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DTSTART;TZID=Europe/Rome:20241121T203000
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SUMMARY:Ballade
DESCRIPTION:Under the title BALLADE\, the MM Contemporary Dance Company\, directed by Michele Merola\, presents a new show featuring two original choreographies by two Italian creators\, Mauro Bigonzetti and Enrico Morelli. The pieces\, performed by the MMCDC dancers\, will take the audience on a journey through different generations: BALLADE by Bigonzetti is a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era\, while ELEGIA by Morelli is set in and tells the story of our current age\, a time that\, more than ever\, brings vertigo and confusion\, but also the renewed hope for a new beginning. \n  \n\nWorld Premiere: Theatre Comunale di Modena – Saturday\, November 19\, 2022 \nProduction: MM Contemporary Dance Company\nCo-production: Teatro Comunale di Modena\nWith the support of ATER Fondazione\, Municipality of Correggio / Centro di Documentazione Pier Vittorio Tondelli – Correggio \nMinistry of Culture / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \nThe performance BALLADE won the Danza & Danza 2022 Award for Best Italian Production. \nELEGIA \nChoreography: Enrico Morelli\nMusic: Frédéric Chopin\, Giuseppe Villarosa\nLighting Design: Carlo Cerri\nCostumes: Nuvia Valestri\nNarrating Voice: Isidora Balberini\nChoreographic Assistant: Paolo Lauri\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 35 minutes \n \nPeople searching for their own path and identity\, united by the same inclusion in a historical period\, in an era like the present one\, which brings vertigo and confusion. Individuals tracing new trajectories and seeking new paths to regain their direction\, in a moment of exile from normality. A story of lost moments and relationships\, along with a search in one’s memory for familiar and comforting images and landscapes. A dreamlike journey to rediscover one’s lost self. A collective dance that immerses us in a vortex of lines and trajectories that intersect and intertwine\, in an apparent primordial chaos until the return of calm\, which carries the choice to surrender to newfound hope\, looking forward to a new rebirth. A tribute to care and attention to others\, amplified by words from the poetry of Mariangela Gualtieri. \nBALLADE \nChoreography and Direction: Mauro Bigonzetti\nMusic: Nick Cave\, CCCP – Fedeli alla linea\, Leonard Cohen\, Arvo Pärt\, Prince\, Nina Simone\, Frank Zappa\nLighting Design: Carlo Cerri\nCostumes: Silvia Califano\nChoreographic Assistant: Roberto Zamorano\nRepetiteurs: Paolo Lauri\, Enrico Morelli\nDancers: Lorenzo Fiorito\, Mario Genovese\, Matilde Gherardi\, Fabiana Lonardo\, Alice Ruspaggiari\, Rossana Samele\, Nicola Stasi\, Giuseppe Villarosa\, Leonardo Zannella\nDuration: 50 minutes \n \nMauro Bigonzetti’s new creation for the MM Contemporary Dance Company aims to be a tribute\, a collective narrative\, a comprehensive portrait of the 1980s\, a decade that has lost its temporal boundaries to become a symbol of an era.  \nA musical image narrative that recovers the sensations of a generation\, its erased euphoria\, collective absurdities\, “dreams cast away\,” but at the same time also reclaims the lifestyle of those years\, the scents of vitality\, and the dense experimental artistic creativity that characterized a rapidly evolving society\, transforming in step with the impulses of sharing and the anxiety of change. \nA work staged without artifices\, performed by the MMCDC dancers\, and tailored to a musical dramaturgy structured around the tensions and visions of those years\, drawing from various authors who were prominent during that period\, from Prince to the anarchic genius of Frank Zappa\, to the profound poetry of Leonard Cohen\, and the punk and existential aesthetic of CCCP. \n \nThe choreography is also inspired by one of the most significant literary voices of the time: it aims to pay homage to the writer Pier Vittorio Tondelli\, who in those years created and produced his major masterpieces. Through an abstract narrative\, the choreographic score brings to life a space of memory and feeling where man\, shedding his shell and armor\, rediscovers his living and vulnerable body. A journey that leads us to uncover pain\, love\, abandonment\, and rebirth. A symbolic journey in the incessant search for a new collective rebirth where beauty enriches and guides our path. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola. It was founded in 1999 as a center for producing events and performances and as a promoter of festivals and workshops with the goal of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespersons of contemporary culture. \nThe company\, based in Reggio Emilia\, has a rich and varied repertoire\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti\, Enrico Ticconi\, Camilla Monga\, and Roberto Tedesco. \nIn 2010\, the MM Contemporary Dance Company won the prestigious Danza&Danza Award as the Best Emerging Company\, and today\, it is\, in all respects\, an excellence in Italian dance\, with a well-established activity of performances throughout the national territory. In recent years\, it has conquered an international market with performances in European and non-European countries (South Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Merit Award for Choreography for the performance Bolero by Michele Merola. \nSince 2018\, the MM Contemporary Dance Company has been an associated company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, Emilia-Romagna Region\, Municipality of Reggio Emilia\, National Dance Foundation/Aterballetto\, Permanent Dance Center/Reggio Emilia. \nDiscover more \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted under 30\, dance schools\, Matilde di Canossa High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted under 8: 3 euros  \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nBox Office at Fonderia: The box office opens one hour before the start of the performance (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered.  \nCONTACTS FOR RESERVATIONS Cell and WhatsApp: 3341023554 Email biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/ballade/2024-11-21/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241118T203000
DTEND;TZID=Europe/Rome:20241118T213000
DTSTAMP:20260504T132407
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LAST-MODIFIED:20240731T160028Z
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SUMMARY:SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241118T180000
DTEND;TZID=Europe/Rome:20241118T190000
DTSTAMP:20260504T132407
CREATED:20240731T161220Z
LAST-MODIFIED:20240731T161526Z
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SUMMARY:OPEN REHEARSAL - SEMA
DESCRIPTION:Semâ\, the name of the whirling dance of the dervishes\, gives the title to this production by the Compagnie Linga. \nChoreographers Katarzyna Gdaniec and Marco Cantalupo along with composer Mathias Delplanque and percussionist Philippe Foch play with the alchemy that is created through unprecedented artistic encounters\, and with the living\, ever-evolving interdependence between the dancer and the musician\, the melody and the gesture\, which mutually nourish each other in the flow of movement. \nOpen rehearsal at 18:00 \nShow at 20:30 \n\nCredits \nIdea and choreography: Katarzyna Gdaniec and Marco Cantalupo\nOriginal music: Mathias Delplanque\, Philippe Foch\nPerformers: Martin Angiuli\, Enzo Blond\, Bonni Bogya\, Aude-Marie Bouchard\, András Engelmann\, Lia Ujcic\, Csaba Varga\, Cindy Villemin\nLighting design: German Schwab\nCostumes: Geneviève Mathier\nA co-production: Compagnie Linga\, l’Octogone – Théâtre de Pully \nThis tour is supported by Pro Helvetia – Swiss Arts Council and Corodis.\nCompagnie Linga benefits from a funding agreement with the City of Pully\, the City of Lausanne\, and the Canton of Vaud. \nDiscover more \nSemâ\, the latest creation from the Pully-based company\, is a hypnotic reminder of the ceaseless movement of human planets(…). Choreographers Katarzyna Gdaniec and Marco Cantalupo create a piece of trance and alliance for eight magnificent performers from the four corners of Europe(…). Semâ plunges us into the experience of the paradoxical nature of the circle\, inner and outer\, “the necessary intermediary between the Same and the Other\, the visible and the invisible”\, according to Plato. But it is also a timeless symbol of togetherness and uniqueness that has always fascinated Linga’s choreographers. \n \nIn just over an hour\, Semâ covers a range of movements\, from the organic to the more sophisticated\, such as a series of attitudes derived from genuflection. Regularly punctuating the piece\, it is above all the gyratory dance derived from that of the whirling dervishes – a form of active meditation\, of Sufi origin\, leading to ecstasy – that continues to fascinate (…). The whirling\, exultant bodies seduced the premiere audience\, who stood up to a standing ovation at the Octogone on Friday. \nExcerpts from Corinne Jaquiéry’s review\n24heures Lausanne\, 29.04.2023 \nCompagnie Linga \nIn 1992\, Katarzyna Gdaniec and Marco Cantalupo realized their desire for independence and creativity by founding Compagnie Linga (a symbol of fertility in Hinduism). With the support of the City of Pully\, the City of Lausanne\, the Canton of Vaud\, and Pro Helvetia – Swiss Arts Council\, they became associated artists at the Octogone\, Théâtre de Pully/Lausanne (CH)\, where they have been in residence since 1993. They have developed a space dedicated to choreographic research\, staging a physical\, sensual\, and powerful dance that explores the influence of political and social situations on the body. \nCreating one or two productions per year\, they quickly established their repertoire on the Swiss and international scene\, becoming one of the most dynamic independent companies in the country. As such\, they are invited to the most important contemporary dance events. \nInternational collaborations: Opera of Lausanne\, Dresden\, Florence\, Ankara\, Mannheim National Theatre\, Portugal National Ballet\, Avenches Opera Festival\, TV ARTE\, WDR Orchestra. \nAwards: 2019\, Flow received the “Current Dance Works Award” at the Swiss Dance Awards 2019 (CH); 2017\, Katarzyna Gdaniec received the Polish Artist Prize (ZASP) and the Culture Award of the city of Gdansk (PL); 2015\, Danzatalenti Prize (Genoa\, IT); 2012\, Grand Prix de la Fondation Vaudoise pour la Culture; 2001\, Prix Jeunes Créateurs Danse from the Fondation Vaudoise for the promotion and creation of artistic works; 1995\, Choreography Contest Hannover (DE); 1995\, Léonide Massine Prize in Positano (IT). \nIn 2022\, Compagnie Linga celebrates its 30th anniversary. \nDiscover more
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-sema/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241115T203000
DTEND;TZID=Europe/Rome:20241115T213000
DTSTAMP:20260504T132407
CREATED:20240731T141040Z
LAST-MODIFIED:20240731T141843Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO E L'ALTRO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that connects arts\, movement\, and current affairs\, to address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFifth appointment: Friday 15 November h 20.30 at Fonderia\n\n \nIl corpo e l’altro (The body and the other)\nTalk with Nicolas Ballario and Pablo Girolami\nChoreographies by Pablo Girolami\nFocus on Marcel Duchamp\, Georgia O’Keeffe\, Yayoi Kusama\, Louise Bourgeois\, Sylvie Fleury\, Francesca Woodman \n\n\n\nPablo Girolami is a young choreographer who blends the imaginations and traditions of his various countries of origin and study (Switzerland\, Spain\, Italy). He will be entrusted with exploring the interaction between movement and material objects\, substances\, and different textures. \nThe fusion of bodies in art will be investigated\, experimenting with materials\, optical and perceptual illusions: the theme is indeed The body and the other\, in a whirlwind of objects and textures\, from Marcel Duchamp to Francesca Woodman. \nThe virtual dance that will be offered in VR is Shelter by Saul Daniele Ardillo: remaining on the theme of the double\, the spectator will have the opportunity to establish a direct and strong connection with the protagonist dancer. \nAranha\, Louise Joséphine Bourgeois Parque Ibirapuera\, Avenida Pedro Álvares Cabral\, s/n. Photo by André Deak for Arte Fora do Museu. From Wikimedia Commons \nPablo Girolami \nPablo Girolami\, born in Neuchâtel (Switzerland)\, has Italian-Spanish origins. He studied at the Tanz Akademie Zürich\, where he graduated in 2014. In 2014\, he began his professional career as a dancer in Wiesbaden/Darmstadt with the Hessisches Staatsballett. In 2018\, he danced for Spellbound Contemporary Ballet. Between 2017 and 2018\, he created I see you over there for the Hessisches Staatsballett and Mose3 in collaboration with DeDa Production and Café Klatsch.\nHe is currently a freelance choreographer and the artistic director of IVONA\, a project-based company he founded with Giacomo Todeschi. \nIn 2019\, he created Manbuhsa\, which won the Twain_DirezioniAltre 2019 Award and the audience award at both the CortoinDanza 2019 in Cagliari and the 33rd Certamen Coreográfico de Madrid. Manbuhsa was also selected for the Anticorpi XL 2019 showcase of young dance authors and for the Red Acieloabierto.\nIn 2020\, Pablo Girolami choreographed Manbuhsona for IVONA\, a full evening production for five performers\, and two short creations\, Gianni-Pasquale and T.R.Y.P.O.P.H.O.B.I.A.\nIn 2020\, he was selected by the AnticorpiXL Network for the ResidanceXL initiative.\nSince 2019\, he has collaborated and choreographed for various companies and schools: EgriBianco Danza\, Kseij Dance Company\, The LabCollective\, TanzWerk101 Zürich\, Ateneo della Danza Siena\, and ChoreoLab – Made in Ulm. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nAPERITIVO IN FONDERIA\nFrom 7:00 PM \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-e-laltro/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T203000
DTEND;TZID=Europe/Rome:20241112T220000
DTSTAMP:20260504T132407
CREATED:20240730T171809Z
LAST-MODIFIED:20240730T172334Z
