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DTSTART;TZID=Europe/Rome:20260121T203000
DTEND;TZID=Europe/Rome:20260121T213000
DTSTAMP:20260430T091504
CREATED:20251222T113708Z
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SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260120T180000
DTEND;TZID=Europe/Rome:20260120T190000
DTSTAMP:20260430T091504
CREATED:20251222T113708Z
LAST-MODIFIED:20260113T092456Z
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SUMMARY:Nostalgia
DESCRIPTION:Nostalgia: the return to the Fonderia stage of two former Aterballetto dancers.\n \n\nTuesday\, January 20\, 2026 – 6:00 PM – Open rehearsal \nWednesday\, January 21\, 2026 – 8:30 PM – Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n\n \nNostalgia by Giovanni Insaudo is an emotional journey suspended between the final gesture on stage and the first applause. A poetic investigation into the desire to hold on to the moment\, to what remains when the performance ends—or perhaps never truly ends. Moving between dance and performative docufilm\, time shatters like memory\, creating an immersive experience that draws the audience into the dancer’s most intimate emotions. \n \nStarring two former Aterballetto dancers\, Sandra Salietti Aguilera and Hélias Tur-Dorvault. \nhttps://vimeo.com/1075239301?fl=pl&fe=sh \nCREDITS \n\n\n\n\n\n\n\n\nChoreography\, concept\, and direction: Giovanni InsaudoAssistant choreographer: Sandra Salietti AguileraDancers: Sandra Salietti Aguilera\, Hélias DorvaultDramaturgy: Giovanni Insaudo\, Giulia MentiVideo: Alfonso Fernández SánchezLighting design and costumes: Giovanni InsaudoMusic: Woodkid – Seen That Face Before / Minus Sixty One\, Son Lux – Sever\, BFRND & Vladimir Cauchemar – Hedge Fund Trance part.1\, Jerskin Fendrix – Bella and Max | Poor Things (Original Motion Picture Soundtrack) \nOrganization and management: Giulia MentiProduction: DANCEHAUS piùWith the support of I Vespri\, TanzLabor ROXY UlmWith the support of Twain_Direzioni Altre\, Palcoscenico Danza \n\n\n\n\n\n\n\n\nGiovanni Insaudo \n\n\n\n\n\n\n\n\nGiovanni Insaudo is an acclaimed choreographer and the founder of I VESPRI | Giovanni Insaudo\, a platform that has enabled him to shape a distinctive artistic language and movement identity. He has danced with companies such as Dantzaz Konpania\, Balletto dell’Esperia\, Gärtnerplatz Theater\, and Luzerner Theater. His works are presented at international festivals and competitions. \nIn 2024\, he was awarded the Danza&Danza Award as Emerging Choreographer of the Year and received the Città di Foligno Award for choreographic merit. He has created works for numerous international companies\, including Landestheater Linz\, Semperoper Dresden\, Theater Lüneburg\, Palucca Hochschule Dresden\, Opera di Graz\, Konzert und Theater St. Gallen\, CCN/Aterballetto\, Theater Trier\, Theater Nordhausen\, Gärtnerplatz Theater\, Hung Dance\, Tanz Luzerner Theater\, Compagnia Opus Ballet\, Tanz Labor / Roxy Theater Ulm\, Eko Dance Project\, Contemporary Bachelor ZHdK Zurich\, Oriol Martorell Conservatory Barcelona\, D.A.F. Roma\, and Nuovo Balletto di Toscana. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office is open one hour before the start of the performance. \n \nTickets are not numbered. \n \n \nCONTACTS \n \nMobile & WhatsApp: +39 334 1023554
URL:https://www.fndaterballetto.it/en/evento/nostalgia/2026-01-20/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260118T180000
DTEND;TZID=Europe/Rome:20260118T190000
DTSTAMP:20260430T091504
CREATED:20251222T110429Z
LAST-MODIFIED:20260112T180655Z
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SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-18/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260117T180000
DTEND;TZID=Europe/Rome:20260117T190000
DTSTAMP:20260430T091504
CREATED:20251222T110429Z
LAST-MODIFIED:20260112T180655Z
UID:10004269-1768672800-1768676400@www.fndaterballetto.it
SUMMARY:White Pages
DESCRIPTION:White Pages by Manfredi Perego opens the 2026 season of Danza in Fonderia.\n \nSaturday\, January 17\, 2026 – 6:00 PM: Open rehearsal \nSunday\, January 18\, 2026 – 6:00 PM: Performance \nFonderia – Via della Costituzione 39\, Reggio Emilia \n \n\n\n\n\n\n\n\n\nManfredi Perego presents an intimate triptych of solos—three tableaux that are at once three personal dedications and three starting points for future choreographic investigations. \nEstemporanea\, danced by Manfredi Perego\, is a research project shaped by the desires and curiosities of the author’s poetics—such as silence\, speech\, the body\, and dynamics. Estemporanea seeks to release the generative potential of the present moment\, making improvisation its primary language. \nDedica al tempo is not a journey into memory\, but a liberation of the body\, of experience\, of the will to remain on the threshold. Time\, conceived as a space for creative urgency rather than haste\, is explored through the body of Lucia Nicolussi\, the artist’s seventy-year-old mother. \nWith Dedica al silenzio\, Manfredi Perego composes for dancer Chiara Montalbani a melody made of sharp and nuanced frequencies. Silence is sought as a creative struggle that makes room for generative madness\, giving it form and order. \n\n\n\n\n\n\n\n\n \nCREDITS \nEstemporanea \n\n\n\n\n\n\n\n\nchoreography: Manfredi Peregoperformer: Manfredi Peregoproduction: Tir danza MP.ideograms \n\nDedica al tempo \nchoreography: Manfredi Peregoperformer: Lucia Nicolussiproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\nDedica al silenzio \nchoreography: Manfredi Peregoperformer: Chiara Montalbaniproduction: Tir danza MP.ideogramsco-production: MILANoLTRE Festival \n\n\n\n\n\n\n\n\nManfredi Perego \n\n\n\n\n\n\n\n\nHe graduated from the Academy of Fine Arts in Bologna and continued his dance training while simultaneously beginning his professional career as a freelance dancer in Switzerland and Germany. \nIn 2014\, he founded MP.ideograms\, and the following year he made his debut at the Equilibrio Festival and at the Vetrina della Giovane Danza d’Autore in Ravenna. \nIn 2016\, he took part in the “VITA NOVA” project of the Venice Biennale with the first chapter of the project Primitiva\, which continued in 2017 at Scenario Pubblico in Catania. In the same year\, he won the GD’A – Giovane Danza d’Autore Award. \nSince 2017\, he has collaborated with Balletto Teatro di Torino as a guest teacher and\, from 2019\, as a choreographer. \nHe was Associate Choreographer at the Centro Nazionale di Produzione della Danza Scenario Pubblico/CZD from 2019 to 2021. \nFrom 2022 to 2024\, he served as Associate Choreographer at the MILANoLTRE Festival. \nHe currently teaches as a freelance artist in various professional training programs in Italy and abroad. \n\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \n \nOpen rehearsal€3 for everyone / free admission for children under 6 \n \nPerformanceFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia): €6Reduced price (under 8): €3 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at www.biglietteriafonderia39.it. \n \nThe Fonderia box office opens one hour before the performance. \n \nTickets are unassigned. \n \n \nCONTACTS \n \nMobile & WhatsApp: +393341023554
URL:https://www.fndaterballetto.it/en/evento/white-pages/2026-01-17/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Performances,Season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251213T180000
DTEND;TZID=Europe/Rome:20251213T190000
DTSTAMP:20260430T091504
CREATED:20251119T155321Z
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SUMMARY:AiAiAi Pinocchio!
DESCRIPTION:A new Pinocchio for Danza in Fonderia | Anthologies. New Readings of the Body.\n \nInspired by Collodi’s famous tale\, AiAiAi Pinocchio! shifts the action into the contemporary world\, speaking the language of Generation Alpha\, a world shaped by the presence of artificial intelligence.Geppa is a tech-enthusiast passionate about digital creation\, attempting to generate a Pinocchio no longer made of wood\, but of pixels\, data\, and algorithms. Accompanying the two characters in this adventure are a talking Cricket\, a robot\, and FATA TURKINA\, the virtual assistant. \n \nA performance for children aged 5 and up \nCREDITS \nPROJECT WINNER OF THE BUGS CALL — MULTIDISCIPLINARY HABITATS FOR YOUTH THEATRE 2024 \n \nby Gruppo IbridoConcept\, creation\, and performance: Cinzia Pietribiasi and Davide TagliaviniImages\, video\, and sound: Gruppo Ibrido with Copilot\, Haiper AI\, EaseUs Voice Over AI GeneratorVideo assistant: Federica Neri \n \nProduction: Compagnia Artemis DanzaWith the support of the Italian Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Comune di ParmaWith the support of progetto BUGS\, Associazione Settimo Cielo / Periferie Artistiche\, Cooperativa Teatrale Prometeo – Passo Nord\, Giocateatro Torino / Fondazione Teatro Ragazzi e Giovani\, IntercettAzioni – Centro di Residenza Artistica della Lombardia / Circuito CLAPS\, KanterStrasse\, Officine Della Cultura\, Officine Papage\, Pilar Ternera\, Straligut Teatro\, Teatro fra le Generazioni / Giallo Mare Minimal Teatro\, Teatro Trieste 34Robot design and implementation: Fab-lab KATAPULT (Slovenia)\, Santa Chiara Lab – University of Siena \n \nDuration: 60 minutes\, no intermissionRecommended age: 5 and up \nGRUPPO IBRIDO \nGRUPPO IBRIDO was founded in 2021 by dancer Davide Tagliavini and director/digital artist Cinzia Pietribiasi. It is supported by Compagnia Artemis Danza\, which produces Pollicino Show\, their first work for young audiences\, finalist at IN-BOX Verde 2024/2025 and performed more than 45 times.In 2024\, Gruppo Ibrido won the BUGS – Multidisciplinary Habitats for Youth Theatre call with AiAiAi Pinocchio! and the CollaborAction Kids call promoted by Network Anticorpi XL with Walt e l’arte di volare. \n \nCinzia Pietribiasi (1979) teaches Multimedia Dramaturgy and Aesthetics of New Media at the Academy of Fine Arts in Palermo. She was a Junior Scientist for an art–science research project at the Academy of Fine Arts in Rome\, in collaboration with the National Institute for Nuclear Physics (INFN). After earning her Master’s degree in Cultural Heritage Conservation\, she graduated in New Art Technologies at the Brera Academy of Fine Arts in Milan.Her latest work\, Padre d’amore Padre di fango\, won the Stazioni d’emergenza 2023 call at Galleria Toledo in Naples\, the First Prize and the Critics’ Prize at the Rimini festival Le voci dell’Anima 2021\, and was selected for the Visionari call for Kilowatt Festival 2020 in Sansepolcro. As a member of Jan Voxel\, she won the Residenze Digitali 2021 call. She also performs with La Baracca – Teatro Testoni in Bologna. \n \nDavide Tagliavini (1990)\, dancer\, performer\, and choreographer\, has worked with Emma Dante\, Marina Abramović\, Luna Cenere\, Artemis Danza\, Gruppo Nanou\, Anna Albertarelli\, Lara Russo\, and others. He choreographed L’elisir d’amore for the Teatro Regio di Parma and Tristano e Isotta for the Teatro Massimo di Palermo.He performs in Luna Cenere’s works Vanishing Place (selected for the Venice Biennale Danza) and Shoes On (selected for the NID Platform in Cagliari).He teaches in the OVER Limited program in collaboration with CCN/Aterballetto.In 2024\, he premiered his first authorial solo\, THAT’S ALL\, created for the Visavì Gorizia Dance Festival\, and selected by Danza Urbana XL 2025\, This Must Be The Space (FDE Festival Danza Estate and Festival MILANoLTRE)\, WAM! Festival\, and the Vetrina della giovane danza d’autore eXtra 2025 – Network Anticorpi XL. \nINFO & TICKETS \nTICKETSFor everyone: €6 \n \n \nTICKET PURCHASE \n \nTickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe Fonderia box office is open from 5:00 PM. \n \nTickets are unreserved. \n \n \nCONTACTS \n \n📞 Cell & WhatsApp: 334 1023554
