love on the Scene (1920)\, Introduction to Jewish Theatre (1920) – \, has guided my work towards human passions\, the evasion from the everyday to detach oneself from the ground\, listening to inner emotions. In both artists\, I sense a great desire for life\, beauty\, elegance in living’. \nSome of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia\, L’Inquietudine\, L’Estro Armonico\, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace\, the vortex of sonorous intensity and richness of timbre\, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’\, and of its most secret recesses\, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant\, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts\, the dialogue that is created\, intense\, balanced in terms of the balance of forces\, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other\, confront each other\, overlap\, in a representational dynamic that the union makes even more intense. \nErmanno Romanelli \n\n  \n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a production centre for events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokesmen of contemporary culture. \nThe repertoire of the company\, which is based in Reggio Emilia\, is rich and varied\, thanks to works by Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, and Camilla Monga. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the best emerging company and today\, it is\, to all intents and purposes\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country. For some years now\, it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia…).\nIn 2017\, the MM Contemporary Dance Company won the 2017 Europaindanza Prize – Merit Award for Choreography\, for the performance Bolero by Michele Merola.\nOn 1 January 2021 and 1 January 2022\, MMCDC was featured on RAI 1 in Roberto Bolle’s show “Danza con me” interpreting choreographies by Mauro Bigonzetti and Lorca Massine.\nFor the three-year period 2018-20\, for 2021 and for the three-year period 2022-24 the MM Contemporary Dance Company is an associated company of the Trentino Alto Adige InDanza Circuit.\nMMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza/Reggio Emilia. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 7.30 pm. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/love-poems/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221018T180000
DTEND;TZID=Europe/Rome:20221018T190000
DTSTAMP:20260505T011632
CREATED:20220912T094917Z
LAST-MODIFIED:20220912T095645Z
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SUMMARY:LOVE POEMS - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which one can experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nUnder the title LOVE POEMS\, the MM Contemporary Dance Company presents an evening composed of three new choreographies all under the sign of contemporary: \n– DUETTO INOFFENSIVO (excerpt from ‘Rossini Cards’) by MAURO BIGONZETTI restaged for MMCDC \n– BRUTAL LOVE POEMS by THOMAS NOONE \n– VIVALDI UMANE PASSIONI by MICHELE MEROLA. \nThe three works are performed by eight dancers from MMCDC\, a reality of excellence in Italian dance\, with a consolidated activity of performances throughout the country.\nThe choreographies of the programme\, linked by the common denominator of a distinctive musicality\, are characterised by a strong implication as much interpretative as technical\, which will highlight the stylistic versatility and extraordinary skill of the company’s dancers. From one piece to the next\, the dance will become one with the music\, marrying its compositional richness thanks to choreographies that emphasise movement\, plasticity\, but also the importance of the single gesture. \n  \n  \nDUETTO INOFFENSIVO \nExcerpt from ‘Rossini Cards \nChoreography: Mauro Bigonzetti\nMusic: Gioachino Rossini\nAssistant to choreography: Roberto Zamorano\nLighting design: Carlo Cerri\nCostumes: Helena De Medeiros\nWith 2 dancers \nA passionate and intense duet by Mauro Bigonzetti: in the two women on stage there is sharing\, understanding\, but also disagreement\, and we find condensed the characters and stories of several female characters. Their encounter\, in a continuous repetition and alternation of complicity and conflict\, gives rise to an exchange of energies\, feelings and emotions linked to the disappointments of love. \n\nBRUTAL LOVE POEMS \nChoreography: Thomas Noone\nMusic: Jim Pinchen\nWith 4 dancers \n“I love you so much that I am in pain. I hope you suffer as much as I do …” \nRaw and dynamic\, Brutal Love Poems explores the ‘wild’ side that we hide within us and that only reveals itself in our most intimate moments. Somehow this revelation\, of our most primordial\, terrible and brutal being\, is perhaps only ever manifested in front of those closest to us\, the person we love.\nAn abstract\, non-narrative work\, in which the resonance of movements echoes and combines to form a whole\, seeking to entertain\, provoke and seduce. \n\n  \n  \n VIVALDI UMANE PASSIONI  \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting design: Cristina Spelti\nCostumes: Carlotta Montanari\nWith 7 dancers \nCo-production Teatro Ristori di Verona\nNational Premiere: 1 February 2019 – Teatro Ristori\, Verona \nWith each creation\, Michele Merola aims higher\, convinced that it is possible to express\, in dance\, joys\, tenderness\, anger\, expectations\, impulses\, torments. For the choreographer\, returning the fire of passions to bodies contaminated by life has always been a conditio sine qua non for representing the meaning of existence on Earth. And it is in the pages of the great composers that Merola loves to search for perspectives\, symmetries\, assonances between human feeling and music. His encounter with Antonio Vivaldi springs from this