UID:10003503-1731443400-1731448800@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, dances for the first time on the Fonderia stage. \nThe evening is divided into two acts: Aria Tango by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography by Micha van Hoecke\, restaged by Miki Matsuse\nMusic by Luis Bacalov \nBOLERO \nChoreography by Adriana Mortelliti\nMusic by Maurice Ravel \nDancers of Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nDiscover more \nThe unforgettable and irreplaceable artist Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and dismayed. A monumental figure in Italian dance\, where he had resided for over thirty years\, Micha van Hoecke is undoubtedly one of the most influential figures who left an indelible mark. He is missed by many friends\, by those who admired his extraordinary human and artistic qualities\, and by the audience who passionately and eagerly followed his sensitive works. A generous artist who deeply loved theater and dance\, the Balletto di Milano dedicates its tribute to him on this special birthday by restaging his creation Aria Tango. Restaged by his beloved wife\, dancer Miki Matsuse\, Aria Tango (2013) is set to pieces by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke liked to call it\, is rooted in the tango and gypsy cultures so dear to the choreographer. Without any didactic intent and in a timeless and surreal atmosphere\, it conveys emotions\, fears\, passions\, and states of mind. \n \nIn the second part of the evening\, the emotions of the Tango give way to those of the Bolero in an exclusive version by Balletto di Milano\, choreographed by Adriana Mortelliti to the renowned score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies weave a dance that culminates in a surprising finale. \nBalletto di Milano \nAn ambassador of Italian dance worldwide\, founded in 1980 and directed by Carlo Pesta since 1998\, the Balletto di Milano is among the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region (which has also awarded it the prestigious Recognition of Regional Relevance)\, and by the Municipality of Milan\, the Balletto di Milano performs in major theaters in Italy and abroad\, appearing in prominent theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers trained at the finest international academies. It has a wide and exclusive repertoire that ranges from revised classical masterpieces to unique productions. \nLearn more \n  \nInfo&Tickets \nTICKETS \nFull price: 10 euros \nDiscounted price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nDiscounted price for under 8: 3 euros \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Ticket Office: the ticket office opens one hour before the start of the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241112T180000
DTEND;TZID=Europe/Rome:20241112T190000
DTSTAMP:20260504T132407
CREATED:20241107T075059Z
LAST-MODIFIED:20250218T113002Z
UID:10003809-1731434400-1731438000@www.fndaterballetto.it
SUMMARY:Aria Tango...Bolero - Open rehearsal
DESCRIPTION:The Balletto di Milano\, directed by M° Carlo Pesta\, will perform for the first time on the Fonderia stage. \nFor this occasion\, an open rehearsal has been organized at 6:00 PM to get to know the company and the work of M° Carlo Pesta\, who will have a conversation with dance journalist and critic Raffaella Tramontano. \nAt 8:30 PM\, the evening will take place in two acts: Aria Tango  by Micha van Hoecke\, restaged by Miki Matsuse\, and Bolero  by Adriana Mortelliti. \n\nCredits \nARIA TANGO \nChoreography Micha van Hoecke\, restaged by Miki Matsuse\nMusic Luis Bacalov \nBOLERO \nChoreography Adriana Mortelliti\nMusic Maurice Ravel \nDancers of the Balletto di Milano: Alessandro Orlando\, principal and maître of the Company\, and Sofia Gironi\, Amanda Hall\, Annarita Maestri\, Sinthya Pezzoli\, Alessia Sasso\, Anthea Van Der Ham\, Giusy Villarà\, Kevin Alsina\, Anatole Blaineau\, Gianmarco Damiani\, Jack Farren\, Mattia Imperatore\, Leo Rech \nRead more \nUnforgettable and unforgettable artist\, Micha van Hoecke would have turned 80 on July 22\, 2024\, but he passed away in 2021\, leaving the dance world stunned and in shock. A towering personality in Italian dance\, where he had been living for over thirty years\, Micha van Hoecke is undoubtedly one of the figures who has left a mark. He is missed. Missed by the many friends. Missed by those who could appreciate his extraordinary human and artistic qualities. Missed by the audience who followed his works\, rich in sensitivity\, with passion and interest.\nA generous artist\, who loved theater and dance deeply\, to whom the Balletto di Milano dedicates this tribute on this special birthday by bringing back to the stage the creation Aria Tango. Restaged by his beloved wife\, the dancer Miki Matsuse\, Aria Tango (2013) is set to music by Oscar-winning composer Luis Bacalov. Strongly autobiographical\, the Choreographic Poem\, as Micha van Hoecke used to say\, is deeply rooted in the tango and gypsy culture so dear to the choreographer\, who\, without any didactic intent and in an atemporal\, surreal atmosphere\, tells of moods\, fears\, passions\, and emotions. \n \nIn the second part of the evening\, the emotions of Tango give way to those of Bolero\, in the exclusive version by Balletto di Milano of Adriana Mortelliti on the famous score by Maurice Ravel\, celebrating seduction. In the musical and choreographic crescendo\, sinuous bodies intertwine in a dance that culminates in a surprising finale. \nBalletto di Milano \nAmbassador of Italian dance around the world\, founded in 1980 and directed by Carlo Pesta since 1998\, it is one of the most prestigious Italian companies. Recognized and supported by the Ministry of Culture\, by the Lombardy Region\, which has also awarded it the prestigious Regional Relevance Recognition\, and by the Municipality of Milan\, the Balletto di Milano performs its activities in major Italian theaters and abroad\, where it is present in leading theaters and institutions. The Balletto di Milano is in residence at the Teatro Lirico Giorgio Gaber and boasts a roster of dancers who graduated from the best international academies and an extensive and exclusive repertoire ranging from revisited classical masterpieces to exclusive productions. \nDiscover more \n  \nInfo&Tickets \nTICKETS \nFull price: 3 euros \nFree for under 6 \nTICKET PURCHASE \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the show (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACT FOR BOOKINGS \nCell and WhatsApp 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/aria-tango-bolero-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241105T203000
DTEND;TZID=Europe/Rome:20241105T213000
DTSTAMP:20260504T132407
CREATED:20241025T161630Z
LAST-MODIFIED:20250218T110913Z
UID:10003805-1730838600-1730842200@www.fndaterballetto.it
SUMMARY:EVES
DESCRIPTION:EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy\, scientific dissemination becomes a performance\, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.   \nOpen rehearsal Monday\, November 4 – 6:00 PM   \nPerformance Tuesday\, November 5 – 8:30 PM \n\nCredits \nCompagnia Natiscalzi DT\nChoreography: Tommaso Monza and Claudia Rossi Valli\nDancer: Claudia Rossi Valli\nScientific dissemination: Prof. Claudio Melioli\, Astrophysics\nSet: Natiscalzi DT\nProduction: Cinqueminuti APS\nWith the contribution of Regione Emilia Romagna L.R. 13/99\nWith the support of Comune di Reggio Emilia\nIn collaboration with Binario49 – Associazione Casa D’Altri   \nDuration: 60′ \nRead more \n[Do you think you’re sitting still right now?\nYou’re on a Planet that’s orbiting a Star at 30km/s.\nThat Star is orbiting the centre of a Galaxy at 250km/s.\nThat Galaxy is moving through the Universe at a rate of 600km/s.\nWe’re never still. We’re moving continuously.\nSince you’ve started reading this\, you’ve travelled about 3000km.] \nEVES è nato fantasticando con la testa fra le nuvole\, o forse come direbbe l’astrofisico Claudio Melioli (UniBo\, USP São Paulo\, Unimore) dell’associazione Binario49\, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia\, a metà fra divulgazione scientifica e senso del sublime per il cosmo\, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza\, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida\, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici. \nCOMPAGNIA NATISCALZI DT \nCLAUDIA ROSSI VALLI\nTrained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating\, she continued her studies in Italy and abroad\, training with\, among others\, Compagnia Abbondanza/Bertoni (IT)\, The William Forsythe Company (DE)\, Retina Dance Company (UK)\, and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC\, USA)\, where she was selected to dance with Shen Wei Dance Arts.   \nShe has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015\, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015)\, LavaBubbles\, Vestire lo spazio\, and I Am Beautiful. Since 2016\, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT)\, performing in Gli Orbi\, Compleanno Pubblico Ballato\, Capodanno RAI 2019\, and La Morte e la Fanciulla\, which won the Danza&Danza Best Production Award 2017.   \nClaudia has pursued her interest in choreography since 2012\, receiving various accolades for her productions. In 2016\, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024\, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.   \n— \nTOMMASO MONZA\nOriginally trained as a sculptor at the Brera Academy of Fine Arts\, Tommaso Monza later transitioned to theatre-dance and contemporary dance\, studying with Compagnia Abbondanza/Bertoni\, Julien Hamilton\, Roberto Castello\, Ivan Wolf\, Liat Waysbort\, and Loren Potter.   \nSince 2005\, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni\, and since 2010\, he has worked with Compagnia Ambra Senatore. In 2010\, he began his own choreographic journey\, creating a solo (Fra le mie dita rotte)\, a quartet (Piazze d’Italia)\, and a duet (Dei nostri eroi più fragili).   \nIn 2012\, he participated in the Choreoroam Europe project. Since then\, he has developed ROD – Three Units on Kazakhstan\, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT)\, MittelFest 2014 (IT)\, Festival Exister 2014 (IT)\, Vetrina Anticorpi XL 2014 (IT)\, and ArtBat Fest 2013 (KZ). In 2015\, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.   \nIn 2016\, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally\, Tommaso Monza is also an author\, with a published collection of short stories titled Personaggi estranei in luoghi comuni.   \nFind out more   \n  \nInfo&Tickets \nTICKETS   \nFull price: 10 euros   \nReduced price (Under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, Over 65\, CRAL Comune di Reggio Emilia members): 6 euros   \nReduced price (Under 8): 3 euros   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/eves/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/07/am24-artist-catarzi-3.jpg
GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241104T180000
DTEND;TZID=Europe/Rome:20241104T190000
DTSTAMP:20260504T132407
CREATED:20241025T162004Z
LAST-MODIFIED:20250218T111110Z
UID:10003806-1730743200-1730746800@www.fndaterballetto.it
SUMMARY:EVES - OPEN REHEARSAL
DESCRIPTION:EVES is a project that connects astronomy and contemporary dance with the aim of promoting both. Dance engages with astronomy\, scientific dissemination becomes a performance\, and we embark on a journey to discover the universe and ourselves through the parallelism between the micro and macro cosmos.   \nOpen rehearsal Monday\, November 4 – 6:00 PM   \nPerformance Tuesday\, November 5 – 8:30 PM \n\nCredits \nCompagnia Natiscalzi DT\nChoreography: Tommaso Monza and Claudia Rossi Valli\nDancer: Claudia Rossi Valli\nScientific dissemination: Prof. Claudio Melioli\, Astrophysics\nSet: Natiscalzi DT\nProduction: Cinqueminuti APS\nWith the contribution of Regione Emilia Romagna L.R. 13/99\nWith the support of Comune di Reggio Emilia\nIn collaboration with Binario49 – Associazione Casa D’Altri   \nDuration: 60′ \nRead more \n[Do you think you’re sitting still right now?\nYou’re on a Planet that’s orbiting a Star at 30km/s.\nThat Star is orbiting the centre of a Galaxy at 250km/s.\nThat Galaxy is moving through the Universe at a rate of 600km/s.\nWe’re never still. We’re moving continuously.\nSince you’ve started reading this\, you’ve travelled about 3000km.] \nEVES è nato fantasticando con la testa fra le nuvole\, o forse come direbbe l’astrofisico Claudio Melioli (UniBo\, USP São Paulo\, Unimore) dell’associazione Binario49\, è nato dalla forza di gravità che abbiamo esercitato entrambi per incontrarci su questo nuovo territorio: la possibilità di creare uno spettacolo di teatro danza e astronomia\, a metà fra divulgazione scientifica e senso del sublime per il cosmo\, tipico della poesia. Come un contemporaneo Leonardo Da Vinci ci appassioniamo al progetto senza separare arte e scienza\, provando a raggiungere un punto comune fra le discipline che oltre ad essere nucleo sia anche involucro. Il progetto EVES è la ricerca di nuove forme di comunicazione ibrida\, alla ricerca di una nuova strategia di divulgazione della conoscenza e del sapere in spazi altri e “non Luoghi” per generare nuove modalità di condivisione e incontro di nuovi pubblici. \nCOMPAGNIA NATISCALZI DT \nCLAUDIA ROSSI VALLI\nTrained as a dancer at the Theatre-Dance course of the Scuola d’Arte Drammatica Paolo Grassi in Milan. After graduating\, she continued her studies in Italy and abroad\, training with\, among others\, Compagnia Abbondanza/Bertoni (IT)\, The William Forsythe Company (DE)\, Retina Dance Company (UK)\, and Ampersandance Youth Company (UK). She was awarded a scholarship for the American Dance Festival 2012 (NYC\, USA)\, where she was selected to dance with Shen Wei Dance Arts.   \nShe has been a dancer with Compagnia Tiziana Arnaboldi (CH) since 2014 and Compagnia Zappalà Danza (IT) since 2015\, performing in productions such as La Nona (winner of the Danza&Danza Best Production Award 2015)\, LavaBubbles\, Vestire lo spazio\, and I Am Beautiful. Since 2016\, she has also been a dancer with Compagnia Abbondanza/Bertoni (IT)\, performing in Gli Orbi\, Compleanno Pubblico Ballato\, Capodanno RAI 2019\, and La Morte e la Fanciulla\, which won the Danza&Danza Best Production Award 2017.   \nClaudia has pursued her interest in choreography since 2012\, receiving various accolades for her productions. In 2016\, she co-founded Compagnia Natiscalzi DT with Tommaso Monza. In 2024\, she won the **Premio Scenario Infanzia** with the show *Cosa hai in testa?*.   \n— \nTOMMASO MONZA\nOriginally trained as a sculptor at the Brera Academy of Fine Arts\, Tommaso Monza later transitioned to theatre-dance and contemporary dance\, studying with Compagnia Abbondanza/Bertoni\, Julien Hamilton\, Roberto Castello\, Ivan Wolf\, Liat Waysbort\, and Loren Potter.   \nSince 2005\, he has been a dancer and collaborator with Compagnia Abbondanza/Bertoni\, and since 2010\, he has worked with Compagnia Ambra Senatore. In 2010\, he began his own choreographic journey\, creating a solo (Fra le mie dita rotte)\, a quartet (Piazze d’Italia)\, and a duet (Dei nostri eroi più fragili).   \nIn 2012\, he participated in the Choreoroam Europe project. Since then\, he has developed ROD – Three Units on Kazakhstan\, which was a finalist at Premio Equilibrio Roma 2014 and was presented at Mirabilia Festival Europeo 2014 (IT)\, MittelFest 2014 (IT)\, Festival Exister 2014 (IT)\, Vetrina Anticorpi XL 2014 (IT)\, and ArtBat Fest 2013 (KZ). In 2015\, he was selected as a choreographer for the Anghiari Dance Hub project with his work *Sketches of Freedom*.   \nIn 2016\, he co-founded Compagnia Natiscalzi DT with Claudia Rossi Valli. Additionally\, Tommaso Monza is also an author\, with a published collection of short stories titled Personaggi estranei in luoghi comuni.   \nFind out more \nInfo&Tickets \nTICKETS   \nFull price: 3 euros   \nFree entry (Under 6)   \nTICKET PURCHASE   \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: The box office opens one hour before the performance (via della Costituzione 39\, Reggio Emilia).\n\nSeats are unnumbered.   \nCONTACTS FOR RESERVATIONS   \nPhone & WhatsApp: +39 3341023554   \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/eves-open-rehearsal/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241104T180000