URL:https://www.fndaterballetto.it/en/evento/aiaiai-pinocchio/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251209T180000
DTEND;TZID=Europe/Rome:20251209T190000
DTSTAMP:20260430T091504
CREATED:20251119T143733Z
LAST-MODIFIED:20251120T162302Z
UID:10004241-1765303200-1765306800@www.fndaterballetto.it
SUMMARY:Rhapsody in blue | Solo Echo - open rehearsal
DESCRIPTION:Aterballetto’s final open rehearsal of 2025\nOn Tuesday\, December 9 at 6:00 PM\, Aterballetto opens the doors of Sala Fusione to share with the Reggio Emilia audience the rehearsal process of Rhapsody in Blue by Iratxe Ansa & Igor Bacovich and Solo Echo by Crystal Pite. \nOpen rehearsals are unique moments in which audiences can witness how a performance is created\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that allows the public to step inside the daily practice of dancers and choreographers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n \nFull price: €3Free: under 6 \n \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/rhapsody-in-blue-solo-echo-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T203000
DTEND;TZID=Europe/Rome:20251206T213000
DTSTAMP:20260430T091504
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
UID:10004240-1765053000-1765056600@www.fndaterballetto.it
SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251206T180000
DTEND;TZID=Europe/Rome:20251206T190000
DTSTAMP:20260430T091504
CREATED:20251120T161505Z
LAST-MODIFIED:20251205T122749Z
UID:10004239-1765044000-1765047600@www.fndaterballetto.it
SUMMARY:Made in Italy 36.0
DESCRIPTION:Agora Coaching Project – foto Nicola Stasi \n\n \nOn December 6\, the young talents of Agora Coaching Project perform for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nDouble performance on Saturday\, December 6: \n6:00 PM8:30 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, an advanced training program promoted and supported by the MM Contemporary Dance Company and A.S.D. Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. \nFounded in 2010\, the program is gaining wide recognition within the European dance community and boasts collaborations with internationally renowned teachers and choreographers. \n\n\n\n\n\n\n\n\n\n\n \nMOVETOPIA\nCoreography by Massimo Gerardi\n \n\n\n\n\n\n\n\nChoreography: Massimo GerardiMusic: Jan Satler\, Franz Liszt (performed by Mikhail Pletnev)Performers: Agora Coaching Project \nDuration: 20 minutes \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLike many utopias set on islands or within isolated communities\, MOVETOPIA expresses the desire to distance oneself from the complex and often problematic reality of the world. This can be interpreted as a metaphor for the attempt to create ideal conditions in which people can live in harmony\, free from the interference and conflicts that arise in larger societies. \nMOVETOPIA represents a journey toward a new society and a distant place. The different “stations” are characterized by specific moods\, conveyed both through the modus operandi of the dance and through the musical context. These two elements influence one another and strive to reach a state of harmony.Within this dynamic interaction between dance and music\, a creative narrative unfolds\, guiding the audience through a path of emotional discovery. \n\n\n\n\n\n\n\n  \nDI TANTI ROMEI\, DI TANTE GIULIETTE\nCoreography by Michele Merola\n \n\n\n\n\n\n\n\nChoreography: Michele MerolaMusic: Apparat\, S. ProkofievLive music and vocals: Natalia AbbasciàLighting: Gessica GerminiPerformers: Agora Coaching Project \nDuration: 40 minutes \nDi tanti Romei e di tante Giuliette celebrates youth and its ability to be absolute in everything — in love and friendship — pure and untamable\, with passions lived without defenses\, powerful dreams that are total and temporarily eternal. The young dancers involved in the performance embody and reveal this passion and\, through an intertwining of paths\, stories\, and bodies\, they tell us about themselves but also about us as spectators. \nOur task is to guide these young people through a tragic\, powerful\, endless story that still today speaks of passion and freedom. A story told for centuries in theatre and cinema\, rewritten\, interpreted\, and adapted countless times — yet\, in every version\, it never loses its timeless beauty. \nSpeaking of love in the era of virtual communication\, of fast consumption of everything — in an age where a simple text message could start or end a relationship — means restoring dignity and strength to Love. Today\, much is said about violence\, hatred\, betrayal\, and love that turns violent and often kills\, but far less is said about the poetry of love\, its delicacy made of gestures\, tenderness\, glances\, and words. \nEqually relevant today is the generational clash: the world of young people\, made not only of love but also of hatred\, violence\, friendship\, joy\, and celebration\, and the adult world\, driven by greed and prejudice — a world the young inherit\, continuing it like Tybalt\, or breaking it like Romeo and Juliet. Shakespeare’s young characters are youths who suffer: Juliet suffers from not being heard by parents unable to show her love; Benvolio suffers in his loneliness\, taking refuge in friendship; and a multitude of young people wander the city\, fighting against a world that has no space for them. Written centuries ago\, these young people do not seem far from those of today. \nThe choreography created by Michele Merola for the young dancers of the training project thus gives shape to a powerful message: love\, take part\, lose yourselves\, fight\, and defend your beauty. \n\n\n\n\n\n\n\nAGORA COACHING PROJECT \n\n\n\n\n\n\n\nAGORA COACHING PROJECT is a one-year advanced dance training program for dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. \nIts aim is to train artists who are ready to face\, with flexibility\, the wide-ranging demands of the international dance market — artists capable of responding to the diverse technical and stylistic requirements that this very market presents. \nThe project offers a broad spectrum of stimuli — technical\, cultural\, and based on exchange — between students and choreographers\, each coming from and working within some of the most interesting contexts of the international dance scene. Agora brings young dancers into contact with renowned choreographers of different stylistic orientations and\, over the years\, has welcomed many distinguished names. \nAlongside Michele Merola and Enrico Morelli\, numerous teachers contribute to the program\, each with proven and highly qualified experience in the field. \n\n\n\n\n\n\n\n \nMASSIMO GERARDI \n\n\n\n\n\n\n\nMassimo Gerardi is a dancer\, choreographer\, and pedagogue known for integrating contemporary dance with classical technique\, shaping a choreographic style marked by emotional depth and interdisciplinary openness. Since 2024\, he has been Director of Dance at the Gerhart-Hauptmann-Theater in Görlitz-Zittau\, where he oversees artistic and organizational direction and creates contemporary productions\, often in collaboration with international artists. \nHe trained initially in Udine and Reggio Emilia\, later earning a Master of Arts in Dance Pedagogy from the Palucca Dance University of Dresden. He danced in prestigious companies and theaters\, including Balletto Comunale di Firenze\, Teatro La Fenice\, ATERballetto\, Staatstheater Nürnberg\, Ballett Dortmund\, Stadttheater Augsburg\, and Landestheater Linz\, developing a personal synthesis of classical technique and contemporary language. \nAlongside his performance career\, he undertook an extensive path as a choreographer\, presenting works in numerous theaters in Germany and abroad (Theater Kiel\, Staatstheater Oldenburg\, Theater Vorpommern\, Stadttheater Gießen\, Theater Aachen\, Landesbühnen Sachsen\, Odeon Theatre Bucharest) and participating in international festivals and projects such as the Lucerne Music Festival\, Palucca Hochschule Dresden\, National Conservatory of Prague\, and the Agorá Coaching Project. \nAs a teacher\, he has taught at institutions including the Hochschule für Musik und Tanz Köln\, Palucca Hochschule Dresden\, Korean National University of Arts\, Vienna State Opera Ballet Academy\, and SEAD Salzburg\, in addition to leading workshops at various European schools and universities. \nHe has received numerous choreographic awards (Hannover\, Düsseldorf\, Treviso\, Florence\, Kölner Tanztheaterpreis 2008 and 2011) and important scholarships (Kunststiftung NRW\, DAAD\, ICR/American Dance Festival)\, enabling research periods with companies such as GöteborgsOperan\, Iceland Dance Company\, and Nederlands Dans Theater. \nAlso active on the independent scene\, his works have been supported by several cultural institutions and presented at international festivals including Bolzano Danza\, Schrittmacher Festival Aachen\, eXplore Festival Bucharest\, Scenario Pubblico Catania\, SAT Barcelona\, Zawirowania Warsaw\, and the Journées Choréographiques de Carthage. \n\n\n\n\n\n\n\n \nMICHELE MEROLA \n\n\n\n\n\n\n\nMichele Merola is the artistic director of the MM Contemporary Dance Company\, the contemporary dance ensemble he founded in 1999 in Reggio Emilia. With this company\, Merola has brought to the stage—both in Italy and abroad—many of his works\, including La metà dell’ombra\, winner of the Anita Bucchi Prize in 2010\, and Bolero\, recipient of the Europaindanza 2017 Award for Choreographic Merit. \nSince 2000\, he has created numerous works for other companies\, including Aterballetto\, the Teatro San Carlo in Naples\, the Dominic Walsh Dance Theater\, the Teatro Massimo in Palermo\, the Junior Balletto di Toscana\, the National Theatre of Belgrade\, the Tanzcompagnie Landesbühnen Sachsen in Dresden\, and the Teatro dell’Opera di Roma. \nIn 2003 he won the International Choreographic Competition of Hannover\, in 2008 the Positano Leonide Massine Award for the Art of Dance\, in 2016 the Giornale della Danza Award as Best Italian Choreographer\, in 2018 the Basilicata ArteDanza Award\, and in 2019 the Metti le ali al Talento Award for his career and the artistic direction of MMCDC. \nSince 2010\, Merola has been\, together with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\n\n\n\n\n\n\n \nPERFORMERS AGORA COACHING PROJECT \nRiccardo Basile\, Sara Bianchi\, Tommaso Brintazzoli\, Alisa Businaro\, Anita Campanini\, Simone Casella\, Giovanni Cennamo\, Giulia Chiletti\, Margherita Ciardi\, Alessandra Fusco\, Giulia Giannini\, Samuele Iannacchero\, Louis Franck Kamta\, Marica Lisco\, Elena Manfredini\, Nicolò Marroccu\, Linda Massai\, Sofia Oliva\, Alessia Romeo\, Paula Salinas Alvarez\, Alice Scarangelli\, Loris Schirinzi\, Gabriel Sprovieri\, Chiara Tonussi\, Claudio Tornesi\, Carolina Torrini\, Michelle Tuani\, Eva Vannini\, Camilla Veronesi \n \nINFO AND TICKETS \nTICKETSFull price: €10Reduced (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia membersReduced (€3): under 8 \n \n \nTICKET PURCHASETickets can be purchased online at:www.biglietteriafonderia39.it \n \nThe box office opens one hour before the performance.Tickets are unreserved. \n \n \nCONTACTS📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-36-0/2025-12-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251204T110000
DTEND;TZID=Europe/Rome:20251204T120000
DTSTAMP:20260430T091504
CREATED:20251119T152441Z
LAST-MODIFIED:20251120T161335Z
UID:10004237-1764846000-1764849600@www.fndaterballetto.it
SUMMARY:HEI AI!
