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DTSTART;TZID=Europe/Rome:20211128T180000
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DTSTAMP:20260505T062317
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SUMMARY:Danza d'Autore - Open Rehearsal
DESCRIPTION:Danza d’Autore – Open Rehearsal\n\nMM Contemporary Dance Company directed by Michele Merola presents Danza d’Autore\, a triple bill composed of Extended by Camilla Monga\, Round Trip by Roberto Tedesco and La metà dell’ombra by Michele Merola. \n \n\n  \nExtended \nChoreography and concept Camilla Monga\nMusic Federica Furlani and By This River by Brian Eno\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Annalisa Perricone\, Alice Ruspaggiari\, Giuseppe Villarosa \nProduction MM Contemporary Dance Company\nWith the support of VAN \nProject born from the action Prove d’autore XL\, promoted by Network Anticorpi XL and coordinated by Associazione Cantieri \nDuration 20′ \nHere we are\nStuck by this river\nYou and I\nUnderneath a sky that’s ever falling down\, down\, down\nEver falling down \nBrian Eno’s By This River brings dancers and spectators into a rarefied atmosphere while the sound of the piano and keyboards caress each other embroidering a precious harmonic fabric. The song invites to a sweet disorientation to idealise a time without time and a space without borders. Camilla Monga works with the musician Federica Furlani to create a polyphony of images that are always new and unrepeatable\, creating an elsewhere that is outlined minute by minute before the eyes of the spectator. Each musical framework guides the talented MMCDC dancers\, giving each one few features that mark their characters; while closely connected actions provoke chain reactions\, outlining increasingly meditative and ethereal panoramas. Extended is expanded music that seems to have neither a beginning nor an ending; it is a reflection on the nature and fragility of man\, but also on his ability to evoke a universe\, false or real\, to create spaces in which one can fall and rise again. \nRound Trip \nChoreography Roberto Tedesco\nMusic Not Waving\nLighting Design Gessica Germini\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Giuseppe Villarosa \nDuration 12′ \nThere is no linear story but moments\, images\, situations that transfigure the formal aspect of the choreographic score into music\, in what seems to be a “mosaic-work”.\nAn investigation into pure movement\, starting from the awareness that “without space there would be no movement\, but without movement space would not be conceivable. With Round Trip we enter into an analysis of different identities\, of the encounter with the other and its many facets. Individuals engaged in a unique and multiple research confront and identify themselves\, mixing again\, not caring about any classification. A circular motion that consists of invading and abandoning space\, going and returning that do not always coincide\, as if every single situation were disconnected from the previous or the following one and could belong each time to an infinitely variable number of performers. \nRoberto Tedesco \nLa metà dell'ombra \n\n\n\n\n\n\nChoreography Michele Merola\nMusic Johann Sebastian Bach\, Geert Hendrix\, Senking\nCostume design Carlotta Montanari\nDancers Dylan Di Nola\, Lorenzo Fiorito\, Paolo Lauri\, Nicola Stasi\, Giuseppe Villarosa \nDuration 28′ \nLa metà dell’ombra stages an ideal and impalpable journey into sacrality. The gestures and the music remind us of the ritual\, of an archaic world\, lost forever. The dancers alternate the physicality of the ‘dancing body’ with an intimate interpretation of the most spiritual part of man. \n\nIn Michele Merola’s dance there is always a time where the human tension and the truth about feelings get exalted: dance brings out the aching sense of life. His dance goes straight to heart\, shaped as knife\, without intermissions and it breaks our self-confidence. La metà dell’ombra is the last leg of this path: it’s structured on human male bodies and it can be considered as a journey to\nexplore the mystery of the sacred in us. The choreography moves in a continuous tension between the sense of expiation\, expressed with gestures lacerating\, self-punitive\, and the hope of redemption and the liberation of the body. There is a constant movement between atonement\, punishment\, hope and freedom. The feelings are mixed\, opposed and drawn in a collective ritual ending. Each frame we see and each choral dance performed exalt the human presence. By those choices the choreographer gains a new dance language that conquered us with power and evocation. \nErmanno Romanelli – Dance News \n\n\n\nMM CONTEMPORARY DANCE COMPANY \nMM Contemporary Dance Company\, based in Reggio Emilia\, Italy\, is directed by choreographer Michele Merola. The company was born in 1999 as a permanent center for the production of events and shows and as a promoter of projects and workshops with the aim  of supporting exchanges and alliances between italian and international artists\, witnesses and spokesmen of contemporary culture.\nCompany repertoire is composed by a various range of styles: Merola’s works and other creations of international and Italian choreographers as Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Emanuele Soavi\, Enrico Morelli\, Eugenio Scigliano\, Daniele Ninarello. \nIn 2010 MMCDC won Danza&Danza Critics Award as Best Emergent Italian Dance Company and in 2017 got the Europaindanza – Merit Award to Choreography for the show Bolero by Michele Merola.\nToday the company is\, in effect\, an outstanding ensemble of italian dance\, with consolidated activity of shows all over the country: it is hosted in many theaters in most of Italian regions\, is invited in major festivals\, collaborates with almost all the regional circuits. Abroad\, MMCDC was present in European and extra-European countries such as Korea\, Colombia\, Canada\, Russia\, Germany\, Morocco\, Belgium… \nFor the three-year period 2018-20 MM Contemporary Dance Company is associated company of InDanza Circuit of Trentino Alto Adige. MM Contemporary Dance Company is supported by Ministero per i Beni e le Attività Culturali\, Regione Emilia-Romagna\, Fondazione Nazionale della Danza/Aterballetto\, Teatro Asioli di Correggio\, ASD Progetto Danza. Technical partner: Pro Music. \nmichelemerola.it \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/danza-dautore-open-rehearsal-mm-company-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20211125T203000
DTEND;TZID=Europe/Rome:20211125T220000
DTSTAMP:20260505T062317
CREATED:20210921T162159Z
LAST-MODIFIED:20211220T102523Z
UID:10001812-1637872200-1637877600@www.fndaterballetto.it
SUMMARY:SWANS_2
DESCRIPTION:{%CAPTION%} \nWhat does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nIn the evening Swans_2\, the traditional version of The Dying Swan is presented with new creations by Camilla Monga and Collettivo MINE.\nThe performance will be followed by a talk hosted by the Professor Alessandro Pontremoli. \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS \n \nSwaën  \nBy and with Camilla Monga\nLive music  Filippo Vignato e Emanuele Maniscalco\nProduction VAN\nCoproduction Lavanderia a Vapore/Piemonte dal Vivo\, Operaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del Grappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza; “Memory in Motion. \nCamilla Monga’s creation starts from the artistic synesthesia between dance and music\, which becomes a crasis in the chosen title: Swaën\, a combination of the noun Swan and part of the surname of the composer of  The Dying Swan: Saint-Saens.\nSwaën is a jazz trio that combines improvised and more structured movements involving one female dancer\, the trombone player Filippo Vignato and the multi-instrumentalist Emanuele Maniscalco.\nThey are the authors of a re-writing of piece no. 13 of The Carnival of the Animals. \nLiving like I know I’m gonna die \nChoreography\, invention and dance Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nPerformers Francesco Saverio Cavaliere\, Fabio Novembrini\, Siro Guglielmi\, Roberta Racis\, Silvia Sisto\nSound F. De Isabella\nStyling Ettore Lombardi\nPhoto and video Tonia Laterza\nProduction Fabbrica Europa\, Operaestate Festival/CSC Bassano \nLiving like I know I’m gonna die has been realized within Swans never die\n(Danzare la memoria 2020-2022) with the support of Lavanderia a Vapore/Piemonte dal Vivo\,\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC\, Bassano del\nGrappa\, Triennale Milano\, Teatro Brescia\, Torinodanza Festival\, Festival Bolzano Danza;\n“Memory in Motion. Re-Membering Dance History (Mnemedance)” – Università Ca’ Foscari\nVenezia; Ecole Universitaire de Recherche CREATES e Centre Transdisciplinaire\nd’Epistémologie de la Littérature et des Arts Vivants\, Université Côte d’Azur e con il\ncoordinamento scientifico di Susanne Franco.\n \n” While we speak\, time will have escaped greedily. \nGrab this day”\nOrazio  \nLiving like I know I’m gonna die is a dance for five bodies. \nTwo couples and a single one form a group in reciprocity\, a single body made by linked arms \nunfolds in a network of lightning-fast encounters that cross the space with a progressive and \nunavoidable rhythm.\nThe sudden rhythmic character articulates a continuous\, intensely dense and intrinsically\nfleeting movement\, destined to change\, dissolve and end challenging time and its ephemeral\nnature.\nIn this way Pavlova daces the dying swan for Fokine\, like a real fight against death\,\nembodying a constant symbol of the transience of existence and of life’s things. \nThe Dying Swan \nChoreography Michel Fokine for Anna Pavlova\nMusic Camille Saint-Saëns\nDancer Martina Dall’Asta from Nuovo Balletto Classico \nThe historical choreography by Fokine The Dying Swan\, performed from Nuovo Balletto di Toscana\, ends the evening. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211111T210000
DTEND;TZID=Europe/Rome:20211111T220000
DTSTAMP:20260505T062317
CREATED:20211018T134413Z
LAST-MODIFIED:20211220T102341Z
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SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211111T190000
DTEND;TZID=Europe/Rome:20211111T200000
DTSTAMP:20260505T062317
CREATED:20211018T134413Z
LAST-MODIFIED:20211220T102341Z
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SUMMARY:Another story - B duett - Golem\, Amore Sintetico