DTEND;TZID=Europe/Rome:20241104T190000
DTSTAMP:20260504T132407
CREATED:20240730T163150Z
LAST-MODIFIED:20241025T153112Z
UID:10003501-1730743200-1730746800@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - 14.610
DESCRIPTION:PERFORMANCE POSTPONED TO NEXT SEASON\nThe title of the performance is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It is a small and sophisticated puzzle to solve. The latest work by Claudia Catarzi has something intimate and shameless. \nOpen rehearsal Monday\, November 4 – 6:00 PM \nShow Tuesday\, November 5 – 8:30 PM \n\nCredits \nby and with Claudia Catarzi\nmusic by Julien Desprez\nscenography by Fabio Giommarelli \nco-produced by Company Blu\, La Manufacture – Centre de Développement Chorégraphique National Bordeaux Nouvelle-Aquitaine\, Armunia/Festival Inequilibrio/Centro di residenze artistiche Castiglioncello\, with the support of the Regione Toscana and the MiC \ncreated in 2023 \nDiscover more \nIt’s hard to describe the feeling of dancing almost three meters high on a surface so narrow it seems more like a pedestal than a platform. From the ground\, that is\, from the stage of the Teatro Rosignano Solvay\, where the show debuted for the Inequilibrio festival\, the latest work by Claudia Catarzi has something intimate and shameless. Shameless because the spectator\, compelled to keep their eyes upwards\, admires the technical skill\, explicit and evident\, of a figure that doesn’t perform acrobatics\, but nonetheless constructs a tense and sculptural choreography\, made of plastic poses\, clear and defined gestures\, even jumps. Although the tone is far from baroque – a certain austerity prevails\, though never frigid – there is something triumphant in this construction that resembles the base for a Renaissance equestrian statue. Indeed\, in the dramatic arc of the show\, the satisfaction of reaching the top is palpable. As if we were in the mountains. Looking down from above is satisfying\, but it also gives you chills. Not only because it’s easy to fall\, but perhaps because at some point from this peak\, the only thing left to do is descend. \n \nAnd this is the other intimate dimension that runs through the entire show and speaks to us of fragility and strength\, of change and resistance. The title of the show is 14.610\, a number that hints at something never explicitly mentioned. But it is a key\, like the code to a hotel room\, that allows easy entry into the show. It’s a small and sophisticated puzzle to solve. Not too difficult\, to be honest\, but we want to leave it unresolved\, so as not to spoil the pleasure of discovery. In the second part of the work\, the pedestal reveals itself as a steep slide\, and the descent becomes a sort of struggle; the muscular body strains to defeat the weight of gravity\, as in the whirls of some Giambologna statue. Even though the aesthetics are tied to a sober normality\, which makes the image even more intimate and common. About ten years ago\, Catarzi debuted in her solo 40\,000 Square Centimeters\, again a number for a title\, striking for presence and power in the small space drawn on the stage of only four square meters. Ten years later\, this space has shrunk but has risen into the air. Not a diving board to jump from\, but a mountain – like life – to embrace and climb. \n(Rodolfo Sacchettini – July 18\, 2023) \nCLAUDIA CATARZI \nAfter training at the Academy of Fine Arts in Florence\, she began her career working with the Micha Van Hoecke Ensemble. She later danced with companies such as Dorky Park Constanza Macras (Berlin)\, Compagnia Virgilio Sieni\, Aldes/Roberto Castello\, Company Blu/Alessandro Certini and Charlotte Zerbey\, En-Knap Group/Iztok Kovač (Ljubljana)\, László Hudi (J. Nadj – Budapest)\, among others. In 2009\, she was part of Choreoroam\, a research project by the Israeli choreographer Yasmeen Godder (Tel Aviv). She was later invited to follow the work of the Batsheva Dance Company by Ohad Naharin. She has collaborated with choreographer Ambra Senatore since the beginning of her company’s research work between Italy and France\, participating in all her early works. Since 2011\, she has been working on personal creations. The solo Arrivò senza colore won the co-production Sosta Palmizi\, and Un giorno\, a duo in collaboration with Mariano Nieddù\, was a finalist at the “Premio Equilibrio 2010” (directed by Sidi Larbi Cherkaoui). Her two latest creations see her sharing the stage for the first time with two female figures: Michal Mualem\, a historical dancer in Sasha Waltz’s company\, in A set of timings\, and Claudia Caldarano\, a former dancer of Virgilio Sieni\, in Posare il tempo. The live presence of musician Gianni Maestrucci in Posare il tempo – percussionist of the renowned group Tetraktis – transforms the danced duet into a trio. Claudia Catarzi is currently an associate artist at CDCN of Bordeaux\, La Manufacture | Bordeaux-Nouvelle Aquitaine. \nLearn more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-14-610/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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GEO:44.707269;10.623427
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241030T203000
DTEND;TZID=Europe/Rome:20241030T213000
DTSTAMP:20260504T132407
CREATED:20240729T131606Z
LAST-MODIFIED:20241024T165338Z
UID:10003487-1730320200-1730323800@www.fndaterballetto.it
SUMMARY:Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n  \nInfo&Tickets \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTEND;TZID=Europe/Rome:20241030T190000
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SUMMARY:Open Rehearsal - Les Fleurs
DESCRIPTION:Let’s make these our flowers into a single bouquet\, something similar to a collection. The poems are communicating vessels\, like the characters in their monstrous solitudes\, they look at each other in a single magnificent cathedral that is existence. \nLes Fleurs by Balletto Civile is a show that\, taking up the well-known title of Charles Baudelaire’s work\, focuses on poetic language and its revolutionary impact on the contemporary body that becomes a political body\, in a vision of freedom and dialogue with civil society. \nOpen rehearsal at 6:00 PM \nShow at 8:30 PM \n\nCredits \nDirection and choreography: Michela Lucenti\non stage Maurizio Camilli\, Michela Lucenti\, Alessandro Pallecchi Arena\, Gianluca Pezzino\, Emanuela Serra\, Francesca Zaccaria\nDramaturgy: Maurizio Camilli\, Michela Lucenti\, Emanuela Serra\nSound design: Guido Affini\nLighting design: Stefano Mazzanti\nSpace consultancy: Alberto Favretto\nAssistant director: Giulia Spattini\nStage assistance: Jacopo Squizzato \nProduction: Emilia Romagna Teatro ERT / Teatro Nazionale\, Balletto Civile \nDiscover more \nCharles Baudelaire’s work in Les Fleurs du mal is a single\, great “perforated” story. A narrative of situations created through images\, with fractures\, holes\, and zones where each of us can find ourselves\, discovering common traits and shared vulnerabilities. The collection of poems speaks of the beauty of the imperfect bodies of characters on the fringes of society\, outcasts\, borderline individuals\, who become magnificent creatures through a new gaze. This aligns closely with the philosophy of Balletto Civile\, which has always crafted its works by lending bodies to a lyrical narration of protagonists who are anti-heroes. \nThe show\, endowed with a strong narrative rhythm determined by the poet’s texts and original writings\, stages a struggle between dance and the poetic act as a possible rewriting of the world. \n \nSix figures on stage represent the central themes: the poet\, beauty\, time\, boredom\, exile\, revolt\, the wound\, the city\, and finally\, poetry itself. \nThe scenic space\, bare and material\, welcomes the characters as in a single luminous and sonic installation\, where the bodies\, through geometries of existences on the margins\, produce strong\, overwhelming images that\, like cuts in a canvas\, seek to leave a graphic mark on the viewer’s retina. This is achieved through a language that is initially solitary and then shared\, confusing personal feelings with the community’s shared wounds. \nThe artist is able to see all that is wonderful but cannot avoid feeling the world’s terrors on their skin; we cannot hide from this risk. Baudelaire is the first contemporary poet who recorded on his skin not only the heights but also the sacrifice and pettiness to which the artist is subjected\, and he made this reflection a work of art. \nBalletto Civile \nA nomadic group by definition\, driven by a strong ethical tension\, Balletto Civile was founded in 2003 by Michela Lucenti. The creative approach is a research based on movement that emerges from the deep scenic relationship between the artists. It works on a total language where theater\, dance\, and original singing interact naturally. \nFind out more \n 
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-les-fleurs/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241025T180000
DTEND;TZID=Europe/Rome:20241025T190000
DTSTAMP:20260504T132407
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SUMMARY:OPEN REHEARSAL - WHOMAN?
DESCRIPTION:  \nCan a human being exist regardless of their gender identity?\nIs it possible to be completely free? \nWHOMAN? draws upon the stylistic elements of science fiction cinema to transform choreography into a universal metaphor for the contemporary world. The concepts of masculinity and femininity are equally placed beyond any preconceived notions\, and the age-old conflict of gender inequality is deconstructed\, weakened\, made fragile\, and reinterpreted within a broader vision of humanity. \nCREDITS \nChoreography: Mario Coccetti | Collective\nDancers: Rocco Suma\, Sally Damonte\, Giovanni Karol Borriello\nProduction: ASMED | Balletto di Sardegna\nCo-production: MILANoLTRE Festival \nS DANCE COMPANY \n\n\n\n\n\n\n\nS Dance Company is an artistic project by Mario Coccetti\, Rocco Suma\, and Salvatore Sciancalepore.\nFounded in 2016 as a collective of artists\, it has gradually solidified into a contemporary dance company\, building a diverse repertoire in terms of stage setups and the number of performers. Today\, the company features productions ranging from two to five dancers\, with both indoor and outdoor performances. The permanent company dancers include Sofia Zanetti\, Flavia Giuliani\, and Marco Arzenton\, who were joined in 2023 by Flavia Giuliani\, Samuele Arisci\, Paolo Grosso\, Alessia La Notte\, and Alessio Saccheri.\nCurrently\, S Dance Company is produced by ASMED Balletto di Sardegna and is actively engaged in national and international tours.\n\n\n\n\n\n\n\nINFO & TICKETS \nTICKETS \nFull price: 3 euros \nPURCHASE TICKETS \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket service at Fonderia is available one hour before the show starts \nTickets are not numbered. \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-whoman/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241021T180000
DTEND;TZID=Europe/Rome:20241021T190000
DTSTAMP:20260504T132407
CREATED:20240726T144137Z
LAST-MODIFIED:20240729T133729Z
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SUMMARY:OPEN REHEARSAL - WAITING FOR NOTTE MORRICONE
DESCRIPTION:Monday\, October 21 at 6:00 PM at Fonderia\, Waiting for Notte Morricone: an open rehearsal of the Aterballetto Company with choreographer Marcos Morau\, allowing the audience to experience the emotions before the indoor debut of Notte Morricone at Teatro Argentina in Rome\, where the show will be on stage from October 24 to November 10. \nOpen rehearsals are unique moments where you can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of dancers and choreographers. \nCREDITS \nDirection and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, First Outdoor Performance Macerata Opera Festival\nCo-production\, First Indoor Performance Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«People often ask me what music I listen to\, which music inspires or accompanies me in my daily life\, and I always answer the same way: from classical music to new contemporary waves\, I draw inspiration from many different sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images that accompany it\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and rebuilding itself every day.\nHis music has a powerful melancholic quality that stems from both the contemplation of the past and the impossibility of capturing any past experience. \nWith classical training and avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century and has revived many of our great masters.\nHis music was a genre unto itself\, and for this evening I would like to build a universe based on his sensitivity to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, which can live far from the films for which it was created.”» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Chevalier of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of the year 2023 by the German magazine TANZ\, the career of Marcos Morau (Valencia 1982) continues to grow as a creator and stage director. \nTrained between Barcelona and New York\, in photography\, choreography\, and theater theory and dramaturgy\, Marcos Morau builds imaginary worlds and landscapes where image\, text\, movement\, music\, and space constitute a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in the best theaters and festivals in over thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Festival d’Avignon\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival of Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in several companies and theaters where he develops new creations\, always halfway between the performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, or The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims at exploring new formats and languages where opera\, dance\, and physical theater dialogue more than ever\, seeking new ways of expressing and communicating in our present time\, always turbulent and constantly evolving. \nFrom this season\, he is an associate artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we get involved in what also turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-waiting-for-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Productions,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241018T203000