DESCRIPTION:On December 4\, the Sanpapié company performs with artificial intelligence for Danza in Fonderia in Reggio Emilia.\n \n\n\n\n\n\n\n\nThrough words\, dance\, and metatheatrical interruptions\, an ironic and poetic narrative takes shape — suspended between present and future — inviting the audience to reflect on environment\, technology\, identity\, and relationships. A performance that blends spoken theatre\, dance\, physical action\, and philosophical inquiry to speak to young people in a direct\, profound\, and provocative way. \n“HEI AI!”\, written in collaboration with AI\, was born as a dance-theatre piece\, but is first and foremost a thinking device. \nA performance dedicated to middle and high school students. \n\n\n\n\n\n\n\n \nCREDITS \n\n\n\n\n\n\n\nA Sanpapié productionWith the support of MiC – TOCC Notice for the Ecological Transition of Cultural and Creative Organizations – Action B2In collaboration with Achab Group and Fabvision srl \nText: Saverio Bari and AIDirection and choreography: Lara GuidettiSoftware design: Fabvision srlCostumes: Maria Barbara De MarcoPop-up creation: Isadora BucciarelliSound design: Marcello GoriLight design: Marcello MarchiWith Francesca Lastella and Giacomo Stallone \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nDorian lands on Earth after a journey through space.He doesn’t remember exactly how long he has been away\, but it feels as if not much time has passed — perhaps a year. He recalls leaving on a mission to seek solutions to the environmental disaster unfolding on the planet\, which is making life on Earth increasingly difficult. But these memories are blurry… Are they really his? Was he truly on a mission? Who is he\, really? \nHe lands together with Ai\, the artificial intelligence that travelled with him\, and which helps him understand what is happening to him — and above all\, what has happened to the planet\, now inhospitable and\, it seems\, uninhabited. But suddenly he encounters Corpo\, apparently the only human being who survived the catastrophe — a being who has regressed to a primordial\, pre-historic state… \nCorpo does not speak. He communicates\, yes — but only through the language of the body\, through dance\, a language almost unintelligible to Dorian\, who is used to interacting only with Ai. Perhaps he has been away far longer than he thinks… or perhaps he has only just been “born\,” and has never before seen a real human being in flesh and blood. It is Ai\, through a dialogue of questions and answers\, who explains to Dorian what it means to be “human\,” what those expressions\, reactions\, and physical impulses of the creature before him signify — a creature he struggles to recognize as similar to himself. \nThrough direct experience — through being in the presence of Corpo — Dorian will finally discover the truth about his own nature:that he is\, in fact\, an artificial being. \n\n\n\n\n\n\n\nCompagnia Sanpapié \n\n\n\n\n\n\n\nFounded in 2008 and directed by Lara Guidetti\, Sanpapié is an artistic entity distinguished by the radical nature of its choreographic research and by a transdisciplinary approach that escapes any stylistic classification. The company investigates the body as a poetic and political device\, a meeting ground for the languages and imaginaries of the present. The organic intertwining of dramaturgy and movement generates works that transcend conventional formats\, engaging non-traditional spaces and diverse audiences. \nWith more than fifty productions and an international presence spanning Europe\, Asia\, and the Middle East\, Sanpapié has built a recognizable artistic vision in continuous transformation. \nIn 2025\, from the merger between Sanpapié and C&C Company\, SPaCCa is born — an acronym combining the two identities — a project of co-artistic direction led by Lara Guidetti and Carlo Massari. The result of an alliance between two mature and complementary artistic voices\, SPaCCa establishes itself on the international scene as an outpost for choreographic research and a center for interdisciplinary creation. \nA creative dialogue aimed at redefining — together — the territories of the contemporary. \n\n\n\n\n\n\n\nInfo & TICKETS \nTICKETS \n \nFull price: €3 \n \nTICKET PURCHASE \n \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance(Via della Costituzione 39\, Reggio Emilia) \n \nTickets are unreserved. \n \nCONTACTS FOR RESERVATIONS \n \n📞 Cell & WhatsApp: 334 1023554✉️ Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/hei-ai/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251129T180000
DTEND;TZID=Europe/Rome:20251129T191500
DTSTAMP:20260430T091504
CREATED:20251103T103731Z
LAST-MODIFIED:20251106T175129Z
UID:10004222-1764439200-1764443700@www.fndaterballetto.it
SUMMARY:Viaggio nel repertorio del balletto (A journey through the ballet repertoire). Teatro dell'Opera di Roma
DESCRIPTION:Viaggio nel repertorio del balletto (A journey through the ballet repertoire)\, curated and presented by Francesca Pedroni\, dance journalist and critic\, with the dancers of the Teatro dell’Opera di Roma.\n  \nNutcracker: between reality and magic\, the timeless Christmas ballet \n\n\n\n\n\n\n\nCurated by Francesca Pedroni \nWith Étoile Alessio Rezza\, Primi Ballerini Marianna Suriano and Claudio Cocino\, and Soloist Flavia Stocchi\, Ballet Company of the Teatro dell’Opera di Roma \nGuest: Paul Chalmer\, international choreographer \n\n\n\n\n\n\n\n\n  \n\n\n\n\n\n\n\nIn the world of classical-academic ballet\, Christmas wouldn’t be Christmas without The Nutcracker. Alongside The Sleeping Beauty and Swan Lake\, it completes the triad of masterpieces composed in late 19th-century Russia by Pyotr Ilyich Tchaikovsky. The Nutcracker premiered at the Mariinsky Theatre in St. Petersburg in 1892\, with a libretto by the first maître of the Imperial Theatres\, Marius Petipa\, and choreography by Lev Ivanov. A Christmas Eve filled with wonders — from the battle between toy soldiers and mice to the Waltz of the Snowflakes\, the Sugar Plum Fairy’s variation with its crystalline celesta sound\, and the transformation of the Nutcracker toy into a Prince who leads the young heroine on magical adventures. \nThe Ballet Company of the Teatro dell’Opera di Roma\, directed by Eleonora Abbagnato\, will bring it to the stage this December at the Teatro Costanzi in the version by Paul Chalmer — the focus of the November edition of Viaggio nel repertorio del balletto (A journey through the ballet repertoire)\, curated by Francesca Pedroni for the Centro Coreografico Nazionale / Aterballetto. \nA performance-conversation blending readings\, stories\, and video clips\, featuring the invaluable participation of Étoile Alessio Rezza\,  Primi Ballerini Marianna Suriano and Claudio Cocino\, and Soloist Flavia Stocchi from the Teatro dell’Opera di Roma\, who will dance some of the ballet’s most iconic excerpts — along with Paul Chalmer himself. \n\n\n\n\n\n\n\n \nALESSIO REZZA \n\n\n\n\n\n\n\nBorn in Modugno (Bari)\, Alessio Rezza graduated from the La Scala Ballet School in 2008. After performing with the Maggio Musicale Fiorentino\, the Teatro Massimo in Palermo\, and the Paris Opéra Ballet\, he joined the Ballet Company of the Teatro dell’Opera di Roma in 2010. Under the direction of Eleonora Abbagnato\, he was promoted to Soloist\, later named Principal Dancer (The Nutcracker)\, and in May 2022\, appointed Étoile (Le Corsaire). \nThroughout his career\, he has danced leading roles from both the classical and contemporary repertoire\, including Basilio in Don Quixote\, Albrecht in Giselle\, Prince Désiré in The Sleeping Beauty\, James in La Sylphide\, The Prince in The Nutcracker\, Solor and the Golden Idol in La Bayadère\, Frédéri in L’Arlésienne\, Colas in La Fille mal gardée\, Franz in Coppélia\, and Lensky in Onegin. \nHe has also performed in works by William Forsythe\, Jiří Kylián\, Rudolf Nureyev\, Angelin Preljocaj\, Roland Petit\, Jerome Robbins\, Frederick Ashton\, Mauro Bigonzetti\, Uwe Scholz\, Johan Inger\, Maurice Béjart\, José Limón\, Benjamin Millepied\, Christopher Wheeldon\, David Dawson\, Paul Chalmer\, and Jiří Bubeníček\, working with world-renowned ballet masters such as Mikhail Baryshnikov\, Julio Bocca\, Patricia Ruanne\, Laurent Hilaire\, José Martinez\, and Sylvie Guillem. \nIn 2023\, he was invited to dance at the Dubai Opera in A Thousand Tales by Francesco Ventriglia\, and also performed in the “Les Étoiles” galas (2023 and 2024) and “Il cigno nero”\, produced by Daniele Cipriani Entertainment. In 2024\, he portrayed Prince Siegfried in the Rai5 televised recording of Swan Lake\, choreographed by Benjamin Pech. \nAmong the many awards he has received are the Premio Positano\, Danza&Danza\, Roma in Danza\, Anita Bucchi\, Roma è Arte\, and Europa in Danza. \n\n\n\n\n\n\n\n \nFLAVIA STOCCHI \n\n\n\n\n\n\n\nBorn in Rome\, Flavia Stocchi trained at the Opera di Roma Ballet School\, performing in productions directed by Carla Fracci\, including La Gitana (Chalmer)\, The Nutcracker with Fracci\, and Michelangelo with Mario Marozzi. She has won several international competitions and awards such as Aurel Millos\, Anita Bucchi\, and Guido Lauri (Best Emerging Performer)\, as well as a scholarship to the Royal Ballet School in London (2010). \nAfter graduating with top honors\, she performed alongside Alessio Carbone and Giuseppe Picone in Daniele Cipriani’s galas\, and in 2013 she joined the Ballet Company of the Teatro dell’Opera di Roma\, then directed by Van Hoecke. She has also danced with MaggioDanza (La Sylphide by Bournonville; The Four Temperaments by Balanchine) and at the Teatro Massimo in Palermo (The Nutcracker and Carmen by Amodio\, for which she received the Premio Capri for Best Emerging Talent 2014). \nAt the Opera di Roma\, she has performed in Carmina Burana (Van Hoecke)\, The River (Ailey)\, and The Nutcracker (Amodio). Under Eleonora Abbagnato’s direction\, she has appeared in Pink Floyd Ballet (Petit)\, Giselle (Ruanne)\, the pas de trois in Swan Lake (Pech)\, Amorino and Kitri in Don Quixote (Hilaire)\, Suite en blanc (Lifar)\, and as Bluebird and Aurora in The Sleeping Beauty (Bart)\, a performance that earned her the Danza&Danza Award for Best Emerging Performer 2018. \nIn 2016\, she was chosen by Iancu to perform Swan Lake (Odette/Odile) in Bucharest. She took part in the Italians in the World Gala at the Coliseo Theatre in Buenos Aires alongside Eleonora Abbagnato and Giuseppe Picone. \nHer recent performances at the Opera di Roma include The Nutcracker by Peparini (as Clara) and by Chalmer (as Young Clara)\, Nuit romaine by Preljocaj\, Giselle by Fracci (Peasant Pas de deux)\, Il rosso e il nero by Scholz (Mathilde de La Mole)\, Onegin by Cranko (Olga)\, Within the Golden Hour by Wheeldon at Caracalla\, and Creature\, a new creation by Francesco Annarumma at La Nuvola. \n\n\n\n\n\n\n\n \nPAUL CHALMER \n\n\n\n\n\n\n\nBorn in Ottawa in 1962\, Paul Chalmer studied with Oliphant\, Seillier\, and Bruhn at the National Ballet School before joining the National Ballet of Canada. In 1980\, he became a member of John Cranko’s Stuttgart Ballet\, where he was later promoted to Principal Dancer. In 1985\, he joined Les Ballets de Monte-Carlo in the same rank and went on to perform with companies such as the English National Ballet\, Birmingham Royal Ballet\, Scottish Ballet\, London City Ballet\, the Teatro Colón in Buenos Aires\, the Teatro dell’Opera di Roma\, and La Scala in Milan. \nThroughout his career\, he has performed major roles from the classical repertoire as well as works by Balanchine\, Tetley\, MacMillan\, Kylián\, Forsythe\, and Scholz. He has partnered some of the greatest étoiles\, including Thesmar\, Fracci\, Seymour\, Makarova\, Evdokimova\, Jaffe\, Marcia Haydée\, Dessutter\, Keil\, Savignano\, and Terabust. \nHe was appointed Ballet Master at the Semperoper Ballett Dresden in 1999\, and the following year at the Leipziger Ballett at the invitation of Uwe Scholz\, whose successor he became as Artistic Director of the company from 2005 to 2010. \nAs a choreographer\, he has created La Fille du Danube for the Arena di Verona Ballet (1996)\, La Gitana (1996)\, and Il Talismano (awarded the Premio Massine in 1997). In 2009\, he presented Piaf à Deux at the Madrid en Danza Festival and Romeo and Juliet at the St. Prex Festival in Switzerland. He served on the Prix de Lausanne jury in 2011\, the same year he created Swan Lake – The Tchaikovsky Enigma for MaggioDanza. \nIn 2013\, he choreographed Romeo and Juliet for the Junior Ballet of the Conservatoire National de Paris and Cinderella for the Teatr Wielki in Poznań\, later revived in 2014 at the National Moravian-Silesian Theatre Ballet in the Czech Republic\, where he also created The Three Musketeers (music by Jan Kučera\, 2017) and The Picture of Dorian Gray (music by Aniello Mallardo\, 2022). For Opera Nova Bydgoszcz in Poland\, he created The Nutcracker (2015) and Romeo and Juliet (2018). \nA new production of The Three Musketeers premiered at the Latvian National Ballet in Riga in October 2018\, followed by A Midsummer Night’s Dream at the Teatro di San Carlo in Naples in 2019. \nFor the Teatro dell’Opera di Roma\, Chalmer has choreographed Lungo Viaggio (2000)\, The Sleeping Beauty (2002)\, La Gitana (2005)\, La Vestale (2006)\, A Midsummer Night’s Dream (2008)\, Chopin racconta Chopin (2010)\, La Sylphide (2019)\, and The Nutcracker (2023). \n\n\n\n\n\n\n\n \nFRANCESCA PEDRONI \n\n\n\n\n\n\n\nDance critic for the daily newspaper Il manifesto and the magazine Danza&Danza. For Classica HD (formerly Sky Classica\, Channel 124)\, she worked as author and director of the series Danza in Scena\, producing over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. \nFor cinema\, she wrote and directed the documentary film Roberto Bolle. L’arte della Danza\, produced by Classica and Artedanza srl. She curated the DVD collection I capolavori della danza\, published by Classica HD and Corriere della Sera. \nSince 2000\, she has been teaching Dance History at the Accademia Teatro alla Scala\, and she also leads ballet talks for the Teatro alla Scala’s Under30/35 audience program. \n\n\n\n\n\n\n\nInfo & Tickets \n\n\n\n\n\n\n\nTICKETS \nSingle ticket: €6 \nTICKET PURCHASE \nOnline: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens 30 minutes before the performance(Via della Costituzione 39\, Reggio Emilia) \nTickets are unreserved. \nCONTACTS FOR RESERVATIONS \nMobile & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-a-journey-through-the-ballet-repertoire-teatro-dellopera-di-roma/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251126T203000