DESCRIPTION:Gōlem-Amore Sintetico – ph. Giulia Furlani \nUna serata che riunisce tre Centri di Produzione della Danza italiani: Fondazione Nazionale della Danza / Aterballetto di Reggio Emilia\, DanceHaus Company / DanceHauspiù di Milano e Scenario Pubblico/Compagnia Zappalà Danza di Catania.\nUn’occasione per conoscere i linguaggi di tre affermate realtà del panorama nazionale. \nAnother Story \nChoreography Diego Tortelli\nMusic Spiritualized\nMusic consulting Federico Bigonzetti\nLighting Carlo Cerri \nAnother story wants to tell the new story of the most feared and at the same time desired gesture of 2020\, suffering from a global epidemic: the hug.\nA gesture as simple as a hug has now been reinvented by adding infinite variations to its most basic meaning\, transforming itself into the most hidden desire and\, on the other side\, into an almost “terrorist” act\, without losing its deep meaning of actual carnal sharing. \nAnother story thus becomes a solitary hug\, a shared hug\, a violent\, painful\, tiring and also desired\, hidden\, intimate\, idolised hug… the only prediction we cannot rely on is how this simple gesture will continue its mutation; what choreographer Diego Tortelli intends to do is to write another story for it to be felt and watched by both performer and spectator. \nFND/Aterballetto – Another story – ph. Celeste Lombardi  \nB duett \nchoreography Roberto Zappalà\nmusic by Johannes Brahms\ndancers Fernando Roldan Ferrer and Joel Walsham \nproduction Scenario Pubblico/Compagnia Zappalà Danza – Centro Nazionale di Produzione della Danza\nwith the support of MIC Ministry of Culture and Regione Siciliana Ass.to of Tourism\, Sport and Entertainment \nB duett is an excerpt from “Corpo a Corpo”\, a creation by Roberto Zappalà that premiered in 2018 and investigates the ongoing violence bodies suffer and express from the beginning of life\, meditating through the figures of Cain and Abel on the human evil and struggles.\nB duett is the central part of the full creation that simultaneously expresses the conflict and affection the two brothers feel after God’s statements and before they get to the separation that coincides with humanity’s first crime and first grief.\nScenario Pubblico/Compagnia Zappalà Danza – Corpo a Corpo – ph. Andrea Macchia \nGōlem - Amore Sintetico \ndirection and choreography Erika Silgoner\noriginal music Samuel Puggioni\ndancers Gloria Ferrari\, Giovanni Leone\nco-production DANCEHAUSpiù – Festival tanzOFFensive EISFABRIK \n“Gōlem\, the Hebrew word for embryo\, raw mass.\nMaterial that has not yet been infused with a soul.” \nThe word “Gōlem” appears within the Holy Scriptures and means “light form”\, “raw” material. It is the unfinished human being in front of God’s eyes\, it is Adam. In modern Hebrew\, it means ‘dumb’ or ‘defenceless’.\nChoreographer Erika Silgoner\, fascinated by this anthropomorphic figure\, revisits the myth of “Gōlem” to investigate the existential limits of today’s man and the complex laws regulating life and love. \nGōlem – Amore Sintetico tells the story of a relationship\, if we can define it in this way\, between a man and his anthropomorphic frustration\, the distance between the desired love and the incapacity to concretize it.\nThe story is meant to be a paradox: the love between a man and an unreal being.\nDespite the claustrophobic solitude\, the desire for possession is still alive\, as well as the desire for beauty and its imagery\, the desire for love\, no longer authentic\, no longer possible\, but synthetic.\nA love that is cruelly meant to represent the distance that humans want to take from real emotions as if they wanted to preserve themselves from the pain and from a new\, inevitable failure. \nA fetish created by man to feed those high and low needs that devour him\,\na grotesque and imprecise love that is far from the true love we aspire to.\nThe innocence of a newborn creature that needs him\, that tries to satisfy him beyond its limits… because it has to. \nGōlem-Amore Sintetico – ph. Giulia Furlani\n \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature is higher than 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/another-story-b-duett-golem-amore-sintetico/2021-11-11/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211104T203000
DTEND;TZID=Europe/Rome:20211104T213000
DTSTAMP:20260505T062317
CREATED:20210921T162111Z
LAST-MODIFIED:20211220T102516Z
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SUMMARY:SWANS_1
DESCRIPTION:What does it remain today of a choreographic work that is considered a milestone in the history of Western dance at the beginning of the 20th century? In what forms has it survived over time? Who will take up its legacy?\nThe project Swans Never Die invites audiences and artists to think about The Dying Swan as an opportunity to learn about the many forms of its existence over time\, since it was choreographed by Michel Fokine for Anna Pavlova in 1905.\nFollowing the stages of this journey through the history and memory of dance\, the spectator will be able to discover the bodies in which a choreographic work from the past survives\, who takes up its legacy and the values it can transmit today and in the future. \nThe evening Swans_1 includes new creations by Chiara Bersani\, Philippe Kratz e Silvia Gribaudi.\nThe performance will be followed by a talk hosted by the journalist Greta Pieropan.\n \nSwans never die is a project conceived and realised by :\nLavanderia a Vapore – Centro di Residenza per la Danza (gestito da un raggruppamento temporaneo di organismi formato da Piemonte dal Vivo\, Coorpi\, Didee Arti e Comunicazione\, Mosaico Danza\, Zerogrammi)\nOperaestate Festival Veneto e Centro per la Scena Contemporanea CSC Bassano del Grappa\nTriennale Milano Teatro\nFondazione Teatro Grande di Brescia\nFestival Bolzano Danza – Fondazione Haydn\nIl Cassero LGBTI Center – Gender Bender Festival\nMnemedance\nUniversità degli Studi di Torino – Corso di laurea in DAMS\n \n \nL’Animale  \nBy and with Chiara Bersani\nScene and light Valeria Foti\nWith the collaboration of Richard Gargiulo and Sergio Seghettini\nVocal playwright Francesca Della Monica\nAssistance to dramaturgy and promotion Giulia Traversi\nAssistance to creation Marco D’Agostin / Elena Giannotti\nSupport to the creative process Federica Della Pozza\nProduction corpoceleste c.c.0.0 #\nCo-production Operaestate Festival/CSC\, Fabbrica Europa\, Bolzano Danza |TanzBozen\, Gender Bender Festival. \n  \nThe animal is standing still.\nThe animal is a house.\nThe animal is a war memorial.\nDid the animal fall?\nNo. The animal was under the table when everything was falling.\nDoes the animal travel?\nNo. There’s too much debris.\nHe could get hurt. More than this?\nMore than this might kill it.\nThe animal hears ghosts.\nThe animal chose them. \nIf you want to meet the animal\, you have to ask permission.\nChiara Bersani \n  \n  \nOpen Drift \nChoreography Philippe Kratz\nDancers Antonio Tafuni and Nagga Giona Baldina\nOriginal music Borderline Order\nOn commission of Festival Operaestate-Bassano del Grappa  \nThe Dying Swan by Anna Pavlova and Michel Fokine is a representation of the final moments of a living creature and it alludes to the idea of transformation. We are observing a creature transforming itself into a different state of existence.\nIn a spiritual and philosophical perspective\, we tend to use the word “passage” when referring to death because we see this process as a process of transition\, just as all life can be seen as a sequence of transformations.\nBut is it possible to encapsulate a single moment in time? With this duet\, I wanted to try. \nThe physical research is based on the idea of floating and fluctuating. Two bodies meet by chance because the currents of life have brought them together in the open sea. Something firm and resolute appears in their bearing as if they are determined to make the most out of their encounter. They know they have been accidentally brought together\, but they also know that\, for this brief moment\, one will be the only witness to the existence of the other\, and vice versa\, before drifting off again in different directions\, disconnected and unrelated\, but potentially transformed for the better.\nPhilippe Kratz\n \nOpen Drift has been created in a personal moment of transition of the choreographer and it is the result of the two-way exchange between Philippe Kratz\, at the end of his career as a dancer\, and the two young performers\, at the beginning of their working experience. \nPeso Piuma \nby and with Silvia Gribaudi\nMusic Nicola Ratti\nWith the collaboration of Associazione Culturale Zebra\nPeso Piuma was created as part of the project SWANS NEVER DIE \nPeso Piuma is a performance inspired by the first version of The Dying Swan created by Michel Fokine and danced by Anna Pavlova. \nIn her interpretation\, Anna Pavlova included in the choreography movements that were expressions of her own feelings\, performing a revolutionary act that betrayed the codes of the dance of the 1900s: Choreographers’ and dancers’ roles became blurred.\nThe dance that was staged belonged to both the choreographer and the performer\, it was impossible to know how much belonged to one or the other.\nThe dance that was staged belonged to both choreographer and performer\, it was impossible to know how much belonged to one or the other.\nWhich is the invisible legacy that remains for those who will dance that choreography?\nHow is a movement transmitted and re-interpreted?\nWhere do the past and the present meet in the body? How does the gesture go beyond time? \nIn a 15-minute performance\, together with the public\, I explore the intimacy of the body\, the abandonment to it. I reconstruct new movements\, with effort and happiness\, repeating those arms and that broken neck of Pavlova.\nI have tried to start from those steps that give impetus to the fall. It is a fall in order to get up again.\nSilvia Gribaudi \n \nGreta Pieropan \nGreta Pieropan has a background in Modern Philology and Literature Studies\, with a focus on journalism and performing arts. She works with festivals and dance companies on communicating dance to professional and non-professional audiences. Her personal research includes dance dramaturgy\, as a tool for the creative process and for developing a positive exchange between artists and audiences and researching new narratives for contemporary dance. \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/swans/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211031T203000
DTEND;TZID=Europe/Rome:20211031T213000
DTSTAMP:20260505T062317
CREATED:20210728T160701Z
LAST-MODIFIED:20211019T082858Z
UID:10001778-1635712200-1635715800@www.fndaterballetto.it
SUMMARY:NEXT STOP_ PALCOSCENICO
DESCRIPTION:NEXT STOP_ PALCOSCENICO\nContainer of contemporary creations that open the doors to the professional performing world. \nChoreographers in Creation 2021\nLuna Cenere\, Daniele Ziglioli\,Emma Cianchi\, Sabrina Rigoni \nPerformers\nYoung dancers of the StudioXL advanced training course Reggio Emilia \n \nSTUDIOXL CONTEMPORARY DANCE \nStudio XL represents an advanced training course aimed at dancers under 27 who wish to deepen the study of contemporary performing arts. The course includes 2 intensive years of study\, research and staging. National and international professionals participate in the project with the common intent to train new dancers and to improve their scenic and expressive technical qualities with guided paths towards their professional identity. \nArtistic Direction Laura Matano\, Emanuela Baratin \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/next-stop-placoscenico-studioxl-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/07/Ph-Bruno-Cattani-3.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211029T203000
DTEND;TZID=Europe/Rome:20211029T213000
DTSTAMP:20260505T062317
CREATED:20210728T142641Z
LAST-MODIFIED:20211026T165935Z
UID:10001776-1635539400-1635543000@www.fndaterballetto.it
SUMMARY:Oh Peter\, hello. Goodbye - Prima di domani