desire\, for a new production where ‘the relationship between music and movement plays the lion’s share’\, says Merola. \nStarting with Vivaldi’s best pieces and suggestions from the paintings of Marc Chagall\, Michele Merola has created Vivaldi Umane passioni: “With Vivaldi and baroque music\, I rediscover a love for pure choreographic design\, while the inspiration I find in Marc Chagall’s paintings – works such as The Birthday (1915)\, On the City (1918)\, Love on the Scene (1920)\, Introduction to Jewish Theatre (1920) – \, has guided my work towards human passions\, the evasion from the everyday to detach oneself from the ground\, listening to inner emotions. In both artists\, I sense a great desire for life\, beauty\, elegance in living’. \nSome of the composer’s best-known scores are mirrored in Merola’s journeys: the violin concertos La Follia\, L’Inquietudine\, L’Estro Armonico\, and Il Favorito best express the sentiments that punctuate one’s life. Faced with this supreme grace\, the vortex of sonorous intensity and richness of timbre\, Merola pushes the accelerator of movement dynamics to develop new reflections. As an ‘athlete of the heart’\, and of its most secret recesses\, the choreographer visualises those themes with intimate involvement and a strongly contemporary slant\, sculpting them in dance and in the air with the same passion and fury dictated by the notes. Fuelled by the two arts\, the dialogue that is created\, intense\, balanced in terms of the balance of forces\, enriches and nourishes the spectator’s imagination with complexity and compositional richness. It is a chess game in which music and bodies chase each other\, confront each other\, overlap\, in a representational dynamic that the union makes even more intense. \nErmanno Romanelli \n\n  \n  \nMM Contemporary Dance Company \nLa MM Contemporary Dance Company è una compagnia di danza contemporanea diretta dal coreografo Michele Merola\, nata nel 1999 come centro di produzione di eventi e spettacoli e come promotrice di rassegne e workshop con l’obiettivo di favorire scambi e alleanze fra artisti italiani e internazionali\, testimoni e portavoce della cultura contemporanea. \nIl repertorio della compagnia\, che ha sede a Reggio Emilia\, è ricco e variegato\, grazie ai lavori di Michele Merola e alle creazioni firmate da coreografi europei e italiani come Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti ed Enrico Ticconi\, Roberto Tedesco\, Camilla Monga. \nNel 2010 la MM Contemporary Dance Company ha vinto il prestigioso Premio Danza&Danza come migliore compagnia emergente e oggi\, è\, a tutti gli effetti\, una realtà di eccellenza della danza italiana\, con una consolidata attività di spettacoli su tutto il territorio nazionale. Da alcuni anni ha conquistato un mercato internazionale con spettacoli in paesi europei ed extraeuropei (Corea\, Colombia\, Canada\, Germania\, Russia\, Marocco\, Belgio\, Spagna\, Slovenia…).\nNel 2017 la MM Contemporary Dance Company ha vinto il Premio Europaindanza 2017 – Premio al Merito alla coreografia\, per lo spettacolo Bolero di Michele Merola.\nIl 1° gennaio 2021 e il 1° gennaio 2022 la MMCDC è stata presente su RAI 1 nella trasmissione “Danza con me” di Roberto Bolle interpretando coreografie di Mauro Bigonzetti e Lorca Massine.\nPer il triennio 2018-20\, per il 2021 e per il triennio 2022-24 la MM Contemporary Dance Company è compagnia associata del Circuito InDanza del Trentino Alto Adige.\nLa MMCDC è sostenuta dal Ministero della Cultura\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Centro Permanente Danza Danza/Reggio Emilia. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service in the Foundry is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522273016 \nMobile and whatsapp +39 3341023554
URL:https://www.fndaterballetto.it/en/evento/love-poems-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221013T203000
DTEND;TZID=Europe/Rome:20221013T220000
DTSTAMP:20260505T011632
CREATED:20220906T103223Z
LAST-MODIFIED:20221010T143433Z
UID:10002482-1665693000-1665698400@www.fndaterballetto.it
SUMMARY:FOUR SEASONS in Different Seasons
DESCRIPTION:DANCE RIPENS IN EVERY SEASON AND BECOMES DAILY. \n“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music\, rewritten by Max Richter\, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme\, creating a unique expression: EMOTION. \n\n  \nCREDITS\nDirection: Rezart Stafa\nChoreography: Edi Blloshmi\, Hektor Budlla\, Beatrice Bodini and Saul Daniele Ardillo\nMusic: Antonio Vivaldi recomposed by Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri and Nuovo Balletto Classico \nProduction: Nuovo Balletto Classico \nSYNOPSIS \nEach season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical\, Hektor Budlla‘s Summer\, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary. \n \nLe stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo. \nNuovo Balletto Classico\nIn July 2016\, the high training school of Ballet NUOVO BALLETTO CLASSICO\, directed by Grori Dorian\, Stafa Rezart\, Casolari Elena and Stefanescu Nicoletta\, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art\, which is dance\, to prepare not only dancers and teachers\, but people with a high sensitivity towards others. \nnuovoballettoclassico.it\nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/four-seasons-in-different-seasons/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221013T180000
DTEND;TZID=Europe/Rome:20221013T190000
DTSTAMP:20260505T011632
CREATED:20220906T160016Z
LAST-MODIFIED:20220909T151122Z
UID:10002486-1665684000-1665687600@www.fndaterballetto.it
SUMMARY:FOUR SEASONS in Different Seasons - open rehearsal