DTEND;TZID=Europe/Rome:20241018T213000
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SUMMARY:VISIONI DEL CORPO: IL CORPO MUOVE
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nFourth appointment: Friday 18 October h 20.30 at Fonderia\n\n \nIl corpo muove (The body moves)\nTalk withNicolas Ballario and Riccardo Buscarini\nChoreographies by Riccardo Buscarini\nFocus on Jackson Pollock\, Nan Goldin\, Michelangelo Pistoletto\, Cindy Sherman\, Studio Azzurro\, Yōko Ono \n\n\n\nNicolas Ballario will present works related to “moving” art\, that is\, art that makes the artists move during creation or the audience when experiencing it (from Jackson Pollock to Nan Goldin\, from Michelangelo Pistoletto to Yoko Ono). The evening will feature Riccardo Buscarini bringing some excerpts from Form O\, a very recent work that is based on visual symmetries and asymmetries\, and the effect that what we see creates in our body. \nAddressing the theme of the body moved by passions\, in a whirlwind of seductions and intrigues\, Johan Inger’s Don Juan in VR will be presented\, where the audience will fall into a dynamic flow that is difficult to resist. \n‘War Is Over! (if you want it) Yoko Ono’ exhibition – Sydney\, Museum of Contemporary Art Australia. From Wikimedia Commons \nCrediti \nconcept / choreography Riccardo Buscarini\ndance Annalisa Perricone\, Giulia Quacqueri\noriginal music by Alessandro Baldessari assisted by Luca Felici\, “Nostalgia for Nothing” (A. Baldessari) and Piano Sonata No. 3\, Op. 2 No. 3\, in C major (L. Van Beethoven)\ncostumes Mara Leonora Pieri\nlights Alessandro Gelmini\nproduction De Arte Saltandi \nWinner of the Theodor Rawyler Prize 2023 / Festival TenDance\, Latina. Supported by Citofonare PimOff 2024\, Milan\, Centro Coreografico Nazionale/Aterballetto\, and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza and AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara and Vincenzo Losito\, MM Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the People who have contributed to and will encounter this project. \nRiccardo Buscarini \nEcco la traduzione in inglese del testo: \n**Riccardo Buscarini**\, an award-winning choreographer in Italy and abroad\, is active in the fields of contemporary dance\, opera\, and visual arts. He graduated from the London Contemporary Dance School in 2009. Buscarini won the Prospettiva Danza Prize in 2011\, Fondo Fare Anticorpi in 2012\, and The Place Prize in 2013 with “Athletes”. He has participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, the Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, and NID Platform in 2014 and 2022. \nIn the visual arts field\, he has collaborated with Summerhall (Edinburgh)\, London Festival of Architecture (2016 and 2019)\, Nahmad Projects (London and Milan)\, and UNA Galleria at Spazio Leonardo (Milan). His creation “Silk” for the Chelyabinsk Contemporary Dance Theater (Russia) was nominated for two Golden Mask Awards in 2018 at the Bolshoi Theater in Moscow and was later restaged for ŻfinMalta\, the National Dance Company of Malta. In 2019\, he created two works\, “Suite Escape” for Equilibrio Dinamico Dance Company and “Nocturne” for Chelyabinsk Contemporary Dance Theater. In 2020\, he choreographed “Charade” for EDGE (The Place\, London) and was invited to perform at the 45th Cantiere Internazionale d’Arte in Montepulciano. In 2022\, he created “Requiem for Juliet\,” based on W. Shakespeare for ŻfinMalta. \nIn 2023\, he directed his first opera\, “Madama Butterfly” by Giacomo Puccini at Teatru Aurora in Gozo\, Malta\, and founded De Arte Saltandi\, a cultural association dedicated to Domenichino da Piacenza\, through which he curates dAS FESTIVAL. \n  \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, enjoy an exquisite wine tasting thanks to the collaboration with Venturini Baldini.\n \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \n\n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-muove/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241010T180000
DTEND;TZID=Europe/Rome:20241010T190000
DTSTAMP:20260504T132407
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SUMMARY:OPEN REHEARSAL - DECISIONE CONSAPEVOLE
DESCRIPTION:  \nA conceptual map designed to guide improvisation sessions.\nThis is what Decisione Consapevole has been so far.\nBut what if we used the map as a true structure to follow in creating a choreographic work featuring four dancers navigating their own decisions? An empty space to be filled and emptied through the awareness of each performer. Taste plays a fundamental role in ensuring everything comes together cohesively\, dressing different personalities in a single garment.\nThe garment adorns the performers with specific qualities and attitudes\, meticulously studied rhythms\, and methods. The garment sets boundaries that encompass endless freedoms. The garment is what prompts decision-making. So\, could the garment be consciousness itself?\nIsolation\, intimacy\, communication\, community are the four key words. While these narrow the scope and make the performer’s decisions less varied and more mindful\, the possibilities suggested by each word remain infinite.\nThe dancers’ fully conscious decisions about which key word to choose to inspire their action in the space will build the scene. These decisions can exist individually\, but more importantly\, they can coexist with all the others. \n  \nCREDITS \nChoreography: Roberto Tedesco\nPerformers: Mattias Amadori\, Eleonora Dominici\, Laila Luchetta Lovino\, Francesco Misceo\nMusic: Eskmo\, Brendan Angelides / Rival Consoles / The Gentleman Losers / Pan-American /\nJ.S. Bach / Raime / Senking\nSound designer: Giuseppe Villarosa\nLighting design: Giacomo Ungari\nCostumes: Francesca Messori \nDuration: 50′ \nProduction: Körper | National Dance Production Center\nCo-production: National Choreographic Center Aterballetto\nin collaboration with ArtistiAssociati / ARTEFICI.ResidenzeCreativeFVG \nThe project was realized with the contribution of ResiDance XL – residency places and projects for choreographic creations\, part of the Anticorpi XL Network – Young Author’s Dance Network coordinated by L’arboreto – Teatro Dimora di Mondaino\n \nFinalist project of DNA choreographic notes 2022\nProject selected for the Open Studios of NID 2023 \nTHE CHOREOGRAPHER \nROBERTO TEDESCO \n\n\n\n\n\n\n\n\n                Roberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\n                In 2009\, he joined the Balletto di Toscana School\, immediately dancing for the junior company Junior Bdt. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers of the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. Still as a dancer with Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. He creates Cemento for the In/Finito project and Turn the tide for the MicroDanze project. In July 2021\, he began a career as a freelance choreographer.\n                He is selected for the Vetrina Giovane Danza D’Autore with the duet Punch 24. The same duet is restaged for six dancers of the MMcontemporarydancecompany under the name Round Trip.\n                In Germany\, he stages the duet Line-up at the National Theater Mannheim\, creates By the throat for the Ballett Vorpormmern\, and is selected for the Think Big project at the Staatsoper Hannover where he creates Superorganism. He accesses ResiDance XL – an action of the Anticorpi Network\, through which he begins working on the project Decisione consapevole. With the latter\, he is among the finalists of DNA appunti coreografici 2022 and in 2023 accesses the Open Studios of the NID in Cagliari.\n              \n \n \n \n \n \n \n\nINFO & TICKETS \nTICKETS \nFull price 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office service at Fonderia is active one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-decisione-consapevole/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241006T180000
DTEND;TZID=Europe/Rome:20241006T190000
DTSTAMP:20260504T132407
CREATED:20240723T145901Z
LAST-MODIFIED:20241002T135716Z
UID:10003477-1728237600-1728241200@www.fndaterballetto.it
SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-06/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTEND;TZID=Europe/Rome:20241005T190000
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SUMMARY:Lullaby
DESCRIPTION:Lullaby is the perfect show to make children aged 4 to 6 fall in love with theater. \nA show that tells us about the dreams and wonders that often appear to children suddenly\, always unexpected\, full of amazement. \n“Then there is a hot air balloon from which a package falls: it looks like a gift. Chasing it to retrieve what it surely lost\, Valentino takes the audience on a journey through the seasons and emotions; while the hot air balloon\, from the sky\, shows the way to follow.\nEach song gives us a different rhythm\, emotion\, and wonder: from blues to fantasy\, from jazz to fear\, from samba to laughter.\nAnd the hot air balloon? In the end\, it was reached\, but the package was not lost: it was a gift for Valentino. What? Of course\, a tiny guitar.\nAn enchanting show that delights the heart and eyes.” \nNicoletta Cardone Johnson\, EOLO | Rivista online di Teatro Ragazzi \nCREDITS \nTexts\, songs\, music\, and scenes: Valentino Dragano\nAssistant director: Raffaella Chillè \nRecommended age: 4 – 6 years\nTechniques used: live music | puppet theater | songs | storytelling theater\nThemes: journey | growth | awareness \nDiscover more \nJoin us on a Hot Air Balloon!\nTogether we will embark on a journey through a colorful mosaic of characters and stories that will create a symphony of images and sounds. \nLullaby is a gift fallen from the sky. A secret and precious gift. A gift for you. All for you. Lullaby is music. Music that soothes and restores us.\nIt is the story of a child like me\, like you. Of a child who watches and listens to the world around him: the flutter of a Butterfly’s wings\, the snow at Christmas\, the sun in Spring\, the Starry Night Sky. Everything resonates with music\, rhythm\, and wonder. \nAnd then there is the Hot Air Balloon that accompanies the journey and shows the way to follow from the sky.\nLullaby is a guitar that becomes a little theater. A six-string theater that travels through seasons\, encounters\, songs\, fears\, laughter\, blues\, jazz\, samba! \nLullaby is singing\, playing\, taking another ride on the merry-go-round\, and then\, tired\, falling asleep with music in your eyes\, ears\, and heart. \n \nValentino Dragano \nValentino Dragano is an actor\, director\, composer\, and multi-instrumentalist musician; he began his artistic career in 1992\, focusing his work on the research of folk-popular music (klezmer\, Sephardic music\, folk dance music from various European and non-European traditions) combined with theatrical work. Raffaella Chillé is an actress\, director\, and educator. \nTheir respective artistic paths\, filled with experiences in street theater\, experimental theater\, puppet theater\, and theatrical and musical pedagogy\, met in ’97 in the Eduardo Company:\nBAMBINE\, winner of the Stregagatto award in ’96\nPICCOLOGRANDE directed by Maria Maglietta\nIL CANTO DI MARTA directed by Paolo Nani \nThe use of various expressive forms and the choice of “urgent” themes have always characterized our artistic journey. Thus\, in 2001\, our “theater-making” merged into the company Teatrinviaggio:\nPINOCCHIO received a mention as “best emerging company” Stregagatto 2004\nORLANDO INNAMORATO\nMANDALA\, a theater performance for open spaces that combines street theater\, puppet theater\, and dance. \nIn 2007\, they founded Kosmocomico Teatro producing musical shows for children:\nCANTAFAVOLE\, POLLICINO winner of the Città d’Aosta award 2009/10\nBRUTTINO EOLO AWARDS 2011 \nand for adults:\nTHE SHOCKING PUPPET SHOW EOLO AWARDS 2011\nEnfanthéatre Aosta Award 2013/2014 for PICCOLO PASSO\nBest of klpteatro 2018 for CATTIVINI Cabaret-Concerto per Bimbi Monelli\nBest of klpteatro 2021 for PULCETTA dal Naso Rosso \nFind out more \nInfo\, Tickets\, Workshop\nSUNDAY\, OCTOBER 6\, 4:30 PM FAMILY CONTACT \nWORKSHOP LED BY CHOREOGRAPHER LAURA MATANO \nFamily Contact is a moment of sharing between children and parents aimed at exploring new worlds. Spending time together through the body\, movement\, and physical contact\, creating and building a new harmonious bond. For children accompanied by 1 parent. \n(Includes a ticket for the show Lullaby at 6:00 PM) \nTICKETS\nSingle ticket: 6 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/lullaby/2024-10-05/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20241001T180000
DTEND;TZID=Europe/Rome:20241001T190000
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CREATED:20240725T152702Z
LAST-MODIFIED:20240729T133549Z
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SUMMARY:OPEN REHEARSAL - GLORY HALL
DESCRIPTION:First open rehearsal of the 2024/25 season with CCN/Aterballetto \nTuesday\, October 1st\, at 6:00 PM\, the audience at the Fonderia will have the opportunity to meet the three new dancers of the company and witness the preparation of Glory Hall\, the new creation by Diego Tortelli that will premiere in February at the Teatro Comunale di Bologna. \nOpen rehearsals are unique moments where you can watch the creation of a performance\, interact with the artists\, and be amazed by the art of dance: a special opportunity that allows the audience to enter the daily routine of the dancers and choreographers.