DESCRIPTION:XL Dance Company – “Prima di domani” – ph. Elena Barchi \nTwo choreographies that highlight the talent of the young XL Dance Company directed by Emanuela Baratin and Laura Matano. \n \nOh Peter\, hello. Goodbye \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic by various authors\nDuration 13’40” \nHere is the greeting you had to become.\nI awaited it comprehensively because in all our things there were sentences and redemptions.\nInside there is the desire to which I had to return to and which I had to preserve.\nA resolute control of aspirations is needed in order not to become a victim of them.\nYou are without siege\, and I am no longer a smile but the winter.\nCover yourself too.\nYou said that every body is seeking\, calling\, must fulfil itself.\nIt’s true\, here is the ritual to leave.\nI feel that you want to drag me into your space but I have chosen to let myself return to myself\, in symbiosis\nwith my wide gestures and without constraints.\nUntil they are accomplished we will guard our\nsleep\, but standing sideways\, to give access to nightmares.\nThen I will open my hands as if I am in a space of my own\, without having yours around me trying to\ntake one last close-up look. \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nSet design Cinzia Macis\nDramaturgical preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic various authors\nDuration 24’30” \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and look after it. A game that never ends.\nEach time\, pain is a great discovery. Lightning\, like a black star.\nSomething is missing\, you begin to live without it\, as you search for the vanishing point of life. It scrapes the empty words\, invents a new language\, obtains by subtraction.\nIt is fear that comes but arrives together with courage.\nStrength. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo make the balance square again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in its own way hospitable.\nAnd you walk\, you go ahead in the disorder of destiny\, you obey the failure of time that falls on you\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, no escaping\, no running away\, the bridge has collapsed.\nCount the hours\, the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time. \nCompelled state of necessity.\nThat’s it\, you’ve got to get through it before tomorrow.\nAnd don’t forget it from tomorrow. \n  \nXL DANCE COMPANY \nIt was born in Reggio Emilia under the artistic direction of Emanuela Baratin and Laura Matano. \nThe aim of the dance company is to create performances by circulating choreographers and international realities. In XL Dance Company\, the movement\, the body\, the gestures become matter and surface for the individual and collective expression\, instruments of choreographic experimentation through methods and techniques supporting a creativity born from intuitions\, resonances and perceptions. The productions reflect the DNA of XL Dance Company\, which makes contamination between styles its distinctive feature. Open to innovation\, the dancers perform in important national and international festivals and theatres. \nstudioxlcontemporary.it \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/seamless-prima-di-domani/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T163000
DTEND;TZID=Europe/Rome:20211024T173000
DTSTAMP:20260505T062317
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001774-1635093000-1635096600@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T143000
DTEND;TZID=Europe/Rome:20211024T153000
DTSTAMP:20260505T062317
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
UID:10001773-1635085800-1635089400@www.fndaterballetto.it
SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211024T113000
DTEND;TZID=Europe/Rome:20211024T123000
DTSTAMP:20260505T062317
CREATED:20210728T104722Z
LAST-MODIFIED:20211021T082520Z
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SUMMARY:AMIGDALA
DESCRIPTION:Sanpapié – Amigdala \nAMIGDALA pursues the Compagnia Sanpapié‘s research towards a “public dance” conceived as a shared experience of audience and performers in urban and natural venues\, architectures\, buildings\, theatres: spectators are invited inside the performance itself\, sharing concrete spaces that cancel distances and renounce filters. Music\, words and sounds are given back through a system of silent-disc headphones that allows maximum dynamism through the urban setting in spontaneous and daily movement. \nA walking performance through the spaces of the Fonderia. \n \n  \nCREDITS\nChoreography Lara Guidetti\nOriginal music and sound design Francesco Arcuri\nVisual and costumes Nani Walz\nTexts Saverio Bari with Gianluca Bonzani \nVoice Beatrice Casiroli\nWith Fabrizio Calanna\, Sofia Casprini\, Luis Fernando Colombo\, Gioele Cosentino\, Matteo Sacco\, Lara Viscuso \nProduction Sanpapié and Milanoltre Festival\nWith the support of Teatri di Vita/programma Artisti nei territori della Regione Emilia-Romagna and Officine CAOS/Residenza Multidisciplinare Arte Transitiva Regione Piemonte in the sphere of the CURA 2021 Project. \nIn collaboration with Cluster TAV – TechForLife Cluster Lombardo Tecnologie per gli Ambienti di Vita\, Dr. Antonella Monteleone\, IEO Institute and patients of the project We Will Care\nSynopsis \nThe dance occupies the space in its contemporary and abstractive dimension through compositions and ruptures in constant evolution that do not allow a linear narrative\, but open to a common\, emotional\, energetic and empathic feeling. The shaping of the performance on the specific characteristics of each place and the inclusion of the people moving in the choreographic design and in the musical composition\, create a space of common freedom where you can choose and change point of view\, position and relationship with the stage action. \nAMIGDALA deals with the mechanism of trauma\, defined as that event produced in the organism by any agent capable of sudden and very rapid action\, which causes general alterations\, change\, transformation\, evolution. The organism is meant as the human body\, the social body\, common space and perceived time. It could be an illness\, an accident\, an earthquake\, a social or economic crisis\, a birth or a death\, but each time we would be faced with the need to reorganise and recreate a system that has shattered and split in order to generate itself again. \nAMIGDALA\, as the title suggests\, explores what happens in our cerebral amygdalae at that point of rupture and transformation\, investigates what our common dynamics of reaction and perception are\, and goes on to investigate how our emotional\, bodily and social intelligence behaves in the face of change. \nAMIGDALA is an emotional exploration\, a choral work\, a pagan and contemporary dance that celebrates the individual as a fundamental part of extended systems that break down and rebuild in the carousel of existence and time. It is a unique dancing organism\, a fragmented social body in continuous metamorphosis that challenges itself in the fall and in the change\, exorcising with the body the fear of diversity and of the unknown\, losing identities and inventing new ones. There is no single style or form for dance: the body continuously loses and reshapes itself in response to external stimuli\, becoming the scene of elusive dynamics. \nThe music\, composed by Francesco Arcuri\, comes from a composition he made during the first lockdown in 2020\, then opened\, fragmented and recomposed through rhythmic and sound explorations made with “broken” objects and musical instruments\, that is\, that have lost their main function but are provoked to a new sound and rehabilitated in the music.\nVoices and testimonies of real people who have offered their own stories following a trauma and words directed to the spectators\, enter the sound fabric and then leave it in an attempt to generate in the audience a direct experience of the functioning of their amygdalae and the emergence of emotions. \nTAV- cluster of Lombardy for living environments\, supported the first phase of topic research through workshops with experts\, clinicians\, psychotherapists\, neuroscientists and caregivers\, while the patients of the We Will Care project\, created the bridge with reality\, giving Amigdala their time\, their stories and their voices. \nAMIGDALA\, before being a performance\, wants to be a shared experience: a way to experience the real space through the ephemeral presence of dance in order to imagine it as well as see it\, to inhabit it as well as go through it. It is a provocation and a game\, an invitation and an occupation\, a macabre dance to exorcise fear and re-establish the ritual of celebration. \nSanpapié \nSanpapié was born in 2008 from the will of four newly graduated young people: Lara Guidetti\, dancer and choreographer\, Sarah Chiarcos\, playwright\, Marcello Gori\, musician\, and Fabio Ferretti\, organizer\, They were all interested in investigating the depths of their artistic research without forgetting their Excel sheets. Like all companies\, in 13 years it has gone through very different phases and seasons lost pieces only to find them again\, missed trains\, and won fundings\, but one thing that it has never done is to betray its original spirit: looking for the most special and impervious way to reach to the heart of the beholder. \nSanpapié has been and continues to be the home of a group of artists and producers in continuous motion\, constantly looking for new stimuli and new challenges. An extended family from Emilia-Milanese-Romagna-Genoese (with flashes of Campania\, Puglia\, Sicily\, and Tuscany) has not been afraid of growing and turning into a virtuous cultural enterprise. \nFrom 2015 to 2017\, Sanpapié has received the contribution of MiBACT as a dance production company; from 2017 to 2019 it won the Funder35 call of the Cariplo Foundation; from 2018 to 2020 it has obtained the contribution for ‘continuous activity by the Municipality of Milan and in its history\, it has performed in Italy\, in France\, the United Kingdom\, Spain\, Germany\, Portugal as well as China. \nsanpapie.com \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/amigdala-sanpapie-fonderia/2021-10-24/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021,Stagione Faenza 2018-2019
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211020T203000
DTEND;TZID=Europe/Rome:20211020T213000
DTSTAMP:20260505T062317
CREATED:20210728T080159Z
LAST-MODIFIED:20210910T100636Z
UID:10001768-1634761800-1634765400@www.fndaterballetto.it
SUMMARY:Bayadère. Il regno delle ombre
DESCRIPTION:NuovO BallettO di ToscanA – Bayadère. Il regno delle ombre \nA contemporary Bayadère\, light years away from the exoticism\, the Brahmins and Pashas of the nineteenth-century archetype designed by Marius Petipa to the music by Ludwig Minkus. Michele Di Stefano captures the timelessness of the ‘classic’ in Act III of Bayadère\, the so-called Kingdom of Shadows\, where the impalpable souls that appeared in a dream to the warrior Solor after smoking a hookah descend in arabesques penchées the slopes of the Himalayas. \nAn enchanting vision\, a white act of amazement that is now translated into a psychedelic and contemporary vision but always with Minkus accompanying it. \n \n  \n\n  \nCREDITS \nBallet in one act for 12 dancers \nChoreography Michele Di Stefano\nMusic Ludwig Minkus\nOriginal music composition Lorenzo Bianchi Hoesch\nCostume design Santi Rinciari\nLighting design Giulia Broggi \nCompagnia Nuovo BallettO di ToscanA\nDancers Lisa Cadeddu\, Matteo Capetola\, Francesca Capurso\, Carmine Catalano\, Beatrice Ciattini\, Matilde Di Ciolo\, Roberto Doveri\, Veronica Galdo\, Aisha Narciso\, Aldo Nolli\, Niccolò Poggini\, Paolo Rizzo \nArtistic Director Cristina Bozzolini\nMaitre de Ballet Sabrina Vitangeli\nProduction manager Serena Roberti\nTechnical and stage director Saverio Cona\nDressmaker Chiara Fontanella\nLighting technicians Luca Cittadoni\, Luisa Giusti \nwith the support of Centro Nazionale di Produzione della Danza Virgilio Sieni \n  \nSynopsis \nBayadère is a ballet steeped in idealised exoticism\, both in its melodramatic plot and in its overall aesthetic.