DESCRIPTION:OPEN REHEARSAL\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \n“FOUR SEASONS IN DIFFERENT SEASONS” is the title of this performance where Vivaldi’s music\, rewritten by Max Richter\, was the inspiration behind four choreographies by different choreographers who were able to express their vision on the main theme\, creating a unique expression: EMOTION. \n\n  \nCREDITIS\nDirection: Rezart Stafa\nChoreography: Edi Blloshmi\, Hektor Budlla\, Beatrice Bodini and Saul Daniele Ardillo\nMusic: Antonio Vivaldi recomposed by Max Richter\nLighting design: Gessica Germini\nCostumes: Nuvia Valestri and Nuovo Balletto Classico \nProduction: Nuovo Balletto Classico \nSYNOPSIS \nEach season is signed by a different choreographer and takes the spectator into a particular dimension. Edi Blloshmi‘s Spring is neoclassical\, Hektor Budlla‘s Summer\, Beatrice Bodini‘s Autumn and Saul Daniele Ardillo‘s Winter are contemporary. \n \nLe stagioni si legano e scorrono una dopo l’altra. Lo spettacolo è un messaggio di speranza e sofferenza concreta che fa riflettere e tocca nel profondo. \nNuovo Balletto Classico \n\nIn July 2016\, the high training school of Ballet NUOVO BALLETTO CLASSICO\, directed by Grori Dorian\, Stafa Rezart\, Casolari Elena and Stefanescu Nicoletta\, was inaugurated in Reggio Emilia in the historical headquarters of the Balletto Classico Association of Liliana Cosi and Marinel Stefanescu to help prepare future generations of artist-dancers. The aim is to continue the artistic and cultural heritage that has been part of the social fabric of the city for some 40 years. The desire is to instil discipline through such a high art\, which is dance\, to prepare not only dancers and teachers\, but people with a high sensitivity towards others. \nnuovoballettoclassico.it \n\nINFO & TICKETS \nTICKETS\nFull: 3 euro\nunder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 pm. \nTickets are not numbered. \nCONTACTS \nTel +39 0522 273016 \nMobile and whatsapp +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/four-seasons-in-different-seasons-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221006T203000
DTEND;TZID=Europe/Rome:20221006T213000
DTSTAMP:20260505T011632
CREATED:20220801T095741Z
LAST-MODIFIED:20221006T142911Z
UID:10002462-1665088200-1665091800@www.fndaterballetto.it
SUMMARY:People
DESCRIPTION:People is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \nCREDITS \n\nConcept and choreography: Marisa Ragazzo and Omid Ighani\nPerformers: Davide Angelozzi\, Elda Bartolacci\, Alessandro Marconcini\, Graziana Marzìa\, Jenny Mattaioli\, Afshin Varjavandi\nDaCru Dance Company / associate artist\n \nA production Compagnia Naturalis Labor\nSupported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza \nWorld premiere Friederichshafen (D)\, 11 August 2021 \n\nDuration: 50′ \nINSIGHTS \nRoom. Home. Body. Mind.\nThe perimeter of everything\, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D\, far from contact and shared thoughts in shared spaces. \nspace\n/speɪs/\n[from Latin spatium\, possibly der. from patēre “to be open”].\nCircumscribed perimeters\, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience. \nPEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \n \nThe company reflects on the extraordinary power of ‘social distances’\, a theme that is dear to them and has already been dealt with in [zerocentimetri]\, the last production staged in 2019\, which\, in a predictive manner\, introduced what later became an undeniable fact.\nAnd so\, in a limited and delimited space\, each breath becomes a quest\, a small land to conquer where all the dancers occupy their comfort zone\, blind to everything that lives outside.\nA simple and bare scene\, few objects related to everyday life\, small rooms drawn in an open space.\nAn extraordinary dense crowd of living beings\, separated but too close not to secretly wish the opposite. \nHave you ever felt lonely? \nsolitude\n/ˈsɒlɪtjuːd/\nOrigin from Latin solitudo -ĭnis\, der. from solus ‘alone’ \n  \nDACRU DANCE COMPANY \nMarisa Ragazzo and Omid Ighani began their artistic collaboration in 1996\, systematically mixing their personal artistic curiosities\, backgrounds and talents\, careful to keep their differences intact and often succeeding in enhancing them. \nTheir different artistic backgrounds\, academic for Marisa (Prebil\, Trayanova\, Lupov\, Peter Goss\, Sebron) and street for Omid (freestyler\, like many talents born and bred in the hip hop culture of the 1980s)\, produce a highly innovative and certainly singular artistic code. \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension\, while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional schools\, they carry out an intense teaching activity\, in Italy and abroad. \n \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \n  \nINFO & TICKETS \nTICKETS\nFull price: 10 euro\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members Municipality of Reggio Emilia: 6 euro\nReduced price under 8: 3 euro \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 7.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/people/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221006T180000
DTEND;TZID=Europe/Rome:20221006T190000
DTSTAMP:20260505T011632
CREATED:20220801T094331Z
LAST-MODIFIED:20220909T190900Z
UID:10002459-1665079200-1665082800@www.fndaterballetto.it