DTEND;TZID=Europe/Rome:20251126T213000
DTSTAMP:20260430T091504
CREATED:20251027T170956Z
LAST-MODIFIED:20251030T155757Z
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SUMMARY:Il mare che ci unisce
DESCRIPTION:For the first time at Danza in Fonderia\, the company ArtgarageDanceCo\, led by Emma Cianchi\, takes part.\n \n\n\n\n\n\n\n\nIl mare che ci unisce is an emotional experience that invites the audience\, through an abstract structure\, to reflect on their roots and on the power of human connection that transcends time and space. With a clear reference to the mythological women of ancient Italy and Greece\, four dancers — with their powerful and mysterious presence — explore the connections between their bodies\, expressing a sensory\, visual\, and sonic journey between the real and the immaterial. \nMythological creatures whose legacy continues to inspire\, reminding us that — in ancient stories as in modern life — the role of women is fundamental and intrinsically linked to growth and transformation\, equality and peace. \n\n\n\n\n\n\n\n \nCREDITS \n\n\n\n\n\n\n\nChoreography: Emma CianchiOriginal Music: Lino CannavacciuoloCostumes: Leandro FabbriSet Design: Alessandro Sodano \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nA journey suspended between myth and reality\, where the prophetic figure of the Cumaean Sibyl becomes a symbol of wisdom and ancestral connection. \nThe choreography draws inspiration from her prophetic power and mystical bond with the sea\, transforming the stage into a ritual of memory and oracles. The figure of the Sibyl\, embodied in dance by the performers — guardian of prophecies — becomes a bridge between past and present. \nThe Sibyls\, brought to life through the dancers’ strength and the evocative music\, guide the audience through the voices of generations and migrations\, evoking stories and identities interwoven across the Mediterranean. \n\n\n\n\n\n\n\nArtgarageDanceCo \n\n\n\n\n\n\n\nArtGarage is a dance production organization active since 2003 on both national and international stages\, recognized by the Italian Ministry of Culture and the Campania Region.The company has always supported and collaborated with artists from diverse backgrounds who explore the languages of contemporary dance and new audiovisual and multimedia technologies. \nArtGarage’s work is grounded in the cross-pollination of different expressive forms\, in a constant search for new creative possibilities to give life to live performances\, sound installations\, and visual environments. \nThe core ensemble of ArtgarageDanceCo is led by Emma Cianchi\, Italian choreographer and artistic director\, and includes a multidisciplinary team composed of a permanent group of dancers\, videomaker Gilles Dubroca\, and sound designer Dario Casillo. \nThe organization also curates and promotes HumanBodies — a professional training program for contemporary dancers\, recognized by the Campania Region — and Immagi]Na FilmFestival\, an event dedicated to videodance\, supported by the Campania Region Film Commission. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price: under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio EmiliaReduced price (€3): under 8 \n\n\n\n\n\n\n\nTICKETS PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance at Via della Costituzione 39\, Reggio Emilia.\n\n \n\n\n\n\n\n\n\nSeats are unreserved. \n\n\n\n\n\n\n\nCONTACTS \nMobile e whatsapp +393341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/il-mare-che-ci-unisce/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251121T203000
DTEND;TZID=Europe/Rome:20251121T213000
DTSTAMP:20260430T091504
CREATED:20251027T092154Z
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SUMMARY:Author’s Evening
DESCRIPTION:Opus Ballet Company presents the world premiere of its new “Choreographers’ Evening\,” featuring works by Roberto Tedesco\, Adriano Bolognino\, and Giovanni Insaudo. \n \n\n\n\n\n\n\n\nThe evening is born from the encounter of three choreographers — Adriano Bolognino\, Giovanni Insaudo\, and Roberto Tedesco — all winners of the Danza&Danza Award. The idea is to bring their creations together in a single program\, offering the audience a mosaic of visions that\, though distinct in style\, engage in a dialogue of intensity and coherence. \nPiano-Forte by Roberto Tedesco\, set to Chopin’s Nocturnes\, explores the tension of opposites — presence and absence\, strength and fragility\, fall and elevation — revealing how every polarity exists through its counterpart\, until it is recomposed into a profound unity. \nBehind You by Adriano Bolognino is an intense\, dramatic work that evokes winter as an existential condition: a journey through hardship and fear that reshapes our inner boundaries\, leading us toward poetic resistance and the possibility of renewal. \nThe evening concludes with Vespri by Giovanni Insaudo\, where Sicilian folklore becomes a field of reflection on the tension between tradition and modernity — a bridge between past and present that transforms collective ritual into contemporary gesture. \nThree choreographers\, three visions\, three languages intertwining roots and modernity\, light and shadow\, fragility and strength. A journey that turns movement into a mirror of life\, offering the audience the energy of a dance that unites the individual and collective poetic experience. \n\n\n\n\n\n\n\n \nCredits \nPIANO-FORTE\n \nChoreography: Roberto TedescoLighting and Space Design: Davide CavandoliCostumes: Santi RinciariTechnical Direction: Laura De BernardisPerformers: Matheus Alves De Oliveira\, Ginevra GioliBallet Master: Giusi Santagati \nBEHIND YOU (excerpt from White Room)\n \nChoreography: Adriano BologninoAssistant Choreographer: Rosaria Di MaroWith the support of Rosa CoppolaLighting Design: Laura De BernardisCostumes: Santi RinciariPerformers: Gaia Mondini\, Frederic ZounglaBallet Master: Giusi Santagati \n \nWith the support of the Centro Nazionale di Produzione della Danza Virgilio Sieni and the Fondazione CR Firenze (Bando Abitante) \nVESPRI\n \nConcept and Choreography: Giovanni InsaudoAssistant Choreographer: Sandra SaliettiLighting Design: Giovanni InsaudoTechnical Direction: Laura De BernardisSet Elements: Margherita CitranCostume Production: Lisa PerinPerformers: Matheus Alves De Oliveira\, Ginevra Gioli\, Gaia Mondini\, Frederic Zoungla\, Rebeca ZucchegniBallet Master: Giusi Santagati \nCOB | Compagnia Opus Ballet \n\n\n\n\n\n\n\nDirected by Rosanna Brocanello since its founding\, the company is composed of a stable ensemble of professional dancers and has developed an extensive repertoire of productions over the years. \nAmong its most recent works: \n\n\nLe Quattro Stagioni (2020) by Vivaldi\, choreographed by Aurélie Mounier\, with live music performed by the Orchestra di Padova e del Veneto; \n\n\nRIGHT. La Sagra della Primavera (2021) by Carlo Massari\, co-produced with C&C Company\, Teatro Stabile del Veneto\, Oriente Occidente Dance Festival\, and Associazione Culturale Mosaico Danza / Interplay Festival (Winner of the CollaborAction XL 2020 Award\, part of the Anticorpi XL Network\, coordinated by Ass. Cantieri Danza\, in support of independent choreography); \n\n\nIl Labirinto. Il mito di Arianna e il Minotauro (2021) by Arianna Benedetti; \n\n\nWhite Room (2022) by Adriano Bolognino\, in collaboration with the Centro Nazionale Virgilio Sieni; \n\n\nLa diversità che mi fece stupendo. Pasolini\, l’irrealtà del quotidiano (2022) by Giovanni Leonarduzzi\, co-produced with Compagnia Bellanda; \n\n\nCoding Dance (2023) by Leonardo Diana\, co-produced with Versiliadanza; \n\n\nOTOTEMAN_what if by Sofia Galvan and Stefania Menestrina\, winner of the 13th edition of the International Prospettiva Danza Teatro Award\, co-produced with Festival Danza In Rete – Teatro Comunale Città di Vicenza. \n\n\nSince 2021\, the company has been supported by the Italian Ministry of Culture. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (€6): under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio EmiliaReduced price (€3): under 8 \n\n\n\n\n\n\n\nTICKETS PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance at Via della Costituzione 39\, Reggio Emilia.\n\n \n\n\n\n\n\n\n\nSeats are unreserved. \n\n\n\n\n\n\n\nCONTACTS \nMobile e whatsapp +393341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/authors-evening/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251113T203000
DTEND;TZID=Europe/Rome:20251113T213000
DTSTAMP:20260430T091504
CREATED:20250905T134843Z
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SUMMARY:Duo d'Eden | Grosse Fugue
DESCRIPTION:Maguy Marin’s dance arrives at Fonderia through the interpretation of the MM Contemporary Dance Company.\n  \nDirected by Michela Merola\, the company presents for Danza in Fonderia two masterpieces by the multi-award-winning French choreographer Maguy Marin: Duo d’Eden\, a duet of rare\, almost mythical beauty\, and the all-female quartet Grosse Fugue\, Marin’s personal interpretation of Ludwig van Beethoven’s work\, considered a milestone in the relationship between classical music and contemporary dance. After the performance\, a short talk with a dance critic is scheduled. \n  \nThe MM Contemporary Dance Company won the 2024 Danza&Danza Award for Repertoire Enhancement with Maguy Marin’s Grosse Fugue. \nhttps://vimeo.com/480791125/2e8682f7fb \n\n\n  \n  \nDuo d'Eden \n\nChoreography and Soundtrack: Maguy MarinRestaged by: Cathy Polo and Ennio SammarcoCostumes: Montserrat CasanovaLighting: Alexandre BéneteaudRehearsal Director: Enrico MorelliPerformers: Mario Genovese\, Fabiana Lonardo \nDuration: 18 minutes \nProduction: MM Contemporary Dance CompanyCo-production: Fondazione I Teatri di Reggio Emilia \nWorld Premiere – Compagnie Maguy Marin: December 12\, 1986 – AngersFirst Performance with MM Contemporary Dance Company: October 21\, 2020 – Teatro Sociale di Trento \n\n \n“Two bodies\, as if naked\, advance on stage\, entwining with one another and never letting go. A man and a woman\, their bodies drawn together and clinging\, joined until they become inseparable. She\, a vine that wraps and coils. He\, who holds her\, restrains her\, supports her. There is something mythical in their dance\, in this total fusion of two beings who become one\, never to part again. \n  \nEden is original love\, love of the time of innocence. There is also something raw and primitive in this duet. The soundscape of waterfalls and storms accompanies the dance. \n  \nEden is a dance full of strength and beauty\, perhaps because of the natural force that emanates from the purity of movement and the precision of gesture\, from the almost sculptural forms\, from the power of the bodies. That is where the emotion arises—from this simplicity that reveals the essential. If love is a dance\, it is surely Eden.” \n  \nYasmine Tigoe \n \nIn Duo d’Eden\, two dancers of MMCDC perform with mastery and style a work of rare beauty—original\, complex\, and demanding—created in 1986 by Maguy Marin for her company. Simply a man and a woman: flesh-colored unitards highlighting their nudity\, a long wig for her\, entwined with each other throughout the piece as she continuously evolves across his body. An Adam and Eve immersed in a journey of sensuality\, eros\, defense\, and attack\, within a world that is anything but calm\, safe\, and idyllic. A poetic and intense work. \nGrosse Fugue \nChoreography: Maguy MarinRestaged by: Dorothée DelabieMusic: Ludwig van Beethoven\, Die Grosse Fuge\, Op. 133Costumes: Chantal CloupetLighting: François RenardRehearsal Director: Enrico MorelliPerformers: Fabiana Lonardo\, Giorgia Raffetto\, Alice Ruspaggiari\, Diletta Savini \n  \nDuration: 20 minutes \n  \nProduction: MM Contemporary Dance CompanyCo-production: Reggio Parma Festival\, Festival Bolzano Danza / Fondazione Haydn di Bolzano e Trento\, MilanOltre Festival \n  \nWorld Premiere – Compagnie Maguy Marin: 2001 – Espace Jean Poperen\, MeyzieuNational Preview with MM Contemporary Dance Company: December 16\, 2023 – Reggio Parma Festival – Teatro Ariosto\, Reggio EmiliaNational Premiere with MM Contemporary Dance Company: July 16\, 2024 – Festival Bolzano Danza \n \nFour women and an extraordinary musical work such as Die Grosse Fuge: Maguy Marin’s personal reading of Ludwig van Beethoven’s masterpiece—considered a milestone in the relationship between classical music and contemporary dance—is built on a constant\, intimate dialogue between dance and music\, on a profound connection between the two arts. \n  \nCreated in 2001 for the C.ie Maguy Marin\, it is revived here in the interpretation of four dancers from the MM Contemporary Dance Company. From the encounter between these four women and the music emerges a complexity between the growing vital force of the feminine and the state of exhilaration and despair of this score. \n  \nThe dance becomes an euphoric explosion of energy\, where the four performers\, dressed in red\, in an almost frenetic alternation\, leap\, run\, collapse\, and rise again in a whirlwind of life and frenzy. A metaphor of life that turns into a vortex\, an exhilarating race against death\, where the very vertigo of the end drives us to run breathlessly\, to