\nTraditionally its most famous scene\, the Kingdom of Shadows\, is borderline on the boundary between the real and the afterlife\, where the shadows that appear are as if frozen in their tragic condition and the movements they make are ritualistic; the act expresses a vision that goes beyond the context and opens up a passage of pure movement\, abstract and lucid in its formal simplicity. \nMy interest lies precisely in the compositional potential that this scene contains\, not to replicate it but to unleash all its dynamic force and also to give Solor’s hallucination back its true psychedelic nature. Conceived for an ensemble of very young talents\, this new Kingdom of Shadows\, so mysteriously full of suggestions\, belongs to the exceptional times we are living\, because it refers to something lost and something possible at the same time\, something that concerns the presence of bodies and the interweaving of their trajectories\, in a space that is no longer just a beyond but a present that wants to be reinvented with grace and passion. \nMichele Di Stefano \nNuovO BallettO di ToscanA \nThe Compagnia Professionale Nuovo Balletto di Toscana\, now managed by the new cultural association ‘Balletto di Toscana’\, has been a significant presence in the news and history of Italian dance since 1970. \nIt has always been animated by the commitment\, skills and passion of its leader Cristina Bozzolini\, first with the ‘Collettivo Danza Contemporanea’ (Contemporary Dance Collective)\, then with the experience of the professional company of the Balletto di Toscana\, which for fifteen years\, from 1985 to 2000\, became a major presence of outstanding excellence on the international scene\, and finally with the operation of its own youth ensemble\, the ‘Junior BdT’\, which in the last ten years has been able to conquer the stages of many prestigious Italian theatres. \nThe Nuovo BdT is now a rigorously professional production structure\, supported by the MIC\, the Region of Tuscany and the Municipality of Florence\, with a medium-sized artistic company of 12/14 dancers\, in accordance with the most significant and qualified experiences of professional companies. \nThe current artistic programme\, thanks also to a team of collaborators and authors of renowned reputation\, alongside Cristina Bozzolini\, recalls a constant and coherent cultural policy with the affirmation of the primacy of contemporary choreography\, with a plurality of expressive languages. In the past years the authors of great relevance have been Fabrizio Monteverde\, Mauro Bigonzetti\, Virgilio Sieni\, Cristina Rizzo\, and later Eugenio Scigliano\, Arianna Benedetti\, Davide Bombana\, Nicola Galli\, Diego Tortelli. \nhttps://scuoladelballettoditoscana.it/nuovo-balletto-toscana/?cli_action=1627458748.213 \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/bayadere-il-regno-delle-ombre-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210926T203000
DTEND;TZID=Europe/Rome:20210926T220000
DTSTAMP:20260505T062317
CREATED:20210726T163238Z
LAST-MODIFIED:20210923T151720Z
UID:10002191-1632688200-1632693600@www.fndaterballetto.it
SUMMARY:HOME Altrove
DESCRIPTION:Home Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts\, between what is here and what is elsewhere. \nThe performance will be introduced by a short lecture by the philosopher Maurizio Zanardi and will be followed by an open conversation between the philosopher and Daniele Albanese. \n \n\n\nCREDITS \nby and with Daniele Albanese\nvoice Eva Karczag\nvideo and technical assistance Salvatore Insana\nsound Daniela Cattivelli\nlight design Alessio Guerra\npromotion and curatorship Francesca Divano \nproduction Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo\, Regione Emilia Romagna\, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche\, Teatro il Lavatoio Santarcangelo\, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, ACS Abruzzo \nSynopsis \nLa danza come sottrazione e separazione\, che si trattiene dal liberare gli impulsi\, dall’ammucchiare gesti e movimenti\, le cui posture risplendono piuttosto di ciò cui non danno luogo. _ Maurizio Zanardi \nHome Altrove ricolloca nel contesto attuale il processo di creazione condivisa Elsewhere intrapreso insieme alla storica danzatrice Eva Karczag e il progetto solista Home\, traducendosi in un nuovo modo di affrontare la scena che porti i segni della complessità del vissuto dell’ultimo anno. \nA partire dal presupposto che il meccanismo sotteso all’atto performativo può essere considerato ’casa’ in quanto archivio personale\, funzionale\, emotivo – quindi luogo dell’identità – Home Altrove indaga forme di linguaggio mutevoli\, flottanti\, che fluiscono all’interno di un ambiente vivo\, eterogeneo in cui il confine – tra spazi\, linguaggi e direzioni – è luogo di turbolenza\, di problematicità ma anche di ricchezza.\nNell’ultimo anno il progetto si è sviluppato per concatenazioni di eventi e contingenze\, dando vita a diverse possibilità di traduzione sulla (o fuori dalla) scena.\nIn occasione del debutto della sua versione più propriamente teatrale\, Daniele Albanese invita il filosofo Maurizio Zanardi a un dialogo aperto che\, a partire dalle questioni sollevate dal lavoro (“In un mondo dai confini liquidi e in continuo divenire come quello contemporaneo\, cos’è casa?”)\, si apre a un discorso più ampio sul ruolo della danza “nell’attuale società di controllo”. \n“Danza” sarebbe\, dunque\, il nome allo stesso tempo\, ma secondo due linee eterogenee\, del gesto-passo-passaggio incondizionato\, assoluto\, e lo schema che\, nell’effettuarsi stesso della danza o nella organizzazione del suo uso pubblico\, ora lo esclude\, ora lo anticipa\, ora lo neutralizza codificandolo. In ogni caso\, la danza appare come una pratica percorsa da forze eterogenee che la mettono di volta in volta in ballo. Ebbene\, come entra in ballo la danza nell’attuale società di controllo? _ Maurizio Zanardi \nDANIELE ALBANESE \nDaniele Albaneseis a choreographer\, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer\, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.\nSince 1995\, while developing his work as an independent author\, he has been collaborating with many renowned artists such as Benoit Lachambre\, Virgilio Sieni\, Nigel Charnock\, Jennifer Lacey\, Enzo Cosimi\, Eva Karczag. \n\nIn 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures\, in search of a choreographic sign which would be precise and mutable at the same time. \nHis research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.\nHis works explore the hybrid forms that arise in the transition from a place to another\, from a movement to another\, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience\, thus leading it to unusual dimensions of perception. \ncompagniastalker.com \nMAURIZIO ZANARDI \nMaurizio Zanardi si occupa di filosofia ed è tra i fondatori della casa editrice Cronopio\, per la quale ha curato: Le lingue di Napoli\, 1994; Aporie napoletane. Sei posizioni filosofiche\, 2006; La democrazia in Italia\, 2011; Comunità e politica\, 2011; Sulla danza\, 2017. Tra i suoi scritti sulla danza: Forme radiose\, in Virgilio Sieni\, La ragazza indicibile\, Maschietto Editore 2011; Danzare nella società di controllo\, in Altri corpi / Nuove danze\, a cura di Andrea Porcheddu\, Cue Press 2019. \nINFO & BIGLIETTI \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/home-altrove-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210925T180000
DTEND;TZID=Europe/Rome:20210925T190000
DTSTAMP:20260505T062317
CREATED:20210726T160841Z
LAST-MODIFIED:20210914T150232Z
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SUMMARY:HOME Altrove - open rehearsal
DESCRIPTION:OPEN REHEARSAL\n\nHome Altrove is a performance as well as a reflection about the invisible communication between actions and thoughts\, between what is here and what is elsewhere. \n \n\n\nCREDITS \nby and with Daniele Albanese\nvoice Eva Karczag\nvideo and technical assistance Salvatore Insana\nsound Daniela Cattivelli\nlight design Alessio Guerra\npromotion and curatorship Francesca Divano \nproduction Associazione Gruppo Nanou with the support of MIC – Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo\, Regione Emilia Romagna\, ResiDance XL – luoghi e progetti di residenza per creazioni coreografiche\, Teatro il Lavatoio Santarcangelo\, Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, ACS Abruzzo \nSynopsis \nDance as subtraction and separation\, that restrains itself from freeing impulses and piling up gestures and movements\, its poses shine with those things they do not produce. _ Maurizio Zanardi \nHome Altrove brings into the actual context the shared creation process Elsewhere undertaken together with the historical dancer Eva Karczag and the solo project Home\, transforming them into a new way of approaching the scene that carries the signs of the last year’s complex experience. \nStarting from the assumption that the process behind the act of performing can be considered ‘home’ as a personal\, functional and emotional archive – and therefore as a place of identity – Home Altrove explores shifting\, floating languages that flow within a living\, heterogeneous environment in which the boundaries – between spaces\, languages and directions – are both sources of turbulence and richness.\nOver the last year\, the project has evolved as a result of a series of events and circumstances\, leading to different possible versions on (or off) the stage.\nFor the debut of the theatrical version\, Daniele Albanese is inviting the philosopher Maurizio Zanardi to participate in a discussion that\, starting from the questions raised by the work (“In a world of  constantly changing and liquid boundaries like the contemporary one\, what is home?”)\, opens up to a wider conversation on the role of dance “in the current society of control”. \n“Dance” would therefore be on the one hand the name of the unconditional\, absolute gesture-step-passage\, and on the other hand the scheme that\, both in the dance action and in the organisation of its public use\, sometimes excludes it\, sometimes anticipates it\, sometimes neutralises it while codifying it.\nIn any case\, dance seems to be a practice pervaded by heterogeneous forces that are constantly bringing it into play. So how does dance come into play in today’s society of control? _ Maurizio Zanardi \nDANIELE ALBANESE \nDaniele Albaneseis a choreographer\, dancer and performer based between Italy and Berlin. After having trained as a gymnast and ballet dancer\, he obtained a BA at EDDC (now ArtEZ) in Arnhem – The Netherlands where he studied with several leading figures linked to American Post-modernism.\nSince 1995\, while developing his work as an independent author\, he has been collaborating with many renowned artists such as Benoit Lachambre\, Virgilio Sieni\, Nigel Charnock\, Jennifer Lacey\, Enzo Cosimi\, Eva Karczag. \n\nIn 2002 he established his own company Compagnia STALKER_Daniele Albanese in order to investigate dance as a language in terms of relationship between closed and open structures\, in search of a choreographic sign which would be precise and mutable at the same time. \nHis research inhabits the constant flow that goes from the body as an object to the body as a subject through a flux of transformations in which gestures become abstractions and viceversa.\nHis works explore the hybrid forms that arise in the transition from a place to another\, from a movement to another\, in which boundaries are not seen as obstacles but rather as a point of turmoil that generates new ways of encountering the audience\, thus leading it to unusual dimensions of perception. \ncompagniastalker.com \nMAURIZIO ZANARDI \nMaurizio Zanardi is a philosophy expert and one of the founders of the Cronopio publishing house\, for which he has edited: Le lingue di Napoli\, 1994; Aporie napoletane. Sei posizioni filosofiche\, 2006; La democrazia in Italia\, 2011; Comunità e politica\, 2011; Sulla danza\, 2017. His writings on dance include: Forme radiose\, in Virgilio Sieni\, La ragazza indicibile\, Maschietto Editore 2011; Danzare nella società di controllo\, in Altri corpi / Nuove danze\, edited by Andrea Porcheddu\, Cue Press 2019. \nINFO & BIGLIETTI \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/home-altrove-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210919T193000
