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DTSTART;TZID=Europe/Rome:20250404T210000
DTEND;TZID=Europe/Rome:20250404T214500
DTSTAMP:20260502T131644
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SUMMARY:THE FRIDAS - PREVIEW
DESCRIPTION:Danza in Fonderia\, the CCN/Aterballetto series\, hosts an exclusive preview of Sofia Nappi’s latest creation.\n  \nThe Fridas is inspired by Frida Kahlo’s painting The Two Fridas and explores the complex theme of human identity through a relationship of complicity and contrast\, going beyond simple dualism. Through gestures that reveal intimacy and vulnerability\, challenging the conventions of masculinity\, the two dancers on stage navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. \nAfter the performance\, a talk with choreographer Sofia Nappi. \n  \n\n  \nCredits \nChoreography Sofia Nappi\nin collaboration with dancers Paolo Piancastelli\, Adriano Popolo Rubbio\nChoreography assistant Glenda Gheller\nCostume design Adriano Popolo Rubbio\nCostume production Adriano Popolo Rubbio\, Adelaide D’Ago\nLighting design Alessandro Caso\nMusic various artists   \nProduction Komoco\nCo-production Festival Danza in Rete – Teatro Comunale Città di Vicenza\nWith the support of Oriente/Occidente\, Centro Coreografico Nazionale/Aterballetto   \nProject residency at the Centro di Rilevante Interesse Nazionale per la Danza Scenario Pubblico/CZD   \nDuration: approximately 25 minutes \nRead more \nThe Fridas is a duet inspired by the painting The Two Fridas by Frida Kahlo. It explores the complex theme of human identity through a relationship of complicity and contrast between two dancers. Mirrored and divergent movements embody inner conflicts and harmonies\, while physical expressiveness and the use of space (in the Komoco language\, considered a living element capable of both uniting and dividing) represent two complementary and essential aspects of the research. \n \nHowever\, the relationship between the two characters on stage goes beyond simple dualism. Through gestures that reveal intimacy and vulnerability\, challenging conventions of masculinity\, the dancers navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. The painting “explodes\,” and the duet thus reflects the ambiguity and multiple personalities that also characterized Kahlo herself: \n“Within me\, multiple identities are hidden; I am a mélange. A mix between a Mexican and an Indigenous person\, but also a Mexican and a European. I am a painter and a wife. I love both women and men […]. In my painting\, I want to represent precisely this: all my ambiguity—no\, not ambiguity\, my many personalities\, my complexity.” (From *The Secret Lover of Frida Kahlo* by Caroline Bernard). \n \nDesigned for both theatrical and unconventional or museum spaces\, The Fridas can be observed from different perspectives\, adding nuances to the exploration of human essence and celebrating its complexity. However\, the ending invites an ironic acceptance of life’s chaos: through parodic movements\, the dancers find in humor the balm to keep facing the challenges of existence. \nSOFIA NAPPI \nSofia Nappi is a choreographer and the artistic director of KOMOCO\, a contemporary dance company based in Italy and active internationally\, which she co-founded together with her first muses\, Adriano Popolo Rubbio and Paolo Piancastelli. From the very beginning\, Sofia’s early creations with KOMOCO won prestigious awards: the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021)\, and the 1st Prize\, the Critics’ Prize\, and the Production Prize at the 35th International Choreography Competition Hannover\, awarded by the Tanja Liedtke Foundation and Marco Goecke (2021). \nCurrently\, KOMOCO’s works choreographed by Sofia are presented in Italy and on international tours across Europe\, as well as in Mexico\, Canada\, and Serbia\, hosted by renowned institutions and international festivals. As an independent choreographer\, Sofia also creates new works for internationally recognized dance companies and theaters\, including Nederlands Dans Theater 2\, Leipzig Ballet\, Gauthier Dance//Dance Company Theaterhaus Stuttgart\, Ballet BC\, Göteborg Opera\, National Theatre Mannheim\, Staatsoper Hannover\, and Scottish Dance Theatre. \nIn parallel\, Sofia Nappi’s work extends to research and professional training at an international level\, in close collaboration with the dancers of KOMOCO. Since 2022\, she has been organizing the biannual company workshop “Komoco Intensive” in Florence\, welcoming professional dancers from all over the world. Sofia graduated from the Alvin Ailey American Dance Theater in New York; her training has also been significantly influenced by her close connection with the Hofesh Shechter Dance Company and her study of Gaga\, the movement language developed by renowned choreographer Ohad Naharin. \nInfo&Tickets \nTICKETS   \n3 euros   \nPURCHASING TICKETS   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the start of the performance (Via della Costituzione 39\, Reggio Emilia).\n\nTickets are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: 3341023554   \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/the-fridas-preview/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250329T210000
DTEND;TZID=Europe/Rome:20250329T221500
DTSTAMP:20260502T131644
CREATED:20250314T172121Z
LAST-MODIFIED:20250324T172609Z
UID:10003847-1743282000-1743286500@www.fndaterballetto.it
SUMMARY:Made in Italy 34.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nSaturday\, March 29 – 6:30 PM\nSaturday\, March 29 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia\, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \n  \nINSOMNIA \nChoreography: Sergei Vanaev\nMusic: Jim Croce\, Hildur Guonadottir and Johann Johannsson\, G. F. Händel\, Murcof\, Becky G x Luisa Sonza x Papatinho\nCostumes: Nuvia Valestri\nChoreography Assistant: Stefano Neri\nDuration: 25 min.   \nThe world of dreams cannot be fully understood by the human mind.\nThe images and spirits we encounter in our dreams are fragments of our uncontrolled imagination.\nVery often\, we come across people or creatures unknown to us. We find ourselves in uncomfortable situations\, evoking emotions that range from terror and fear to joy and euphoria.   \nVisiting the dream world is inevitable for us\, as it is linked to our physical need for sleep. However\, sometimes\, due to the complexities of daily life\, we experience the unpleasant condition of INSOMNIA\, caused by troubling thoughts. Desperately\, we try to relax and transition into the seemingly peaceful state of the dream world…   \nBut what would be better: a nightmare or INSOMNIA?\n\nSHARE_Prima Nazionale \nChoreography: Massimo Gerardi\nMusic: Frank Bretschneider\, CoH\, Kanding Ray\nLighting Design: Massimo Gerardi\nCostumes: Nuvia Valestri\nDuration: 25 min.   \nSHARE represents a moment of interaction between the dancers on stage and the audience\, going beyond mere aesthetic or athletic gestures.\nThis event focuses on the expression of personal thoughts and individual identity\, encouraging each participant to step forward and support others in their goals. The dancers embody the idea of the *Homo Empathicus*\, a figure often overlooked in our era but essential for fostering genuine relationships\, free from technological interference: the body and voice thus become the instruments of this shared experience.   \nDescartes’ famous motto “I think\, therefore I am” almost transforms into “I participate\, therefore I am.” \n\nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are ready to approach the variety of the international dance market with flexibility\, artists capable of responding to different technical and stylistic demands that come from this very market. The project aims to offer a wide range of stimuli\, both technical and cultural\, and fosters exchange between students and choreographers\, each coming from different and interesting backgrounds in the international scene. Agora offers the students the opportunity to meet renowned choreographers with different stylistic orientations\, and over the years\, many illustrious names have participated. Various qualified teachers\, each with proven experience in the field\, collaborate with Michele Merola and Enrico Morelli to bring the project to life. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the performance \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-34-0/2025-03-29/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250329T183000
DTEND;TZID=Europe/Rome:20250329T200000
DTSTAMP:20260502T131644
CREATED:20250314T172121Z
LAST-MODIFIED:20250324T172609Z
UID:10003851-1743273000-1743278400@www.fndaterballetto.it
SUMMARY:Made in Italy 34.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nSaturday\, March 29 – 6:30 PM\nSaturday\, March 29 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia\, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \n  \nINSOMNIA \nChoreography: Sergei Vanaev\nMusic: Jim Croce\, Hildur Guonadottir and Johann Johannsson\, G. F. Händel\, Murcof\, Becky G x Luisa Sonza x Papatinho\nCostumes: Nuvia Valestri\nChoreography Assistant: Stefano Neri\nDuration: 25 min.   \nThe world of dreams cannot be fully understood by the human mind.\nThe images and spirits we encounter in our dreams are fragments of our uncontrolled imagination.\nVery often\, we come across people or creatures unknown to us. We find ourselves in uncomfortable situations\, evoking emotions that range from terror and fear to joy and euphoria.   \nVisiting the dream world is inevitable for us\, as it is linked to our physical need for sleep. However\, sometimes\, due to the complexities of daily life\, we experience the unpleasant condition of INSOMNIA\, caused by troubling thoughts. Desperately\, we try to relax and transition into the seemingly peaceful state of the dream world…   \nBut what would be better: a nightmare or INSOMNIA?\n\nSHARE_Prima Nazionale \nChoreography: Massimo Gerardi\nMusic: Frank Bretschneider\, CoH\, Kanding Ray\nLighting Design: Massimo Gerardi\nCostumes: Nuvia Valestri\nDuration: 25 min.   \nSHARE represents a moment of interaction between the dancers on stage and the audience\, going beyond mere aesthetic or athletic gestures.\nThis event focuses on the expression of personal thoughts and individual identity\, encouraging each participant to step forward and support others in their goals. The dancers embody the idea of the *Homo Empathicus*\, a figure often overlooked in our era but essential for fostering genuine relationships\, free from technological interference: the body and voice thus become the instruments of this shared experience.   \nDescartes’ famous motto “I think\, therefore I am” almost transforms into “I participate\, therefore I am.” \n\nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Founded in 2010\, it is directed by Michele Merola and Enrico Morelli and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are ready to approach the variety of the international dance market with flexibility\, artists capable of responding to different technical and stylistic demands that come from this very market. The project aims to offer a wide range of stimuli\, both technical and cultural\, and fosters exchange between students and choreographers\, each coming from different and interesting backgrounds in the international scene. Agora offers the students the opportunity to meet renowned choreographers with different stylistic orientations\, and over the years\, many illustrious names have participated. Various qualified teachers\, each with proven experience in the field\, collaborate with Michele Merola and Enrico Morelli to bring the project to life. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the performance \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-34-0/2025-03-29/3/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250314T203000
DTEND;TZID=Europe/Rome:20250314T213000
DTSTAMP:20260502T131644
CREATED:20250218T174328Z
LAST-MODIFIED:20250414T093520Z
UID:10003821-1741984200-1741987800@www.fndaterballetto.it
SUMMARY:Impromptus
DESCRIPTION:IMPROMPTUS\nArias\, Dances\, and Improvisations \nThe Centro Coreografico Nazionale / Aterballetto and Fondazione Ravenna Manifestazioni collaborate once again to create a new project\, where dance and music meet\, intertwine\, and transform into unique performances. The aim is to create a creative space where choreographers and musicians work side by side\, shaping works born from improvisation and mutual inspiration. \nThe goal of the project is to explore new ways of interaction between movement and sound\, fostering a fluid and spontaneous relationship between the two disciplines. Through artistic experimentation\, dancers and musicians push beyond the traditional boundaries of composition\, creating short performances (from 15 to 20 minutes) that express the intensity of this encounter. \nFriday\, March 14\, 8:30 PM\nFonderia\, Reggio Emilia \nDaniele Di Bonaventura bandoneon\nAlfredo Laviano percussion\nRoberto Tedesco and Gador Lago Benito dancers \nWednesday\, April 17\, 9:00 PM\nFonderia\, Reggio Emilia \nFrancesco Angelico\, Christian Barraco Cellos of the Orchestra Giovanile Luigi Cherubini\nLeonardo Farina and Arianna Ganassi dancers \nInfo & Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/impromptus-2/2025-03-14/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250228T180000