SUMMARY:People - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nOpen rehearsals are unique moments in which it is possible to experience the backstage of a performance\, dialogue with the artists and be surprised by the art of dance. \nPeople is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \nCREDITS \n\nConcept and choreography: Marisa Ragazzo and Omid Ighani\nPerformers: Davide Angelozzi\, Elda Bartolacci\, Alessandro Marconcini\, Graziana Marzìa\, Jenny Mattaioli\, Afshin Varjavandi\nDaCru Dance Company / associate artist\n \nA production Compagnia Naturalis Labor\nSupported by MIC / Regione Veneto / Arco Danza / Comune di Vicenza \nWorld premiere Friederichshafen (D)\, 11 August 2021 \n\nDuration: 50′ \nINSIGHTS \nRoom. Home. Body. Mind.\nThe perimeter of everything\, solitary or overlapping. Blended and interlocking perimeters or S E P A R A T E D\, far from contact and shared thoughts in shared spaces. \nspace\n/speɪs/\n[from Latin spatium\, possibly der. from patēre “to be open”].\nCircumscribed perimeters\, physical and mental where one does not suffer unknown emotions because everything that arrives has already been known in an intimate personal experience. \nPEOPLE is a deep and secret analysis – in a few moments perhaps seraphic – of the contours of human beings\, members of a race that in contemporary society is increasingly exposed to a fictitious contact\, made up of sharing photographic\, of judgments\, of liking\, of following and status\, invented and proportionally more and more limited – often exiled – to a social solitude. \n \nThe company reflects on the extraordinary power of ‘social distances’\, a theme that is dear to them and has already been dealt with in [zerocentimetri]\, the last production staged in 2019\, which\, in a predictive manner\, introduced what later became an undeniable fact.\nAnd so\, in a limited and delimited space\, each breath becomes a quest\, a small land to conquer where all the dancers occupy their comfort zone\, blind to everything that lives outside.\nA simple and bare scene\, few objects related to everyday life\, small rooms drawn in an open space.\nAn extraordinary dense crowd of living beings\, separated but too close not to secretly wish the opposite. \nHave you ever felt lonely? \nsolitude\n/ˈsɒlɪtjuːd/\nOrigin from Latin solitudo -ĭnis\, der. from solus ‘alone’ \n  \nDACRU DANCE COMPANY \nMarisa Ragazzo and Omid Ighani began their artistic collaboration in 1996\, systematically mixing their personal artistic curiosities\, backgrounds and talents\, careful to keep their differences intact and often succeeding in enhancing them. \nTheir different artistic backgrounds\, academic for Marisa (Prebil\, Trayanova\, Lupov\, Peter Goss\, Sebron) and street for Omid (freestyler\, like many talents born and bred in the hip hop culture of the 1980s)\, produce a highly innovative and certainly singular artistic code. \nBoth in love with extreme experimentation and the contamination of styles and languages\, they create an unusual choreographic dimension\, while remaining absolutely attainable. They love speed\, technical virtuosity\, and the fusion of the theatrical space with the artistic code of the street\, from which they draw their drives towards art in its various aspects\, which often leads them to collaborate with underground musicians and visual artists. \nTheir primary goal remains to break out of conventional spaces through originality\, invention\, innovation and research. \nIn 1996\, Marisa Ragazzo and Omid Ighani opened two professional hip hop dance schools\, still active today\, in Lazio and Sardinia\, to which they added\, over the years\, another 8 locations shared in organisation with Cruisin Arts (MC Hip Hop School: Milan\, Verona\, Jesi\, Florence\, Rome\, Bari\, Catania\, Cagliari)\, and a specialisation school for Video Dance and House (Cruisin’ Urban Dance Hdemy: Modena and Rome). \nIn addition to professional schools\, they carry out an intense teaching activity\, in Italy and abroad. \n \nDacru is a group that ‘transforms’ the language of hip hop dance by combining it through contemporary dance and performing art. The group\, often a guest at international festivals and reviews\, has for some years been one of the realities associated with Naturalis Labor. \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket office service at the Fonderia is open from 5.30 p.m. \nTickets are not numbered. \nCONTACTS \nTel 0522273016 \nMobile and whatsapp 3341023554
URL:https://www.fndaterballetto.it/en/evento/people-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season September-December 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220522T210000
DTEND;TZID=Europe/Rome:20220522T215000
DTSTAMP:20260505T011632
CREATED:20220107T093438Z
LAST-MODIFIED:20220505T161205Z
UID:10002302-1653253200-1653256200@www.fndaterballetto.it
SUMMARY:My Body trio
DESCRIPTION:PREVIEW IN FONDERIA\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \n  \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \n  \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220521T180000
DTEND;TZID=Europe/Rome:20220521T190000
DTSTAMP:20260505T011632
CREATED:20220107T095658Z
LAST-MODIFIED:20220505T160951Z
UID:10002297-1653156000-1653159600@www.fndaterballetto.it
SUMMARY:My Body trio - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\n\nMy Body trio focuses on the existential question. \nWhat do we do? How are we? Alone\, with others\, with things\, with the world… \nWhat do we do with this life\, in this body\, in this situation? \nIt wonders what directions it can take and in what forms it can embody the human vitalism that belongs to us and in which we are immersed. \nCREDITS \nProject\, choreography: Stefania Tansini\nDance: Barbara Carulli\, Filippo Porro\, Stefania Tansini\nLights: Matteo Crespi\nMusic: Salvatore Sciarrino\nCo-production: Romaeuropa Festival\, Fondazione Teatro Grande di Brescia\, Nanou Associazione Culturale\nwith the support of Fondazione Nazionale della Danza/Aterballetto\, Bando Toscana Terra Accogliente promoted by RAT Residenze Artistiche della Toscana (Anghiari Dance Hub\, Con.Cor.D.A. Sosta Palmizi)\, in collaboration with Teatro Metastasio di Prato\, Fondazione Toscana Spettacolo and Centro di Produzione della Danza Virgilio Sieni\, Teatro Petrella di Longiano\, Masque Teatro\nPhoto and video Luca Del Pia \nDuration 45′ \nStefania Tansini is an artist supported by the Fondazione Teatro Grande of Brescia. \nSYNOPSIS \nAn affirmation of life.