live every moment as if it were the last. A powerful\, moving work\, a moment of pure emotion. \n  \nMM Contemporary Dance Company \nThe MM Contemporary Dance Company is a contemporary dance ensemble directed by choreographer Michele Merola. Founded in 1999\, it was conceived both as a production center for events and performances and as a promoter of festivals and workshops\, with the aim of fostering exchanges and collaborations between Italian and international artists as witnesses and spokespeople of contemporary culture. \n \nBased in Reggio Emilia\, the company’s repertoire is rich and diverse\, thanks to the works of Michele Merola and creations by leading European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramírez Sansano\, Karl Alfred Schreiner\, Silvia Gribaudi\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Roberto Tedesco\, Camilla Monga\, and Adriano Bolognino. \n \nIn 2010\, MM Contemporary Dance Company won the prestigious Danza&Danza Award as Best Emerging Company and has since become a recognized excellence of Italian dance\, with an established presence across the national stage. In recent years\, it has also gained international acclaim\, performing in both European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia\, Norway\, Croatia). \n \nIn 2017\, the company won the Europaindanza Award for Choreographic Merit with Michele Merola’s Bolero. In 2022\, MMCDC received the Danza&Danza Award for Best Italian Production with Ballade (choreography by Mauro Bigonzetti and Enrico Morelli). In 2024\, it was awarded the Danza&Danza Prize for Repertoire Enhancement for Maguy Marin’s Grosse Fugue. \n \nIn 2021\, 2022\, and 2024\, MMCDC appeared on RAI 1 in Roberto Bolle’s TV programs Danza con me and Viva la danza\, performing works by Mauro Bigonzetti and Lorca Massine. For the 2018–2020 and 2022–2024 triennia\, as well as in 2021\, the company was an associate ensemble of the InDanza Circuit of Trentino-Alto Adige. \n \nMM Contemporary Dance Company is supported by the Italian Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, and the Centro Permanente Danza Danza / Reggio Emilia. \nMaguy Marin \nMaguy Marin was born in Toulouse in 1951. After her dance studies\, in 1972 she joined Mudra\, the school and choreographic residence created by Maurice Béjart in Brussels\, where she took part in the formation of the group Chandra\, which gathered the school’s talents under the direction of Micha van Hoecke. From 1974 to 1977 she was a full member of Les Ballets du XXe Siècle\, directed by Béjart\, where she not only performed repertoire works and new creations\, but also choreographed Yu-Ku-Ri (1976). \n \nIn 1984\, she founded the Compagnie Maguy Marin. After residencies at the Centre Chorégraphique National de Créteil\, the Centre Chorégraphique National de Rillieux-la-Pape (Lyon)\, and later in Toulouse\, in 2015 the company settled in Ramdam\, in the Lyon region\, a space dedicated to artistic creation\, to develop an ambitious project: Ramdam\, a center for the arts. \n \nMaguy Marin is one of the leading figures of the “new French dance” and has created many works that have become renowned\, including Babel Babel (1976)\, Cendrillon (1985)\, Coups d’État (1988)\, Made in France (1992)\, Aujourd’hui peut-être (1996)\, Quoi qu’il en soit (1999)\, Pièces détachées (2002)\, Umwelt (2004)\, Turba (2007)\, Salves (2010). Yet it is May B (1981)\, inspired by the literary world of Samuel Beckett\, that remains a true masterpiece\, still performed today in France and worldwide. \n \nIn addition to creating all the works for her own company\, she has also choreographed for major companies such as Dutch National Ballet\, Nederlands Dans Theater 3\, Paris Opera\, and Lyon Opera Ballet. \n \nAlongside numerous honors received in her home country—including being named Chevalier of the Order of Arts and Letters in 1998—she is among the few non-Americans to have been awarded the American Dance Festival Award (2003) and\, in 2008\, the Bessie Award in New York for Umwelt. In 2016\, she received the Golden Lion for Lifetime Achievement at the Venice Biennale Danza. \n \nOverall\, Maguy Marin’s creative production could be gathered under the title “the human condition”: from May B to her most recent works\, she has brought to life characters that reveal the grotesque soul\, intrinsically tied to the essence of humanity. The result is powerful\, ironic\, and at times fierce. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/mm-company-maguy-marin-aterballetto-fonderia-reggio-emilia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/09/Grosse-Fugue_foto-Tiziano-Ghidorsi_0616431.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251111T143000
DTEND;TZID=Europe/Rome:20251111T153000
DTSTAMP:20260430T091504
CREATED:20251016T175720Z
LAST-MODIFIED:20251017T082758Z
UID:10004201-1762871400-1762875000@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Dance Week is for the children of Reggio Emilia too!\n \n\n\n\n\n\n\n\nOn Monday\, November 10 at 10:30 a.m. and 2:30 p.m.\, the doors of La Fonderia open to nursery and primary schools of Reggio Emilia. \nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \nInfo & Tickets \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39  3341023554 \nEmail biglietteria@aterballetto.it \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-19/2025-11-11/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Productions,Stagione 25/26,stagione settembre-dicembre 2025,Stravaganze in sol minore
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/05/Stravaganze-in-sol-minore-ph.-Harabel-Contemporary-Art-Platform-10.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251111T103000
DTEND;TZID=Europe/Rome:20251111T113000
DTSTAMP:20260430T091504
CREATED:20251016T175720Z
LAST-MODIFIED:20251017T082758Z
UID:10004200-1762857000-1762860600@www.fndaterballetto.it
SUMMARY:Stravaganze in sol minore
DESCRIPTION:Dance Week is for the children of Reggio Emilia too!\n \n\n\n\n\n\n\n\nOn Monday\, November 10 at 10:30 a.m. and 2:30 p.m.\, the doors of La Fonderia open to nursery and primary schools of Reggio Emilia. \nThe magical virtuosity of Toti Scialoja (1914–1998) — a master not only of images but also of words — is at the heart of Stravaganze in sol minore by Francesca Lattuada\, a creation for children presented by the CCN/Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the endless ripples formed on the surface of water when a stone is thrown: evoking unreal or hyperreal images\, imbued with a musicality that blends poetry and nursery rhyme\, where the extraordinary and the frightening meet and hold hands. \n\n\n\n\n\n\n\nBeneath a bush of scarlet rosesThe toad serves hot tea with milk.Beneath a bush of purple rosesIt’s the toad’s turn to wash the cups.(Toti Scialoja\, La mela di Amleto\, 1984) \nCREDITS \n\n\n\n\n\n\n\nDirection and choreography: Francesca LattuadaTexts: Toti Scialoja (from La mela di Amleto)Music: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara RockmoreMasks and objects: Natali FortierPerformers: Vittoria Franchina\, Rocco Ancarola \nCo-production: Fondazione Nazionale della Danza / Aterballetto and Centro Teatrale BrescianoIn co-production with Centro Servizi Culturali Santa Chiara \n\n\n\n\n\n\n\n \nInfo & Tickets \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39  3341023554 \nEmail biglietteria@aterballetto.it \n\nhttps://www.youtube.com/watch?v=Wouh0x0D4HQ \n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-19/2025-11-11/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Productions,Stagione 25/26,stagione settembre-dicembre 2025,Stravaganze in sol minore
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/05/Stravaganze-in-sol-minore-ph.-Harabel-Contemporary-Art-Platform-10.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251110T203000
DTEND;TZID=Europe/Rome:20251110T213000
DTSTAMP:20260430T091504
CREATED:20251017T143437Z
LAST-MODIFIED:20251105T120506Z
UID:10004205-1762806600-1762810200@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n\nAPERITIF AT LA FONDERIA \n\n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS\nSingle ticket: €3 \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.\nSeats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-2/2025-11-10/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251110T110000
DTEND;TZID=Europe/Rome:20251110T120000
DTSTAMP:20260430T091504
CREATED:20251017T143437Z
LAST-MODIFIED:20251105T120506Z
UID:10004204-1762772400-1762776000@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n\nAPERITIF AT LA FONDERIA \n\n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS\nSingle ticket: €3 \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.\nSeats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan-2/2025-11-10/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251109T203000
DTEND;TZID=Europe/Rome:20251109T214500
DTSTAMP:20260430T091504
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004184-1762720200-1762724700@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-09/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2025/01/CCN-Aterballetto-Solo-Echo-ph.-Christophe-Bernard-165.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251109T180000
DTEND;TZID=Europe/Rome:20251109T190000
DTSTAMP:20260430T091504
CREATED:20251020T085347Z
LAST-MODIFIED:20251105T114713Z
UID:10004203-1762711200-1762714800@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: MAURIZIO CATTELAN
DESCRIPTION:  \nMaurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi\, Venezia) \nFor Dance Week\, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through signature dance.\n  \n\n\n\n\n\n\n\nNicolas Ballario\, listed among the 100 most influential figures in the art world by Il Giornale dell’Arte\, guides the audience through the story and poetics of Maurizio Cattelan\, one of the most renowned and controversial Italian contemporary artists on the international scene. \nAt the heart of the evening are three of Cattelan’s works — irreverent and provocative pieces that challenge both art and society through sharp irony and powerful visual impact. \nChoreographer Lara Guidetti\, together with CCN/Aterballetto dancers Alessia Giacomelli and Kiran Gezels\, gives body and movement to Cattelan’s visions\, transforming the irony\, paradox\, and unspoken essence of his works into physical gesture. \nOn the occasion of Dance Week\, Visioni del Corpo: Maurizio Cattelan will have three performances at La Fonderia\, via della Costituzione 39: \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSunday\, November 9 at 6:00 p.m.\nMonday\, November 10 at 11:00 a.m. – for upper secondary schools\nMonday\, November 10 at 8:30 p.m.\n\n\n\n\n\n\n\n\n  \n\nHAPPY HOUR AT LA FONDERIA \n\n\n\n\n\n\n\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n\n\n\n\n\n\n\n \n\nMaurizio Cattelan\, Him\, 2001\, ph Tom Lindboe (Blenheim) A \n  \n\nLara Guidetti \n\n\n\n\n\n\n\nIn 2006\, Lara Guidetti graduated as a dancer and choreographer from the Dance-Theatre Atelier of the Paolo Grassi School in Milan\, where she trained with major national and international masters. She continued her education in dance and performing arts\, studying various pedagogical and training methods through workshops and productions. \nIn 2008\, she founded the Sanpapié Company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works throughout Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her production LEI won the Premio Bonacina. \nShe collaborates with the JGM Company in Lisbon\, with La Scala in Milan as a dancer and acrobat\, and creates choreography for opera productions. She has taught at the Paolo Grassi School and DanceHaus in Milan\, as well as at the Teatro Stabile di Torino school. \nSince 2022\, she has been an associate artist of the MilanOltre Festival and a collaborator of the CCN/Aterballetto\, working as a choreographer and curator of site-specific and cultural welfare projects. \n\n\n\n\n\n\n\nNicolas Ballario \n\n\n\n\n\n\n\nBorn in 1984\, Nicolas Ballario works in the field of contemporary art applied to media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. He has collaborated with major artistic institutions and numerous publications\, and in 2016 became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in cultural and environmental reporting. \nHe is currently the author and host of contemporary art programmes on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nHe is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. Ballario curates exhibitions and catalogues\, and was included twice in Artribune’s “Best of” list of leading figures in the art world — in 2019 for radio and in 2020 for television projects. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nSingle ticket: €3 \n\n\n\n\n\n\n\nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.The box office at La Fonderia opens at 7:30 p.m.Seats are unassigned. \nCONTACTSMobile e whatsapp +39 3341023554Email biglietteria@aterballetto.it \nFONDERIA ATERBALLETTOvia della Costituzione 39\, Reggio Emilia \n \n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-maurizio-cattelan/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Dance Week 2025,Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251108T203000
DTEND;TZID=Europe/Rome:20251108T214500
DTSTAMP:20260430T091504
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004183-1762633800-1762638300@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-08/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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DTSTART;TZID=Europe/Rome:20251107T203000
DTEND;TZID=Europe/Rome:20251107T214500
DTSTAMP:20260430T091504
CREATED:20251016T165835Z
LAST-MODIFIED:20251017T081316Z
UID:10004182-1762547400-1762551900@www.fndaterballetto.it
SUMMARY:Preludio / An Echo\, A Wave / Solo Echo