DTEND;TZID=Europe/Rome:20250228T190000
DTSTAMP:20260502T131644
CREATED:20250218T155106Z
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SUMMARY:STABAT MATER - OPEN REHEARSAL
DESCRIPTION:The Compagnia Artemis Danza / Monica Casadei offers the audience at the Fonderia something unique\, opening the doors to the creative process of its new production Stabat Mater\, which will premiere at the Teatro Rossini in Pesaro on March 14. \nSTABAT MATER \nChoreography\, direction\, sets\, lights\, and costumes Monica Casadei\nMusic Gioachino Rossini\nProduction Compagnia Artemis Danza/Monica Casadei\nIn collaboration with AMAT and Teatro Rossini di Pesaro\nWith the contribution of Ministry of Culture\, Regione Emilia-Romagna – Department of Culture\, Municipality of Parma \nThe creation\, signed by the choreographer from Ferrara Monica Casadei\, is dedicated to Gioachino Rossini’s Stabat Mater; a choral tribute to the soul of women\, to their universal love\, embodied by the mother par excellence. The performance represents the evolution of a multi-year research journey that the choreographer has dedicated to the encounter between dance and religious music.\nStabat Mater is a collective prayer\, timeless and universal\, for a mater dolorosa\, a woman’s heart broken by pain\, a mater lacrimosa that crystallizes in the moment of lament the tragedy of losing a child. \nThe body becomes the medium to tell the emotional experience of those facing the transformation of the primordial bond between mother and child. The performance becomes a cry and a whisper\, noise and silence\, giving voice to a love that transcends loss and never ceases to illuminate\, even in the darkest moments. \nStabat Mater offers a profound and moving fresco of maternity\, in a deep and lyrical tension between pain and hope\, making the mother’s suffering a universal symbol of empathy and resilience. \nThe power of Rossini’s composition plays a crucial role in conveying the emotional intensity of the text\, while the dynamic music elevates the narrative from lament to a song of hope. \nMONICA CASADEI \nOriginally from Ferrara and holding a degree in Philosophy with honors with a thesis on Plato and dance\, Monica Casadei\, after a competitive career in rhythmic gymnastics\, dedicated herself to the study of classical and modern dance\, first in Italy\, then in London\, and finally in Paris where she met choreographers Pierre Doussaint and Isabelle Doubouloz\, as well as the master André Cognard Hanshi So shihan\, with whom she still practices the martial art of Aikido. In 1994\, she founded the company Artemis Danza in France\, and in 1997\, she moved to Italy\, where she began an intense production activity that\, to this day\, counts over fifty original creations. From 1998 to 2007\, the company was in residence at the Fondazione Teatro Due in Parma\, while from 2014 to 2018\, it was in artistic residence at the Teatro Comunale in Bologna. Fundamental to Monica Casadei’s artistic research were her encounters with Federico Fellini\, her investigation into the great lyrical tradition with performances such as Il Barbiere di Siviglia and the series of works dedicated to the heroines of opera reinterpreted in a contemporary key (such as Traviata\, Tosca X\, Carmen K\, Butterfly – Colori Proibiti\, Private Callas\, Puccini’s Opera.Voci di Donne). The productions of Artemis Danza are characterized by their fusion with different artistic\, cultural\, and geographical realms\, as well as the exploration of urban spaces that become the stage for performative actions. Alongside its production activity\, Artemis supports\, produces\, and promotes young authors and carries out numerous activities to educate the public. \nInfo&Tickets \nTICKETS \n3 euros \nFree for children under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox office at Fonderia: The box office opens half an hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/stabat-mater-private-callas-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250225T203000
DTEND;TZID=Europe/Rome:20250225T213000
DTSTAMP:20260502T131644
CREATED:20250129T135600Z
LAST-MODIFIED:20250218T160156Z
UID:10003810-1740515400-1740519000@www.fndaterballetto.it
SUMMARY:FEMINA
DESCRIPTION:Compagnia Abbondanza/Bertoni returns to Fonderia with the acclaimed Femina. \n  \n«A keen observer of reality\, in her new choreography titled Femina\, a declared tribute to women (…) Antonella Bertoni once again amazes by shifting from lyrical movement to the most absolute formal rigor\, developing a visual and sound loop that generates\, nurtures\, and accompanies the mechanical\, pulsating\, and magnetic movement (…) The white stage is striking\, as if one were inside a sterile room (..)»\nGiuseppe Distefano\, DANZA&DANZA\, September 2023 \n«Four dancers with platinum blonde bob wigs\, slender figures dancing frontally in a milk-colored space\, doll-like like perfectly crafted Barbies\, yet in reality fiery and rebellious in the rhythmic accents of individuality\, from which an irrepressible\, necessary affirmation of personality bursts forth. Excellent musical work as well.»\nFrancesca Pedroni\, IL MANIFESTO\, October 2024 \n\n  \n\n  \nCredits \nBy Michele Abbondanza and Antonella Bertoni\nChoreography: Antonella Bertoni\nPerformers: Sara Cavalieri\, Eleonora Chiocchini\, Valentina Dal Mas\, Ludovica Messina Poerio\nLighting design: Andrea Gentili\nTechnical direction: Claudio Modugno\nMusic: Dysnomia – Dawn of Midi\nAudio editing: Orlando Cainelli\nOrganization\, strategy\, and development: Dalia Macii\nAdministration and coordination: Francesca Leonelli\nCommunication and press office: Francesca Venezia\nProduction: Compagnia Abbondanza/Bertoni\nWith the support of MiC – Ministry of Culture\, Autonomous Province of Trento\, Municipality of Rovereto\, Cassa di Risparmio di Trento and Rovereto Foundation\nSpecial thanks to: Danio Manfredini\, Marco Dalpane\, Lucio Diana\, Nadezhda Simenova   \nDuration: 60′   \nFinalist of the Ubu Award 2023 in the category “Best Dance Performance” \nCRITICAL TEXT \nPlaudit: captatio benevolentiae or j’accuse?\nIn the beginning was the beat:\nironic clapping\,\nhunters flushing out the prey\nor beginning of a sabbatical ritual.\nThe insistent\, geometric loop\ncompresses and compels\nsustaining and generating scores\nrigorously formal scores\,\nthus momentarily leaving concealed\nof the feminine soul the essence.\nIn the unfolding of the action\nflows a surgical\nchoreographic self-flagellation\nalways listening\nof a common and shared time.\nSimultaneously beat and beat:\n‘Beat but listen!’ (Plutarch) \nWith a posthumous disguise\nand minimal movements\nthe flow takes us\ninto the game of female identity\,\neffeminating\, malingering\, disambiguating the four performers.\nDisembodying and incorporating themselves and each other:\ntwo poles\,\ntwo physical places\non opposite banks of the same river.\nAccomplices of their own appearance\, they mirror each other\nrestoring mirrored movements\,\ncompressed and coated by a sound accompaniment\nthat magnetises and flows\nwithout any real interruption\nnor space for melody\nbut only for the aridity of rhythm.\n‘Femina’ is the space of translation and hallucination\ninto a scenic framework of possible forms and names\nof the feminine and feminine contemporary world. \nM.A. \nCOMPAGNIA ABBONDANZA/BERTONI \nMichele Abbondanza and Antonella Bertoni. From their New York experience at the Alwin Nikolais School to their French studies with Dominique Dupuy\, through the ‘poetic’ improvisations of Carolyn Carlson\, the study and practice of zen\, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the Piccolo Teatro di Milano) and Antonella Bertoni founded the Compagnia Abbondanza/Bertoni\, recognized as one of the most prolific artistic entities in the Italian scene for their creations\, educational and pedagogical activities\, and the dissemination of contemporary dance theater. \nThe Compagnia Abbondanza/Bertoni is in residence at the Teatro alla Cartiera in Rovereto (TN) – Italy and is supported by:\nMIC – General Directorate for Live Performance\, Municipality of Rovereto – Department of Culture\, Autonomous Province of Trento – Cultural Activities Service\, Autonomous Region Trentino Alto Adige \n \n  \nInfo&Tickets \nTICKETS \n10 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nPhone and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/femina/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250223T180000
DTEND;TZID=Europe/Rome:20250223T190000
DTSTAMP:20260502T131644
CREATED:20250129T131250Z
LAST-MODIFIED:20250218T112349Z
UID:10003808-1740333600-1740337200@www.fndaterballetto.it
SUMMARY:PerAria
DESCRIPTION:Go outside\,\nstand like this…\n…with your head in the air.\nBe silent\,\nand listen to the wind\,\nit has all the answers… \nOnce again this year\, the Sosta Palmizi Company returns to Fonderia to make us dream\, with a show dedicated to children from 5 years old. \nWith the freedom of spirit typical of childhood\, the lightness and depth of imagination\, a small room can become a place for great adventures: with eyes closed and ears wide open\, the air and the wind whisper incredible stories to us! They can take us to that strange country\, Anarea\, the country without winds where everything is still and moving is a fascinating challenge. Or to the Land of Flying Hats\, where the gusts of wind are so strong they swap people’s hats and identities! PerAria takes us into a world where adult logic becomes increasingly rarefied\, making room for curiosity\, wonder\, creativity\, play\, and emotions\, inviting the audience to become lighter and to stay (…at least for the duration of the show) a little more with their head perAria! \nThe idea for the show came from the desire to create a tribute to life\, lightness\, and carefree living. The authors were inspired by air and wind as vehicles and conduits of experiences and emotions\, creating a nested narrative containing other stories born from the illogical\, stimulating\, and whirlwind curiosity of childhood and creativity. \n\n\n\n“We are overwhelmed by the energy of dance\, emotions pass through movement\, light and delicate\, as light as air\, or wild and explosive.”\nNella Califano | AltreVelocità \n\n\n\n  \n\n  \nCredits \n  \n\n\nchoreography and stage creation Giorgio Rossi\ndramaturgy and original texts Savino Maria Italiano\nperformers Anna Di Bari\, Verdiana Gelao\, and Savino Maria Italiano\nmusic Livio Minafra\ncostumes Roberta Vacchetta\nlighting design Roberto Cupertino\nscenography Gisella Butera and Matilde Gori / Zaches Scenography Atelier\nproduction Associazione Sosta Palmizi\nco-production I Nuovi Scalzi\nresidential support Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)\, HOME Centro Creazione Coreografica (PG)\, Comune di Barletta\, Teatro Fonderia Leopolda Comune di Follonica (GR)\, Ad Arte Spettacoli\, Zaches Teatro and Ass. Amici di Duccio\nthanks to Azioni in Danza/Barletta\, Olga Mascolo \nDuration 50′ \nShow for children aged 5 and above \n\n\n  \nSOSTA PALMIZI/GIORGIO ROSSI \nGiorgio Rossi is the co-founder in 1984 of the Compagnia Sosta Palmizi and its subsequent Association\, of which he is still co-artistic director along with Raffaella Giordano. Giorgio Rossi\, as E. Satie would say\, “is a dancing mammal.” At the age of 4\, after seeing the Swiss clown Dimitri\, he realized that theater was his life. He owes his artistic success to having had the opportunity to witness the works of great masters (Kantor\, Brook\, Bausch\, Carlson)\, and with some of them\, he learned the art of the stage\, both as a student and as a performer. He collaborates with artists from other fields\, such as: P. Fresu\, B. Bertolucci\, T. Gylliam\, S. Benni\, P. Turci\, L. Poli\, D. Riondino\, P. Rossi\, Banda Osiris\, G. Mirabassi\, M. Rabbia\, M. Baliani\, and many others; he participated as a dancing author in the show *Vieni via con me* by R. Saviano and F. Fazio. In 2013\, he choreographed all the movements for *Carmen* by Bizet with L’Orchestra di Piazza Vittorio. With over 30 productions\, his shows have traveled the world thanks to the universality of the poetic art of movement. In recent years\, he has created three performances aimed at younger audiences (*Con il naso all’insù*\, *Costellazioni. Pronti\, partenza… spazio!*\, *Esercizi di fantastica*). In 2019\, he curated the formative and creative residency at the École des Sables in Dakar for the exchange project “Italie\, Culture\, Afrique.” He has collaborated with the company El Grito both as a performer (*Gran Circo Rossini*) and as a choreographer (*Uomo Calamita*). In 2021 and 2022\, he worked as an author and performer alongside R. Goretti and M. Bonechi for the production *Gli ultimi giorni di Pompeo* by Andrea Pazienza. In 2022\, he began a collaboration with composer and pianist Livio Minafra (winner of the Top Jazz awards in 2005\, 2008\, and 2011); their encounter gave birth to *Agata*\, an improvisation project for dance and piano. In 2023\, the partnership with Minafra was confirmed by a new production that expanded the collaboration to Savino Italiano in the creation of *In_vento*\, a work on the theme of air dedicated to younger generations\, a prequel to the production *perAria*\, which will debut in 2024. In 2023\, he also directed the staging and choreography movements of *Vertigine della Lista*\, a performance by and with F. Albanese\, S. Baldini\, L. De Simone\, and L. Valli\, born from the encounter with the essay of the same name by U. Eco. For many years\, both in Italy and abroad\, he has had a significant involvement in education\, where workshops and collaborations with dance\, theater\, and circus schools contribute to the dissemination of the choreographic arts. \nInfo&Tickets \nTICKETS \n6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/peraria/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20250204T203000