\nAn unarmed acceptance of our fragility\, vulnerability and precariousness. Everything we are and do is always one step away from the limit. \nA path more related to human composition than to choreography.\nA search for the intimate truth between three human beings\, between three bodies: the first possible group.\nA search for life\, free of ideological or intellectual superstructures. An attempt to reveal in a pure way what moves us\, towards others and towards the world. \n  \nSTEFANIA TANSINI\nBorn in 1991\, in Ponte dell’Olio (PC). \nAfter studying artistic gymnastics and ballet\, in 2014 she graduated as a dancer at the Scuola D’Arte Drammatica Paolo Grassi\, under the academic direction of Marinella Guatterini. Her encounters with Enzo Cosimi\, Dominique Dupuy\, Cesc Gelabert\, Jonah Bokaer and Maria Consagra were fundamental. \nIn 2014 she took part in Dario Fo and Franca Rame’s production Storia di Q and started working as a dancer in all Simona Bertozzi’s productions: Animali senza favola (2014)\, Prometeo: Contemplazione (2015)\, Prometeo: il Dono (2015)\, Prometeo: Astronomia (2016)\, And It Burns Burns Burns (finalist of the 2017 UBU Danza Prize) and in the solo Flow On River (2018). \nIn 2016 she began working with Luca Veggetti for the performances Non essere\, una tentazione (2017)\, Quarto personaggio (2018)\, L’inferno dello sguardo (2019)\, Infinito Nero (2021) and with Ariella Vidach for Temporaneo Tempobeat. \nShe had some experiences in video-dance (Interferenze\, short film\, L’isola sbagliato\, film\, Piano Social\, music video by musician Francesco Orio) and in 2017 she was called by Romeo Castellucci to take part in his new production Democracy in America and in 2018 in The Magic Flute\, opera directed by Castellucci and choreographed by Cindy Van Acker. \nIn 2020 he began working with Motus\, in the production Tutto Brucia. \nHe worked with Emanuela Tagliavia\, in Hopper Variations (2014) and Combustioni (2015)\, and with Mette Sterre (curator Robert Wilson) in the performance Structurealist (2015). \nShe collaborated with Corona-Events as a stilt-walker\, choreographer and assistant director. \nOther significant encounters: Roberta Mosca\, Yasmine Hugonnet\, Raffaella Giordano\, Michalis Theophanous\, Cristina Rizzo\, Jan Fabre. \nShe has always been accompanied by the need and desire for an authorial path of research on the body and movement. \nstefaniatansini.com \n  \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/my-body-my-space-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/My-Body-trio-Stefania-Tansini-foto-di-Luca-Del-Pia-4.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220512T170000
DTEND;TZID=Europe/Rome:20220512T180000
DTSTAMP:20260505T011632
CREATED:20220502T152627Z
LAST-MODIFIED:20220502T152937Z
UID:10002335-1652374800-1652378400@www.fndaterballetto.it
SUMMARY:NEXT STOP_PALCOSCENICO
DESCRIPTION:Studio XL ph Silvia Casali \nOPEN REHEARSAL\nThe young dancers of StudioXL Intenational Contemporary Dance Education\, directed by Emanuela Baratin and Laura Matano\, dance choreographies by Giovanni Insaudo\, Nunzio Perricone\, Laura Matano and Daniele Bianco. \nStudioXL International Contemporary Dance Education \nStudioXL International Contemporary Dance Education – Artistic Direction Laura Matano\, Emanuela Baratin \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 16.30.\nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/next-stop_palcoscenico/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/01/STUDIO-XL-prove-28-ottobre-©-2021-silvia-casali-128.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220507T210000
DTEND;TZID=Europe/Rome:20220507T223000
DTSTAMP:20260505T011632
CREATED:20220105T175858Z
LAST-MODIFIED:20220502T151613Z
UID:10002304-1651957200-1651962600@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 26.0
DESCRIPTION: \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 with choreographies by Giuseppe Spota\, Paolo Mohovich and Michele Merola. \nDancers: Camilla Aiazzi\, Erica Barusco\, Silvia Bellot Romanet\, Agnese Biavati\, Veronica Biondini\, Marek Brafa\, Margherita Cardinalini\, Greta Cecconi\, Filippo Cosso\, Sally Demonte\, Pietro Di Salvo\, Annachiara Gallo\, Sofia Lacava\, Carlotta Lo Piano\, Giorgia Mantovan\, Letizia Melchiorre\, Lorenzo Molinaro\, Marta Monaci\, Martina Pagliari\, Alessio Saccheri\, Rossana Samele\, Viviana Sanfilippo\, Diletta Torelli \n  \nCHOREOGRAPHIES \nSNAPES\nChoreography GIUSEPPE SPOTA\nMusic ATMO music production\nCostume designed by GIUSEPPE SPOTA and made by NUVIA VALESTRI \nWe lose ourselves in a flood of futility\, only to experience moments of true beauty\, lucidity and fragility. In a constant non-listening\, we react to the domino effect triggered by our elected leaders of the moment\, only to find ourselves empty and fragile. \nPICCOLI RITI NOTTURNI\nChoreography PAOLO MOHOVICH\nMusic MUCHAEL KIWANUKA \nThe first walk in a dark wood. The first moonlight swim. The first party\, the first encounters and disencounters (loving or not) … to be a little older the next day…\nNighttime rituals that with hindsight appear small\, but how can we forget the emotion that made them appear immense? \nExcerpts from BOLERO\nChoreography MICHELE MEROLA\nMusic MAURICE RAVEL / STEFANO CORRIAS\nCostume design NUVIA VALESTRI\nAssistant to the choreographer PAOLO LAURI \nA clockwork mechanism of rigorous precision\, Bolero (1928) is still one of the best known and most listened to pieces in the history of music. On stage is a choreographic version of Bolero created by Merola for Agora Coaching Project\, inspired by the one created for MMContemporary Dance Company. The choreographer confronted this obsessive and repetitive music\, trying to understand its identity\, reason and function\, to arrive at his interpretation: at the end of this path the inspiration focused on the inexhaustible range of human relationships. In the choreography\, fears\, repressed desires\, existential shocks that reveal entire universes\, secret ties that exist between people are projected from the inside out\, and irony gives way to fear\, love to disenchantment\, detachment to sharing\, and so on\, between crescendo and diminuendo\, like the music of the Bolero.