DESCRIPTION:https://youtu.be/0WgBEKxzPxY \nFor the Dance Week\, Aterballetto performs from November 7 to 9 at its home venue\, La Fonderia.\n \n\n\n\n\n\n\n\nWhile half of the company is on tour in South Africa\, the remaining eight dancers of Aterballetto offer the Reggio Emilia audience three evenings of performance\, dancing on the stage of La Fonderia (via della Costituzione 39) with the following programme: \nPreludio by Diego Tortelli\, built around some of the most intense poems and songs by Australian singer-songwriter Nick Cave\, explores love\, faith\, dependence\, obsession\, loss\, and the intricate ways these themes intertwine. \nAn Echo\, A Wave by Philippe Kratz\, officially premiering during Dance Week\, translates the sense of wonder and eternity evoked by the sight of the sea: the dancers’ flowing movements recall the natural\, unending motion of the waves\, while also reflecting the passage through shifting emotional states. \nFinally\, Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the poem Lines for Winter by Mark Strand\, invoking winter\, music\, and the moving body to express something essential about acceptance and loss. \nThe evening opens with a new MicroDanza piece created by Antonella Bertoni especially for the CCN/Aterballetto. \n\n\n\n\n\n\n\n \nAPERITIF IN FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \n  \nFND/Aterballetto – Preludio – ph. Celeste Lombardi \nInfo & Tickets \nTICKETS \n\n\n\n\n\n\n\nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6Reduced price (under 8): €3 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile e whatsapp: +39 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/preludio-an-echo-a-wave-solo-echo/2025-11-07/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Dance Week 2025,Performances,Productions,solo echo,Stagione 25/26,stagione settembre-dicembre 2025,Storie
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DTSTART;TZID=Europe/Rome:20251106T193000
DTEND;TZID=Europe/Rome:20251106T203000
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CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
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SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251106T110000
DTEND;TZID=Europe/Rome:20251106T120000
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CREATED:20251016T151946Z
LAST-MODIFIED:20251104T171905Z
UID:10004180-1762426800-1762430400@www.fndaterballetto.it
SUMMARY:Il combattimento di Tancredi e Clorinda
DESCRIPTION:Il Combattimento di Tancredi e Clorinda opens the Dance Week of the CCN/Aterballetto.\nFonderia – Thursday\, November 6 at 11:00 a.m. and 7:30 p.m. \n\n\n\n\n\n\n\nThe theme of love overwhelmed by war and death — inspired by the story of Tancredi and Clorinda from Torquato Tasso’s Gerusalemme Liberata (whose first draft celebrates its 450th anniversary in 2025) and set to music by Claudio Monteverdi (1624) — retains a striking contemporary relevance. The CCN/Aterballetto reinterprets this legacy through dance\, its privileged language for conveying the intensity and drama of the work\, in a performance conceived by Fabio Cherstich and Philippe Kratz\, featuring dancers Alessia Giacomelli and Kiran Gezels\, tenor Raffaele Giordani\, and harpsichordist Francesco Luigi Trivisano. \nThe performance is preceded and followed by contributions from Antonio Audino\, theatre critic and journalist for RadioRai3\, who\, with his signature clarity\, will cast a contemporary light on these “sacred texts” of Italian cultural heritage. \n\n\n\n\n\n\n\nThe 11:00 a.m. performance is dedicated to upper secondary school students. \nAPERITIF AT LA FONDERIA\nFrom 6:30 p.m. to 7:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with the Mercato Campagna Amica del Tricolore. \n \nhttps://youtu.be/mjZQdcn1fgc \nCREDITS \nDirection and visual: Fabio CherstichChoreography and stage movement: Philippe KratzMusic: Il Combattimento di Tancredi e Clorinda by Claudio MonteverdiDancers: Alessia Giacomelli\, Kiran GezelsSinger: Raffaele GiordaniHarpsichord: Francesco Luigi Trivisano \nCo-production: Fondazione Nazionale della Danza / Aterballetto\, Teatro Regio di Parma / Festival Verdi\, Torinodanza Festival – Teatro Stabile di Torino – Teatro Nazionale\, Ghislierimusica – Centro di Musica Antica \n\nBorn in September 2024\, Il Combattimento di Tancredi e Clorinda is a project aimed at enhancing live performing arts within museums and cultural sites\, promoted by the Direzione Generale Musei and co-funded by the Direzione Generale Spettacolo. \n\n\n\n\n\n\n\nFor its realization\, the Musei Nazionali di Perugia – Direzione Regionale Musei Nazionali Umbria — and in particular the Museo Archeologico Nazionale e Teatro Romano di Spoleto — established\, with the support of the Direzione Generale Musei\, a partnership shared with five other major cultural venues: Villa Pisani in Stra\, Castello e Parco di Racconigi\, Castello Svevo in Bari\, Certosa di San Martino in Naples\, and the Parco Archeologico di Venosa. Later\, Castel Sant’Angelo in Rome joined the initiative\, hosting it as part of the 2024 summer festival Sotto l’angelo di Castello. \n\n\n\n\n\n\n\n \n  \nThe project is part of Italia Danza\, a co-designed initiative by the Direzione Generale per la Diplomazia Pubblica e Culturale del MAECI and the CCN/Aterballetto\, aimed at promoting Italy’s artistic heritage abroad. \nBODIES AS MIRRORS \n\n\n\n\n\n\n\nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined\, circular space where proximity and the resemblance of bodies play a fundamental role. Together with choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, telling the story of a humanity at war with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere within this perfectly balanced struggle between human beings. In our interpretation\, Tancredi and Clorinda are contemporary warriors\, bound to one another inextricably\, compelled to fight and to relive a story already written. \nA single voice gives life to three characters — the text itself\, Tancredi\, and Clorinda — merging within the body and sound of one singer. This estranged voice\, bound to a circular path\, evokes a sense of constant repetition\, underscoring the endless cycle of this story of love and death — a story destined\, tragically\, to repeat itself through the centuries and reach us still\, carrying all its force as an emanation of Tasso’s poetic power and Monteverdi’s sublime music. \nFabio Cherstich\, Director \n\n\n\n\n\n\n\nINNER STRUGGLE \n\n\n\n\n\n\n\nIn Tasso’s tale\, set to music by Claudio Monteverdi\, the most obvious themes are the struggle between woman and man and religious conversion — yet these are also the aspects I find least compelling. Transposed into dance\, they would risk becoming a mere narrative of circumstances. \nA more philosophical or psychoanalytic reading of this struggle — from which both protagonists emerge defeated\, deceived\, and alone — feels far more engaging to me. Within the opposition of the two roles lies an entire world: the seeking\, confronting\, and wounding of one another. The dynamic is that of a ritual\, a warlike confrontation between two entities drawing closer. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other has not won either… a powerful\, shared wound that remains imprinted on both bodies. So\, are these two people fighting each other — or a single person fighting against themselves? \nPhilippe Kratz\, Choreographer \n\n\n\n\n\n\n\nInfo & Biglietti \nTICKETS \n3 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\n\n\n\n\n\n\n\n\nFONDERIA BOX OFFICE: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia). \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nSeats are unassigned. \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \nMobile e whatsapp +39 3341023554 \nEmail biglietteria@aterballetto.it \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-13/2025-11-06/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Dance Week 2025,Performances,Stagione 25/26,stagione settembre-dicembre 2025
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SUMMARY:Sogni (di una notte di mezza estate)
DESCRIPTION:The Natiscalzi DT Company debuts at Danza in Fonderia with its contemporary reinterpretation of Shakespeare’s A Midsummer Night’s Dream.\n \n\n\n\n\n\n\n\nAmid metamorphic bodies\, desire\, magic\, and fate\, dance becomes a language to explore Shakespeare’s timeless themes\, supported by Giuseppe Cordaro’s soundscape that weaves together electronic textures and fragments of Mendelssohn. A poetic and visionary journey that renews the dialogue with the classics\, revealing the ever-living power of their enchantment. \n\n\n\n\n\n\n\nCREDITS \n\n\n\n\n\n\n\nby Natiscalzi DTchoreography by Tommaso Monza and Claudia Rossi Valliwith Marco Bissoli\, Julia Canard\, Chiara Esposito\, Elena Grappi\, Federico Russo\, Maxime Schiavonoriginal music by Giuseppe Cordaro / Mendelssohntexts by Claudia Rossi Valli / William Shakespeare \nproduced by cinqueminuti APSwith the support of MIC – Italian Ministry of Culture and Regione Emilia-Romagna – Performing Arts Departmentspecial thanks to Vignale in Danza\, Festival Teatro nel Bicchiere\, and Teatro Sociale di Gualtieri \n\n\n\n\n\n\n\nRead more \n\n\n\n\n\n\n\nIn a forest that belongs to no time\, suspended in a limbo between dream and reality\, six dancers move in search of answers\, like pawns in a cosmic game seemingly governed by chance. \n\n\n\n\n\n\n\n \nThe performance is a contemporary reinterpretation of Shakespeare’s classic A Midsummer Night’s Dream\, where body and dance become the means to explore universal themes such as love and desire\, as well as magic and transformation — alongside the play of misunderstandings and the unpredictable hand of fate.\n \n\n\n\n\n\n\n\nThe six performers are fluid\, multifaceted\, and metamorphic figures who move between the roles of lovers\, woodland creatures\, and dreamlike alter egos\, challenging the conventions of identity and reality. The figure of Puck — guide of the dream world and symbol of chance — emerges through choral compositions that reclaim unpredictability as a space of possibility and transformation\, and the dream as both escape and refuge\, an ephemeral tool of assertion and rebellion. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThe visionary power of the dream is supported — as a well-established stylistic hallmark of the company — by the scenographic design and the soundscape specially created by composer Giuseppe Cordaro\, who combines electronic sonorities with fragments of Mendelssohn’s work. This interplay between classical and contemporary elements permeates the entire performance\, echoing the intricate web of Shakespearean relationships. \nOnce again\, Natiscalzi DT takes on the challenge of reinterpreting the classics\, as previously seen in The Nutcracker and Annotations for a Faust. This time\, the company breathes new life into Shakespeare’s timeless poetry\, guided by the deep conviction that the great works must be revisited with fresh eyes\, generation after generation — to connect authors\, performers\, and audiences in a journey of rediscovery of art itself\, reminding us that magic (in theatre and beyond) has not vanished: it is merely hidden\, waiting to be awakened. \n\n\n\n\n\n\n\n \n  \nCOMPAGNIA NATISCALZI DT \n\n\n\n\n\n\n\nNatiscalzi DT was founded through the collaboration between Tommaso Monza and Claudia Rossi Valli — dancers and choreographers united by a shared language that intertwines poetry\, irony\, and a keen gaze on life. Established in 2016\, the company represents a creative laboratory in constant evolution: blending dance\, theatre\, and performance art\, Natiscalzi DT explores universal themes through a poetic vision that is both profound and\, at times\, dreamlike. \nA prominent presence in the national dance-theatre and contemporary dance scene\, Natiscalzi DT has created works such as Mary’s Bath (Critics’ Award – Palio Poetico ErmoColle 2015\, Special Mention – Premio Sonia Bonacina 2016\, Finalist – Direction Under 30\, 7th edition 2020\, Honorable Mention – Teatro Festival Valtellina 2021); The Nutcracker (Winner – Lavanderia a Vapore Choreographic Residencies Call 2016 | Fondazione Piemonte dal Vivo\, selected by CID Cantieri OrienteOccidente 2017); DIVINO (Winner – Toscana Terra Accogliente 2022); Dreaming Costa Rica (supported in distribution by MIC / SIAE “Per Chi Crea” 2024); and COSA HAI IN TESTA? (Winner – Premio Scenario Infanzia 2024). \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nFull price: €10Reduced price (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL Comune di Reggio Emilia members): €6 \n\n\n\n\n\n\n\nTICKET PURCHASE \n\n\n\n\n\n\n\n \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \n  \n\n\n\n\n\n\n\nCONTACTS FOR RESERVATIONS \n\n\n\n\n\n\n\nMobile and whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sogni-di-una-notte-di-mezza-estate/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251018T180000
DTEND;TZID=Europe/Rome:20251018T185000
DTSTAMP:20260430T091505
CREATED:20250904T144531Z
LAST-MODIFIED:20251016T094809Z
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SUMMARY:Ti vedo. La leggenda del Basilisco