DTEND;TZID=Europe/Rome:20250204T213000
DTSTAMP:20260502T131644
CREATED:20240730T160817Z
LAST-MODIFIED:20250128T191807Z
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SUMMARY:14.610
DESCRIPTION:The title of the performance is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It is a small and sophisticated puzzle to solve. The latest work by Claudia Catarzi has something intimate and shameless. \nFollowing the performance\, a discussion with the choreographer will take place\, joined by Carmelo A. Zapparrata\, journalist and dance critic for *Repubblica-Bologna* and *Hystrio*. \n\nCredits \nby and with Claudia Catarzi\nmusic by Julien Desprez\nscenography by Fabio Giommarelli \nco-produced by Company Blu\, La Manufacture – Centre de Développement Chorégraphique National Bordeaux Nouvelle-Aquitaine\, Armunia/Festival Inequilibrio/Centro di residenze artistiche Castiglioncello\, with the support of the Regione Toscana and the MiC \ncreated in 2023 \nDiscover more \nIt’s hard to describe the feeling of dancing almost three meters high on a surface so narrow it seems more like a pedestal than a platform. From the ground\, that is\, from the stage of the Teatro Rosignano Solvay\, where the show debuted for the Inequilibrio festival\, the latest work by Claudia Catarzi has something intimate and shameless. Shameless because the spectator\, compelled to keep their eyes upwards\, admires the technical skill\, explicit and evident\, of a figure that doesn’t perform acrobatics\, but nonetheless constructs a tense and sculptural choreography\, made of plastic poses\, clear and defined gestures\, even jumps. Although the tone is far from baroque – a certain austerity prevails\, though never frigid – there is something triumphant in this construction that resembles the base for a Renaissance equestrian statue. Indeed\, in the dramatic arc of the show\, the satisfaction of reaching the top is palpable. As if we were in the mountains. Looking down from above is satisfying\, but it also gives you chills. Not only because it’s easy to fall\, but perhaps because at some point from this peak\, the only thing left to do is descend. \n \nAnd this is the other intimate dimension that runs through the entire show and speaks to us of fragility and strength\, of change and resistance. The title of the show is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It’s a small and sophisticated puzzle to solve. Not too difficult\, to be honest\, but we want to leave it unresolved\, so as not to spoil the pleasure of discovery. In the second part of the work\, the pedestal reveals itself as a steep slide\, and the descent becomes a sort of struggle; the muscular body strains to defeat the weight of gravity\, as in the whirls of some Giambologna statue. Even though the aesthetics are tied to a sober normality\, which makes the image even more intimate and common. About ten years ago\, Catarzi debuted in her solo 40\,000 Square Centimeters\, again a number for a title\, striking for presence and power in the small space drawn on the stage of only four square meters. Ten years later\, this space has shrunk but has risen into the air. Not a diving board to jump from\, but a mountain – like life – to embrace and climb. \n(Rodolfo Sacchettini – July 18\, 2023) \nCLAUDIA CATARZI \nAfter training at the Academy of Fine Arts in Florence\, she began her career working with the Micha Van Hoecke Ensemble. She later danced with companies such as Dorky Park Constanza Macras (Berlin)\, Compagnia Virgilio Sieni\, Aldes/Roberto Castello\, Company Blu/Alessandro Certini and Charlotte Zerbey\, En-Knap Group/Iztok Kovač (Ljubljana)\, László Hudi (J. Nadj – Budapest)\, among others. In 2009\, she was part of Choreoroam\, a research project by the Israeli choreographer Yasmeen Godder (Tel Aviv). She was later invited to follow the work of the Batsheva Dance Company by Ohad Naharin. She has collaborated with choreographer Ambra Senatore since the beginning of her company’s research work between Italy and France\, participating in all her early works. Since 2011\, she has been working on personal creations. The solo Arrivò senza colore won the co-production Sosta Palmizi\, and Un giorno\, a duo in collaboration with Mariano Nieddù\, was a finalist at the “Premio Equilibrio 2010” (directed by Sidi Larbi Cherkaoui). Her two latest creations see her sharing the stage for the first time with two female figures: Michal Mualem\, a historical dancer in Sasha Waltz’s company\, in A set of timings\, and Claudia Caldarano\, a former dancer of Virgilio Sieni\, in Posare il tempo. The live presence of musician Gianni Maestrucci in Posare il tempo – percussionist of the renowned group Tetraktis – transforms the danced duet into a trio. Claudia Catarzi is currently an associate artist at CDCN of Bordeaux\, La Manufacture | Bordeaux-Nouvelle Aquitaine. \nLearn more \n  \nInfo&Tickets \nTICKETS \n6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/14-610/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250127T180000
DTEND;TZID=Europe/Rome:20250127T190000
DTSTAMP:20260502T131644
CREATED:20250114T134256Z
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SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, January 27\, at 6:00 PM\, the audience of the Fonderia will have the opportunity to witness the preparation of Glory Hall\, a creation by choreographer Diego Tortelli\, which will premiere on February 6 and 7 at the Teatro Comunale Nouveau in Bologna. \nThe event will be hosted by Valeria Crippa\, journalist and dance critic for Corriere della Sera. \nOpen rehearsals are unique moments where you can watch the making of a performance\, engage in dialogue with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to step into the daily routine of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20250123T203000
DTEND;TZID=Europe/Rome:20250123T213000
DTSTAMP:20260502T131644
CREATED:20250113T173339Z
LAST-MODIFIED:20250218T111437Z
UID:10003807-1737664200-1737667800@www.fndaterballetto.it
SUMMARY:ALCE
DESCRIPTION:A work by Fabrizio Favale / Le Supplici\, a rare and powerful dance\, at times rhythmic and tribal\, at times ethereal and elusive\, performed by a cast of exceptional dancers. Ten dancers shape an unnatural\, artificial\, otherworldly landscape and inhabit it as its creatures. \nWatch the trailer \nCREDITS \nChoreography Fabrizio Favale\nDancers Daniele Bianco\, Daniel Cantero\, Vincenzo Cappuccio\, Giuseppe Catalfamo\, Matteo Di Ciommo\, Martina Di Giacomo\, Alessandro Girardi\, Alicia Ianeselli\, Valentina Verini\, Po-Nien Wang\nMusic Christian Fennesz\, James Holden\, Dark Morph\, Nathan Fake\, Team Ghost\, Jónsi & Alex\, M83\, Sigur Rós\nSet\, lighting\, costumes First Rose   \nCo-produced by Festival MILANoLTRE / KLM – Kinkaleri / Le Supplici / mk\nWith the support of MIBAC\, Regione Emilia-Romagna\nWith the contribution of ATER / h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche\, Crevalcore; Regione Lombardia and Fondazione Cariplo for the Next project\nSpecial thanks to Teatro Consorziale di Budrio\, Teatro Duse Bologna\, and DAS Bologna for the kind use of their spaces \nRead more \nWith this work\, the group delves into a theme that has long been explored and has inspired the creation of several works: the presence of animals and our relationship with them. \nThe presence of animals has always sparked human imagination and seems mysteriously connected to dreams. But it also seems to suggest new senses of space and time\, new languages\, impossible intelligences of shapes and movement. \nFrom these premises\, this work moves in search of abstractions of movement that seem to belong to worlds different from the human one. The enigmatic aerial spinning of an ultra-light aluminum backdrop\, operated by the performers at the beginning of the performance\, introduces vast horizons of unknown landscapes. Here\, a series of dances appears and disappears from a distant\, misty place\, illuminated by a light in the background. \n \nThe dancers often work closely together in a woven pattern\, creating atmospheres that are sometimes rhythmic and tribal\, sometimes rarefied and ethereal. \nIn Alce\, zoomorphic figures (some inspired by ancient popular traditions\, others invented) punctuate the choreography\, like an enigmatic dialogue from afar. \nFabrizio Favale \nFabrizio Favale\, Full Scholarship at the American Dance Festival in 1990. In 1996\, he was named “Best Italian Dancer” by the Premio G. Tani. From 1991 to 2001\, he danced for the Virgilio Sieni company. In 2011\, he received the “Presidential Medal for Italian Choreographic Talent.” His works have been invited to prestigious venues such as: Théâtre National de la Danse Chaillot in Paris\, Biennale de la Danse de Lyon\, Varna Festival\, and many others. He is the creator of programming projects including: the Balinese Dance Platform\, Circo Massimo\, and Plantings on Pluto. In 2019\, the project Le Stagioni Invisibili won the PerChiCrea award from SIAE and MIBAC\, and in 2021 it was shortlisted as one of the eight best outdoor projects in Europe by the Big Pulse Dance Alliance. From 2022 to 2024\, Fabrizio Favale is Associate Artist of MILANoLTRE. \nInfo & Tickets \nTICKETS   \nFull price: 10 euros   \nReduced price (Under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, Over 65\, CRAL Comune di Reggio Emilia members): 6 euros   \nReduced price (Under 8): 3 euros   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/alce/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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DTSTART;TZID=Europe/Rome:20250119T180000
DTEND;TZID=Europe/Rome:20250119T190000
DTSTAMP:20260502T131644
CREATED:20241223T141011Z
LAST-MODIFIED:20250113T164843Z
UID:10003786-1737309600-1737313200@www.fndaterballetto.it
SUMMARY:K (A) O
DESCRIPTION:If in chat we use the laughing emoji\, are we laughing with it? And if we use the one shedding copious tears? What expression do we really have? Choreographer Kenji Shinohe explores\, through the body and digital technologies\, how emotions are expressed through keyboard symbols. A show that sets aside words to tackle the highly relevant theme of “superficial communication” created by new technologies. \nRecommended age: from 8 years old \n \nCREDITS \nby and with Kenji Shinohe \nlighting design Cristina Fresia \nProduction Fondazione Sipario Toscana \nRecommended age: from 8 years old | running time: 45′ \nDiscover more \nAt the heart of the performance are emojis\, the colorful faces tasked with expressing feelings in digital communication\, and the doubt that their overuse impoverishes and conceals real emotional expressions. \nIf in a chat we use the laughing face emoji\, do we laugh with it? And if we use the one that sheds copious tears\, what face do we really make? But the real question at the core of the work is: how can we recover our true feelings? \n\nChoreographer Kenji Shinohe explores\, through the body and digital technologies\, the way emotions are expressed through the symbols of the keyboard. A performance that sets aside words to address the very contemporary issue of “superficial communication\,” created by new technologies and especially—though not exclusively—used by younger generations. \nKenji Shinohe\nKenji Shinohe is a Japanese choreographer and dancer born in 1990\, currently residing in Wuppertal\, Germany. He started ballroom dancing in early childhood with his grandmother and represented Japan at the Junior World Ballroom Dance Championships when he was a teenager. \nHe studied dance philosophy and art history at the University of Japan\, where he later earned a master’s degree. In 2015\, he received an international exchange student scholarship at the Folkwang Universität der Künste in Essen\, Germany. After graduating in the summer of 2019\, he began his career as a freelance dancer and choreographer. \nAs a dancer\, he has worked with the NEUR TANZ company (Düsseldorf)\, Tanztheater Erfurt (Erfurt)\, Carla Jordão (Cologne)\, Kompanie merighi | mercy (Wuppertal)\, Saeed Hani (Luxembourg)\, Dinamo Danza (Pamplona\, Spain)\, and other international choreographers. \nAs a choreographer\, he was awarded the first prize and the audience award “contact.energy 16” at the 5th Internationales Tanz Theater Festival 2016 in Erfurt\, the Best Newcomer Solo award at the 10th Internationales Tanzfestival SoloDuo NRW in Cologne 2018\, the Best Solo award and the audience award at the SzólóDuó International Dance Festival 2019 in Budapest\, Hungary. In addition\, he won 5 awards at TEATRI RIFLESSI in Catania\, Italy in 2023. He has received international recognition for various choreographic works\, both for his solos and group dances. \nIn his artistic work\, he is interested in uniting body movements in relation to the structures of music\, extending the expression of dance through metanarrative techniques. His choreographic pieces are hosted and performed in many theaters across more than 15 countries and 55 cities. \nInfo\, Tickets\, Workshop \nSUNDAY\, JANUARY 19\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents that seeks to explore new worlds. Being together through the body\, movement\, and physical contact\, creating and building a new harmonic connection. For children accompanied by one parent. \n(includes a ticket for the performance K(A)O at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox office at Fonderia: The box office opens one hour before the show starts (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/k-a-o/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,season january july 2025