DTEND;TZID=Europe/Rome:20210919T203000
DTSTAMP:20260505T062317
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
UID:10002206-1632079800-1632083400@www.fndaterballetto.it
SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210919T180000
DTEND;TZID=Europe/Rome:20210919T190000
DTSTAMP:20260505T062317
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
UID:10002205-1632074400-1632078000@www.fndaterballetto.it
SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210919T163000
DTEND;TZID=Europe/Rome:20210919T173000
DTSTAMP:20260505T062317
CREATED:20210729T153816Z
LAST-MODIFIED:20210921T110727Z
UID:10002204-1632069000-1632072600@www.fndaterballetto.it
SUMMARY:Eppur si muove - Punch 24 - A Poetry Abstraction
DESCRIPTION:ph. Jennifer Moyes \nThe Fondazione Nazionale della Danza / Aterballetto presents a programme composed of three choreographies and itinerant through the main spaces of the Fonderia. \nOn stage Eppur si muove by Francesca Lattuada\, the premiere of Punch 24 by Roberto Tedesco and A Poetry Abstraction\, the creation by Diego Tortelli created in 2019 for the Marina Rinaldi by Roksanda capsule. The choreographies are danced by specifically selected performers. \nThree performances of the programme are scheduled: \n\nh 16.30-17.30\nh 18.00-19.00\nh 19.30-20.30\n\n \nEppur si muove  \nChoreography Francesca Lattuada\nMusic Ludwig van Beethoven (Symphony n. 7 – Second movement – Allegretto)\nCostume design Bruno Fatalot\nDancers Arianna Ganassi\, Antonio Tafuni \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nWrapped in the elegant and impalpable costume of Bruno Fatalot\, a dancer moves solemnly on a barrel-pedestal\, pulled by the painful and mysterious note of Beethoven’s Allegretto. His dance fascinates and seduces\, as impressive as a prayer song. \nAn im-mobile dance.\nIm-mobility of the secular tree.\nSoft movements\, invisible to the naked eye.\nThe blood dripping in the veins\, the heart beating.\nA sensually funeral dance.\nObstinate Love.\nA dance that celebrates an incessant\, inexorable\, ineluctable flow of the\nLife.\nCombination of solemnity and simplicity. \n«Simplicity is complexity solved.» Constantin Brancusi \nPunch 24 \nChoreography Roberto Tedesco\nMusic Not Waving\nCostumes Waxman Brothers\nDancers Antonello Amati\, Laila Luchetta Lovino \nDuration 12’\nProduction Fondazione Nazionale della Danza / Aterballetto \nPREMIERE \nThe end is the beginning and the beginning is the end.\nA circle\, a journey that comes to an end only after returning to its starting point\, containing countless roads and suggestions.\nPunch24 is a circular path where the first and last stages intersect each other but are not coincident phases. It is my research about anything what we can find within a shape\, the awareness that every movement\, every sound\, every glance can be variable and endlessly multipliable.\nPunch24 is a series of independent scenes\, a game of entrances and exits\, a back and forth between the two dancers. A set of seemingly disconnected scenes that follow one other\, offering the audience the possibility to visualize each time a different performer. \nThe initial idea when I approached this new work was to create a piece for a group of 5/6 dancers. However\, the current pandemic situation has affected my idea\, leading me to change my plans and “forcing” me to interact with only two performers. This “obstacle”\, so to speak\, has made me think and it has led me to the creation of a duet that is not caged in a pre-defined structure. A duet that is open to future evolutions: an enlargement or\, to be more precise\, a return to a greater number of dancers. \nRoberto Tedesco \n  \nA POETRY ABSTRACTION \nChoreography Diego Tortelli\nMusic Modulatori and Cavalcata by Daniela Savoldi\, Meditation from Thaïs by Jules Massenet\nCello Daniela Savoldi\nCostume design Diego Tortelli\nDancers Fabio Calvisi\, Vittoria Franchina\, Giovanni Leone\, Vanessa Loi \nDuration 20’\nProduction Fondazione Nazionale della Danza / Aterballetto \nCreation for the launch of Marina Rinaldi by Roksanda capsule (2019)\n \n\nIn the performance created for the launch of the Marina Rinaldi by Roksanda capsule in 2019\, I am going to draw geometric shapes and patterns through dance and body\, following and connecting my work to the designer’s creations\, but also from the idea of “opposites”. \nI am fascinated by the concept of elements that are born from a principle of “abstractionism” but find their own story when meeting; just as a body finds its own narrative and the right feeling when wearing a dress\, so the dancing body finds its own narrative sense in the encounter with music. \nI imagine therefore an exclusive performance\, where the bodies of the dancers intertwine creating plastic figures\, broken lines and games of fluid geometries\, but always accompanied by the harmonious and poetic sound of a young cellist\, to give geometry a soul\, a place\, a time. Colour\, shape and fluidity: a performance built for an audience that loves to be carried away by the poetry of line and elegance. Drawing inspiration from the patterns at the base of Marina Rinaldi by Roksanda capsule\, I am going to create an abstract poem of bodies immersed in colour. \nA declaration of love to contemporary art\, to what defines it: geometry\, matter and poetry. \nDiego Tortelli \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/eppur-si-muove-punch-24-a-poetry-abstraction/2021-09-19/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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DTSTART;TZID=Europe/Rome:20210912T203000
DTEND;TZID=Europe/Rome:20210912T213000
DTSTAMP:20260505T062317
CREATED:20210726T142632Z
LAST-MODIFIED:20210910T075452Z
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SUMMARY:Dante Solo Inferno
DESCRIPTION:An intricate forest\, swamps and rivers with dark\, stagnant water\, caves\, mud and stones\, rains of fire\, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno\, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia. \n \n  \nCREDITS \nChoreography Monica Casadei\nMusic Franz Liszt\, Giuseppe Verdi\, Alfred Schnittke\, Krzysztof Penderecki\nMusical arrangements Luca Vianini\nProduction Compagnia Artemis Danza\nIn partnership with Ravenna Festival \nSynopsis \nIn this performance\, conceived to celebrate the 700th anniversary of the Poet’s death\, the dancers redraw the contours of an inhospitable land\, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment\, the bodies are shaped in torsions\, syncopes\, contractures\, insoluble weaves. And yet\, as in Dante’s Inferno\, there are traces of a decayed humanity\, souls that preserve memory of themselves and their past\, individualities that emerge like spots of colour in the indistinct magma\, out of a desire to tell the outside observer about their lives before death. \nSome of them cross the stage still wearing their worn-out earthly clothes\, remnants of a nobility that is no longer worth anything\, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini\, Pier Della Vigna in the forest of suicides\, Tiresia\, Ulysses\, Minos… characters that Monica Casadei chooses to investigate the human soul\, in a path that from the awareness of sin goes beyond condemnation\, towards compassion and acceptance of human nature. There is no lack of moments of sacredness\, such as a dance by dervishes in their ample red robes\, spinning moved by the wind. \nMusic contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie\, inspired by the composer’s reading of Dante’s Commedia\, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem\, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki\, and the sound atmospheres of Luca Vianini.\nDante Solo Inferno is a constantly evolving journey\, part of a wider project of exploration by Monica Casadei of Dante’s Inferno\, which has also taken shape in her creations Ombre and Frammenti di Inferno. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & BIGLIETTI \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/dante-solo-inferno-artemis-danza-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season September-December 2021
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END:VEVENT
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DTSTART;TZID=Europe/Rome:20210911T180000
DTEND;TZID=Europe/Rome:20210911T190000
DTSTAMP:20260505T062317
CREATED:20210726T113910Z
LAST-MODIFIED:20210910T075800Z
UID:10002185-1631383200-1631386800@www.fndaterballetto.it
SUMMARY:Dante Solo Inferno - Open Rehearsal
DESCRIPTION:OPEN REHEARSAL\nAn intricate forest\, swamps and rivers with dark\, stagnant water\, caves\, mud and stones\, rains of fire\, boiling blood. The landscape described by Dante Alighieri’s verses takes shape and body in the choreography Dante Solo Inferno\, created by Monica Casadei for the Compagnia Artemis Danza and inspired by the first cantica of the Commedia. \n \nCREDITS \nChoreography Monica Casadei\nMusic Franz Liszt\, Giuseppe Verdi\, Alfred Schnittke\, Krzysztof Penderecki\nMusical arrangements Luca Vianini\nProduction Compagnia Artemis Danza\nIn partnership with Ravenna Festival\n \nSynopsis \nIn this performance\, conceived to celebrate the 700th anniversary of the Poet’s death\, the dancers redraw the contours of an inhospitable land\, where torments of the damned serve their sentence. The choreographic movements become a mirror of the torment\, the bodies are shaped in torsions\, syncopes\, contractures\, insoluble weaves. And yet\, as in Dante’s Inferno\, there are traces of a decayed humanity\, souls that preserve memory of themselves and their past\, individualities that emerge like spots of colour in the indistinct magma\, out of a desire to tell the outside observer about their lives before death. \nSome of them cross the stage still wearing their worn-out earthly clothes\, remnants of a nobility that is no longer worth anything\, where everyone is equal. Others take shape through the reading of Dante’s verses. Paolo and Francesca da Rimini\, Pier Della Vigna in the forest of suicides\, Tiresia\, Ulysses\, Minos… characters that Monica Casadei chooses to investigate the human soul\, in a path that from the awareness of sin goes beyond condemnation\, towards compassion and acceptance of human nature. There is no lack of moments of sacredness\, such as a dance by dervishes in their ample red robes\, spinning moved by the wind. \nMusic contributes to making the journey even more intense: Franz Liszt’s Dante-Symphonie\, inspired by the composer’s reading of Dante’s Commedia\, and Lacrymosa from Giuseppe Verdi’s Messa da Requiem\, meet pages by contemporary composers such as Alfred Schnittke and Krzysztof Penderecki\, and the sound atmospheres of Luca Vianini.\nDante Solo Inferno is a constantly evolving journey\, part of a wider project of exploration by Monica Casadei of Dante’s Inferno\, which has also taken shape in her creations Ombre and Frammenti di Inferno. \n  \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & BIGLIETTI \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter. Access to Fonderia is only allowed prior to the presentation of a valid Green Pass certification\, excluding the children under the age of 12 and to subjects exempted on the basis of suitable medical certification – according to the criteria defined by the Ministry of Health. Our staff will check this certification at the entrance. It is required the correct use of the mask for the entire duration of the event.