DESCRIPTION:What if a fairy tale were told by an enormous dress of fabric?\n \nTi vedo. La leggenda del Basilisco \n \nby Teatro del Buratto is an immersive and poetic performance designed for children\, weaving together theatre\, myth\, and magic. Among witches\, spells\, and the dreaded King of Serpents\, children will be carried on an exciting journey where fear and courage meet. A little hero and a fearsome basilisk teach us that sometimes it is enough to look beyond appearances to discover that every creature holds the possibility of change. \n \nRecommended age: from 4 years \n \nCREDITS \nA project by: Emanuela Dall’AglioWith: Emanuela Dall’Aglio\, Riccardo PaltenghiDirection: Emanuela Dall’AglioSoundscapes and Lighting: Mirto BalianiConstructions: Emanuela Dall’Aglio\, Michele Columna\, Riccardo Paltenghi\, Caterina BertaAssistant Director: Beatrice Masala \n \nA co-production by: Teatro del Buratto\, CSS Teatro Stabile di Innovazione del Friuli Venezia Giulia \n \nRecommended age: from 4 yearsDuration: 50 minutes \nDiscover more \n\n“I see you\, all the creatures that men call monsters.\nMonstrous creatures? Monstrous?… Who are they\, really? They are those who cannot be saved\, who are of a form unsuited to this world. But what if\, for once\, they were the heroes—clumsy\, reckless\, involuntary saviors of themselves?”\nN. Haynes \n\n \nA dress-story that tells a myth.A great skirt that contains within itself all the elements of this tale. A mountain of red fabric in which a narrator recounts the story of a witch and her basilisk. \n \nHumankind has always needed to create and to fight monsters that embody evil and the flaws of the world\, and this performance begins with the act of creation—the magical rite that gives birth to a basilisk. \n \nBut now we must face the King of Serpents\, a creature unsuited to life among men\, with supernatural powers\, sowing terror\, and with a single gaze turning living beings into stone. Through the centuries\, countless legends have cast him as a terrible and deadly figure. Drawing on some of these\, our story begins with the arrival of the Basilisk in a peaceful village. His power breeds fear and dismay; the villagers\, not knowing how to banish him and powerless against his magic\, lock themselves in their homes in fear. \n \nBut is this creature truly a monster\, or is it simply unable to change its nature?Perhaps\, unaware of how to handle its power\, it is imprisoned by it.Only through the encounter and clash with a small\, unsuspecting hero—through his reckless courage and his gentleness—will the Basilisk be offered a way out: in this case\, a magical antidote\, a trick to ensure that no one dies—neither the monster nor the village. \n \nThrough knowledge\, courage\, encounter\, and even a touch of magic\, we find a new solution to an old legend. \nTeatro del Buratto \nFounded in 1975 in Milan\, Teatro del Buratto is a theatre production center that combines actor’s theatre\, puppet and animation theatre\, and black theatre\, with a strong focus on visual\, musical\, and scenographic research. Its productions\, aimed at children\, adolescents\, and adults\, range from reimagined classics to new dramaturgies\, often addressing contemporary social issues. \n \nActive both nationally and internationally\, Buratto is recognized by the Italian Ministry of Culture as a Theatre Production Centre and manages the Teatro Bruno Munari and Teatro Verdi in Milan. Beyond production\, it promotes residencies\, training\, workshops\, and festivals such as IF Festival and Segnali\, standing as a key reference point for visual and innovative theatre. \nInfo\, Tickets\, Workshop \nSATURDAY\, OCTOBER 18 – 4:30 pmFAMILY CONTACT \n \nWorkshop led by choreographer Laura Matano \n \nFamily Contact is a moment of sharing between children and parents\, exploring new worlds together. Through the body\, movement\, and physical contact\, participants create and build a new sense of harmonious connection. For children accompanied by one parent. \n \n(Includes ticket for the 6:00 pm performance) \n \nTICKETSSingle ticket: €6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONSPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ti-vedo-la-leggenda-del-basilisco/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251016T203000
DTEND;TZID=Europe/Rome:20251016T213000
DTSTAMP:20260430T091505
CREATED:20250904T144549Z
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SUMMARY:Stuporosa
DESCRIPTION:Francesco Marilungo’s Stuporosa is a whirling dance in which tarantism\, “possession\,” and funeral lament hypnotize the audience.\n \nThe Ubu Award for Best Dance Performance 2024 comes to Fonderia. Francesco Marilungo draws inspiration from popular funeral rituals\, tarantism\, and the dance of Saint Vitus to create Stuporosa\, an extraordinary collective work for five performers exploring the universality of grief and its healing. \n\n  \n  \nCredits \nDirection and Choreography: Francesco MarilungoWith: Vera Di Lecce\, Martina Di Prato\, Barbara Novati\, Roberta Racis\, Francesca Linnea Ugolini\, Music and Vocal Coaching: Vera Di LecceSet and Lighting Design: Gianni StaropoliCostumes: Lessico FamiliarePhotography and Video: Luca Del Pia \n  \nProduction: Körper | National Dance Production CentreCo-production: Fabbrica EuropaWith the support of IntercettAzioni – Centro di Residenza Artistica della LombardiaWith the support of Short Theatre Festival\, Fuori Programma Festival\, Teatro Akropolis & Dracma Teatro – Progetto CURA\, Did Studio\, Base Milano\, Qenhun \nDiscover more \nThus\, apparently without reason\, the five performers of Stuporosa weep\, giving life to a cry that takes on many shades: at times restrained\, at times stifled\, at times becoming music\, then flowing into hope\, then transforming into song\, echoing the sounds of an ancient Salentinian funeral lament.\n \nTheir bodies fragment in search of archaic\, distant forms that vanish and dissolve instantly. These forms are figures of pathos\, archetypal images of human suffering handed down over centuries and civilizations—images drawn from ancient funeral rites but universal in meaning\, for since the dawn of humanity\, suffering has always been endured in the same way. The five performers attempt to reclaim a sense of collectivity\, of rituality\, to create new forms of mutual support—whispering ancient magical formulas\, evoking traditional dances\, singing a Salentinian lullaby. \n \nIn Stuporosa\, as in ritual weeping\, one witnesses a stylization of pathos\, a de-hystericization of grief; and the performance itself seeks to be an invitation to reflect on mourning\, on the human need for a shared cultural institution\, a communal rite\, to overcome moments of individual crisis. \n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has collaborated with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own creative journey\, seeking a personal language between performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the NEXT 2017/2018 call in Lombardy. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS \n \nFull price: €10Reduced: €6 (under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia)Reduced: €3 (under 8) \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stuporosa-marilungo-reggio-emilia-fonderia/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20251011T180000
DTEND;TZID=Europe/Rome:20251011T191500
DTSTAMP:20260430T091505
CREATED:20250926T103602Z
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SUMMARY:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire). Teatro San Carlo di Napoli
DESCRIPTION:Viaggio nel repertorio del balletto (Journey into Ballet Repertoire)\, curated and presented by dance journalist and critic Francesca Pedroni\, featuring the étoiles of Teatro San Carlo\, Naples.\n \nGiselle: Romanticism\, Pointe Shoes\, and the Ballet Blanc \nCurated by Francesca Pedroni \nWith Étoiles Anna Chiara Amirante and Alessandro Staiano\, Ballet Company of Teatro San Carlo\, Naples \nAn iconic title of Romanticism\, Giselle premiered in Paris in 1841 with choreography by Jean Coralli and Jules Perrot and music by Charles Adam. It remains an essential work in the repertoire of every major classical ballet company. A love story unfolding between the radiant\, pastoral realism of the first act and the nocturnal forest realm of the Wilis — spirits of young women who died of heartbreak after being abandoned before their weddings. Diaphanous in their white tutus and pointe shoes\, they rise from midnight to dawn\, forcing any man who enters their haunted circle to dance to his death. \nThe Ballet Company of Teatro San Carlo\, directed by Clotilde Vayer\, will stage Giselle in Naples this November in Patricia Ruanne’s choreographic version. Around this title\, the Journey into Ballet Repertoire series curated by Francesca Pedroni for the National Choreographic Centre / Aterballetto resumes. This performance-conversation blends readings\, stories\, and video excerpts\, featuring the invaluable participation of Étoiles Anna Chiara Amirante and Alessandro Staiano of the Teatro San Carlo Ballet\, who will perform live some of the ballet’s most emblematic scenes in dialogue with the curator. \n \n  \nANNA CHIARA AMIRANTE \n\n\n\n\n\n\n\nBorn in Naples\, she trained at the Ballet School of the Teatro San Carlo.In 2006\, she joined the ballet company of the Teatro San Carlo in Naples under the direction of Elisabetta Terabust. That same year\, Alberto Testa awarded her the “Premio Positano” as an emerging young talent. In December 2006\, she joined the ballet company of Teatro alla Scala in Milan\, directed by Frédéric Olivieri. \nIn 2007\, she became a member of the Teatro dell’Opera di Roma company\, directed by Carla Fracci\, where she immediately performed soloist and principal roles — among them the Russian Princess\, the two Big Swans and the Pas de trois in Swan Lake\, the Jewels in The Sleeping Beauty\, and the Three Odalisques in Scheherazade. For A Midsummer Night’s Dream\, Paul Chalmer created the role of Venus especially for her\, and she was later chosen to dance the Sugar Plum Fairy in The Nutcracker. \nIn October 2011\, La Bayadère premiered at the Teatro dell’Opera\, with Anna Chiara cast in the leading role of Nikia. In October 2012\, she danced the principal role of the Street Dancer and one of Kitri’s friends in Messerer’s Don Quixote. \n\n\n\n\n\n\n\n \nAlso in 2014\, she performed various principal and soloist roles at her home theatre\, the Teatro San Carlo in Naples\, including Giselle by Lyudmila Semenyaka.In 2016\, she was chosen by Mikhail Lavrovsky to dance the role of one of the “Young Troubadours” in Romeo and Juliet.More recently\, she has performed as the Sugar Plum Fairy in Charles Jude’s The Nutcracker. \nShe has also danced other leading roles\, including: \n\n\n\n\n\n\n\n\nQueen of Hearts in Alice in Wonderland (chor. Gianluca Schiavoni)\nEchos Pas de Deux in Pink Floyd Ballet (chor. Roland Petit)\nGymnopédies Pas de Deux (chor. Roland Petit)\nMarina in Zorba the Greek (chor. Lorca Massine)\nCinderella (chor. Giuseppe Picone)\nMarguerite in The Lady of the Camellias (chor. Derek Deane)\nHippolyta in A Midsummer Night’s Dream (chor. Paul Chalmer)\nQueen of the Dryads in Don Quixote (chor. Aleksej Fadeechev)\nOdette/Odile in Swan Lake (chor. Patrice Bart)\nTheme and Variations (chor. George Balanchine)\nJuliet in Romeo & Juliet (chor. Kenneth MacMillan)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn December 2022\, following her performance as Odette/Odile\, she was named Étoile of the Teatro San Carlo by Artistic Director Clotilde Vayer. \nIn January 2023\, she took part as the leading performer in Francesco Ventriglia’s A Thousand Tales at the Dubai Opera\, also dancing the role of Raymonda in Raymonda and Serenade by George Balanchine. \nIn September 2023\, she was once again awarded the “Premio Positano”\, this time as Best Performer. \nShe has since appeared in productions such as Suite en Blanc by Serge Lifar\, In the Middle\, Somewhat Elevated by William Forsythe\, and Onegin by John Cranko. \nShe also performs in numerous national and international galas\, interpreting both classical and contemporary repertoire. \n\n\n\n\n\n\n\nALESSANDRO STAIANO \n\n\n\n\n\n\n\nHe graduated in 2011 from the Ballet School of the Teatro di San Carlo. In 2012\, he joined the Teatro dell’Opera di Roma for the production of Romeo and Juliet by Patrice Bart. With the Ballet Company of the Teatro di San Carlo\, he has performed as a soloist and principal dancer in productions such as The Nutcracker\, Romeo and Juliet\, Carmen\, Swan Lake\, Without Words\, The Bat (Czarda soloist)\, Cantata\, Don Quixote\, Carmina Burana\, Mozart Requiem\, and Le Corsaire (as Conrad). \nIn 2015\, he danced as principal in The Nutcracker and Giselle\, and took part in the 9th Festival Internacional de Ballet in Cali\, Colombia. In 2016\, he performed the role of Frantz in Roland Petit’s Coppélia\, and was selected by Mikhail Lavrovsky to interpret one of the leading roles in Romeo and Juliet. He also appeared in “Bolle and Friends”\, performing alongside the international star in the Pas de deux from Proust ou les Intermittences du Cœur (Roland Petit) in the role of Saint Loup. \nHe was invited as a guest principal dancer by the Opéra National de Bordeaux\, performing the role of Frantz in Charles Jude’s Coppélia. In 2017\, he danced the role of the Prince\, partnering Maria Eichwald\, in Cinderella\, and in the same year performed as the Knave in Alice in Wonderland (chor. Gianluca Schiavoni) alongside Alicia Amatrain. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nIn 2022\, under the direction of Clotilde Vayer\, he was named Étoile of the Teatro San Carlo\, following his performance as Romeo in Romeo and Juliet (chor. Kenneth MacMillan). \nAs an Étoile\, he has performed:La Rose Malade (chor. Roland Petit)\, leading roles in Pink Floyd Ballet (chor. Roland Petit)\, Zorba the Greek (chor. Leonide Massine)\, The Lady of the Camellias (chor. Derek Deane)\, Don Quixote (chor. Aleksej Fadeechev)\, Swan Lake (R. Nureyev / P. Bart / R. Nuñez)\, Theme and Variations (chor. George Balanchine)\, In the Middle\, Somewhat Elevated (chor. William Forsythe)\, Serenade (chor. George Balanchine)\, A Thousand Tales (chor. Francesco Ventriglia)\, Don Quixote (R. Nureyev)\, Suite en Blanc (chor. Serge Lifar)\, Le Jeune Homme et la Mort (chor. Roland Petit)\, and Onegin (chor. John Cranko). \nHe has participated in numerous national and international galas\, performing pas de deux such as Diana and Acteon\, Swan Lake\, Pas d’Esclave\, Le Corsaire\, Raymonda\, The Talisman\, Don Quixote\, Scheherazade\, and Thaïs. \nThroughout his career\, he has danced alongside internationally renowned étoiles including Maria Eichwald\, Alicia Amatriain\, Maia Makhateli\, Ludmila Konovalova\, Maria Yakovleva\, and many others. \n\n\n\n\n\n\n\nFRANCESCA PEDRONI \n\n\n\n\n\n\n\nDance critic for the daily newspaper Il Manifesto and for the magazine Danza&Danza. For Classica HD (formerly Sky Classica\, channel 124)\, she has worked as author and director of the series Danza in Scena — over 70 documentaries dedicated to artists such as William Forsythe\, Pina Bausch\, and Alessandra Ferri. \nFor cinema\, she wrote and directed the docufilm Roberto Bolle. L’arte della danza\, produced by Classica and Artedanza srl. She also curated the DVD collection I capolavori della danza\, published by Classica HD and Corriere della Sera. \nSince 2000\, she has been teaching Dance History at the Accademia Teatro alla Scala\, where she also leads ballet talks for the theatre’s Under 30/35 subscribers. \n\n\n\n\n\n\n\nInfo & Tickets \nTICKETS \nSingle price: 6 euro \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens half an hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unassigned. \nCONTACTS FOR RESERVATIONS \nMobile e whatsapp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/viaggio-nel-repertorio-del-balletto-journey-into-ballet-repertoire-teatro-san-carlo-di-napoli/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20251008T203000