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241220T210000
DTEND;TZID=Europe/Rome:20241220T223000
DTSTAMP:20260502T131644
CREATED:20241217T103127Z
LAST-MODIFIED:20241223T112844Z
UID:10003784-1734728400-1734733800@www.fndaterballetto.it
SUMMARY:Made in Italy 33.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nFriday\, December 20 – 6:00 PM\nFriday\, December 20 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training program promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nThe evening includes FOE by Emanuele Soavi\, inspired by Daniel Defoe’s Robinson Crusoe\, and the choreography of Michele Merola Vivaldi Umane Passioni. The performance concludes the Danza in Fonderia 2024 season and is the perfect moment to wish you Happy Holidays. \n  \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training program aimed at dancers between the ages of 18 and 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are flexible enough to face the variety of the international dance market\, artists capable of responding to requests of a technical/stylistic nature that come from the same market. The project seeks to offer a wide range of stimuli\, both technical and cultural\, as well as opportunities for exchange between students and choreographers\, each coming from different and interesting realities in the international dance scene. Agora allows students to meet established choreographers from various stylistic backgrounds and has seen the participation of many illustrious names over the years: alongside Michele Merola and Enrico Morelli\, several teachers with proven and qualified experience in the field collaborate on the project. \nCREDITS \nFOE \nChoreography: Emanuele Soavi\nChoreographic Assistant: Lorenzo Molinaro\nMusic: Various Authors\nCostumes: Nuvia Valestri\nLighting: Gessica Germini\nPerformers: Agora Coaching Project\nDuration: 30 min. \n— \nVIVALDI UMANE PASSIONI \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting Design: Gessica Germini\nRehearsal Director: Nicola Stasi\nCostumes: Nuvia Valestri\nPerformers: Agora Coaching Project\nDuration: 30 min. \n— \nPERFORMERS 18:00\nAbbati Matilde\, Begici Jasmine\, Berlinschi Laura\, Boccarossa Giulia\, Bocconi Elisa\, Bondor Màlna\, Borriello Giovanni Karol\, Briganti Arianna\, Capuzzelli Lucrezia\, Dal Maso Anna\, Dorsich Hanna\, Giacalone Claudia\, Lale Murix Jasmine\, Marchi Luca\, Oliva Sofia\, Palmieri Andrea\, Schiavon Maxime. \nPERFORMERS 21:00\nBertino Facile Angelica\, Bruno Salvatore\, Esposito Chiara\, Ferentino Sara\, Giannini Giulia\, Grossi Arianna\, Grosso Paolo Giovanni\, Intermite Rebecca\, Làszlóffy Emòke\, Maggiore Lucrezia\, Manfredini Elena\, Manzini Sara\, Procacci Martina\, Scarcia Gabriele\, Spagnuolo Clara\, Szabó Csenge\, Todisco Gennaro. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros   \nTICKET PURCHASE   \nTickets can be purchased online at www.biglietteriafonderia39.it   \nThe box office opens one hour before the show starts   \nTickets are not numbered   \nCONTACTS   \nCell and WhatsApp: 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-33-0/2024-12-20/2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241220T180000
DTEND;TZID=Europe/Rome:20241220T193000
DTSTAMP:20260502T131644
CREATED:20241217T103127Z
LAST-MODIFIED:20241223T112844Z
UID:10003783-1734717600-1734723000@www.fndaterballetto.it
SUMMARY:Made in Italy 33.0
DESCRIPTION:  \n\n  \n\n  \nDouble performance: \nFriday\, December 20 – 6:00 PM\nFriday\, December 20 – 9:00 PM \nThe protagonists of the evening are the dancers of Agora Coaching Project\, a high-level training program promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Launched in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nThe evening includes FOE by Emanuele Soavi\, inspired by Daniel Defoe’s Robinson Crusoe\, and the choreography of Michele Merola Vivaldi Umane Passioni. The performance concludes the Danza in Fonderia 2024 season and is the perfect moment to wish you Happy Holidays. \n  \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual dance training program aimed at dancers between the ages of 18 and 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. The project aims to train artists who are flexible enough to face the variety of the international dance market\, artists capable of responding to requests of a technical/stylistic nature that come from the same market. The project seeks to offer a wide range of stimuli\, both technical and cultural\, as well as opportunities for exchange between students and choreographers\, each coming from different and interesting realities in the international dance scene. Agora allows students to meet established choreographers from various stylistic backgrounds and has seen the participation of many illustrious names over the years: alongside Michele Merola and Enrico Morelli\, several teachers with proven and qualified experience in the field collaborate on the project. \nCREDITS \nFOE \nChoreography: Emanuele Soavi\nChoreographic Assistant: Lorenzo Molinaro\nMusic: Various Authors\nCostumes: Nuvia Valestri\nLighting: Gessica Germini\nPerformers: Agora Coaching Project\nDuration: 30 min. \n— \nVIVALDI UMANE PASSIONI \nChoreography: Michele Merola\nMusic: Antonio Vivaldi\nLighting Design: Gessica Germini\nRehearsal Director: Nicola Stasi\nCostumes: Nuvia Valestri\nPerformers: Agora Coaching Project\nDuration: 30 min. \n— \nPERFORMERS 18:00\nAbbati Matilde\, Begici Jasmine\, Berlinschi Laura\, Boccarossa Giulia\, Bocconi Elisa\, Bondor Màlna\, Borriello Giovanni Karol\, Briganti Arianna\, Capuzzelli Lucrezia\, Dal Maso Anna\, Dorsich Hanna\, Giacalone Claudia\, Lale Murix Jasmine\, Marchi Luca\, Oliva Sofia\, Palmieri Andrea\, Schiavon Maxime. \nPERFORMERS 21:00\nBertino Facile Angelica\, Bruno Salvatore\, Esposito Chiara\, Ferentino Sara\, Giannini Giulia\, Grossi Arianna\, Grosso Paolo Giovanni\, Intermite Rebecca\, Làszlóffy Emòke\, Maggiore Lucrezia\, Manfredini Elena\, Manzini Sara\, Procacci Martina\, Scarcia Gabriele\, Spagnuolo Clara\, Szabó Csenge\, Todisco Gennaro. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced under 8: 3 euros   \nTICKET PURCHASE   \nTickets can be purchased online at www.biglietteriafonderia39.it   \nThe box office opens one hour before the show starts   \nTickets are not numbered   \nCONTACTS   \nCell and WhatsApp: 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-33-0/2024-12-20/1/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/05/Agora-Coaching-Project-ph.-Biagio-Caravano-5.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241217T203000
DTEND;TZID=Europe/Rome:20241217T213000
DTSTAMP:20260502T131644
CREATED:20240827T114553Z
LAST-MODIFIED:20241223T113006Z
UID:10003546-1734467400-1734471000@www.fndaterballetto.it
SUMMARY:Strangers in the Night
DESCRIPTION:The choreographer Carlo Massari and his company C&C Company return to Fonderia with a new ironic and tragicomic choreography\, Strangers in the Night. \nTuesday\, December 17 at 6:00 PM open rehearsal \nTuesday\, December 17 at 8:30 PM performance \n\nCredits \nIdea and project Carlo Massari \nCo-created and performed by Jos Baker\, Linus Jansner\, Carlo Massari \nIn collaboration with Martina La Ragione\, Chiara Osella \nMusic and sound composition Andreas Moulin \nScript Jos Baker \nTech direction Francesco Massari \nCostume design Chiara Defant \nA production C&C Company \nIn co-production with Oriente Occidente\, Fondazione Nazionale della Danza Aterballetto\, Transart Festival  \nSupported by ERT Emilia Romagna Teatro Fondazione / Teatro Nazionale – focus CARNE \nWith the contribution of Assessorato alla Cultura – Regione Emilia Romagna e MIC – Ministero della Cultura \nDiscover more \n“The old world is dying.\nThe new one is slow to appear.\nAnd in this light-dark\, monsters are born.”\nAntonio Gramsci \nA cross-disciplinary project inspired by Kafka’s The Metamorphosis\, delving deeply and ironically into the subtle line between reality and fiction\, honesty and role-playing\, concrete action and pantomime. How to survive emptiness\, oneself\, loneliness? \nDreamlike and subversively political\, Strangers in the Night aims to blend social realism with tragicomic writing\, opposing sentimentality and inviting the audience to reflect on the present through dark and biting humor. A meta-theatrical exploration\, breaking the fourth wall and involving the audience in an escalation of madness\, violence\, and irony… \nSeriously ironic\, the compositional poetics employs the language of defeat to speak of hope\, decay awaiting rebirth\, the fall preceding (perhaps) the desired ascent. \nThe new co-creation signed by Jos Baker\, Linus Jansner and Carlo Massari is part of the research journey on Metamorphoses and marks an important step towards the affirmation of the C&C Company’s distinctive compositional style. \n \nC&C Company \nC&C\, directed by Carlo Massari\, identifies itself as a project dedicated to the creation and development of an evolving artistic language\, aimed at a physical and dramaturgical investigation. It seeks to convey and share energy and creativity in the most direct\, clear\, and real manner possible\, closely related to the pressing contemporary social issues. Characterized by constant and unembellished work\, C&C focuses on the depth of interpersonal relationships with the goal of bringing truth to the stage through a deeply physical language that allows the audience to feel represented within its universality. \nFounded in 2011\, the Company has shown from the start a strong inclination towards hybridization and the transversality in the use of dance in relation to other contemporary performative codes\, establishing and solidifying itself today as a “Amphibian” creative identity. \nAmong its numerous productions\, the most recent include: Beast without Beauty\, Les Miserables\, A Peso Morto\, RIGHT\, Metamorphosis… which have received significant recognition and international tours. The company frequently creates works involving community engagement\, establishing a dialogue that enhances the artistic project: a search for relational truth that characterizes the company’s poetics and is combined with a total imaginative openness capable of bringing the audience closer to the theatrical experience. \nInfo&Tickets \nTICKETS \nFull Price: 10 euros \nDiscounted under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted under 8: 3 euros \nHOW TO PURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox Office at Fonderia: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/le-blatte/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/08/oo_jos-baker-carlo-massari-cc-company_strangers-in-the-night_ph-monia-pavoni__-13.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241217T180000
DTEND;TZID=Europe/Rome:20241217T190000
DTSTAMP:20260502T131644
CREATED:20241209T111439Z
LAST-MODIFIED:20241223T113027Z
UID:10003774-1734458400-1734462000@www.fndaterballetto.it
SUMMARY:Strangers in the Night - open rehearsal