URL:https://www.fndaterballetto.it/en/evento/dante-solo-inferno-artemis-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season September-December 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210627T213000
DTEND;TZID=Europe/Rome:20210627T221500
DTSTAMP:20260505T062317
CREATED:20210611T111736Z
LAST-MODIFIED:20210630T074415Z
UID:10002173-1624829400-1624832100@www.fndaterballetto.it
SUMMARY:Les Miserables
DESCRIPTION:©Piero Tauro \nLes Miserables_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCredits \nOriginal creation: Carlo Massari / C&C Company\nFirst cast: Christian Leveque\, Carlo Massari\, Luigi Monfredini\, Alice Monti\, Luca Sansoè\nVocal coaching: Chiara Osella\nAudio and lighting design: Francesco Massari\n \nProduction: C&C Company\nCo-production: Teatri di Vetro/Triangolo Scaleno Teatro\, Festival Danza in rete/Teatro Comunale di Vicenza\nWith the support of Fondazione Nazionale della Danza / Aterballetto\, CLAPS – Spettacolo dal vivo \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org \nINFO & TICKETS \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/les-miserables/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210626T213000
DTEND;TZID=Europe/Rome:20210626T221500
DTSTAMP:20260505T062317
CREATED:20210611T101027Z
LAST-MODIFIED:20210630T075038Z
UID:10002171-1624743000-1624745700@www.fndaterballetto.it
SUMMARY:LES MISERABLES - OPEN REHEARSAL
DESCRIPTION:©Piero Tauro \nOPEN DRESS REHEARSAL_C&C Company\nLadies and Gentlemen! Consider the creature as God first made it; nothing\, just nothing. Add civilization and see what you’ve got: walks upright\, wears trousers and carries a cane. It’s all education\, he’s got animal brains\, or rather: brainy animality\, he’s not the pig-stupid sort like some people … The monkey’s already a soldier\, though that’s not saying much-the bottom-most species of human kind! \nWoyzeck – Georg Büchner \n  \nCredits \nOriginal creation: Carlo Massari / C&C Company\nOriginal cast: Martina La Ragione\, Carlo Massari\, Alice Monti\, Daniele Monti\nVocal coaching: Chiara Osella\nAudio and lighting design: Francesco Massari\n \nProduction: C&C Company\nCo-production: Teatri di Vetro/Triangolo Scaleno; Teatro Comunale Città di Vicenza\nProduction 2019/2020 \nInsights \nA ruthless and immoral fresco on today\, a middle-class contemporary drama at times familiar\, resonates\, we are “involuntarily” complicit in it. An overview of stereotypes\, of already seen\, already said\, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes\, or perhaps an operetta by Offenbach\, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent\, evident collapse (physical\, political\, social\, environmental…). We can’t do anything about it\, too late\, game over; we watch helplessly\, we take note of it\, we shrug\, sigh and turn around again. \nIn the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision\, which puts Culture and Art at the centre of change.\nA creation that once again leads the Company to investigate contemporary social issues\, through an amphibious language of strong impact and a complex dramaturgical level in support of the work. \nC&C Company \nC&C Company was born from the union between Carlo Massari and Chiara Taviani\, performers with an eclectic background\, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language\, strongly dramaturgical\, in close relation with contemporary social issues. This was followed by the international debuts of: “Maria Addolorata”\, “Tristissimo” (AnticorpiXL)\, “012”\, “Peurbleue”\, “Don’t Be Afraid”\, “Dead Weight”\, “Beast Without Beauty”. They have received prestigious awards\, among them: “1st” Hiver Oclytes/Les Hivernales (F)\, “2nd” Hannover International Choreographers Competition (D)\, “2nd” Zawirowania Competition (PL)\, “Audience Award” Konzert Theater Berne (CH)\, “Finalist” Machol Shalem Dance Competition (I)\, “Special Mention” Premio Roma Danza (IT)\, “2nd” Corto in Danza (IT)\, Premio Palco Aperto (IT)\, “1st” E “Premio del Pubblico” CrashTest\, “1°” Premio Twain.\nIn these years\, in parallel with the production activity\, have taken life performative projects with public participation: ContaminAzioni\, SpringRoll (RomaEuropa ’16)\, Femminile Plurale. Currently the Company is engaged in the development of the extensive research “Beast Without Beauty”\, which sees within it the alternation of social projects and international co-productions.\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari. \nceccompany.org \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/les-miserables-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210623T180000
DTEND;TZID=Europe/Rome:20210623T190000
DTSTAMP:20260505T062317
CREATED:20210611T093852Z
LAST-MODIFIED:20210726T114243Z
UID:10002168-1624471200-1624474800@www.fndaterballetto.it
SUMMARY:Frammenti d’Inferno_1 - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nFrammenti d’Inferno_ 1 brings the author’s focus to the representation of the demons and damned of the infernal hosts\, to the investigation of the characters that the Poet encounters on his journey and the torments reserved for them. A succession of choreographic pictures\, with different music and atmospheres. Characters chosen by the choreographer to investigate the human soul and compose a poetic and fascinating picture\, perturbing\, in which every archetype of the collective unconscious finds its own carnal and earthly manifestation. Dissipating\, as Dante did\, the darkness that envelops these famous damned souls and bringing them to the light\, literally under the spotlight\, Monica Casadei chooses to follow them along a path of sin\, awareness\, acceptance\, where the point of arrival is no longer punishment but the expressive power of the Ego\, in its fullness and truth. \nCREDITS \nChoreography\, direction Monica Casadei\nMusic Giuseppe Verdi\nSound design Luca Vianini\nProduction Compagnia Artemis Danza\nCo-production FIND Festival \n  \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/frammenti-dinferno_1-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210623T160000
DTEND;TZID=Europe/Rome:20210623T170000
DTSTAMP:20260505T062317
CREATED:20210611T093001Z
LAST-MODIFIED:20210630T075954Z
UID:10001757-1624464000-1624467600@www.fndaterballetto.it
SUMMARY:CIRCUS 1 - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nCircus is a dance show enriched by surprising physical skills and an imagery that takes us back to the magic of the circus and its inhabitants.\nAcrobatics and dance\, juggling\, eccentric comedy and clownish art are some of the ingredients that go to make up a rich and energetic fresco\, the result of collaboration between different arts and performers. Thanks to this union of elements\, Circus becomes a powerful kaleidoscope of colours and music\, costumes and images\, which together celebrate a tradition that is both ancient and contemporary\, capable of enchanting adults and children alike. \nCREDITS \nChoreography\, dirction Monica Casadei\nMusic Nino Rota\nIn partnership with Festival Al Levar dell’Ombra da Terra\nProduction Compagnia Artemis Danza\nCo-Production Festival Danza Estate \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/circus-1-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210622T180000
DTEND;TZID=Europe/Rome:20210622T190000
DTSTAMP:20260505T062317
CREATED:20210611T091820Z
LAST-MODIFIED:20210630T080651Z
UID:10001752-1624384800-1624388400@www.fndaterballetto.it
SUMMARY:Excerpts from varoius creations - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nThe Compagnia Artemis Danza presents various excerpts from its most famous creations. \nCho Cho San \nChoreography\, direction Monica Casadei\nMusic Madama Butterfly by Giacomo Puccini\nSound design Luca Vianini\nProduction Compagnia Artemis Danza \nA new production inspired by Butterfly\, conceived for non-theatrical spaces and performance situations\, which focuses totally on the figure of the young protagonist of one of Puccini’s most dramatic operas. \nFigaro-Il Barbiere di Siviglia \nChoreography\, direction Monica Casadei\nMusic Il Barbiere di Siviglia by Gioachino Rossini\nCostume design Daniela Usai\nMusical elaboration and original music Luca Vianini\nProduction Compagnia Artemis Danza \nFigaro\, Rossini’s iconic character who in Monica Casadei’s vision encapsulates the vices and virtues of the successful man in today’s world\, is the absolute protagonist of a performance inspired by the opera of the same name. Rossini’s hero becomes the emblem of those who manage to meet with efficiency\, vivacity and savoir faire the expectations of a society that demands every day to achieve its goals by optimising time and energy. \nLucenia \nChoreography\, direction Monica Casadei\nMusic Ave Maria by W. A. Mozart\nMusical elaboration Luca Vianini\nProduction Compagnia Artemis Danza \nEvent organised within the framework of the European Year of Cultural Heritage\nin collaboration with the Complesso Monumentale della Pilotta as part of the celebrations for the 400th anniversary of the Teatro Farnese\, with the patronage of the Municipality of Parma. \nUnder the patronage of Comune di Parma \nA woman\, a destiny\, a tormented history at the Farnese court. A body\, a soul\, the struggle of contrasts. From the elaboration of these essential elements takes shape Lucenia\, a creation by Monica Casadei realised in collaboration with the Complesso Monumentale della Pilotta as part of the celebrations for the 400th anniversary of the Farnese Theatre\, under the patronage of the Municipality of Parma. \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification \n\n\n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/excerpts-from-varoius-creations-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210622T160000
DTEND;TZID=Europe/Rome:20210622T170000
DTSTAMP:20260505T062317
CREATED:20210611T085311Z
LAST-MODIFIED:20210630T081033Z
UID:10001748-1624377600-1624381200@www.fndaterballetto.it
SUMMARY:OMBRE (excerpts) - OPEN REHEARSAL