\nStefano Corrias spoke on this same music\, with the licence and inventiveness that are the true mark of every artist. As a refined and experienced composer\, aware of the demands of the stage\, Corrias created his own musical score\, freely inspired by the original version of Ravel’s piece. The new score was composed by carefully analysing the pages of Bolero\, and integrates perfectly with it. \n  \n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & Tickets \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nTickets can only be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 20.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220506T180000
DTEND;TZID=Europe/Rome:20220506T190000
DTSTAMP:20260505T011632
CREATED:20220105T175222Z
LAST-MODIFIED:20220502T144034Z
UID:10002300-1651860000-1651863600@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 26.0 - OPEN REHEARSAL
DESCRIPTION:{%CAPTION%} \nOPEN REHEARSAL\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 26.0 by Giuseppe Spota\, paolo Mohovich and Michele Merola.\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nReduced under 6: free \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220503T180000
DTEND;TZID=Europe/Rome:20220503T190000
DTSTAMP:20260505T011632
CREATED:20220502T132836Z
LAST-MODIFIED:20220502T152647Z
UID:10002329-1651600800-1651604400@www.fndaterballetto.it
SUMMARY:Corpi Violati
DESCRIPTION:OPEN REHEARSAL\nThe choreographic project was born from the desire to focus attention on the theme of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in the Network Against Violence). \nCREDITS \nChoreography\, direction\, set\, lighting and costume design Monica Casadei\nMusic Luca Vianini\, AAVV \nProduction Compagnia Artemis Danza\nCoproduction Festival di Danza Contemporanea – Teatro Comunale di Ferrara \nWith the support of Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna \nSynopsis \n“Never shall Carmen yield! She was born free and she will die free.” “I shall always be free”. These are the hymns to freedom by Carmen\, the protagonist of Prosper Mérimée’s novel and Georges Bizet’s opera\, and Violetta Valéry in Giuseppe Verdi’s La Traviata. Figures of women who are symbols of independence of thought\, strength and courage and at the same time fragility in the face of violence and abuse. Their freedom\, as in so many other cases\, is punished\, violated\, with tragic results. The project “Corpi violati” by the Compagnia Artemis Danza\, founded and directed by Monica Casadei\, is inspired by the many stories of gender violence told in literature and melodrama\, only a small number compared to the infinite number of stories in the daily news.\nThe choreographic project stems from the desire to draw attention to the issue of violence against women\, and from Artemis Danza’s long-standing collaboration with the Anti-Violence Centres of the D.I.Re Network (Women in networks against violence). \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe ticket service in the Fonderia is available from h 17.30. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/corpi-violati/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220428T210000
DTEND;TZID=Europe/Rome:20220428T220000
DTSTAMP:20260505T011632
CREATED:20220128T102128Z
LAST-MODIFIED:20220912T132437Z
UID:10001881-1651179600-1651183200@www.fndaterballetto.it
SUMMARY:AD EVA - DORA - SEAMLESS
DESCRIPTION:  \nThe young XL Dance Company directed by Emanuela Baratin and Laura Matano\, returns to the Fonderia with the triptych Ad Eva by Roberto Tedesco\, Dora by Laura Matano and Seamless by Sabrina Rigoni. \nAD EVA \nIdeazione e coreografia: Roberto Tedesco\nInterpreti: Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Linda Pasquini\nDisegno Luci: Gessica Germini\nMusica: autori vari \nDurata 18′ \nEva.\nEtimologicamente la madre dei viventi\, lei che ha scelto la vita.\nNon peccato ma virtù originale: alla paura ha preferito la curiosità\, all’obbedienza la scoperta.\nPrecorritrice di libertà\, anticipatrice di indipendenza\, colei che ci ha insegnato che chi cerca vive in eterno.\nStoria nuda\, madre sana\, sorella coraggiosa\, al suo gesto hanno abbinato il buio\, ma dove fu veramente il torto?\nOggi siamo lei e il nostro corpo libero racconta una storia che continua sulla sua traccia.\nOmaggio facciamo Ad Eva. \nDORA \nIdeazione e coreografia: Laura Matano\nInterprete: Chiara Riva\nDisegno Luci: Gessica Germini\nScenografia: Cinzia Macis\nMusica: autori vari\n \nCi attraversano o ci camminano di fianco oppure interrompono i nostri respiri quando passano oltre i loro.\nAnime pure che non hanno bisogno di stare a terra. \nSEAMLESS \nConcept and choreography Sabrina Rigoni\nPerformers Diletta Antolini\, Sara Ariotti\, Melissa Bortolotti\, Noemi Garofalo\, Carlotta Serafini\nLighting design Gessica Germini\nMusic various authors \nDuration 20′ \nSolution. From Latin solutiònem\, past participle of the verb sòlvere. To dissolve\, dissolution. In its figurative meaning: breaking or stopping.\nWords\, if you know how to read them\, can always tell you something about the life flow we are all in. The search for the perfect solution is endless: ‘Get us out of the problem!’ the crowd shouts.\nA beginning is certainly not followed by an end\, and this impossible contact may represent the possibility of crossing a border: mental\, parabolic\, hyperbolic. Move away from the extreme nature of your “black or white”\, immerse yourself in the river and keep swimming\, look around and learn with others. \nA solution is not the final step towards your happiness\, try to find the way to bring the people you care about back together. Gestures\, nods\, emotions flow from you to the others. In order to move forward\, you have to be driven by your desire to discover more. Swim. Seamlessly. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/ad-eva-dora-seamless/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220426T210000