DESCRIPTION:The choreographer Carlo Massari and his company C&C Company return to Fonderia with a new ironic and tragicomic choreography\, Strangers in the Night. \nTuesday\, December 17 at 6:00 PM open rehearsal \nTuesday\, December 17 at 8:30 PM performance \n\nCredits \nIdea and project Carlo Massari \nCo-created and performed by Jos Baker\, Linus Jansner\, Carlo Massari \nIn collaboration with Martina La Ragione\, Chiara Osella \nMusic and sound composition Andreas Moulin \nScript Jos Baker \nTech direction Francesco Massari \nCostume design Chiara Defant \nA production C&C Company \nIn co-production with Oriente Occidente\, Fondazione Nazionale della Danza Aterballetto\, Transart Festival  \nSupported by ERT Emilia Romagna Teatro Fondazione / Teatro Nazionale – focus CARNE \nWith the contribution of Assessorato alla Cultura – Regione Emilia Romagna e MIC – Ministero della Cultura \nDiscover more \n“The old world is dying.\nThe new one is slow to appear.\nAnd in this light-dark\, monsters are born.”\nAntonio Gramsci \nA cross-disciplinary project inspired by Kafka’s The Metamorphosis\, delving deeply and ironically into the subtle line between reality and fiction\, honesty and role-playing\, concrete action and pantomime. How to survive emptiness\, oneself\, loneliness? \nDreamlike and subversively political\, Strangers in the Night aims to blend social realism with tragicomic writing\, opposing sentimentality and inviting the audience to reflect on the present through dark and biting humor. A meta-theatrical exploration\, breaking the fourth wall and involving the audience in an escalation of madness\, violence\, and irony… \nSeriously ironic\, the compositional poetics employs the language of defeat to speak of hope\, decay awaiting rebirth\, the fall preceding (perhaps) the desired ascent. \nThe new co-creation signed by Jos Baker\, Linus Jansner and Carlo Massari is part of the research journey on Metamorphoses and marks an important step towards the affirmation of the C&C Company’s distinctive compositional style. \n \nC&C Company \nC&C\, directed by Carlo Massari\, identifies itself as a project dedicated to the creation and development of an evolving artistic language\, aimed at a physical and dramaturgical investigation. It seeks to convey and share energy and creativity in the most direct\, clear\, and real manner possible\, closely related to the pressing contemporary social issues. Characterized by constant and unembellished work\, C&C focuses on the depth of interpersonal relationships with the goal of bringing truth to the stage through a deeply physical language that allows the audience to feel represented within its universality. \nFounded in 2011\, the Company has shown from the start a strong inclination towards hybridization and the transversality in the use of dance in relation to other contemporary performative codes\, establishing and solidifying itself today as a “Amphibian” creative identity. \nAmong its numerous productions\, the most recent include: Beast without Beauty\, Les Miserables\, A Peso Morto\, RIGHT\, Metamorphosis… which have received significant recognition and international tours. The company frequently creates works involving community engagement\, establishing a dialogue that enhances the artistic project: a search for relational truth that characterizes the company’s poetics and is combined with a total imaginative openness capable of bringing the audience closer to the theatrical experience. \nInfo&Tickets \nTICKETS \nFull Price: 3 euros \nUnder 8: free \nHOW TO PURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox Office at Fonderia: the box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/strangers-in-the-night-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/08/oo_jos-baker-carlo-massari-cc-company_strangers-in-the-night_ph-monia-pavoni__-13.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241216T180000
DTEND;TZID=Europe/Rome:20241216T190000
DTSTAMP:20260502T131645
CREATED:20240827T093423Z
LAST-MODIFIED:20240827T093423Z
UID:10003539-1734372000-1734375600@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SOLO ECHO
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, December 16\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to witness the preparation of Solo Echo\, a creation by the multi-award-winning Canadian choreographer Crystal Pite\, which will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, engage with the artists\, and be captivated by the art of dance: a special occasion that allows the audience to step into the daily routines of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-solo-echo-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2022/12/FND-Aterballetto-rehearsals-ph.-Christophe-Bernard-18.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241211T203000
DTEND;TZID=Europe/Rome:20241211T220000
DTSTAMP:20260502T131645
CREATED:20240827T105002Z
LAST-MODIFIED:20241223T113156Z
UID:10003542-1733949000-1733954400@www.fndaterballetto.it
SUMMARY:Artemis Next Generation
DESCRIPTION:A night dedicated to emerging choreographers under 35. \nThe new creation by Davide Tagliavini\, That’s all\, is followed by OPERA DRAMA_EXCERPT by Monica Casadei. The evening concludes with Akmé  by La casa oscura\, a young emerging company directed by Sabino Barbieri and Núria Argilés. \nWednesday\, December 11 at 18:00 open rehearsal \nWednesday\, December 11 at 20:30 performance \nAkmé \nDirection and choreography: Sabino Barbieri and Núria Argilés\nPerformers: Sabino Barbieri and Núria Argilés\nDramaturgy: Sabino Barbieri\nMusic composition and editing: Leonardo Carletti\nPhotography: Dimitrios Klingopoulos\nTranslation: Sophie Smith   \nCo-production: Compagnia Artemis Danza\, Festival Internazionale di Danza Acqui in Palcoscenico BEinSIDE \nAkmé is a piece of contemporary dance performed by two dancers who convey sensations close to the limit. They use their bodies to create images open to the viewer’s interpretation.\nAn inspiring choreography that immerses you in the world of relationships\, both the one you share with another person and the one you have with yourself. \nThe original word Akmé\, which comes from Greek\, signifies the point of greatest intensity\, of highest splendor. \nCan you recall a situation in which you experienced the highest intensity? \nhttps://youtu.be/gFb2j7F84UY?feature=shared \nThat's all \nChoreography\, concept\, and performance by Davide Tagliavini \nSound design by Emanuele Nanni \nArtistic consultancy by Anna Albertarelli\, Monica Barone\, Rosa Maria Rizzi \nProduced by Compagnia Artemis Danza \nCo-produced by Artisti Associati – Centro di Produzione Teatrale \nWith the support of Ministry of Culture\, Emilia-Romagna Region – Department of Culture \nDuration: 25 minutes \nThat’s all: it’s everything. \nIt could be a surrender\, a farewell\, or the beginning of a new act about to start. In a wunderkammer full of gestures and dances\, we find wonder and irony\, body and voice\, sounds\, and characters that appear only to dissolve. Here\, a series of events emerge and vanish\, making space for one another. Starting from themes such as meditation and the emergence of unconscious parts\, the performer articulates the action\, following a flow and rhythmic crescendo that leads him through a small odyssey filled with unexpected situations. Physicality\, changes in state and color\, ignite a play of sparks and invitations\, open to transformation and unpredictability. \n“One thing is certain: time is long\, in these conditions\, and it drives us to fill it with movements that may seem reasonable at first glance\, but to which we are accustomed. You will tell me that it is to prevent our reason from sinking. Agreed. But isn’t it already soaring in the absolute night of the great abysses\, that’s what I sometimes wonder. Are you following me?” \n“Waiting for Godot” by Samuel Beckett \nOPERA DRAMA_ESTRATTO \nChoreography\, direction\, set design\, lighting\, and costumes Monica Casadei \nOriginal music and musical arrangements Fabio Fiandrini \nPerformers Michelle Atoe\, Chiara Falzone\, Costanza Leporatti\, Minami Michiwaki \nProduction Compagnia Artemis Danza \nDuration 7 minutes \nARTISTS \nSabino Barbieri\, born in Caracas (January 15\, 1997) and residing in Modena\, has a background as a theater director from UNEARTE in Venezuela. He studied music at the Simón Bolívar Conservatory. He trained at Modena Danza and Art Factory International in Italy. He has worked with the contemporary dance company of the Teresa Carreño Theater\, DRAMO\, Artemis Danza\, and others. He won the Miradas Festival (2017) for new directors in Caracas and international dance competitions in the cities of Rieti and Spoleto. At the same time\, he is a yoga instructor at AIYY. He is the founder of the dance company La Casa Oscura. \nNúria Argilés\, born in Spain (October 30\, 1997) and residing in Bologna\, graduated in Motor Sciences and Physical Activity from INEF. She trained in contemporary dance at Art Factory International in Italy. She has classical dance training\, achieving up to Advanced 1 from the RAD.\nShe has worked with the urban dance group MovementiCS\, the duet Akrúa\, the Austrian company Connecting Arts\, and others. She is a founder of the dance company La Casa Oscura. Simultaneously\, she works as a personal trainer and fitness trainer and is developing a study on physical preparation for professional dancers. \nDavide Tagliavini\, a dancer\, performer\, and choreographer\, trained in Italy and Brussels. In 2024\, he choreographed the operas L’elisir d’amore for the Teatro Regio di Parma and Tristan und Isolde for the Teatro Massimo di Palermo\, both directed by Daniele Menghini. As a performer and dancer\, he has worked with Marina Abramović\, Monica Casadei / Artemis Danza\, Luna Cenere\, Gruppo Nanou\, Fabio Cherstich\, Filippo Andreatta / OHT\, among others. Co-author and performer of dance performances for young audiences\, he is a teacher at the Studio XL training program based in Reggio Emilia. For several years\, he has been conducting dance workshops for people with disabilities\, collaborating with institutions such as CCN/Aterballetto. \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted for under 30s\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65s\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted for under 8s: 3 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/akme-thats-all-delirium/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/08/akme-uroboros-la-casa-oscura-artemis-danza-photo-Dimitrios-Klingopoulos.jpg
GEO:44.707269;10.623427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fonderia via della Costituzione 39 Reggio Emilia 42124 Italy;X-APPLE-RADIUS=500;X-TITLE=via della Costituzione\, 39:geo:10.623427,44.707269
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241211T180000
DTEND;TZID=Europe/Rome:20241211T190000
DTSTAMP:20260502T131645
CREATED:20240827T110507Z
LAST-MODIFIED:20241223T113332Z
UID:10003544-1733940000-1733943600@www.fndaterballetto.it
SUMMARY:Open rehearsal - Artemis Next Generation
DESCRIPTION:A night dedicated to emerging choreographers under 35. \nThe new creation by Davide Tagliavini\, That’s all\, is followed by OPERA DRAMA_EXCERPT by Monica Casadei. The evening concludes with Akmé  by La casa oscura\, a young emerging company directed by Sabino Barbieri and Núria Argilés. \nWednesday\, December 11 at 18:00 open rehearsal \nWednesday\, December 11 at 20:30 performance \nAkmé \nDirection and choreography: Sabino Barbieri and Núria Argilés\nPerformers: Sabino Barbieri and Núria Argilés\nDramaturgy: Sabino Barbieri\nMusic composition and editing: Leonardo Carletti\nPhotography: Dimitrios Klingopoulos\nTranslation: Sophie Smith   \nCo-production: Compagnia Artemis Danza\, Festival Internazionale di Danza Acqui in Palcoscenico BEinSIDE \nAkmé is a piece of contemporary dance performed by two dancers who convey sensations close to the limit. They use their bodies to create images open to the viewer’s interpretation.\nAn inspiring choreography that immerses you in the world of relationships\, both the one you share with another person and the one you have with yourself. \nThe original word Akmé\, which comes from Greek\, signifies the point of greatest intensity\, of highest splendor. \nCan you recall a situation in which you experienced the highest intensity? \nhttps://youtu.be/gFb2j7F84UY?feature=shared \nThat's all \nChoreography\, concept\, and performance by Davide Tagliavini \nSound design by Emanuele Nanni \nArtistic consultancy by Anna Albertarelli\, Monica Barone\, Rosa Maria Rizzi \nProduced by Compagnia Artemis Danza \nCo-produced by Artisti Associati – Centro di Produzione Teatrale \nWith the support of Ministry of Culture\, Emilia-Romagna Region – Department of Culture \nDuration: 25 minutes \nThat’s all: it’s everything. \nIt could be a surrender\, a farewell\, or the beginning of a new act about to start. In a wunderkammer full of gestures and dances\, we find wonder and irony\, body and voice\, sounds\, and characters that appear only to dissolve. Here\, a series of events emerge and vanish\, making space for one another. Starting from themes such as meditation and the emergence of unconscious parts\, the performer articulates the action\, following a flow and rhythmic crescendo that leads him through a small odyssey filled with unexpected situations. Physicality\, changes in state and color\, ignite a play of sparks and invitations\, open to transformation and unpredictability. \n“One thing is certain: time is long\, in these conditions\, and it drives us to fill it with movements that may seem reasonable at first glance\, but to which we are accustomed. You will tell me that it is to prevent our reason from sinking. Agreed. But isn’t it already soaring in the absolute night of the great abysses\, that’s what I sometimes wonder. Are you following me?” \n“Waiting for Godot” by Samuel Beckett \nOPERA DRAMA_ESTRATTO \nChoreography\, direction\, set design\, lighting\, and costumes Monica Casadei \nOriginal music and musical arrangements Fabio Fiandrini \nPerformers Michelle Atoe\, Chiara Falzone\, Costanza Leporatti\, Minami Michiwaki \nProduction Compagnia Artemis Danza \nDuration 7 minutes \nARTISTS \nSabino Barbieri\, born in Caracas (January 15\, 1997) and residing in Modena\, has a background as a theater director from UNEARTE in Venezuela. He studied music at the Simón Bolívar Conservatory. He trained at Modena Danza and Art Factory International in Italy. He has worked with the contemporary dance company of the Teresa Carreño Theater\, DRAMO\, Artemis Danza\, and others. He won the Miradas Festival (2017) for new directors in Caracas and international dance competitions in the cities of Rieti and Spoleto. At the same time\, he is a yoga instructor at AIYY. He is the founder of the dance company La Casa Oscura. \nNúria Argilés\, born in Spain (October 30\, 1997) and residing in Bologna\, graduated in Motor Sciences and Physical Activity from INEF. She trained in contemporary dance at Art Factory International in Italy. She has classical dance training\, achieving up to Advanced 1 from the RAD.\nShe has worked with the urban dance group MovementiCS\, the duet Akrúa\, the Austrian company Connecting Arts\, and others. She is a founder of the dance company La Casa Oscura. Simultaneously\, she works as a personal trainer and fitness trainer and is developing a study on physical preparation for professional dancers. \nDavide Tagliavini\, a dancer\, performer\, and choreographer\, trained in Italy and Brussels. In 2024\, he choreographed the operas L’elisir d’amore for the Teatro Regio di Parma and Tristan und Isolde for the Teatro Massimo di Palermo\, both directed by Daniele Menghini. As a performer and dancer\, he has worked with Marina Abramović\, Monica Casadei / Artemis Danza\, Luna Cenere\, Gruppo Nanou\, Fabio Cherstich\, Filippo Andreatta / OHT\, among others. Co-author and performer of dance performances for young audiences\, he is a teacher at the Studio XL training program based in Reggio Emilia. For several years\, he has been conducting dance workshops for people with disabilities\, collaborating with institutions such as CCN/Aterballetto.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-akme-thats-all-delirium/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241209T180000