DESCRIPTION:OPEN REHEARSAL\nTribute to Dante Alighieri\, is a scenic polyphony between body\, Dante’s verses and sound environments.\nThe originality of the creative approach lies both in the cross-media staging and in the production format. The project is in fact conceived to be modular and modulable: each solo is composed of several interchangeable scenic elements\, which relate dynamically to the structure that houses them.\nThe 3 “actors” of the scenic polyphony imagined by Monica Casadei are the performers for the choreography of the chosen Dantean Ombra\, the voice off of an actor/actress\, the sound carpet/atmosphere composed by a sound designer who elaborates a Dantean sound from Verdi’s Requiem. \nCREDITS \nChoreography\, direction Monica Casadei\nMusic by Luca Vianini\nVoice actor Agostino Rocca\nDirection Alessandro Ceci\nProduction Compagnia Artemis Danza\nIn collaboration with the Italian Cultural Institutes of Jakarta\, Lima\, Mumbai\, Prague\, Tunisi \nCOMPAGNIA ARTEMIS DANZA \nOriginally from Ferrara\, Monica Casadei graduates in philosophy cum laude writing a dissertation on dance in Plato’s system. After a career as a professional acrobatic gymnast\, she takes to studying classic and modern dance\, at first in Italy\, then in London\, and eventually in Paris where she gets to meet choreographers Pierre Doussaint and Isabelle Doubouloz and the Master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. \nIn France\, she founds the company Artemis Danza\, with which she later moves to Italy\, in 1997\, giving birth to a fervent production activity that amounts\, nowadays\, to over 40 original creations. \nFrom 1998 to 2007\, the Company is part of an artist residency at Fondazione Teatro Due in Parma whereas\, from 2014 up to this day\, it partakes in an artist residency at Teatro Comunale in Bologna. Artemis Danza has been invited to the most important Italian theatres and festivals and to several international tours and festivals. \nPivotal elements in Monica Casadei’ s artistic research are the influences from different artistic\, cultural and geographic fields and the exploration of urban spaces and places that turn into stages for performances. \nAlongside the production activity\, Artemis funds\, produces and promotes young choreographers and organizes several activities meant to artistically educate the audience. \nartemisdanza.com \nINFO & TICKETS \nTICKETS\nFull price: 3 euro\nUnder 8: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/ombre-excerpts-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210620T213000
DTEND;TZID=Europe/Rome:20210620T230000
DTSTAMP:20260505T062317
CREATED:20210609T141628Z
LAST-MODIFIED:20210630T081903Z
UID:10001745-1624224600-1624230000@www.fndaterballetto.it
SUMMARY:Made in Italy 24.0
DESCRIPTION:Agora Coaching Project – ph. Nicola Stasi \n  \nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 24.0\, a programme consisting of Träfen Wir Uns\, Uscita di Sicurezza\, LEGO. \nTräfen Wir Uns \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Stefan Levin\, Frèdèric Chopin \nTräfen wir uns is a new creation by Ivan Alboresi for the young dancers of the Agora Coaching Project. The choreography deals with various problems of the individual in contemporary society. The virtual reality\, which the world pushes us to seek and create\, contrasts with the loneliness present in everyday life. The problem of one’s identity outside of the digital self-presentation\, the desire for “real” encounters and connections\, as well as the omnipresence of fears and their influence on our actions\, form the foundations of this piece. \nIvan Alboresi shows restless protagonists who are constantly searching for themselves\, for support\, for security. But at the same time the fear of connecting with the other\, of losing control or being rejected. He contrasts this restlessness with moments of almost catatonic torpor. The choice of music\, a fundamental part of Ivan Alboresi’s choreographies\, goes from classical pieces to contemporary music to the use of sound carpets created in collaboration with the composer Davidson Jaconello. \nDuration: 30′ \nUscita di sicurezza \nChoreography Enrico Morelli\nMusic Ben Frost\, Vex’d\, Max Richter\nCostumes Nuvia Valestri \nFirst performance: March 2012 \nUscita di Sicurezza catapults us into a parallel universe\, into an alienating underworld where fog\, rhythmic contractions and frenetic bodies enhance the dangerous influence of the herd.\nThey are all victims and aggressors\, they are all perpetrators of a revolt suffocated within bodies that abandon and recover in a rhythmically controlled tension. The lack of personal identity\, if not in function of the others\, the need to belong\, the incapacity of autonomy determine a sense of oppression from which to escape. The way out and the road to freedom here pass through the recognition of one’s own weakness: no longer existing only in function of others but breaking the rhythm by accepting oneself and one’s own fragile uniqueness. \nDuration: 30′ \nLEGO \nChoreography Giuseppe Spota\nMusic Afiletta\, Ezio Bosso\, Jóhann Jóhannsson\, Ólafur Arnalds/Nils Frahm\nMaster repeater Damiano Artale \nCreation created for Compagnia Aterballetto (2015) \nBridges\, connections\, streets to be travelled searching for oneself\, searching for love\, friendship\, family\, life. Events that form unions\, which then transform themselves into other events. The all-encompassing\, inescapable need to walk\, to create\, brick after brick\, the road ahead\, to understand those who will be part of it and to collect the fragments\, without which many relationships would never exist. \nThus\, it is the designing of a great map: streets and labyrinths that intersect\, meet and collide\, that indicate direction and movement\, that create casual or voluntary relationships. \nDuration: 35′ \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nDancers\nAgora First Year\n \nErica Barusco / Filippo Cosso / Sally Demonte / Marek Brafa Misicoro / Francesca Russo / Viviana Sanfilippo / Melissa Venturi Degli Esposti / Silvia Romanet Bellot \nAgora Second Year\n \nLucrezia Aiuto / Veronica Biondini / Greta Cecconi / Sara Flamini / Anna Chiara Gallo / Arianna Ganassi / Letizia Melchiorre / Lorenzo Molinaro / Diletta Ranuzzi / Rossana Samele / Angelo Antonio Tafuni / Gaia Tamagnini / Diletta Torelli / Vito Damiano Volpicella / Antonio Emanuele Meraglia \nInfo & Tickets \nTICKETS\nFull price: 9 euro\nReduced price under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65: 6 euro\nReduced under 8: 3 euro \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-24-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season 2021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210619T190000
DTEND;TZID=Europe/Rome:20210619T203000
DTSTAMP:20260505T062317
CREATED:20210609T140307Z
LAST-MODIFIED:20210630T082336Z
UID:10001740-1624129200-1624134600@www.fndaterballetto.it
SUMMARY:Made in Italy 24.0 - open rehearsal
DESCRIPTION:Agora Coaching Project – ph. Nicola Stasi \n OPEN DRESS REHEARSAL_AGORA COACHING PROJECT\nThe protagonists are the dancers of the Agora Coaching Project\, an advanced dance training project promoted and supported by the MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is now gaining full recognition in the world of European dance and boasts collaborations with internationally renowned teachers and choreographers. \nOn stage Made in Italy 24.0\, a programme consisting of Träfen Wir Uns\, Uscita di Sicurezza\, LEGO. \nTräfen Wir Uns \nChoreography Ivan Alboresi\nMusic Davidson Jaconello\, Stefan Levin\, Frèdèric Chopin \nTräfen wir uns is a new creation by Ivan Alboresi for the young dancers of the Agora Coaching Project. The choreography deals with various problems of the individual in contemporary society. The virtual reality\, which the world pushes us to seek and create\, contrasts with the loneliness present in everyday life. The problem of one’s identity outside of the digital self-presentation\, the desire for “real” encounters and connections\, as well as the omnipresence of fears and their influence on our actions\, form the foundations of this piece. \nIvan Alboresi shows restless protagonists who are constantly searching for themselves\, for support\, for security. But at the same time the fear of connecting with the other\, of losing control or being rejected. He contrasts this restlessness with moments of almost catatonic torpor. The choice of music\, a fundamental part of Ivan Alboresi’s choreographies\, goes from classical pieces to contemporary music to the use of sound carpets created in collaboration with the composer Davidson Jaconello. \nDuration: 30′ \nUscita di sicurezza \nChoreography Enrico Morelli\nMusic Ben Frost\, Vex’d\, Max Richter\nCostumes Nuvia Valestri \nFirst performance: March 2012 \nUscita di Sicurezza catapults us into a parallel universe\, into an alienating underworld where fog\, rhythmic contractions and frenetic bodies enhance the dangerous influence of the herd.\nThey are all victims and aggressors\, they are all perpetrators of a revolt suffocated within bodies that abandon and recover in a rhythmically controlled tension. The lack of personal identity\, if not in function of the others\, the need to belong\, the incapacity of autonomy determine a sense of oppression from which to escape. The way out and the road to freedom here pass through the recognition of one’s own weakness: no longer existing only in function of others but breaking the rhythm by accepting oneself and one’s own fragile uniqueness. \nDuration: 30′ \nLEGO \nChoreography Giuseppe Spota\nMusic Afiletta\, Ezio Bosso\, Jóhann Jóhannsson\, Ólafur Arnalds/Nils Frahm\nMaster repeater Damiano Artale \nCreation created for Compagnia Aterballetto (2015) \nBridges\, connections\, streets to be travelled searching for oneself\, searching for love\, friendship\, family\, life. Events that form unions\, which then transform themselves into other events. The all-encompassing\, inescapable need to walk\, to create\, brick after brick\, the road ahead\, to understand those who will be part of it and to collect the fragments\, without which many relationships would never exist. \nThus\, it is the designing of a great map: streets and labyrinths that intersect\, meet and collide\, that indicate direction and movement\, that create casual or voluntary relationships. \nDuration: 35′ \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field.with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \nDancers\nAgora First Year\n \nErica Barusco / Filippo Cosso / Sally Demonte / Marek Brafa Misicoro / Francesca Russo / Viviana Sanfilippo / Melissa Venturi Degli Esposti / Silvia Romanet Bellot \nAgora Second Year\n \nLucrezia Aiuto / Veronica Biondini / Greta Cecconi / Sara Flamini / Anna Chiara Gallo / Arianna Ganassi / Letizia Melchiorre / Lorenzo Molinaro / Diletta Ranuzzi / Rossana Samele / Angelo Antonio Tafuni / Gaia Tamagnini / Diletta Torelli / Vito Damiano Volpicella / Antonio Emanuele Meraglia \nInfo & Tickets \nTICKETS\nFull price: 3 euro\nUnder 6: free \nPURCHASING TICKETS\nIn compliance with anti-Covid regulations\, tickets can only be purchased online at www.biglietteriafonderia39.it up to one hour before the performance.\nTherefore tickets cannot be booked by phone or by e-mail. \nThe ticket service in the Fonderia is suspended. \nTickets are not numbered. \nENTRANCE\nYou can enter the Fonderia 15 minutes before the performance\, showing your online purchase.\nAt the entrance\, the temperature will be tested and if the temperature exceeds 37.5°C\, you will not be allowed to enter and you must fill in the Covid self-certification form.\nIn order to avoid queues at the entrance\, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance. \nDownload Covid self-certification