DTEND;TZID=Europe/Rome:20220426T220000
DTSTAMP:20260505T011632
CREATED:20220328T164217Z
LAST-MODIFIED:20220422T181301Z
UID:10002333-1651006800-1651010400@www.fndaterballetto.it
SUMMARY:Feeling Good
DESCRIPTION:PERFORMANCE CANCELLED\n\nFeeling Good\, the duet by Diego Tortelli for a disabled dancer and a not-disabled dancer\, is at Fonderia for the first time. \nFor this performance starring Cristian Cucco and Annemieke Mooij. \nThe creation\, a co-production by Fondazione Nazionale della Danza / Aterballetto and Oriente Occidente Dance Festival\, as part of EBA Europe Beyond Access\, co-funded by the European Union’s Creative Europe Programme\, is presented during an evening dedicated to the relationship between dance and disability\, enriched by the projection of short films related to the theme and by a conversation on the Italian panorama between the director of the Fondazione Gigi Cristoforetti and the general director of Oriente Occidente Anna Consolati. \nFeeling Good is within the project by the Fondazione Nazionale della Danza / Aterballetto “Danza e Fragilità”\, supported by Gruppo Credem in partnership with Reggio Emilia Città senza Barriere and Consorzio Oscar Romero. \n\n\n\n 
URL:https://www.fndaterballetto.it/en/evento/feeling-good-11/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,feeling good,Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220421T210000
DTEND;TZID=Europe/Rome:20220421T220000
DTSTAMP:20260505T011632
CREATED:20220105T174044Z
LAST-MODIFIED:20220404T145613Z
UID:10002296-1650574800-1650578400@www.fndaterballetto.it
SUMMARY:UNDER THE FLESH
DESCRIPTION:  \nUnder the Flesh by Bassam Aboud Diab is a contemporary dance performance\, a personal reflection that investigates how the human body reacts to situations of war and danger and how this survival instinct can be expressed in a dance with its own specific technique. \nThe performance will be followed by a talk with the audience conducted by Mattia Mariani\, director of Telereggio\, on how the artist sees the transformations of society and how culture affects them.\n \n\nCredits \nChoreography and direction: Bassam Abou Diab\nPerformer: Bassam Abou Diab\, Ayman Sharaf El Dine and a translator\nMusic: Ayman Sharaf El Dine \nCo-produced by Maqamat Beit El Raqs\nDuration: 30′ \nSYNOPSIS \nIn 1996 the war came back and it was a long time since I had met my friends\, the bombing. My friends this time were much more sophisticated and strong than previous times and it had been a long time since I had used the fall strategy. I took note of the change and elaborated the strategy again trying not to die. \nThe second strategy is to let your body go to the end\, you take advantage of the moment to go to the extreme part of your body / the extreme boundary of your body and avoid the danger. Actually it is not a strategy but I was trying to celebrate it because I got a new pair of shoes from European aid. The best part of a war are the gifts\, games and donations that we usually receive after every war but in that case my neighbor received more gifts because his parents died during the war. \nDuring the year 2000 I changed. New ideas in mind about the relationship between cultures\, the body\, death and rituals. My new strategy is to bring together traditions and identities to create a particular taste and a whole new meaning for existence. \nIn 2006 things got more difficult. I was forced to use a huge number of strategies to survive. Pain and death were just music to me. I think the time is over and you are thinking that I said a lot of stupid things but the most important thing is that you try to discover your own strategies. \nBassam Abou Diab \nBassam Abou Diab \nHe is an emerging choreographer from Beirut who has used the Moultaqa Leymoun platform to its full potential. His history and interest in theatre\, folklore and contemporary dance soon pushed him into the regional and international dance scene. He worked under the guidance of Omar Rajeh | Maqamat\, Gilles Jobin\, Damien Jalet\, Marco Cantalupo and other established artists. Cultural influences and adaptability create a captivating sense of wonder in his work. Bassam is an artist associated with Maqamat and is currently supported by Maqamat Beit El Raqs together with APAP for the APAP 2020 project. \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/under-the-flesh-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220408T210000
DTEND;TZID=Europe/Rome:20220408T220000
DTSTAMP:20260505T011632
CREATED:20220207T175544Z
LAST-MODIFIED:20220207T180008Z
UID:10001884-1649451600-1649455200@www.fndaterballetto.it
SUMMARY:50 MIN|MQ