DTEND;TZID=Europe/Rome:20241209T190000
DTSTAMP:20260502T131645
CREATED:20240827T092851Z
LAST-MODIFIED:20240827T092851Z
UID:10003537-1733767200-1733770800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SOLO ECHO
DESCRIPTION:FND Aterballetto – rehearsals – ph. Christophe Bernard (18) \nMonday\, December 9\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to witness the preparation of Solo Echo\, a creation by the multi-award-winning Canadian choreographer Crystal Pite\, which will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, engage with the artists\, and be captivated by the art of dance: a special occasion that allows the audience to step into the daily routines of dancers and choreographers. \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-solo-echo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241201T180000
DTEND;TZID=Europe/Rome:20241201T190000
DTSTAMP:20260502T131645
CREATED:20240827T084444Z
LAST-MODIFIED:20241223T113416Z
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SUMMARY:La Bottega dei Giocattoli
DESCRIPTION:  \n \nLa bottega dei giocattoli (The Toy Shop) is the perfect show to experience the magic of Christmas. \nThe great book of fairy tales opens\, bringing to life a story of toys with voices and souls\, of enchanted nights where a young shop assistant is allowed to cross the thresholds of the impossible and become the champion of a universe threatened by a dark\, faceless master. \nRecommended age: 3 years and up \nCREDITS\nText and direction: Sandra Novellino and Delia De Marco\nWith Savino Maria Italiano\, Sara Pagliaro\, Andrea Romanazzi/Delia De Marco\nRecorded voices by Anna Ferruzzo and Giovanni Guarino\nSet\, costumes\, and lighting design by Maria Pascale\nOriginal music by Mirko Lodedo\nStage technician Vito Marra / Walter Mirabile   \nSpecial thanks to Chiara Calò   \nProduction by Crest   \nRecommended age: 3 years and up | Technique: actor theater and dance | Duration: 55 minutes \nDiscover more \nStories about toys that come to life have always inhabited the fantasies of children\, who naturally play by giving a soul to objects. \nOur story takes place in a toy shop\, and aren’t toy shops like little cities where toys live like people? Or perhaps\, aren’t cities like toy shops where people live like toys? There’s always a more beautiful doll and an envious doll\, a teddy bear that falls in love and a jealous toy soldier\, a bad mother and a good fairy\, carousels and toy cars that never tire of spinning. A parallel world that helps children experience emotions\, learning not to “lose their way\,” moving from joy to disappointment\, from melancholy to cheerfulness\, from love to resentment. A city usually alive at night\, because it dwells deep within emotions. Not just childhood ones. \n \nAimed at younger children\, the production is the result of years of work by Crest’s team\, even in preschools\, exploring the most effective theatrical language for such a unique and challenging audience. The goal is to test languages and techniques that naturally leave little room for words\, favoring images\, music\, and… play. \n \nThe show also comes to life through the original music of Mirko Lodedo\, a true soundscape for the actions\, dance\, and storytelling that bring the toys to life. Or perhaps it’s the toys that bring the actors to life? You’ll only find out by visiting our shop.   \n  \nCrest \nBorn in Taranto in 1977\, Crest—an acronym for “Collettivo di Ricerche Espressive e Sperimentazione Teatrale” (Collective for Expressive Research and Theatrical Experimentation)—was initially led by Gianni Solazzo\, Mauro Maggioni\, and Gaetano Colella\, and later by Clara Cottino\, Giovanni Guarino\, and Sandra Novellino. The company has maintained a coherent and innovative theatrical discourse in a challenging environment—both socially and culturally—by telling stories of complicated lives\, stubborn dreams\, and encounters between different cultures and conditions. Crest strives to blend traditional theatrical languages with contemporary research. \nSince 1992\, Crest has been listed by the Italian Presidency of the Council of Ministers among the “…companies that perform at a high and qualified level in the field of theater for children and youth.” The company has chosen children\, adolescents\, and young people as its primary audience\, aiming to create a strong cultural and professional reference point. Crest’s goal has always been to bridge the gap between different audiences. Its productions are presented in evening programs\, school events\, research schedules\, and drama seasons\, as well as in specialized festivals. \nNotably\, Crest was a finalist for the ETI-Stregagatto Prize with the plays “La neve era bianca” in 1999\, “La mattanza” in 2000\, and “Cane nero” in 2001. The company also produced the winning play of the 2005 Premio Scenario\, “Il deficiente.” Crest won three editions of the “L’uccellino azzurro” Award (at the “Ti fiabo e ti racconto” festival in Molfetta) with the plays “La storia di Hansel e Gretel” (2009 and 2015) and “Sposa sirena” (2013). Additionally\, the company received the Eolo Award in 2018 and the 2017 Padova Prize – Friends of Emanuele Luzzati (XXXVI National Festival of Theater for Children) with the play “Biancaneve\, la vera storia.” \nIn 2023\, Crest won the National Association of Theater Critics Award “for its significant commitment to working in an environmentally critical area.” \nLearn more \nInfo&TicketsTICKETS\nSingle ticket: 6 euros \nPURCHASING TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/la-bottega-dei-giocattoli/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241129T203000
DTEND;TZID=Europe/Rome:20241129T213000
DTSTAMP:20260502T131645
CREATED:20240731T202028Z
LAST-MODIFIED:20240731T202924Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO GRANDE
DESCRIPTION:The final event of Visions of the Body: understanding contemporary art through signature dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of the human experience. A series of six cultural dissemination events that connect the arts\, movement\, and current issues\, addressing themes such as psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and educator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different perspective each time. Each event is divided into six segments\, dedicated to the works of six artists chosen to explore the central theme: well-known faces of the contemporary art world\, familiar to the general public. Each event will be interpreted by a choreographer from the contemporary scene\, who will translate the inspirations of the featured works into dance through an original performance\, created specifically for the project. \n\n\n \n \nSixth appointment: Friday 29 November h 20.30 at Fonderia\n\n \nIl corpo grande (The big body)\nTalk with Nicolas Ballario and Roberta Ferrara\nChoreographies by Roberta Ferrara\nFocus on Fausto Delle Chiaie\, Damien Hirst\, JR\, Ron Mueck\, Niki de Saint Phalle\, Claes Oldenburg \n\n\n\nOn November 29th\, the series of events concludes with The Big Body: Roberta Ferrara brings to Fonderia details and impactful disproportions\, from glamour to urban art\, from Fausto Delle Chiaie to Damien Hirst. \nThe audience will have the opportunity to experience Fernando Melo’s Never Odd or Even through Oculus headsets: a work where proportion is pushed to the extreme\, entirely based on the real size of the two dancers\, who always tower over the viewer. \n  \nNiki de Saint Phalle (1930-2002)\, Dancing Nana (Rouge d’Orient – Bloum)\, 1995\, polyethylene resin\, fiberglass\, steel\, paint\, 1\,024 x 768 cm. François Odermatt Collection\, in collaboration with the McGill University Visual Arts Collection. © 2017 Niki Charitable Art Foundation / ADAGP \nRoberta Ferrara \nRoberta Ferrara (1988) has been the artistic director of Equilibrio Dinamico DANCE company and the international training program ED ENSEMBLE since 2011. Since 2020\, she has also been an associate artistic director for Odyssey Dance Theatre in Singapore\, one of Asia’s leading professional dance arts organizations\, founded by Dr. Danny Tan. \nShe holds a degree in Modern Literature with a focus on Theater Culture\, with an experimental thesis on the value of instinctive movement as a therapeutic gift for dancers and non-dancers alike. Alongside her research\, she has engaged in immersive studies with various artists on techniques and languages of international contemporary dance. As a performer\, she has worked with choreographer Emanuel Gat in projects promoted by the Venice Biennale and the Ravello Festival. She has been a guest artist for various national and international entities such as Staatstheater Ballet Augsburg\, Teatrul De Balet Sibiu\, English National Ballet School\, Korea Ballet House\, Conservatorio Internacional de Ballet e Dança Annarella Sánchez\, Morikawa Dance Academy\, Ateneo della Danza\, Elan Ballet\, Mosa Ballet School\, Balletto di Siena\, ODT\, Experimental Film Virginia\, Eko Dance Project\, and has been supported in her work by the Italian Cultural Institutes of Cologne\, New York\, Mexico City\, Zagreb\, San Francisco\, Ankara\, São Paulo. \nHer creations have been selected and hosted in various international festivals including MASDANZA\, FIDCMX\, Cortoindanza\, Network Danza Urbana XL\, Festival Ammutinamenti Anticorpi XL\, ZED Festival\, Puglia Showcase\, DanzInc\, BallettGala Staatstheater Bremerhaven\, Prospettiva Danza Teatro\, Festival delle 100 Scale\, Danza in Rete Festival\, Lucky Trimmer\, Fuoriformato Festival\, VIVADANCA\, SoloCoreografico USA\, Solo Contemporary Dance Festival Ankara\, Sid Festival Seattle\, Interdans\, Split Summer Festival\, and Solo Tanz Theater\, where she received the Best Choreographer Award and a residency prize from R. Fernando\, the director and chief choreographer of Staatstheater Augsburg. She was also invited as a guest choreographer for the Stara Zagora State Opera by director S. Tomova and received the InDivenire Award for Best Dance Project\, presented by étoile L. Savignano. \n  \n \n  \nNicolas Ballario \nNicolas Ballario\, born in 1984\, specializes in contemporary art applied to media. After completing his studies at the photography academy\, he joined Oliviero Toscani’s factory ‘La Sterpaia’\, where he later became the cultural manager. He has collaborated with major art institutions and numerous publications\, and in 2016\, he became the youngest ever to win the Bassani Prize\, one of the most prestigious awards for journalists who have excelled in cultural and environmental fields. Currently\, he is the author and host of contemporary art programs on Radio Uno Rai and collaborates with L’Espresso (where he has a weekly column)\, Living del Corriere della Sera\, il Post\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format “Camera Oscura” on LA7\, and since 2020\, he has been the host on Sky Arte for the programs “Io ti vedo\, tu mi senti?”\, “Italia Contemporanea\,” and “The Square.” He directs the newly established exhibition production company “Piuma” and is the founder and president of Cucù\, a communication studio dedicated to culture. He also curates exhibitions and catalogs. The magazine Artribune included him in its ‘Best of’ list of art world excellence for two consecutive years: in 2019 for radio and in 2020 for television projects. \n \nInfo&Tickets \nAPERITIVO AT FONDERIA\nFrom 7:00 PM\n \nTICKETS\nSingle: 3 euros \nPURCHASE TICKETS\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket service at Fonderia is available from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nCell and WhatsApp: 3341023554\nEmail biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-grande/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241127T110000