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-glory-hall/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Open rehearsals,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240927T203000
DTEND;TZID=Europe/Rome:20240927T213000
DTSTAMP:20260504T132407
CREATED:20240723T173743Z
LAST-MODIFIED:20240913T172518Z
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SUMMARY:VISIONI DEL CORPO: IL CORPO PICCOLO
DESCRIPTION:Visioni del corpo: understanding contemporary art through auteur dance. \nA “dancing encyclopedia” that speaks about the world through dance\, placing the body at the center of humanity. A series of six cultural dissemination events that began in May 2024\, resuming after the summer break with the new season at Fonderia. Connecting arts\, movement\, and current affairs\, the meetings address themes of psychological well-being\, the relationship with the city\, the future\, and ecology\, through an experimental cultural medium. \nNicolas Ballario\, journalist\, curator\, and cultural disseminator\, introduces the theme of the debate\, which\, moving between dance and contemporary arts\, reflects on the body from a different point of view each time. Each meeting is divided into six moments\, dedicated to the works of six artists chosen to explore the main theme: renowned faces of contemporary art\, well known to the general public. Each meeting will be interpreted by a choreographer from the contemporary scene\, who will translate the suggestions of the discussed works into dance with an original performance\, specifically designed for the project. \n\n\n \n \nThird appointment: Friday 27 September h 20.30 at Fonderia\n\n \nIl corpo piccolo (The little body)\nA dialogue with Nicolas Ballario and Lara Guidetti\nChoreographies by Lara Guidetti\nFocus on Alberto Burri\, Maurizio Cattelan\, Diane Arbus\, Jake e Dinos Chapman\, Keith Haring\, Nathalie Djurberg \n\n\n\nAfter Il corpo in pericolo and Il corpo nudo\, the third event will explore Il corpo piccolo with Lara Guidetti. The public space has undergone a transformation between its physical and virtual dimensions\, leading to new identities\, functions\, and connotations\, rapidly rewriting the network of encounters and relationships that inhabit it\, cutting across professional and personal\, intimate\, and collective domains. In the era of images and digital technology\, the real dimension of the body\, understood in its original proportion in space\, is continually modified: contracted within phone screens\, expanded in architectural and advertising projections\, multiplied\, stretched\, portioned\, and filtered in search of perfect adherence to what one desires the body to communicate. Lara Guidetti will play with these dilations and contractions. \nBefore and after the meeting\, the audience will have the opportunity to experience virtual reality with Kepler by Diego Tortelli: three micro-dancers moving under a display case\, inhabitants of a small world that the viewer approaches with a magnifying glass. \nPerformance art: Banana duct taped to fridge as a reminder to eat less meat\, inspired by Maurizio Cattelan. From Wikimedia Commons \nLara Guidetti \nOriginally from Emilia-Romagna\, Lara Guidetti graduated as a dancer and choreographer in 2006 from the Atelier of Theater-Dance at the Paolo Grassi School in Milan\, studying with renowned national and international masters. She continued her training in the world of dance and performing arts\, exploring various pedagogical methods and training through workshops and productions. In 2008\, she founded the Sanpapié company\, where she serves as artistic director\, choreographer\, director\, and performer\, presenting works across Italy\, Europe\, China\, and Saudi Arabia. In 2017\, her show LEI won the Premio Bonacina. She collaborates with the JGM company in Lisbon\, works with La Scala in Milan as a dancer and acrobat\, and creates choreographies for opera productions. She has taught at the Paolo Grassi and Dancehaus schools in Milan and at the Teatro Stabile school in Turin. Since 2022\, she has been an associated artist of the MilanOltre festival and a collaborator of the Fondazione Nazionale della Danza as a choreographer and curator of site-specific projects. \n \nNicolas Ballario \nNicolas Ballario\, born in 1984\, is involved in contemporary art applied to media. He began his professional career at Oliviero Toscani‘s factory La Sterpaia\, where he later became the cultural manager. He has collaborated with major artistic institutions and numerous publications. \nIn 2016\, he became the youngest ever recipient of the Premio Bassani\, one of the most prestigious awards for journalists distinguished in cultural and environmental fields. Currently\, he hosts and produces contemporary art programs on Rai Radio Uno and contributes to magazines such as Rolling Stone\, Living from Corriere della Sera\, and Il Giornale dell’Arte. In 2019\, he hosted the photography format Camera Oscura on LA7\, while from 2020 to 2022\, he led programs on Sky Arte including Io ti vedo\, tu mi senti?\, The Square\, and Italia Contemporanea.\nHe is the CEO of the newly established exhibition production company Piuma and oversees exhibitions and catalogs. Artribune magazine recognized him in their Best of for two consecutive years: in 2019 for radio and in 2020 for television projects. \nInfo&Tickets \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe box office at Fonderia is open from 7:30 PM.\nTickets are not numbered. \nCONTACTS\nPhone and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nVia della Costituzione 39\, Reggio Emilia \nWINE TASTING AT FONDERIA\nFrom 7:30 PM to 8:30 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini. \n \n\n  \n 
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-il-corpo-piccolo/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTEND;TZID=Europe/Rome:20240925T223000
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LAST-MODIFIED:20240723T111043Z
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SUMMARY:Armoniosa Unità
DESCRIPTION:Armoniosa Unità is the new evening by MM Contemporary Dance Company directed by Michele Merola\, consisting of three choreographies: Do Not Call Me a Dancer\, choreographed by Giorgia Lolli and dedicated to Isadora Duncan\, winner of the Siae Per Chi Crea 2023 award; ComeTe\, a female duet by Adriano Bolognino\, winner of the 2022 Danza&Danza Emerging Choreographer award; and finally Armoniosa Unità\, a creation by Michele Merola and Enrico Morelli\, conceived this year to celebrate the birth of Guglielmo Marconi. \n  \nDon't call me a dancer \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \nComeTe \nWORLD PREMIERE \nChoreography: Giorgia Lolli\nSound design: Sebastian Kurtén\nCostumes: Nuvia Valestri\nLighting design: Elena Vastano\nPerformers: Erica Barusco\, Carlotta Maucioni\, Viviana Sanfilippo\, Diletta Torelli\nDuration: 20 min. \nChoreography winner of the Siae Per Chi Crea 2023 award \nSupported by the Ministry of Culture\, SIAE under the ‘Per Chi Crea’ project / Emilia-Romagna Region / Municipality of Reggio Emilia / Centro Permanente Danza – Reggio Emilia \n \nIsadora Duncan (San Francisco\, 1877 – Nice\, 1927) is remembered for her light dances\, tunics\, bare feet\, and that iconic scarf that got caught in the wheel of a car\, costing her life. Do not call me a dancer is a dedication to one of the women who made the history of modern dance. \n\nGIORGIA LOLLI (Reggio Emilia\, 1996) is a dancer and creator\, currently pursuing her Master’s studies in Choreography at the Theater Academy of Helsinki. Her practice intertwines dramaturgical-choreographic research and community processes. After completing her Bachelor’s in Contemporary Dance at the Zürich University of the Arts\, she continued her training in Israel. Since 2019\, she has been active as a freelance dancer\, collaborating with E.sperimenti Dance Company\, Skopje Dance Theater\, Elio Gervasi\, Yotam Peled\, Monster Chetwynd (Art Basel 2021)\, Bianca Hisse\, and Laura Cemin (Aerowaves 2023). Since 2022\, she has been a Dance Well – Movement research for Parkinson’s teacher within the European project coordinated by Operaestate. Her choreographic projects span various platforms\, including Anghiari Dance Hub and Vetrina della Giovane Danza d’Autore\, Nuovo Forno del Pane (MAMbo – Museo di Arte Moderna di Bologna)\, and residency actions Boarding Pass in Tunis\, Buenos Aires\, Kaunas\, and Krakow. She presents at festivals in Germany\, Portugal\, Finland\, and Switzerland. Together with Sophie Claire Annen and Sebastian Kurtén\, she won DNAppunticoreografici 2023 with Eat me. \n\nChoreography: Adriano Bolognino\nMusic: Giuseppe Villarosa\nAssistant Choreographer: Rosaria Di Maro\nPerformers: Laura Dell’Agnese and Giorgia Raffetto\nDuration: 11 min. \n“Like comets\, there are beings who traverse existence without seeking order or a fixed reference point. Others\, like planets\, revolve around a center and feel they must not stray from that source of warmth and light. They too experience highs and lows\, but they persevere on the right path.” – Omraam Mikhaël Aïvanhov \n\nADRIANO BOLOGNINO was born in Naples in 1995. He won the 2022 Danza&Danza award as Emerging Choreographer. For the 2023/24 season\, he has been commissioned to create new works for the Teatro dell’Opera di Roma and the national Maltese company ZfinMalta. He created the choreography “Come Neve” selected for Danza Urbana XL 2023; he choreographed for the stars Eleonora Abbagnato and Jacopo Tissi during MFW23. In 2022\, he created “White Room” for the Opus Ballet Company. He was selected for “Prove d’autore – Anticorpi XL” and created “SKRIK” for the MM Contemporary Dance Company. His work “Rua da Saudade”\, selected for the NID Platform 2021 and CallforCreation/Orsolina28\, debuted at the TorinoDanza Festival. He was selected by ADH19\, where he created “Gli Amanti”\, a piece selected for Aerowaves 21. In 2020\, the Venice Biennale commissioned him to create a new work for the festival. He won the Prospettiva Danza Padova award in 2019. His creations are performed in national and international contexts\, including Cross Festival\, Kilowatt Festival\, Interplay Festival\, BMotion Opera Estate\, Fabbrica Europa\, Gender Bender Festival\, DAP Festival\, Danza Estate Bergamo\, Festival Exister\, Moving Colors Festival\, Ammutinamenti Festival\, Artissima Festival\, Festival Aperto\, and more. \nArmoniosa Unità \nChoreography: Michele Merola and Enrico Morelli\nMusic: Pierre Jodlowski\, Anne Muller\nPerformers: Lorenzo Fiorito\, Mario Genovese\, Nicola Stasi\, Giuseppe Villarosa\nDuration: 20 min. \nArmoniosa Unità is a choreography by Michele Merola and Enrico Morelli\, created this year for the celebration of Guglielmo Marconi’s birth. The work explores the meaning of the near and the far\, inspired by electromagnetic waves. It is about reaching out to a distant person and bringing them onto our path to share a common journey. This approach creates a union of intentions and a journey towards cohesion that\, even in diversity\, leads to a vision of the common good. The choreography is accompanied by a musical score by Pierre Jodlowski with the Orchestre Philharmonique de Radio France\, which incorporates a series of messages and announcements from radio broadcasts into a contemporary music composition. This sonic backdrop takes us into the world of radio\, which even today\, as in the previous century\, serves as a medium for spreading news and\, above all\, for conveying cultures and messages of great importance. \n\nMICHELE MEROLA is the artistic director and main choreographer of the MM Contemporary Dance Company\, a contemporary dance company founded in 1999 in Reggio Emilia\, which won the prestigious Danza & Danza Award in 2010 as the best emerging company. With this company\, Merola has brought many of his choreographies to the stage\, both in Italy and abroad\, including La metà dell’ombra\, which won the Anita Bucchi Award in 2010\, and Bolero\, which won the Europaindanza 2017 Award for Choreographic Merit. Since 2000\, he has created numerous works for other companies\, including Aterballetto\, Teatro San Carlo in Naples\, Dominic Walsh Dance Theatre\, Teatro Massimo in Palermo\, Junior Balletto di Toscana\, National Theatre of Belgrade\, and Tanzcompagnie Landesbühnen Sachsen in Dresden. In 2003\, he won the International Choreography Competition in Hannover\, in 2008 he received the Positano Leonide Massine Award for the Art of Dance\, and in 2016 he won the GD Awards 2016 (www.giornaledelladanza.com) as the Best Italian Choreographer. In 2017\, he won the L’Abella Danza Award (in memory of Ricardo Nunez) at the Roman Amphitheater of Avella (AV). In 2018\, he received the “Incontro con la danza” award instituted by Basilicata ArteDanza. Since 2010\, Merola has been\, along with Enrico Morelli\, the artistic director of Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \n\nENRICO MORELLI\, a dancer and choreographer\, began his dance studies in Barletta. In 1999\, he graduated from the National Academy of Dance\, where he later attended the advanced course for teachers. His creative talent led him to participate in major choreography competitions\, winning first place at the Michele Abbate Competition in Caltanissetta\, the Città di Perugia Competition\, the Rieti International Dance Festival\, and the Danza Estate in Florence. From 1997 to 2003\, he worked as a dancer with the N. Piccinni Concert Foundation\, Milena Zullo’s Arte Balletto company\, the Piccinni Ballet\, and Micha Van Hoeke. In 2001\, he received the silver medal from the President of the Republic as a dancer. Since 2004\, he has been part of the MM Contemporary Dance Company as a dancer and choreographer. Since 2003\, he has created choreographies for Astra Roma Ballet\, the school of Teatro dell’Opera di Roma\, Dominic Walsh Dance Theatre\, Maggio Musicale Fiorentino\, KAOS company in Florence\, Palermo InDanza\, the Hungarian Szegedi Kortàrs Ballet\, Milwaukee Ballet (USA)\, MM Contemporary Dance Company\, and Agora Coaching Project. In 2018\, Morelli won the “Incontro con la danza” award instituted by Basilicata ArteDanza. In 2010\, he founded and has since co-directed\, with Michele Merola\, Agora Coaching Project\, a professional training program for dancers based in Reggio Emilia. \nMM CONTEMPORARY DANCE COMPANY  \nThe MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola\, founded in 1999 as a center for the production of events and performances and as a promoter of festivals and workshops with the aim of fostering exchanges and alliances between Italian and international artists\, witnesses and spokespeople of contemporary culture. \nThe company’s repertoire\, based in Reggio Emilia\, is rich and varied\, thanks to the works of Michele Merola and creations by European and Italian choreographers such as Maguy Marin\, Mats Ek\, Mauro Bigonzetti\, Thomas Noone\, Gustavo Ramirez Sansano\, Karl Alfred Schreiner\, Eugenio Scigliano\, Emanuele Soavi\, Enrico Morelli\, Daniele Ninarello\, Ginevra Panzetti and Enrico Ticconi\, Camilla Monga\, Roberto Tedesco. In 2010\, the MM Contemporary Dance Company won the prestigious Danza & Danza Award as the best emerging company and today\, it is\, in all respects\, a reality of excellence in Italian dance\, with a consolidated performance activity throughout the national territory. For several years it has conquered an international market with performances in European and non-European countries (Korea\, Colombia\, Canada\, Germany\, Russia\, Morocco\, Belgium\, Spain\, Slovenia\, Hungary\, Czech Republic\, Sweden\, France\, Finland\, Serbia…). In 2017\, the MM Contemporary Dance Company won the Europaindanza 2017 Award – Award for Choreographic Merit\, for the show Bolero by Michele Merola. Since 2018\, the MM Contemporary Dance Company has been an associate company of the InDanza Circuit of Trentino Alto Adige. \nThe MMCDC is supported by the Ministry of Culture\, the Emilia-Romagna Region\, the Municipality of Reggio Emilia\, the National Dance Foundation/Aterballetto\, the Permanent Dance Center/Reggio Emilia. \nLearn more \nInfo&TicketsTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/armoniosa-unita/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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DTSTART;TZID=Europe/Rome:20240917T210000
DTEND;TZID=Europe/Rome:20240917T221000
DTSTAMP:20260504T132407
CREATED:20240717T091738Z
LAST-MODIFIED:20240913T171450Z
UID:10003471-1726606800-1726611000@www.fndaterballetto.it
SUMMARY:Somewhere Between
DESCRIPTION:The 2024/25 dance season at the Fonderia opens with Somewhere Between by FLOCK\, a company founded in Chicago in 2017 by choreographers Florian Lochner and Alice Klock. \n“With a quality that is both liquid and articulated\, jointed and limbed throughout\, the interlocking partnering among the dancers […] produces forms that evolve and develop like watching an agave bloom in the fluctuating luminescence of a desert sky.” \nIrene Hsiao\, The Chicago Reader \n\n\nDiscover more \nAlice Klock and Florian Lochner\, co-directors of FLOCK\, bring together artists and audiences in open\, dynamic\, and joy-based environments\, creating work that communicates on many different levels and builds a community and a new understanding of what dance can be. \nSomewhere Between examines how memory and imagination influence our reality and our definition of self. Drawing on myths or childhood stories\, this new creation is emblematic of FLOCK’s work\, featuring duets and group collaborations\, complex movements\, and an emotionally rich narrative. \n \nCREDITS \nChoreography: Alice Klock and Florian Lochner\nDancers: Liane Aung\, Alice Klock\, Emily Krenik\, Florian Lochner\, Robert Rubama\, Kevin J Shannon\nMusic: Angus MacRae\, Natalia Tsupryk\, Brambles\, Cedric Vermue\, Richard Skelton\, Wolff Bergen\, Michael Wall\, Clem Leek\, Rob Lewis\nTechnical Director/Lighting Designer: Julie E. Ballard\nCostumes: FLOCK \nDuration: 1h 5′ without intermission \n  \nFLOCK \nAlice Klock and Florian Lochner met at Hubbard Street Dance Chicago and founded the dance company FLOCK in 2017\, through which they perform internationally and co-create new choreography for film and stage. Together\, they work as choreographers for various dance companies\, universities\, and cultural institutions including Hubbard Street Dance Chicago\, Whim W’Him\, Ballet Idaho\, Seattle Dance Collective\, Ballet Arkansas\, Emergence\, Goethe Institut\, Adaptations Dance Theater\, Alonzo King LINES Ballet BFA\, and 92nd Street Y. Their main goal for 2023 is to create and tour new FLOCK shows internationally with rotating teams of collaborators. In all their work\, they are committed to bringing artists and audiences together in open\, dynamic\, and joyful environments. \nFind out more \n \nINFO & TICKETS \nTICKETS\nFull price: 10 euros\nReduced (under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Municipality of Reggio Emilia members): 6 euros\nReduced (under 8): 3 euros \nPURCHASE TICKETS \n\nONLINE: https://www.biglietteriafonderia39.it/home.aspx\nFonderia Box Office: the box office opens one hour before the show begins (via della Costituzione 39\, Reggio Emilia).\n\nTickets are not numbered. \nCONTACTS FOR RESERVATIONS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it \nWINE TASTING AT FONDERIA \nFrom 8:00 PM to 9:00 PM\, you can enjoy a refined wine tasting of selected wines\, thanks to the valuable collaboration with Venturini Baldini.