DESCRIPTION:50 MIN|MQ presents the physical but not mental isolation that is still affecting our lives.\nThe dancers of E.sperimenti Dance Company show emotions and feelings\, which are often contrasting and euphoric\, resulting from the period of confinement we have experienced. \n  \n\nCREDITS \nDancers E.sperimenti Dance Company\nChoreography Federica Galimberti\nMusic AA.VV.\nCostumes E.sperimenti Dance Company\nLights Emilio Barone\nProduction GruppoDanzaOggi di Patrizia Salvatori \n50 MIN|MQ \nBe aware of the new that is coming\, losing control. Putting one eye on yourself and another on the world.\nTake refuge in the only place that represented and still represents\, especially in this nation\, a safe place. The dancers are the performers of the event that permanently signed a step into the new and the unknown.\nCarrying our physical\, emotional\, cultural and spiritual experience\, starting from the only place of freedom we had been given\, the “Supermarket”\, that became a special place for thoughts and ideas\, let us give time to our ego\, hit and hurt by the abuses of a time that has been taken from us\, by marking social rhythms and distances and adding a little irony in our hardest moments.\nAn awakening for many. \n50 MIN|MQ is a performance in which the dancers express emotions and feelings\, often conflicting and euphoric\, resulting from the period of isolation experienced. It is a very involving performance because it is the true emotional representation of the artists and all of us. \nA new production by the choreographer Federica Galimberti who\, together with the performers\, decided to rethink their own being as performers\, through technological\, rather than human\, connections. They have been able to draw both advantages and limits\, with an ’emotional memory’ to share with everyone because it is ”everyone’s”:\nThe artist inside each one of us\, squeezed into 50 square metres\, goes beyond the walls\, runs and draws an invisible imaginary thread that never stops uniting bodies\, minds\, languages and emotions. Art has no barriers\, no constraints\, no boundaries…\nA show that changes and ends in different ways\, proving that people are always changing\, searching for a better self\, a reborn\, renewed self. \n50 MIN|MQ shows the physical but not mental isolation that continues to condition the life of the single person and not only: it brings out the irrepressible irony\, lightness\, theatricality characteristic of E.sperimenti Dance Company. \n\nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Municipality of Reggio Emilia: 6 euro\nReduced under 8: 3 euro \nPURCHASE TICKETS\nDue to anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it.\nTherefore\, tickets cannot be booked by phone or e-mail. \nThe box office service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event.
URL:https://www.fndaterballetto.it/en/evento/50-minmq/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220403T180000
DTEND;TZID=Europe/Rome:20220403T184000
DTSTAMP:20260505T011632
CREATED:20220105T172459Z
LAST-MODIFIED:20220331T232333Z
UID:10001868-1649008800-1649011200@www.fndaterballetto.it
SUMMARY:ALICE IN WONDERLAND
DESCRIPTION:{%CAPTION%} \n  \nAlice in Wonderland is the new\, colourful choreography by Carlo Massari and Emanuele Rosa\, who transposes Lewis Carroll’s novel into dance. The choreographers have created a ballet for children and families\, genuine and faithful to the spirit of Lewis Carroll’s beloved childhood classic. Immediately recognisable are the different characters such as the Mad Hatter\, the susceptible White Rabbit\, a wiggly caterpillar\, the dark and moody Queen of Hearts\, the Cheshire Cat and the crazy tea party. \n  \n  \nCREDITS \nMM Contemporary Dance Company presents Agora Coaching Project \nChoreography: Carlo Massari and Emanuele Rosa\nMusic: various authors\nLighting design: Gessica Germini\nCostume design: Nuvia Valestri\nPerformers: Agora Coaching Project (10 dancers) \nDuration: 40′ \nRecommended age 4-11 years old\n \nSYNOPSIS \nAlice in Wonderland is a one-act creation about Alice’s exciting discoveries. At a garden party on a sunny afternoon\, Alice is surprised to see her parents’ friend Lewis Carroll turn into a white rabbit. As she follows him down his rabbit hole\, increasingly bizarre events occur… While wandering through Wonderland\, Alice encounters countless strange creatures and becomes infatuated with the Knave of Hearts\, who is on the run for stealing tarts. Confusion mounts\, until Alice wakes up with a start: was it just a daydream? \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual dance training project aimed at dancers aged between 18 and 22\, based in Reggio Emilia. Created in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Permanent Dance Centre of Reggio Emilia. Its aim is to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to the different technical/stylistic demands of this market. The project aims to offer a wide range of technical\, cultural and exchange stimuli between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings students together with established choreographers of different stylistic orientations\, and has seen the presence of many illustrious names over the years: along with Michele Merola and Enrico Morelli\, various teachers\, each with proven and qualified experience in the sector\, collaborate in the realisation of the project. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nPrice: 6 euro \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it. \nThe box office service in the Fonderia is open from h 17.00. \nTickets are not numbered. \nENTRANCE \nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested\, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations\, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.\nControl staff are obliged to check this certification upon entry.\nThe public is required to wear an Ffp2 type mask correctly for the duration of the event. \n 
URL:https://www.fndaterballetto.it/en/evento/alice-in-wonderland/2022-04-03/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january-may 2022
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