DTEND;TZID=Europe/Rome:20241127T120000
DTSTAMP:20260502T131645
CREATED:20240731T194939Z
LAST-MODIFIED:20240828T073535Z
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SUMMARY:Pierino e il Lupo
DESCRIPTION:SHOW FOR PRIMARY SCHOOLS \nPeter and the Wolf is a simple yet emotionally rich tale. As the story unfolds\, the protagonist will meet friends and foes who will experience fear\, friendship\, joy\, and sorrow alongside him. In an original and fun way\, the audience will try to recognize\, together with the characters\, the orchestra’s instruments\, their movements\, and their emotions. What do they sound like? How do they move? \nIn the introduction\, the audience will be involved in creating the movements that the dancers will perform in the second part of the show. The children themselves will make Peter and the Wolf an interactive performance\, always different and easy to understand even for the youngest viewers. \nA perfect show to make children aged 6 and up fall in love with theater. \nCREDITS \nDirection and script: KanterStrasse \nChoreography: Beatrice Ciattini and Niccolò Poggini \nMusic: Sergei Prokofiev \nNarrator: Alessio Martinoli \nDancers: 7 dancers \nDuration: 55 minutes \nProduction: Nuovo Balletto di Toscana \nFirst performance 2/12/2023 MET RAGAZZI\, Fabbricone Prato (PO) \nDiscover more \nThe language used is contemporary dance\, with particular attention to the exploration of movements that evoke clear yet non-descriptive imagery. The choreographers guide young spectators through a vision marked by narrative clarity\, which\, however\, does not rely on the pantomime of classical ballet. Instead\, through a play of forms and dynamics\, they allow the audience to follow the plot’s development. \n \nProkofiev’s music supports the directorial approach\, which\, while preserving the original and highly descriptive score\, allows the work to be completely understandable and accessible to the audience. The performance plays on the parallelism between music and movement; it recreates repeated movements over time that characterize the characters\, just as the musical score does. \nInfo&Tickets \nTICKETS \nSingle ticket: 3 euros \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/pierino-e-il-lupo/2024-11-27/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241126T110000
DTEND;TZID=Europe/Rome:20241126T120000
DTSTAMP:20260502T131645
CREATED:20240731T194939Z
LAST-MODIFIED:20240828T073535Z
UID:10003519-1732618800-1732622400@www.fndaterballetto.it
SUMMARY:Pierino e il Lupo
DESCRIPTION:SHOW FOR PRIMARY SCHOOLS \nPeter and the Wolf is a simple yet emotionally rich tale. As the story unfolds\, the protagonist will meet friends and foes who will experience fear\, friendship\, joy\, and sorrow alongside him. In an original and fun way\, the audience will try to recognize\, together with the characters\, the orchestra’s instruments\, their movements\, and their emotions. What do they sound like? How do they move? \nIn the introduction\, the audience will be involved in creating the movements that the dancers will perform in the second part of the show. The children themselves will make Peter and the Wolf an interactive performance\, always different and easy to understand even for the youngest viewers. \nA perfect show to make children aged 6 and up fall in love with theater. \nCREDITS \nDirection and script: KanterStrasse \nChoreography: Beatrice Ciattini and Niccolò Poggini \nMusic: Sergei Prokofiev \nNarrator: Alessio Martinoli \nDancers: 7 dancers \nDuration: 55 minutes \nProduction: Nuovo Balletto di Toscana \nFirst performance 2/12/2023 MET RAGAZZI\, Fabbricone Prato (PO) \nDiscover more \nThe language used is contemporary dance\, with particular attention to the exploration of movements that evoke clear yet non-descriptive imagery. The choreographers guide young spectators through a vision marked by narrative clarity\, which\, however\, does not rely on the pantomime of classical ballet. Instead\, through a play of forms and dynamics\, they allow the audience to follow the plot’s development. \n \nProkofiev’s music supports the directorial approach\, which\, while preserving the original and highly descriptive score\, allows the work to be completely understandable and accessible to the audience. The performance plays on the parallelism between music and movement; it recreates repeated movements over time that characterize the characters\, just as the musical score does. \nInfo&Tickets \nTICKETS \nSingle ticket: 3 euros \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/pierino-e-il-lupo/2024-11-26/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241122T203000
DTEND;TZID=Europe/Rome:20241122T223000
DTSTAMP:20260502T131645
CREATED:20240731T165009Z
LAST-MODIFIED:20240731T170445Z
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SUMMARY:Ballade
DESCRIPTION:Under the title BALLADE\, the MM Contemporary Dance Company\, directed by Michele Merola\, presents a new show featuring two original choreographies by two Italian creators\, Mauro Bigonzetti and Enrico Morelli. The pieces\, performed by the MMCDC dancers\, will take the audience on a journey through different generations: BALLADE by Bigonzetti is a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era\, while ELEGIA by Morelli is set in and tells the story of our current age\, a time that\, more than ever\, brings vertigo and confusion\, but also the renewed hope for a new beginning. \n  \n\nWorld Premiere: Theatre Comunale di Modena – Saturday\, November 19\, 2022 \nProduction: MM Contemporary Dance Company\nCo-production: Teatro Comunale di Modena\nWith the support of ATER Fondazione\, Municipality of Correggio / Centro di Documentazione Pier Vittorio Tondelli – Correggio \nMinistry of Culture / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \nThe performance BALLADE won the Danza & Danza 2022 Award for Best Italian Production. \nELEGIA \nChoreography: Enrico Morelli\nMusic: Frédéric Chopin\, Giuseppe Villarosa\nLighting Design: Carlo Cerri\nCostumes: Nuvia Valestri\nNarrating Voice: Isidora Balberini\nChoreographic Assistant: Paolo Lauri\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 35 minutes \n \nPeople searching for their own path and identity\, united by the same inclusion in a historical period\, in an era like the present one\, which brings vertigo and confusion. Individuals tracing new trajectories and seeking new paths to regain their direction\, in a moment of exile from normality. A story of lost moments and relationships\, along with a search in one’s memory for familiar and comforting images and landscapes. A dreamlike journey to rediscover one’s lost self. A collective dance that immerses us in a vortex of lines and trajectories that intersect and intertwine\, in an apparent primordial chaos until the return of calm\, which carries the choice to surrender to newfound hope\, looking forward to a new rebirth. A tribute to care and attention to others\, amplified by words from the poetry of Mariangela Gualtieri. \nBALLADE \nChoreography and Direction: Mauro Bigonzetti\nMusic: Nick Cave\, CCCP – Fedeli alla linea\, Leonard Cohen\, Arvo Pärt\, Prince\, Nina Simone\, Frank Zappa\nLighting Design: Carlo Cerri\nCostumes: Silvia Califano\nChoreographic Assistant: Roberto Zamorano\nRepetiteurs: Paolo Lauri\, Enrico Morelli\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nDuration: 50 minutes \n \nMauro Bigonzetti’s new creation for the MM Contemporary Dance Company aims to be a tribute\, a collective narrative\, a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era.  \nA musical image narrative that recovers the sensations of a generation\, its erased euphoria\, collective absurdities\, “dreams cast away\,” but at the same time also reclaims the lifestyle of those years\, the scents of vitality\, and the dense experimental artistic creativity that characterized a rapidly evolving society\, transforming in step with the impulses of sharing and the anxiety of change. \nA work staged without artifices\, performed by the MMCDC dancers\, and tailored to a musical dramaturgy structured around the tensions and visions of those years\, drawing from various authors who were prominent during that period\, from Prince to the anarchic genius of Frank Zappa\, to the profound poetry of Leonard Cohen\, and the punk and existential aesthetic of CCCP. \n \nThe choreography is also inspired by one of the most significant literary voices of the time: it aims to pay homage to the writer Pier Vittorio Tondelli\, who in those years created and produced his major masterpieces. Through an abstract narrative\, the choreographic score brings to life a space of memory and feeling where man\, shedding his shell and armor\, rediscovers his living and vulnerable body. A journey that leads us to uncover pain\, love\, abandonment\, and rebirth. A symbolic journey in the incessant search for a new collective rebirth where beauty enriches and guides our path. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola. It was founded in 1999 as a center for producing events and performances and as a promoter of festivals and workshops with the goal of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespersons of contemporary culture. \nThe company\, based in Reggio Emilia\, has a rich and varied repertoire\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti\, Enrico Ticconi\, Camilla Monga\, and Roberto Tedesco. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the Best Emerging Company\, and today\, it is\, in all respects\, an excellence in Italian dance\, with a well-established activity of performances throughout the national territory. In recent years\, it has conquered an international market with performances in European and non-European countries (South Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Merit Award for Choreography for the performance Bolero by Michele Merola. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, National Dance Foundation/Aterballetto\, Permanent Dance Center/Reggio Emilia. \nDiscover more \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted under 30\, dance schools\, Matilde di Canossa High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted under 8: 3 euros  \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox Office at Fonderia: The box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered.  \nCONTACTS FOR RESERVATIONS Cell and WhatsApp: 3341023554 Email biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ballade/2024-11-22/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241121T203000
DTEND;TZID=Europe/Rome:20241121T223000
DTSTAMP:20260502T131645
CREATED:20240731T165009Z
LAST-MODIFIED:20240731T170445Z
UID:10003513-1732221000-1732228200@www.fndaterballetto.it
SUMMARY:Ballade
DESCRIPTION:Under the title BALLADE\, the MM Contemporary Dance Company\, directed by Michele Merola\, presents a new show featuring two original choreographies by two Italian creators\, Mauro Bigonzetti and Enrico Morelli. The pieces\, performed by the MMCDC dancers\, will take the audience on a journey through different generations: BALLADE by Bigonzetti is a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era\, while ELEGIA by Morelli is set in and tells the story of our current age\, a time that\, more than ever\, brings vertigo and confusion\, but also the renewed hope for a new beginning. \n  \n\nWorld Premiere: Theatre Comunale di Modena – Saturday\, November 19\, 2022 \nProduction: MM Contemporary Dance Company\nCo-production: Teatro Comunale di Modena\nWith the support of ATER Fondazione\, Municipality of Correggio / Centro di Documentazione Pier Vittorio Tondelli – Correggio \nMinistry of Culture / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \nThe performance BALLADE won the Danza & Danza 2022 Award for Best Italian Production. \nELEGIA \nChoreography: Enrico Morelli\nMusic: Frédéric Chopin\, Giuseppe Villarosa\nLighting Design: Carlo Cerri\nCostumes: Nuvia Valestri\nNarrating Voice: Isidora Balberini\nChoreographic Assistant: Paolo Lauri\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 35 minutes \n \nPeople searching for their own path and identity\, united by the same inclusion in a historical period\, in an era like the present one\, which brings vertigo and confusion. Individuals tracing new trajectories and seeking new paths to regain their direction\, in a moment of exile from normality. A story of lost moments and relationships\, along with a search in one’s memory for familiar and comforting images and landscapes. A dreamlike journey to rediscover one’s lost self. A collective dance that immerses us in a vortex of lines and trajectories that intersect and intertwine\, in an apparent primordial chaos until the return of calm\, which carries the choice to surrender to newfound hope\, looking forward to a new rebirth. A tribute to care and attention to others\, amplified by words from the poetry of Mariangela Gualtieri. \nBALLADE \nChoreography and Direction: Mauro Bigonzetti\nMusic: Nick Cave\, CCCP – Fedeli alla linea\, Leonard Cohen\, Arvo Pärt\, Prince\, Nina Simone\, Frank Zappa\nLighting Design: Carlo Cerri\nCostumes: Silvia Califano\nChoreographic Assistant: Roberto Zamorano\nRepetiteurs: Paolo Lauri\, Enrico Morelli\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nDuration: 50 minutes \n \nMauro Bigonzetti’s new creation for the MM Contemporary Dance Company aims to be a tribute\, a collective narrative\, a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era.  \nA musical image narrative that recovers the sensations of a generation\, its erased euphoria\, collective absurdities\, “dreams cast away\,” but at the same time also reclaims the lifestyle of those years\, the scents of vitality\, and the dense experimental artistic creativity that characterized a rapidly evolving society\, transforming in step with the impulses of sharing and the anxiety of change. \nA work staged without artifices\, performed by the MMCDC dancers\, and tailored to a musical dramaturgy structured around the tensions and visions of those years\, drawing from various authors who were prominent during that period\, from Prince to the anarchic genius of Frank Zappa\, to the profound poetry of Leonard Cohen\, and the punk and existential aesthetic of CCCP. \n \nThe choreography is also inspired by one of the most significant literary voices of the time: it aims to pay homage to the writer Pier Vittorio Tondelli\, who in those years created and produced his major masterpieces. Through an abstract narrative\, the choreographic score brings to life a space of memory and feeling where man\, shedding his shell and armor\, rediscovers his living and vulnerable body. A journey that leads us to uncover pain\, love\, abandonment\, and rebirth. A symbolic journey in the incessant search for a new collective rebirth where beauty enriches and guides our path. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola. It was founded in 1999 as a center for producing events and performances and as a promoter of festivals and workshops with the goal of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespersons of contemporary culture. \nThe company\, based in Reggio Emilia\, has a rich and varied repertoire\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti\, Enrico Ticconi\, Camilla Monga\, and Roberto Tedesco. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the Best Emerging Company\, and today\, it is\, in all respects\, an excellence in Italian dance\, with a well-established activity of performances throughout the national territory. In recent years\, it has conquered an international market with performances in European and non-European countries (South Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Merit Award for Choreography for the performance Bolero by Michele Merola. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, National Dance Foundation/Aterballetto\, Permanent Dance Center/Reggio Emilia. \nDiscover more \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted under 30\, dance schools\, Matilde di Canossa High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted under 8: 3 euros  \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox Office at Fonderia: The box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered.  \nCONTACTS FOR RESERVATIONS Cell and WhatsApp: 3341023554 Email biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ballade/2024-11-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241118T203000
DTEND;TZID=Europe/Rome:20241118T213000
DTSTAMP:20260502T131645
CREATED:20240731T154355Z
LAST-MODIFIED:20240731T160028Z
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SUMMARY:SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241118T180000
DTEND;TZID=Europe/Rome:20241118T190000
DTSTAMP:20260502T131645
CREATED:20240731T161220Z
LAST-MODIFIED:20240731T161526Z
UID:10003509-1731952800-1731956400@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241115T203000
DTEND;TZID=Europe/Rome:20241115T213000
DTSTAMP:20260502T131645
CREATED:20240731T141040Z
LAST-MODIFIED:20240731T141843Z
UID:10003505-1731702600-1731706200@www.fndaterballetto.it
SUMMARY:VISIONI DEL CORPO: IL CORPO E L'ALTRO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that connects arts\, movement\, and current affairs\, to address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFifth appointment: Friday 15 November h 20.30 at Fonderia\n\n \nIl corpo e l’altro (The body and the other)\nTalk with Nicolas Ballario and Pablo Girolami\nChoreographies by Pablo Girolami\nFocus on Marcel Duchamp\, Georgia O’Keeffe\, Yayoi Kusama\, Louise Bourgeois\, Sylvie Fleury\, Francesca Woodman \n\n\n\nPablo Girolami is a young choreographer who blends the imaginations and traditions of his various countries of origin and study (Switzerland\, Spain\, Italy). He will be entrusted with exploring the interaction between movement and material objects\, substances\, and different textures. \nThe fusion of bodies in art will be investigated\, experimenting with materials\, optical and perceptual illusions: the theme is indeed The body and the other\, in a whirlwind of objects and textures\, from Marcel Duchamp to Francesca Woodman. \nThe virtual dance that will be offered in VR is Shelter by Saul Daniele Ardillo: remaining on the theme of the double\, the spectator will have the opportunity to establish a direct and strong connection with the protagonist dancer. \nAranha\, Louise Joséphine Bourgeois Parque Ibirapuera\, Avenida Pedro Álvares Cabral\, s/n. Photo by André Deak for Arte Fora do Museu. From Wikimedia Commons \nPablo Girolami \nPablo Girolami\, born in Neuchâtel (Switzerland)\, has Italian-Spanish origins. He studied at the Tanz Akademie Zürich\, where he graduated in 2014. In 2014\, he began his professional career as a dancer in Wiesbaden/Darmstadt with the Hessisches Staatsballett. In 2018\, he danced for Spellbound Contemporary Ballet. Between 2017 and 2018\, he created I see you over there for the Hessisches Staatsballett and Mose3 in collaboration with DeDa Production and Café Klatsch.\nHe is currently a freelance choreographer and the artistic director of IVONA\, a project-based company he founded with Giacomo Todeschi. \nIn 2019\, he created Manbuhsa\, which won the Twain_DirezioniAltre 2019 Award and the audience award at both the CortoinDanza 2019 in Cagliari and the 33rd Certamen Coreográfico de Madrid. Manbuhsa was also selected for the Anticorpi XL 2019 showcase of young dance authors and for the Red Acieloabierto.\nIn 2020\, Pablo Girolami choreographed Manbuhsona for IVONA\, a full evening production for five performers\, and two short creations\, Gianni-Pasquale and T.R.Y.P.O.P.H.O.B.I.A.\nIn 2020\, he was selected by the AnticorpiXL Network for the ResidanceXL initiative.\nSince 2019\, he has collaborated and choreographed for various companies and schools: EgriBianco Danza\, Kseij Dance Company\, The LabCollective\, TanzWerk101 Zürich\, Ateneo della Danza Siena\, and ChoreoLab – Made in Ulm. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nAPERITIVO IN FONDERIA\nFrom 7:00 PM \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-e-laltro/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T203000
DTEND;TZID=Europe/Rome:20241112T220000
DTSTAMP:20260502T131645
CREATED:20240730T171809Z
LAST-MODIFIED:20240730T172334Z
UID:10003503-1731443400-1731448800@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, dances for the first time on the Fonderia stage. \nThe evening is divided into two acts: Aria Tango by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography by Micha van Hoecke\, restaged by Miki Matsuse\nMusic by Luis Bacalov \nBOLERO \nChoreography by Adriana Mortelliti\nMusic by Maurice Ravel \nDancers of Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nDiscover more \nThe unforgettable and irreplaceable artist Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and dismayed. A monumental figure in Italian dance\, where he had resided for over thirty years\, Micha van Hoecke is undoubtedly one of the most influential figures who left an indelible mark. He is missed by many friends\, by those who admired his extraordinary human and artistic qualities\, and by the audience who passionately and eagerly followed his sensitive works. A generous artist who deeply loved theater and dance\, the Balletto di Milano dedicates its tribute to him on this special birthday by restaging his creation Aria Tango. Restaged by his beloved wife\, dancer Miki Matsuse\, Aria Tango (2013) is set to pieces by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke liked to call it\, is rooted in the tango and gypsy cultures so dear to the choreographer. Without any didactic intent and in a timeless and surreal atmosphere\, it conveys emotions\, fears\, passions\, and states of mind. \n \nIn the second part of the evening\, the emotions of the Tango give way to those of the Bolero in an exclusive version by Balletto di Milano\, choreographed by Adriana Mortelliti to the renowned score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies weave a dance that culminates in a surprising finale. \nBalletto di Milano \nAn ambassador of Italian dance worldwide\, founded in 1980 and directed by Carlo Pesta since 1998\, the Balletto di Milano is among the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region (which has also awarded it the prestigious Recognition of Regional Relevance)\, and by the Municipality of Milan\, the Balletto di Milano performs in major theaters in Italy and abroad\, appearing in prominent theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers trained at the finest international academies. It has a wide and exclusive repertoire that ranges from revised classical masterpieces to unique productions. \nLearn more \n  \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted price for under 8: 3 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/07/AX5A8921.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T180000
DTEND;TZID=Europe/Rome:20241112T190000
DTSTAMP:20260502T131645
CREATED:20241107T075059Z
LAST-MODIFIED:20250218T113002Z
UID:10003809-1731434400-1731438000@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero - Open rehearsal
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, will perform for the first time on the Fonderia stage. \nFor this occasion\, an open rehearsal has been organized at 6:00 PM to get to know the company and the work of M° Carlo Pesta\, who will have a conversation with dance journalist and critic Raffaella Tramontano. \nAt 8:30 PM\, the evening will take place in two acts: Aria Tango  by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero  by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography Micha van Hoecke\, restaged by Miki Matsuse\nMusic Luis Bacalov \nBOLERO \nChoreography Adriana Mortelliti\nMusic Maurice Ravel \nDancers of the Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nRead more \nUnforgettable and unforgettable artist\, Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and in shock. A towering personality in Italian dance\, where he had been living for over thirty years\, Micha van Hoecke is undoubtedly one of the figures who has left a mark. He is missed. Missed by the many friends. Missed by those who could appreciate his extraordinary human and artistic qualities. Missed by the audience who followed his works\, rich in sensitivity\, with passion and interest.\nA generous artist\, who loved theater and dance deeply\, to whom the Balletto di Milano dedicates this tribute on this special birthday by bringing back to the stage the creation Aria Tango. Restaged by his beloved wife\, the dancer Miki Matsuse\, Aria Tango (2013) is set to music by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke used to say\, is deeply rooted in the tango and gypsy culture so dear to the choreographer\, who\, without any didactic intent and in an atemporal\, surreal atmosphere\, tells of moods\, fears\, passions\, and emotions. \n \nIn the second part of the evening\, the emotions of Tango give way to those of Bolero\, in the exclusive version by Balletto di Milano of Adriana Mortelliti on the famous score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies intertwine in a dance that culminates in a surprising finale. \nBalletto di Milano \nAmbassador of Italian dance around the world\, founded in 1980 and directed by Carlo Pesta since 1998\, it is one of the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region\, which has also awarded it the prestigious Regional Relevance Recognition\, and by the Municipality of Milan\, the Balletto di Milano performs its activities in major Italian theaters and abroad\, where it is present in leading theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers who graduated from the best international academies and an extensive and exclusive repertoire ranging from revisited classical masterpieces to exclusive productions. \nDiscover more \n  \nInfo&Tickets \nTICKETS \nFull price: 3 euros \nFree for under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
END:VCALENDAR