URL:https://www.fndaterballetto.it/en/evento/somewhere-between/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,September - December 2024 season
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240610T180000
DTEND;TZID=Europe/Rome:20240610T190000
DTSTAMP:20260504T132407
CREATED:20240610T084432Z
LAST-MODIFIED:20240613T145552Z
UID:10003310-1718042400-1718046000@www.fndaterballetto.it
SUMMARY:OPEN REHEARSAL - NOTTE MORRICONE
DESCRIPTION:«”I\, Ennio Morricone\, am dead\,” wrote the composer before saying goodbye. His music\, on the other hand\, cannot do so. And this is how creators and artists always leave us without really leaving\, and this is how memory takes care to keep them alive\, to keep them safe. Notte Morricone is my gift\, a devoted tribute to the beauty he gave to the world. Ennio Morricone could be my father or my grandfather; I am a direct heir to his legacy\, to the films that (whether masterpieces\, good\, mediocre\, or bad) owe him an immeasurable debt.» – Marcos Morau \nNotte Morricone\, the new creation by CCN / Aterballetto created by the award-winning choreographer Marcos Morau\, debuts on August 1\, 2024\, at the Arena Sferisterio during the Macerata Opera Festival. The show features the entire ensemble of the Compagnia Aterballetto and\, thanks to a coalition of national co-producers\, celebrates the indelible artistic legacy of Oscar-winning Ennio Morricone. \nOn Monday\, June 10\, at 6:00 PM\, the Fonderia audience will have the opportunity to witness the preparation of Notte Morricone. \nOpen rehearsals are unique moments where one can witness the creation of a show\, interact with the artists\, and be amazed by the art of dance: a special occasion that allows the audience into the daily routines of the dancers and choreographers. \n  \nCREDITS \nDirector and Choreography MARCOS MORAU\nMusic ENNIO MORRICONE\nMusical Direction and Adaptation by MAURIZIO BILLI\nSet and Lighting MARC SALICRÚ\nCostumes SILVIA DELAGNEAU \nProduction Fondazione Nazionale della Danza / Aterballetto \nCommission\, Co-production\, Outdoor Premiere Macerata Opera Festival\nCo-production\, Indoor Premiere Fondazione Teatro di Roma\nCo-productions Fondazione I Teatri di Reggio Emilia\, Centro Servizi Culturali Santa Chiara Trento\, Centro Teatrale Bresciano\nCo-production Ravenna Festival | Orchestra Giovanile Luigi Cherubini \nOutdoor Premiere August 1\, 2024\, Macerata Opera Festival \nIndoor Premiere October 24 – November 10\, 2024\, Rome\, Teatro Argentina \nThe performances at Teatro Argentina are co-presented with Fondazione Teatro di Roma and Romaeuropa Festival \nEARLY SUGGESTIONS \n«I am often asked what music I listen to\, what music inspires me or accompanies me in my daily life\, and I always respond the same way: from classical music to contemporary waves\, I draw inspiration from many diverse sources\, and Ennio Morricone is always at the top of the list. \nMorricone’s music embodies that abstract sense of what is not said and not seen in films. Although it is almost impossible to separate his music from the images it accompanies\, Morricone transcends and intertwines with life itself\, with memories\, and with the beauty and cruelty of a world that continues to move forward\, destroying and building itself every day.\nHis music has a powerful melancholic quality that stems both from the contemplation of the past and from the impossibility of capturing any past experience. \nClassically trained with an avant-garde vocation\, Morricone was always beyond the trends of the moment. Today\, three years after his death\, Morricone continues to inspire artists and visionaries in various fields\, and his music belongs to an entire century\, having revived many of our great masters.\nHis music was a genre in itself\, and for this evening\, I want to build a universe based on his sensibility to confirm that his legacy is more alive than ever and that\, as he himself would say\, “my music has a life of its own\, that can live far from the films for which it was created”.» \n(Marcos Morau\, February 2023) \nMARCOS MORAU \nRecently appointed Knight of the Order of Arts and Letters by the French Ministry of Culture and selected as the best choreographer of 2023 by the German magazine TANZ\, the career of Marcos Morau (born in Valencia in 1982) continues to flourish as a creator and stage director. \nTrained between Barcelona and New York in photography\, choreography\, theater theory\, and dramaturgy\, Marcos Morau constructs imaginary worlds and landscapes where image\, text\, movement\, music\, and space form a unique universe constantly nourished by cinema\, photography\, and literature. \nSince 2004\, Marcos has directed La Veronal\, a company present in top theaters and festivals across more than thirty countries: Théâtre National de Chaillot in Paris\, the Venice Biennale\, the Avignon Festival\, Tanz Im August in Berlin\, the RomaEuropa Festival\, the SIDance Festival de Seoul\, Sadler’s Wells in London\, Danse Danse Montreal\, among many others. \nIn addition to his work with La Veronal\, Marcos Morau is an international guest artist in various companies and theaters where he develops new creations\, always at the intersection of performing arts and dance: Nederlands Dans Theater\, Lyon Opera Ballet\, Les Grands Ballets Canadiens\, Royal Danish Ballet\, and The Royal Ballet of Flanders\, among others. \nAs the youngest creator to receive the National Dance Award\, the highest recognition in Spain\, the future of Morau and La Veronal aims to explore new formats and languages where opera\, dance\, and physical theater interact more than ever\, seeking new ways to express and communicate in our turbulent and ever-evolving times. \nStarting from this season\, he is an associated artist at the Staatsballett Berlin. \n“La Veronal is a reminder that dance is often at the forefront of the most innovative theater.” – The New York Times \n“Morau’s visual treatment is so brilliant\, so vividly strange\, that we become involved in what turns out to be a story of transmission and emancipation.” – Le Monde \n“Morau\, one of the most interesting young choreographers on the contemporary dance scene.” – El País
URL:https://www.fndaterballetto.it/en/evento/open-rehearsal-notte-morricone/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Notte Morricone,Open rehearsals,Productions,Season,Stagione gennaio-giugno 2024
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DTSTART;TZID=Europe/Rome:20240605T210000
DTEND;TZID=Europe/Rome:20240605T220000
DTSTAMP:20260504T132407
CREATED:20240527T144415Z
LAST-MODIFIED:20240613T135954Z
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SUMMARY:Made in Italy 32.0
DESCRIPTION:  \n\n  \n\n  \nDouble Performance: \nTuesday\, June 4 – 9:00 PM\nWednesday\, June 5 – 9:00 PM \nThe protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nSCHUBERT FRAMES by Enrico Morelli \nTo the extraordinary music of Franz Schubert\, Enrico Morelli has entrusted his work: no one better than the Viennese composer has been able to interpret the conflicting feelings of love\, tension\, melancholy\, regret\, but also hope. A collage of famous pieces by Schubert\, extracted from true masterpieces – composed two centuries ago\, still amaze today for their great relevance – serve as the soundtrack to this work dedicated to the many souls of contemporary man\, where love gives way to disenchantment\, detachment to sharing\, passion to fear\, and vice versa\, in a back-and-forth between crescendos and diminuendos\, revealing entire universes and secret connections. The choreography aims to be a tale of solitudes and kindred spirits\, in an era like ours\, weary\, murky\, disenchanted\, tormented by a malaise that is in the air\, but also anxiously searching for meaning and a hope of happiness\, some tenderness. A tale of comings and goings that focuses mainly on the moment of return\, because happiness is a home to return to\, perhaps changed\, heedless of the accelerated pace of a present that risks making us struggle and a future we fear to explore. The problem is not to arrive\, but to return. To learn to love again each time. To have the courage to recognize ourselves as fragile\, and therefore generous in tenderness. \n  \nMETEOROLOGY RECHARGED by Michele Di Stefano \nSeven pieces on the coexistence and proximity between bodies\, on what makes dance a formidable tool for knowing the other and others; the work is primarily a path of appropriation of the external space to give body and rhythm to a very simple idea: that dance has the ability to create a welcoming place where someone else’s dance can exist. For this reason\, the dancers’ attention is always directed outward\, to what is near\, around the body. With an exotic touch that doesn’t hurt. We would like this space\, which each body projects outward\, to be perceived as a “possible” space of coexistence\, proximity\, and invention\, based purely on facts. \n  \nPERFORMERS \nJune 4\nErica Barusco\, Jasmine Begici\, Giovanni Karol Borriello\, Elisa D’Acciavo\, Laura Dell’Agnese\, Sara Ferrentino\, Giulia Lusetti\, Lucrezia Maggiore\, Gioele Marcante\, Maya Maselli\, Carlotta Maucioni\, Federico Musumeci\, Giada Piccinini\, Giorgia Raffetto\, Susanna Russing\, Viviana Maria Sanfilippo\, Gennaro Todisco\, Diletta Torelli \nJune 5\nCorrado Azzolini\, Giulia Boccarossa\, Elisa Bocconi\, Salvatore Bruno\, Lucrezia Capuzzelli\, Anna Dal Maso\, Vittoria Facci\, Nicole Forni\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Filippo Penco\, Martina Procacci\, Alessia Russo\, Diletta Suman\, Gaia Zorrilla \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual advanced dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. Its goal is to train artists who are ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands that come from this same market. The project aims to offer a wide range of stimuli\, of a technical and cultural nature\, and of exchange between students and choreographers\, each coming from diverse and interesting realities in the international panorama. Agora allows young dancers to meet established choreographers with different stylistic orientations and has seen the presence of many illustrious names over the years: Michele Merola and Enrico Morelli collaborate with several teachers\, each with proven and qualified experience in the field\, to realize the project. \nCREDITS \nSCHUBERT FRAMES \nChoreography by Enrico Morelli \nMusic by Franz Schubert \nChoreography Assistants: Nicola Stasi\, Lorenzo Fiorito \nDuration: 30 minutes \n  \n— \nMETEOROLOGY RECHARGED \nChoreography by Michele Di Stefano \nRestaged by Biagio Caravano \nMusic by LCD Soundsystem\, Don Bigg\, Dame Grease & Riff Raff\, Cliff Martinez\, Lorenzo Bianchi Hoesch \nDuration: 45 minutes \n  \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it\n“`
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-32-0-2/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240604T210000
DTEND;TZID=Europe/Rome:20240604T220000
DTSTAMP:20260504T132407
CREATED:20240527T144324Z
LAST-MODIFIED:20240613T135642Z
UID:10003308-1717534800-1717538400@www.fndaterballetto.it
SUMMARY:Made in Italy 32.0
DESCRIPTION:  \n\n  \n\n“`html\n  \nDouble Performance: \nTuesday\, June 4 – 9:00 PM\nWednesday\, June 5 – 9:00 PM \nThe protagonists of the evening are the dancers of the Agora Coaching Project\, an advanced training project promoted and supported by the MM Contemporary Dance Company and the A.S.D Progetto Danza of Reggio Emilia\, under the artistic direction of Michele Merola and Enrico Morelli. Started in 2010\, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers. \nSCHUBERT FRAMES by Enrico Morelli \nTo the extraordinary music of Franz Schubert\, Enrico Morelli has entrusted his work: no one better than the Viennese composer has been able to interpret the conflicting feelings of love\, tension\, melancholy\, regret\, but also hope. A collage of famous pieces by Schubert\, extracted from true masterpieces – composed two centuries ago\, still amaze today for their great relevance – serve as the soundtrack to this work dedicated to the many souls of contemporary man\, where love gives way to disenchantment\, detachment to sharing\, passion to fear\, and vice versa\, in a back-and-forth between crescendos and diminuendos\, revealing entire universes and secret connections. The choreography aims to be a tale of solitudes and kindred spirits\, in an era like ours\, weary\, murky\, disenchanted\, tormented by a malaise that is in the air\, but also anxiously searching for meaning and a hope of happiness\, some tenderness. A tale of comings and goings that focuses mainly on the moment of return\, because happiness is a home to return to\, perhaps changed\, heedless of the accelerated pace of a present that risks making us struggle and a future we fear to explore. The problem is not to arrive\, but to return. To learn to love again each time. To have the courage to recognize ourselves as fragile\, and therefore generous in tenderness. \n  \nMETEOROLOGY RECHARGED by Michele Di Stefano \nSeven pieces on the coexistence and proximity between bodies\, on what makes dance a formidable tool for knowing the other and others; the work is primarily a path of appropriation of the external space to give body and rhythm to a very simple idea: that dance has the ability to create a welcoming place where someone else’s dance can exist. For this reason\, the dancers’ attention is always directed outward\, to what is near\, around the body. With an exotic touch that doesn’t hurt. We would like this space\, which each body projects outward\, to be perceived as a “possible” space of coexistence\, proximity\, and invention\, based purely on facts. \n  \nPERFORMERS \nJune 4\nErica Barusco\, Jasmine Begici\, Giovanni Karol Borriello\, Elisa D’Acciavo\, Laura Dell’Agnese\, Sara Ferrentino\, Giulia Lusetti\, Lucrezia Maggiore\, Gioele Marcante\, Maya Maselli\, Carlotta Maucioni\, Federico Musumeci\, Giada Piccinini\, Giorgia Raffetto\, Susanna Russing\, Viviana Maria Sanfilippo\, Gennaro Todisco\, Diletta Torelli \nJune 5\nCorrado Azzolini\, Giulia Boccarossa\, Elisa Bocconi\, Salvatore Bruno\, Lucrezia Capuzzelli\, Anna Dal Maso\, Vittoria Facci\, Nicole Forni\, Aurora Lattanzi\, Luna Lefebvre\, Gioele Marcante\, Laura Miotti\, Martina Pagliari\, Filippo Penco\, Martina Procacci\, Alessia Russo\, Diletta Suman\, Gaia Zorrilla \nAGORA COACHING PROJECT \nAgora Coaching Project is an annual advanced dance training project aimed at dancers aged 18 to 22\, based in Reggio Emilia. Established in 2010\, it is directed by Michele Merola and Enrico Morelli\, and is promoted and supported by the MM Contemporary Dance Company and the Centro Permanente Danza of Reggio Emilia. Its goal is to train artists who are ready to flexibly face the variety of the international dance market\, artists capable of responding to the different technical/stylistic demands that come from this same market. The project aims to offer a wide range of stimuli\, of a technical and cultural nature\, and of exchange between students and choreographers\, each coming from diverse and interesting realities in the international panorama. Agora allows young dancers to meet established choreographers with different stylistic orientations and has seen the presence of many illustrious names over the years: Michele Merola and Enrico Morelli collaborate with several teachers\, each with proven and qualified experience in the field\, to realize the project. \nCREDITS \nSCHUBERT FRAMES \nChoreography by Enrico Morelli \nMusic by Franz Schubert \nChoreography Assistants: Nicola Stasi\, Lorenzo Fiorito \nDuration: 30 minutes \n  \n— \nMETEOROLOGY RECHARGED \nChoreography by Michele Di Stefano \nRestaged by Biagio Caravano \nMusic by LCD Soundsystem\, Don Bigg\, Dame Grease & Riff Raff\, Cliff Martinez\, Lorenzo Bianchi Hoesch \nDuration: 45 minutes \n  \n\nINFO AND TICKETS \n“`html\nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Dance High School\, over 65\, CRAL Comune di Reggio Emilia members: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe box office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/made-in-italy-32-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTEND;TZID=Europe/Rome:20240527T220000