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-24-0-open-rehearsal-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season 2021
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2021/06/Ph-Nicola-Stasi-1-e1638197534804.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210328T210000
DTEND;TZID=Europe/Rome:20210328T220000
DTSTAMP:20260505T062317
CREATED:20210325T102256Z
LAST-MODIFIED:20220801T161012Z
UID:10001706-1616965200-1616968800@www.fndaterballetto.it
SUMMARY:XL Dance Company
DESCRIPTION:After a year of suspension\, we are resuming performances at the Foundry from where we stopped\, with live streaming. \nWe decided to start our streaming activity from the Foundry by giving priority to XL Dance Company\, a young company from Reggio Emilia directed by Laura Matano and Emanuela Baratin\, which was due to make its debut just a year ago in the Foundry. \nOn stage were two choreographies signed by Laura Matano\, “Oh Peter\, hello. Goodbye.” and “Before Tomorrow”. \nThe event will be streamed on OnTheatre. \nOh Peter\, hello. Goodbye. \nChoreography Laura Matano\nPerformers Diletta Antolini\, Melissa Bortolotti\, Francesco Corvino\nLighting design Gessica Germini\nMusic Various Authors\nDuration 13.40 min \nHere is the greeting you were meant to be.\nI awaited it with understanding because in all our things there were sentences and redemptions.\nIn it is included the desire to which I had to return and which I had to keep. A\nresolute control of aspirations so as not to become a victim of them.\nYou are without siege\, and I am no longer a smile but winter.\nCover yourself too.\nYou said that every body seeks\, calls\, must fulfil itself.\nIt is true\, here is the ritual to go.\nI feel that you want to drag me into your space but I choose to return to myself\, in symbiosis\nwith my wide gestures and without constraints. Until they are fulfilled we will guard our\nsleeps but stand in profile\, to give access to nightmares.\nThen I will open my hands as in a space of my own\, without having yours around me trying to\ntake one last close look. \nXL Dance Company – “Oh Peter\, hello. Goodbye” – ph. Jessica Incerti Telani  \nPrima di domani \nChoreography Laura Matano\nChoreography assistant Sabrina Rigoni\nPerformers Diletta Antolini\, Melissa Bortolotti\, Noemi Garofalo\, Sabrina Rigoni\nVisual Art Jessica Incerti Telani\nScenography Cinzia Macis\nDramaturgical Preparation Stefano Masotti\nLighting Design Gessica Germini\nMusic Various Authors\nDuration 24.30 min \nSurrendering to the earth with an exhausted gesture\, the body turns into a closed century.\nLet it go.\nIntensity\, delicacy\, violence\, sincerity\, intimacy.\nTake it all in again and cherish it. A game that never ends.\nEach time\, the pain\, it is a great discovery. Dazzling\, like a black star.\nSomething is missing\, you begin to live without\, as you search for life’s vanishing point.\nYou scrape the empty words\, you invent a new language\, you derive by subtraction.\nIt is fear that comes but it comes together with courage.\nCourage. And courage.\nThey are needed.\nTo learn again where the cardinal points are and then the exact vertical.\nTo square the balance again.\nYou devour existence.\nYou twist.\nA twist that digs into your side\, necessary to re-emerge. In the meantime a weeping flows\, heedless and in\nin its way hospitable.\nAnd you walk\, you move forward in the disorder of destiny\, you obey the failure of time that falls\non you without you being able to stop it.\nIt affects us all.\nA compulsory\, obligatory passage\, you do not escape\, the bridge has collapsed.\nCount the hours\, count the minutes.\nCount the seconds.\nIn fact\, look\, hold your head with your hand when you hear too much noise inside.\nTake your time.\nCompelled state of necessity.\nThat’s it\, you have to get through it before tomorrow.\nAnd from tomorrow on\, don’t forget it. \nXL Dance Company – “Prima di domani” – ph. Elena Bianchi  \nINFO STREAMING \nHere are the complete instructions for seeing the show. \nTickets \n\nTickets are 3 euros\nBuy your ticket on www.biglietteriafonderia39.it\nWe will send you a personal code\, with which you can see the show on the OnTheatre platform\n\nOnTheatre platform \n\nSign up for free at OnTheatre here: www.ontheatre.tv/Registrati and confirm your registration by clicking on the link you will receive by email\nYou can now log in to OnTheatre using your email address and the password you have chosen\nChoose the show “Oh Peter\, hello. Goodbye. / Before tomorrow” and enter your personal code\, which we sent you by email\, under “Do you have a code? Click here” or in the CODE section of the menu on the left\nATTENTION: code valid until 30 March 2021 at 9 p.m.\n\nOnTheatre can be viewed from PCs\, tablets\, smartphones and smart TVs on only one device at a time. For assistance write to support@ontheatre.tv \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/xl-dance-company/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Season,Season 2021,Streaming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200703T210000
DTEND;TZID=Europe/Rome:20200703T223000
DTSTAMP:20260505T062317
CREATED:20200107T170419Z
LAST-MODIFIED:20200601T091054Z
UID:10002033-1593810000-1593815400@www.fndaterballetto.it
SUMMARY:Made in Italy 27.0
DESCRIPTION:CANCELLED PERFORMANCE\nMM Contemporary Dance Company presents Agora Coaching Project in Made in Italy 27.0\nThe protagonists are the dancers of Agora Coaching Project\, a project of advanced training in dance promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza di Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Born in 2010\, the course is now gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nCREDITS \nChoreographies Sita Ostheimer and Ivan Alboresi \nMusic AAVV\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field\, with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-27-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200702T180000
DTEND;TZID=Europe/Rome:20200702T190000
DTSTAMP:20260505T062317
CREATED:20200110T121645Z
LAST-MODIFIED:20200601T090943Z
UID:10002092-1593712800-1593716400@www.fndaterballetto.it
SUMMARY:MADE IN ITALY 27.0 - OPEN REHEARSAL
DESCRIPTION:CANCELLED OPEN REHEARSAL\nOPEN REHEARSAL_AGORA COACHING PROJECT\nThe protagonists are the dancers of Agora Coaching Project\, a project of advanced training in dance promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza di Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Born in 2010\, the course is now gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nCREDITS \nChoreographies Michele Merola and Enrico Morelli\nMusic AAVV \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field\, with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it \n\n 
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-27-0-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,Season January-July 2020
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2020/01/DSC_0717.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200626T210000
DTEND;TZID=Europe/Rome:20200626T223000
DTSTAMP:20260505T062317
CREATED:20200107T170033Z
LAST-MODIFIED:20200601T090707Z
UID:10002030-1593205200-1593210600@www.fndaterballetto.it
SUMMARY:Made in Italy 26.0
DESCRIPTION:CANCELLED PERFORMANCE\nMM Contemporary Dance Company presents Agora Coaching Project in Made in Italy 26.0\nThe protagonists are the dancers of Agora Coaching Project\, a project of high improvement in dance promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza di Reggio Emilia under the artistic direction of Michele Merola and Enrico Morelli. Born in 2010\, the course is now gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nTranslated with www.DeepL.com/Translator (free version) \nCREDITS \nChoreographies Enrico Morelli and Can Arslan\nMusic AAVV\n \nAGORA COACHING PROJECT \nAGORA COACHING PROJECT is an annual project of improvement in dance for dancers aged between 18 and 22 years\, which is based in Reggio Emilia.\nBorn in 2010\, the course is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by MM Contemporary Dance Company and A.S.D. Progetto Danza di Reggio Emilia. It aims to train artists ready to deal flexibly with the variety of the international dance market\, artists able to respond to requests of different nature\, technical / stylistic\, which come from this same market. \nThe course aims to offer a wide range of technical and cultural stimuli and exchange between students and choreographers\, each of whom comes from and works in different realities among the most interesting on the international scene. Agora\, in fact\, brings the students together with established choreographers of different stylistic orientations\, and in recent years has seen the presence of many illustrious names: several teachers\, each with proven and qualified experience in the field\, with Michele Merola and Enrico Morelli collaborate in the implementation of the project \nmichelemerola.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-26-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January-July 2020
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GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
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