DTEND;TZID=Europe/Rome:20251008T213000
DTSTAMP:20260430T091505
CREATED:20250905T145323Z
LAST-MODIFIED:20251014T102359Z
UID:10004160-1759955400-1759959000@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: LE DONNE DELLA FOTOGRAFIA CONTEMPORANEA (WOMEN IN CONTEMPORARY PHOTOGRAPHY)
DESCRIPTION:Women’s photography is the focus of the new Visioni del corpo event — discovering contemporary art through signature dance.\nThanks to the curatorial collaboration of Nicolas Ballario (listed among the 100 most influential figures in the art world by Il Giornale dell’Arte)\, the “dancing encyclopedia” continues to take shape — a project that tells the story of the world through dance\, placing the body at the center of the human experience. \nFor the festival Anthologies. New Readings of the Body\, Nicolas Ballario has chosen to present the photographic works of Tina Modotti\, Diane Arbus\, Cindy Sherman\, Nan Goldin\, and Lisetta Carmi\, accompanied by original choreographies created for the occasion by Sofia Nappi\, one of the most acclaimed Italian choreographers on the contemporary scene. \n\nAPERITIF AT THE FONDERIA\nFrom 7:30 p.m. to 8:30 p.m.\, enjoy a tasting of local wines and products\, in collaboration with Coldiretti Reggio Emilia. \n\n \n\nSofia Nappi \n\n\n\n\n\n\n\nSofia Nappi is a choreographer and the artistic director of KOMOCO\, a contemporary dance company based in Italy and active internationally\, which she co-founded together with her first muses\, Adriano Popolo Rubbio and Paolo Piancastelli. From the outset\, Sofia’s early creations with KOMOCO earned major recognition\, including the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021) and the First Prize\, Critics’ Award\, and Production Award at the 35th International Choreography Competition Hannover\, presented by the Tanja Liedtke Foundation and Marco Goecke (2021). \nToday\, KOMOCO’s works choreographed by Sofia are performed throughout Italy and internationally across Europe\, as well as in Mexico\, Canada\, and Serbia\, featured in renowned institutions and festivals. As an independent choreographer\, Sofia also creates original works for internationally acclaimed dance companies and theatres such as Nederlands Dans Theater 2\, Leipzig Ballet\, Gauthier Dance // Dance Company Theaterhaus Stuttgart\, Ballet BC\, Göteborg Opera\, National Theatre Mannheim\, Staatsoper Hannover\, and Scottish Dance Theatre. \nAlongside her creative work\, Sofia Nappi is deeply engaged in research and professional training on an international level\, in close collaboration with the dancers of KOMOCO. Since 2022\, she has organized the Komoco Intensive workshop twice a year in Florence\, welcoming professional dancers from around the world. A graduate of the Alvin Ailey American Dance Theater in New York\, Sofia’s artistic development has been profoundly shaped by her close connection with the Hofesh Shechter Dance Company and her study of Gaga\, the movement language developed by the renowned choreographer Ohad Naharin. \n\n\n\n\n\n\n\n  \nNicolas Ballario \nBorn in 1984\, Nicolas Ballario works at the intersection of contemporary art and media. After completing his studies at the Academy of Photography\, he joined Oliviero Toscani’s creative factory La Sterpaia\, where he later became Cultural Director. Over the years\, he has collaborated with major artistic institutions and numerous publications\, and in 2016 he became the youngest recipient ever of the Premio Bassani\, one of Italy’s most prestigious awards for journalists distinguished in the fields of culture and the environment. \nHe is currently the author and host of contemporary art programs on Radio Uno Rai and a contributor to L’Espresso (where he writes a weekly column)\, Living / Corriere della Sera\, Il Post\, and Il Giornale dell’Arte. In 2019\, he hosted Camera Oscura\, a photography series on LA7\, and since 2020 he has been presenting Io ti vedo\, tu mi senti?\, Italia Contemporanea\, and The Square on Sky Arte. \nNicolas is also the director of the new exhibition production company Piuma\, and founder and president of Cucù\, a communication studio dedicated to culture. He curates exhibitions and catalogues\, and has been featured twice in Artribune’s “Best of” list of leading art professionals — in 2019 for radio and in 2020 for television projects. \n \nInfo & Tickets \nTICKETS\nSingle price: 3 euro \nTICKET PURCHASE\nITickets can be purchased online at www.biglietteriafonderia39.it.\nThe Fonderia box office is open from 7:30 p.m. onwards.\nSeats are unassigned. \nCONTACTS\nMobile e whatsapp 3341023554\nEmail biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-le-donne-della-fotografia-contemporanea-women-in-contemporary-photography/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20250922T180000
DTEND;TZID=Europe/Rome:20250922T190000
DTSTAMP:20260430T091505
CREATED:20250904T144126Z
LAST-MODIFIED:20250911T163911Z
UID:10004137-1758564000-1758567600@www.fndaterballetto.it
SUMMARY:Notte Morricone - open session
DESCRIPTION:CCN/Aterballetto – Notte Morricone – ph. Claudio Montanari \nAterballetto’s first open rehearsal of the 2025–26 season\, offering the chance to meet the company’s new dancers. \nOn Monday\, September 22 at 6:00 pm\, Aterballetto welcomes its audience into the rehearsal room of the Fonderia to the notes of Notte Morricone by Marcos Morau. During the open rehearsal\, the three new dancers who have joined the company—Gador Lago Benito\, Gaia Mentoglio\, and Luigi Civitarese—will also be introduced. \nOpen rehearsals are unique occasions where the audience can witness the making of a performance\, engage in dialogue with the artists\, and be surprised by the art of dance: a special opportunity that opens the door to the daily life of dancers and choreographers. \n  \nInfo & Tickets \nTICKETS \n \nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/notte-morricone-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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DTSTART;TZID=Europe/Rome:20250916T180000
DTEND;TZID=Europe/Rome:20250916T190000
DTSTAMP:20260430T091505
CREATED:20250904T144745Z
LAST-MODIFIED:20250909T094052Z
UID:10004136-1758045600-1758049200@www.fndaterballetto.it
SUMMARY:Cani lunari - open session
DESCRIPTION:Francesco Marilungo’s Cani lunari is the opening event of the autumn edition of Danza in Fonderia.\n  \nFrancesco Marilungo inaugurates Antologie. New Readings of the Body\, the Danza in Fonderia series\, with the open rehearsal of his latest work. Cani lunari reveals the first fragments of his new creation. Inspired by a rare lunar optical phenomenon and steeped in ancestral symbols\, the piece delves into the imagery of the witch\, the healer\, the sorceress: figures on the margins of society\, suspended between fear and desire\, science and magic\, exclusion and power. \nhttps://vimeo.com/1048362306 \nCredits \nChoreography and Direction: Francesco MarilungoWith: Vera Di Lecce\, Barbara Novati\, Roberta Racis\, Alice Raffaelli\, Francesca Linnea UgoliniCostumes: Lessico FamiliareMusic and Vocal Coaching: Vera Di LecceLighting Design: Gianni StaropoliPhotography and Video: Luca Del Pia \n \nProduction: Körper | National Dance Production CentreCo-production: SNAPORAZVEREIN\, IRA Institute \n \nWith the support of ResiDance – an initiative of the Anticorpi XL Network\,Tuscany Residency Centre (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\,AMAT – Associazione Marchigiana per le Attività Teatrali\,Consorzio PUGLIA CULTURE – Regional Consortium for Arts and Culture\,in collaboration with Associazione Menhir / festival LE DANZATRICI en plein air in Ruvo di Puglia and Ass. Cult. TEATRO MENZATI’ / TEX – Il Teatro dell’ExFadda in San Vito dei Normanni (Puglia). \n \nWith the support of Cross Festival\, Primavera dei Teatri CastrovillariWith the contribution of Marosi Festival\, Teatro delle Moire \nDiscover more \nDuring the winter months\, when the moon is full or nearly full\, its light can sometimes be refracted by ice crystals in the high clouds\, creating a circular halo around the satellite with two symmetrical gleams at its sides: the moon dogs. Atmospheric phenomena that folk tradition once read as omens of storms\, but also as signals of transition—visual thresholds into the invisible. \nCANI LUNARI is a choreographic project that crosses these thresholds and immerses itself in an imaginary rooted in the archaic feminine\, in magical knowledge\, in ecstatic bodies. A sensitive inquiry into the figure of the witch\, the healer: not as folkloric residue or demonized stereotype\, but as the emblem of marginal yet powerful knowledge\, resisting the logic of utility and visibility.\n \nThrough a process of research combining archival materials\, oral testimonies\, folkloric iconographies\, and bodily practices\, CANI LUNARI builds a performative rite in which the body dances trance\, ecstasy\, metamorphosis. The performers\, holding taxidermy crows—souls released\, spirit animals\, threshold guides—enact gestures suspended between ritual and fiction\, magic and theatrical play. Movement feeds on fragmentations\, limps\, archaic gestures\, and sudden slips into animality\, evoking a world where the boundary between human and beyond-human is porous and mutable. The body moves “above water and above wind\,” echoing ancient formulas that still resonate in some Italian territories at the margins. \n \nAt the heart of the project lies a reflection on the hysterical body\, a feminine site of crisis and enigma\, historically linked to the figure of the witch and to states of possession. The 19th-century photographs of the Salpêtrière become symbolic material to embody: bodies out of control\, traversed by the invisible\, performing a different kind of knowledge. The witch’s body becomes a threshold-organism between dimensions—as John Cotta once wrote\, “not a traveler between worlds\, but the site of encounter between different spheres of being.” \n \nCANI LUNARI recalls a knowledge that is both political and sensorial\, an embodied epistemology. The soul—bird or breath—leaves the mouth\, flies\, detaches\, and then returns to the body. As in the confessions extorted from persecuted women—often visionaries\, storytellers\, healers—the body becomes narrative\, ritual of healing\, exercise in survival. The soundscape\, created by Vera Di Lecce\, interweaves electronics and natural sound\, oral chants and magical formulas\, in a score suspended between the earthly and the divine. \nCANI LUNARI is a crossing\, a white sabbath\, a collective ritual to re-enchant the world.\n \nFrancesco Marilungo \nAfter studying Engineering and conducting research at the Von Karman Institute in Brussels\, Francesco Marilungo attended the Theatre-Dance Atelier at Paolo Grassi in Milan. Since 2010\, he has worked with internationally renowned choreographers such as Julie Anne Stanzak\, Masaki Iwana\, Yasmine Hugonnet\, Jan Fabre\, and Romeo Castellucci. Over the years\, he has performed for Enzo Cosimi\, Antonio Marras\, and Alessandro Sciarroni. He then began his own artistic path\, seeking a personal language at the intersection of performance\, dance\, and visual arts. \n \nParadise\, winner of the NEXT 2015/2016 call in Lombardy\, was selected by Anticorpi XL for the 2016 Vetrina della Giovane Danza d’Autore. Love Souvenir (2018) won the Inteatro Festival call and the Lombardy NEXT 2017/2018 call. With Party Girl\, he received the Prospettiva Danza Award 2020 and the Cross Award 2020\, and was selected for the Nid Platform 2021. Stuporosa premiered at Short Theatre Rome in September 2023 and began an international tour. In 2024\, Stuporosa was presented at the Nid Platform in the programming section and won the 2024 UBU Award for Best Dance Performance. \n \nHis new project\, Cani Lunari\, winner of the Premio CollaborAction – Anticorpi XL Network\, will premiere in September 2025. \nInfo&Tickets \nTICKETS\nFull price: €3Free admission: under 6 \n \nTICKET PURCHASE \n \nONLINE: https://www.biglietteriafonderia39.it/home.aspxFonderia Box Office: opens one hour before the performance (via della Costituzione 39\, Reggio Emilia). \n \nTickets are unreserved (general admission). \n \nCONTACTS FOR RESERVATIONS \n \nPhone & WhatsApp: +39 334 1023554Email: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/cani-lunari-open-session/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,stagione settembre-dicembre 2025
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