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CREATED:20240509T155915Z
LAST-MODIFIED:20240520T140958Z
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SUMMARY:VISIONI DEL CORPO: THE BODY IN DANGER
DESCRIPTION:Visioni del corpo is a series of events that from May 27th to November 29th\, 2024 will feature a blend of contemporary art and dance\, in a journey where the common denominator will be the body. Six encounters on contemporary art led by Nicolas Ballario\, where alongside words there will be dance\, through some performative interventions in connection with the presented works. Each encounter will be divided into six moments where Ballario will introduce six works by six different artists\, well-known figures in the contemporary scene also to non-enthusiast audiences. Each encounter will be entrusted to a choreographer\, who will translate into dance the suggestions evoked by the discussed works. Each encounter will enrich a small “dancing encyclopedia” of contemporary art\, investigating how illustrious artists have dealt with the theme of the body. Before and after the events at Fonderia\, the bar service will be available\, offering an aperitif to stimulate dialogue among different audiences and different forms of art. \n\n\n \n \nFirst Appointment: Monday\, May 27th at 9:00 PM at Fonderia\n\n \nThe Body in Danger\nDialogue between Nicolas Ballario\, Roberto Escobar\, and Roberto Tedesco \nChoreography by Roberto Tedesco \nFocus on Marina Abramovich\, Jean Michel Basquiat\, Joseph Beuys\, Yves Kleins\, Tracey Emin\, Bill Viola \nIn partnership with \n \n\n\n \nThe first appointment is born in collaboration with the festivalfilosofia of Modena\, Carpi\, and Sassuolo\, a historic event that connects a key word in each edition\, which refers to fundamental issues in philosophical discussion and crucial experiences of contemporary condition\, like the upcoming September with psyche. A reflection on the mind will also open the theme interpreted by Roberto Tedesco: on May 27th at Fonderia\, the investigation will delve into The Body in Danger\, a macro-topic starting from the anthropology of risk and could extend to climate emergency\, addressing in general all physical and psychosomatic emergencies that the contemporary body faces. Dialoguing with the choreographer and Nicolas Ballario will be the philosopher Roberto Escobar. \nThe audience will also experience a VR experience with Francesca Lattuada’s MicroDanza\, It’s Dangerous Not to Lean Out\, with Oculus available one hour before and one hour after the encounter. \n\n\nInfo & reservations \nAPERITIVO AT FONDERIA\nFrom 8:00 PM organized by Associazione Prosit \nTICKETS\nSingle: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it.\nThe ticket office at Fonderia opens at 7:30 PM.\nTickets are not numbered. \nCONTACTS\nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \nFONDERIA ATERBALLETTO\nvia della Costituzione 39\, Reggio Emilia \n\nRoberto Tedesco\nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Tedesco\, born in 1992\, began studying dance at the age of eleven.\nIn 2009\, he joined the Balletto di Toscana School\, immediately dancing for the Junior Bdt youth company. In 2011\, he joined Aterballetto where he remained for ten years\, working with great choreographers from the national and international scene\, including: Ohad Naharin\, Jiri Kylian\, Hofesh Shechter\, William Forsythe\, Johan Inger\, etc. With Aterballetto\, he began choreographing and participated twice in the International Choreographic Competition in Hannover\, winning the critics’ award. For Aterballetto\, he created Cemento for the In/Finito project and Turn the tide for the MicroDanze project. \nSince July 2021\, he has embarked on a path as a freelance choreographer. He was selected for the Young Choreographers Showcase with the duet Punch 24. The same duet was restaged for six dancers of the MM contemporary dance company under the name Round Trip. In Germany\, he staged the duet Line-up at the National Theater Mannheim\, created By the throat for the Ballett Vorpommern\, and was selected for the Think Big project at the Staatsoper Hannover where he created Superorganism. \nHe accessed ResiDance XL – an action of the Anticorpi Network\, through which he began working on the Conscious Decision project. With the latter\, he was among the finalists of DNA choreographic notes 2022 and in 2023 accessed the Open Studios of the NID in Cagliari\, nominated by the National Dance Production Center Körper. Accessing the SupportER action of the Anticorpi Emilia-Romagna Network\, through a residency program\, he created the duet Simbiosi with which he was selected for the Young Choreographers Showcase for the second time and thanks to which he received a special mention during the final of the Prospettiva Danza Teatro award. The Teatro Comunale di Vicenza appointed Roberto as a supported artist for the 2023 edition of the Dance In Rete Festival. He created Standpoints for the new production Callas Callas Callas of the Opus Ballet company. With the show Conscious Decision\, produced by Körper\, he debuted in 2024 in preview at the Centro Coreografico Nazionale / Aterballetto\, co-producer of the show. \nIn January 2024\, he received the Danza&Danza award as Emerging Italian Choreographer 2023.\n \nRoberto Escobar\nAlready a professor of Political Philosophy and Analysis of Political Language at the University of Milan and a collaborator of the Domenica insert of Il Sole 24 Ore. In his research\, he has investigated the anthropological foundations of the dynamics of power mechanisms\, with specific attention to totalitarian political movements\, in order to recover a new space for reflection on categories such as order\, exclusion\, fear\, persecution\, and surveillance. Among his recent works: The Good of the World: The Reasons for Solidarity (il Mulino\, Bologna\, 2018); Facing the Shadow. What Plagues Teach (Raffaello Cortina\, Milan\, 2022); The Faces of Fear (il Mulino\, Bologna\, 2023).
URL:https://www.fndaterballetto.it/en/evento/visioni-del-corpo-the-body-in-danger/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240526T100000
DTEND;TZID=Europe/Rome:20240526T123000
DTSTAMP:20260504T132407
CREATED:20240509T163315Z
LAST-MODIFIED:20240516T212731Z
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SUMMARY:Stravaganze in sol minore - Reggionarra 2024
DESCRIPTION:“`html \n \n  \nFAMILY CONTACT: THE WORKSHOP FOR CHILDREN AND FAMILIES \nSunday\, May 26 – 10:00 AM | Fonderia \n“The body has its own laws and follows a logic that\, however\, is not necessarily that of reason” (Kazuo Ono) \nThe body is an expressive instrument capable of establishing relationships\, creating forms\, interpreting stories and music. The encounter with dance is an important opportunity for both physical and emotional growth. Family Contact is a moment of sharing between children and parents that aims to explore new worlds. Being together through the body\, movement\, physical contact\, creating and building a new harmonic union. Parents and children will experiment with new relationships\, new spaces\, new languages\, all through the body that will enjoy improvising and experimenting with new collective games\, in a non-verbal dialogue rich in human connections. With Family Contact time stands still and imagination takes over. \nPARTICIPATION DETAILS \n“`html \nThe workshop is conducted by Laura Matano\, choreographer and performer \nFor children aged 5 to 10 – accompanied by 1 parent \nReservations open \n€ 5.00 – per person \n(includes ticket for the performance Stravaganze in G Minor at 11:30 AM) \ntel. 334 1023554 – biglietteria@aterballetto.it \n\n  \n\n  \nTHE SHOW: STRAVAGANZE IN G MINOR BY FRANCESCA LATTUADA \nSunday\, May 26 – 11:30 AM | Fonderia \nThe magical virtuosity of Toti Scialoja (1914-1998)\, a master not only of images but also of words\, is the basis of this new creation for children and teenagers\, signed by the National Dance Foundation / Aterballetto. \nThe almost magical vibrations that flow from Scialoja’s poems are like the infinite rings created on the surface of the water when a stone is thrown: evoking unreal or hyper-real images\, carrying a musicality that mixes poetry and nursery rhyme\, making the extraordinary and the frightening join hands. \nCREDITS \nDirection and choreography: Francesca Lattuada \nTexts: Toti Scialoja (from Hamlet’s Apple) \nMusic: The Klezmorin\, Gustav Mahler\, Dean Martin\, Clara Rockmore \nMasks and objects: Natali Fortier \nPerformers: Vittoria Franchina\, Piersilvio De Santis \nCo-production: National Dance Foundation / Aterballetto and Centro Teatrale Bresciano\nIn co-production with Centro Servizi Culturali Santa Chiara \nINFO & TICKETS \n“`html \nTICKETS\nSingle: 3 euros \nCONTACTS \nCell and WhatsApp: 3341023554\nEmail: biglietteria@aterballetto.it \n\n  \n\n 
URL:https://www.fndaterballetto.it/en/evento/stravaganze-in-sol-minore-reggionarra-2024/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Aterballetto,Performances,Productions,Season,stagione gennaio giugno 2023,Stravaganze in sol minore
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DTSTART;TZID=Europe/Rome:20240521T210000
DTEND;TZID=Europe/Rome:20240521T220000
DTSTAMP:20260504T132407
CREATED:20240518T113633Z
LAST-MODIFIED:20240524T164728Z
UID:10003296-1716325200-1716328800@www.fndaterballetto.it
SUMMARY:MOODBOARD
DESCRIPTION:Exploring the human soul through dance: Moodboard is an evening composed of four choreographies by young authors\, presented by Nutida Festival and Stazione Utopia. Much more than just a series of dance performances\, Moodboard is an exciting and engaging journey that explores the human spirit through the beauty of movement. Each piece carries with it a unique story\, a profound message\, and a personal vision of the world. From the life and fragility of Marilyn Monroe to the complexity of human relationships\, from the duality of life choices to the mysterious phases of the moon: each performance offers an intimate and powerful look into our existence. \nMM is a powerful exploration of the life and fragility of Marilyn Monroe through dance\, accompanied by the choreography of Giovanni Insaudo. Lunatica tells of a dreamlike journey through the phases of the moon\, interpreted by Matilde Di Ciolo and Veronica Galdo. The choreography by Roberto Doveri captures the enigma of the stars and transforms movement into poetry. IN(10)SION is an exploration of human duality and the choices that define our path in life. Through the choreography of Isabella Giustina and the performance of Beatrice Ciattini\, the show invites reflection on one’s own certainties. Closing the evening\, LANDSCAPE: based on the work of Harold Pinter – Paesaggio – explores the complexity of human relationships through two simultaneous monologues. The choreography by Alice Catapano offers a profound look at the modes of interaction within a couple\, misunderstandings\, and communicative short circuits. \nIn continuity with the philosophy of the Nutida Festival in Scandicci\, the audience will be offered an aperitif at Fonderia\, starting from 8:00 PM. \nCREDITS \nArtistic Direction Nutida Festival Cristina Bozzolini and Saverio Cona\nPerformers Mooniba Ensemble \nProduction Nutida Festival/Stazione Utopia\n \nMM\nChoreography Giovanni Insaudo\nDancer Veronica Galdo with the participation of Niccolò Poggini Music by Nick Cave & Warren Ellis \nDuration 12 minutes \n— \nLUNATICA\nChoreography Roberto Doveri\nDancers Matilde Di Ciolo and Veronica Galdo\nMusic by Tale of Us \nCo-production Nutida Festival\, NBDT \nDuration 7 minutes \nWinner of “Produktionspreis Theater Pforzheim” and “Scapino Produktionspreis” for the competition “34 International choreographic competition Hannover 2020” \n— \nIN(10)SIONE\nChoreography Isabella Giustina\nDancer Beatrice Ciattini\nMusic by Raime\, Svarte Greiner\n \nDuration 17 minutes \n— \nLANDSCAPE\nChoreography Alice Catapano\nDancers Alice Catapano\, Matteo Capetola\nMusic by Soaking – The Starwheel – Undercurrent / Watershed \nCo-production Nutida Festival\, NBDT \nDuration 18 minutes \nSTAZIONE UTOPIA \nStazione Utopia is a cooperative – social enterprise for culture\, entertainment\, and social activities. \nFounded in 2010\, it carries out activities on behalf of public and private institutions including theaters\, museums\, foundations\, contemporary art festivals\, and research centers in the music field\, as well as developing national and international projects. Special attention is paid to activating programs and practices of inclusion and social promotion aimed at audiences at risk of cultural and educational exclusion\, including migrants\, people in situations of economic/social hardship\, and people with cognitive and/or disabilities. \nIn the field of museum mediation and education\, Stazione Utopia offers educational activities for schools\, in-depth seminars for teachers and educators\, and professional orientation laboratory paths designed to promote creative and transversal learning\, through experience\, knowledge of artistic craftsmanship\, and the discovery of the original language of artwork. \nSince 2010\, Stazione Utopia has been providing assistance and technical direction services\, rental of stage equipment\, logistics services\, event planning\, and production of setups for exhibitions and shows\, art installations\, scenery\, and stage objects\, taking care of design\, safety\, and implementation. \nIn the field of theatrical production and contemporary arts\, Stazione Utopia has been consistently present since 2010 as a producer and co-producer of numerous shows. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced price for under 30\, dance schools\, Matilde di Canossa Choreutic High School\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros\nReduced price for under 8: 3 euros \nTICKET PURCHASE \nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS \nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/moodboard/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240515T210000
DTEND;TZID=Europe/Rome:20240515T220000
DTSTAMP:20260504T132407
CREATED:20240501T191329Z
LAST-MODIFIED:20240516T212217Z
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SUMMARY:A LOT OF / SEHNSUCHT
DESCRIPTION:  \n\nA LOT OF\nIn constant search. The need for the other. Avidity for contact\, scents\, and flavors. Freed from the inhibitory brake of modesty and social conventions\, what could happen? Are we all animals? How much can we desire those around us? How much and how many can we love? Two bodies\, then one\, and suddenly three. Unexpected events and probabilities. Rhythms and rituals that beat\, intertwine\, and distort. The unnatural grace of Nijinski. The predatory instinct belongs to the human DNA. Marking territory becomes a game\, imagining becomes a necessity. How much space do we have in our body\, in our mind\, and in our soul? How much can we host within ourselves? Hunger. \nDISCOVER MORE \nThe number 3 is a constant in the work: 3 performers on stage\, 3 different authors\, 3 musical compositions\, 3 historical characters\, 3 parts. \nThe first of the three parts is a duet inspired by L’Après-midi d’un Faune\, choreographed by Nijinsky in 1912. In the original work\, the author addresses the theme of uncontrollable sexual impulse\, which gives rise to a huge sense of guilt. In his Diaries\, written seven years after the ballet\, it is evident that the choreographer was inspired by his own life with Dyagilev\, whom he was in love with. From this arises his inner contrast\, due on one hand to the moral censorship of the times and on the other to the strong attraction to the prostitutes he frequented. \nThe second part is a solo built on the constant and repeated search for virility and eroticism already unwittingly inherent in popular memory. A plunge into sacrifice\, a ritual aimed at a higher pleasure. Carnal movements that clash with the most sensual delicacies. A body that observes and scrutinizes. A body that screams and savors. A body that nestles on familiar melodies sinking into ancestral memories. \nThe third part tells an ancient love story by origin\, contemporary by definition. On stage\, two bodies that love each other until a third takes the place of one of the two\, a new couple is formed but briefly\, they become a trio; the triangle composed of the legendary Vaslav Nijinsky\, Countess Romola de Pulszky\, and impresario Sergei Pavlovich Dyagilev takes shape on stage through tenderness\, passion\, voyeurism\, fun\, anger\, and loneliness. Romola’s strength\, Nijinsky’s will\, Dyagilev’s fury intertwine in forms\, trajectories\, patterns\, explosions. Three people who love each other. Is this also love? What moves their souls and their bodies? \nThe music starts from the reworking of two immortal works: L’Après-midi d’un Faune by Debussy and Le Sacre du Printemps by Stravinsky. The themes are re-elaborated and deconstructed with an electro-acoustic approach\, the harmonic material reiterated in an almost cathartic manner in order to underline the erotic and mad nuances of Nijinsky’s tormented poetry. Musical repetition is a fundamental part of the process\, the matrix of a primitive feeling refined into modern man\, a victim of love and its consequences. \n\n  \n\n  \nSEHNSUCHT\n\n\n\n\n\n\n\n\n\n\n\n\n\nSehnsucht is a key word of the German romantic spirit\, embodying a typical concept of romantic culture\, rendered in Italian as “longing dependence”. Heidegger\, on the other hand\, identifies a different meaning\, as Sucht is to be understood in its original sense as “pain”: “Nostalgia is the pain of the nearness of the distant”.\nSehnsucht means desiring to reach the limit that separates it from the next\, to discover it\, to show it\, to touch it. Bodies alone but dependent\, investigating\, in a common space\, their limits in relation to the body\, space\, time\, and the other. The dancers enter into a system of movement where each element outlines the coordinates of choreographic scores characterized by unusual directions\, accelerations\, suspensions\, falls\, balances\, and interruptions of dynamics. \nDISCOVER MORE \nThe music\, specially composed for the performance by Filippo Ripamonti\, plays a role in defining the space created by the dancers\, also through the use of reverbs and source tracking. The music expands until it breaks these boundaries with an anthropomorphic music\, no longer tied to the distance between molecules but to the distance between people. \nThe creation seeks to go beyond the choreographic container itself\, in an instantaneous composition\, different with each repetition. The dancers enter into a score of spatial and temporal coordinates\, with a vocabulary of movement to draw from each time to write a new relationship\, a new choreography\, in search of contact with the other\, of reconciliation\, of unity. \nThe choreographic flow in which the performers immerse themselves evolves and slowly reveals the internal relationships\, questioning the limit\, which forces them to constant attention to the group\, to change\, to instant reaction. \nIn this system\, bodies seek each other\, find each other\, and explore contact anew\, a new way of living the relationship in which the audience recognizes itself\, living with hope and craving the performative act. \n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \nCREDITS \nA LOT OF \nby Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Giovanni Careccia\, Enrico Luly\, and Gioele Cosentino\ncostumes by Leonardo Rossi\nco-production FLIC – Festival Lanciano in Contemporanea \nDURATION 40′ \n— \nSEHNSUCHT \na performance by Nicolò Abbattista and Christian Consalvo\nmusic by Filippo Ripamonti\nwith Maria Chiara Bono\, Chiara Borghini\, Giovanni Careccia\, Gioele Cosentino\, Arianna Cunsolo\, Francesca Lastella\, Enrico Luly\, and Davide Galuppi\nwith the support of Time To Move\, Teatrino dei Fondi\, Consorzio Coreografi Danza d’Autore Con.Cor.D.A\, Residenze Artistiche Toscane \nDURATION 30′ \nThe Lost Movement company is now supported by Sanpapié\, Dance production organism supported by MiC \nCOMPAGNIA LOST MOVEMENT \nThe Lost Movement Company was founded in 2011 from an idea by Nicolò Abbattista\, in collaboration with Christian Consalvo. To date\, the company has created eighteen productions. Its most recent productions have received support from important national organizations: Fattoria Vittadini and Fondazione Milano\, Oriente Occidente in Rovereto\, OPLAS/Centro Regionale Danza Umbria\, Teatrino dei Fondi (Consorzio Coreografico CONCORDA)\, and Residenze Artistiche Toscane. \nFor international distribution\, the company is supported by Klub Żak and Gdansk Dance Festival (Poland)\, Platform 14 (Germany)\, and Dance Horizons\, a distribution organism based in Edinburgh\, Scotland. \nThe company has won numerous awards and recognitions\, including Danz’è Off 2015 (finalist for Premio Prospettiva Danza e Teatro 2017 by Arteven)\, selected for IDACO festival (New York)\, Solo Dance Contest (Poland)\, winner of Abelianodanza Contest 2018\, Time To Move 2019\, Nessuno Resti Fuori festival of theater\, city\, and people\, and Festival Presente Futuro 2022 (Movin’Up 2021-2022\, a project supporting artistic mobility and internationalization). \nSince 2023\, Lost Movement has been supported by Associazione Culturale Sanpapié\, a dance production organization recognized by the Ministry of Culture. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros\nReduced for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, members of CRAL Comune di Reggio Emilia: 6 euros\nReduced for under 8: 3 euros \nTICKET PURCHASE \nTickets can only be purchased on the evening of the performance at the ticket office of the Fonderia. \nThe ticket office opens one hour before the start of the performance. \nTickets are not numbered. \nCONTACTS FOR RESERVATIONS\n \nCell and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/a-lot-of-sehnsucht/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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DTSTART;TZID=Europe/Rome:20240509T210000
DTEND;TZID=Europe/Rome:20240509T220000
DTSTAMP:20260504T132407
CREATED:20240421T165548Z
LAST-MODIFIED:20240506T112823Z
UID:10003265-1715288400-1715292000@www.fndaterballetto.it
SUMMARY:FORM 0
DESCRIPTION: Visible things can be invisible. If someone rides a horse in a forest\, first you see them\, then not\, but you know they are there. In the White Signature\, the horsewoman hides the trees\, and the trees in turn hide her. However\, our thought encompasses both the visible and the invisible. And I use painting to make thought visible.\nR. Magritte \nThe perfect balance of forms can be satisfying… but also unsettling.\nStarting from the fascination with symmetry understood as a compositional tool to convey harmony\, and from the multiple symbolic meanings of the mirror in the arts\, in FORM 0\, his first female duo\, Riccardo Buscarini explores symmetry as a place of disharmony and conflict.\nHow can a dialogue be possible if we see ourselves while looking at the other?\nWhat happens if similarity leads us to merge into each other and lose our identity? \nFrom a distorted mirror emerges a monstrous image. \nNext: FORM 0 – Looking at symmetry \nMeeting with the audience moderated by artist and researcher Eleonora Marzani\, who will introduce the themes of symmetry and the mirror underlying the creative process of this work. \n\n  \nCREDITS \nConcept / Choreography: Riccardo Buscarini\nDance: Annalisa Perricone\, Giulia Quacqueri\nOriginal music by Alessandro Baldessari assisted by Luca Felici: “Nostalgia for Nothing” (A.Baldessari) and Sonata for Piano No. 3\, Op. 2 No. 3\, in C Major (L. Van Beethoven)\nCostumes: Mara Leonora Pieri\nLighting: Alessandro Gelmini\nProduction: De Arte Saltandi\nProject winner of the Theodor Rawyler Award 2023/Festival TenDance\, Latina. With the support of Citofonare PimOff 2024\, Milano\, Centro Coreografico Nazionale/Aterballetto and ResExtensa Porta d’Oriente – Centro Nazionale di Produzione della Danza e AREA Mediterranea – AnT Artisti nei Territori. \nSpecial thanks to Eleonora Marzani\, Giada Mazzocco\, Roberta Ferrara\, and Vincenzo Losito\, MM Contemporary Dance Company\, Marta Castelletta\, Viola Rango\, Bagart Company Novara\, and all the people who have crossed and will encounter this project. \nRICCARDO BUSCARINI \nA choreographer winner of numerous awards in Italy and abroad\, Riccardo Buscarini graduated from the London Contemporary Dance School in 2009. He won the Prospettiva Danza Prize 2011\, the Fare Anticorpi Fund 2012\, The Place Prize 2013 with Athletes\, participated in international projects such as danceWEB (Impulstanz\, Vienna)\, ArtsCross London 2013 (UK\, Taiwan\, and China)\, Performing Gender (Italy\, Croatia\, Spain\, Netherlands)\, MAM-Maroc Artist Meeting in Marrakech\, NID Platform 2014 and 2022\, and collaborated with Summerhall (Edinburgh)\, London Festival of Architecture 2016 and 2019\, Nahmad Projects (London)\, and UNA Galleria at Spazio Leonardo\, Milan. Silk\, his creation for the Chelyabinsk Contemporary Dance Theater (Russia)\, was nominated for two Golden Mask 2018 at the Bolshoi Theatre in Moscow before being restaged on ŻfinMalta\, the National Dance Company of Malta. In 2019\, he received two commissions\, one for Equilibrio Dinamico Dance Company\, the other for the Chelyabinsk Contemporary Dance Theater. In 2020\, he created works for EDGE (The Place\, London)\, for the 45th International Arts Workshop of Montepulciano\, and in 2022 for ŻfinMalta (Requiem for Juliet\, based on W. Shakespeare). In 2023\, he founded De Arte Saltandi\, a cultural association of which he is president\, inspired by Domenichino from Piacenza and dedicated to multidisciplinary dance and choreography events. \n\nINFO AND TICKETS \nTICKETS\nFull price: 10 euros \nReduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros \nReduced price for under 8: 3 euros \nTICKET PURCHASE\nTickets can be purchased online at www.biglietteriafonderia39.it \nThe ticket office opens one hour before the start of the show \nTickets are not numbered \nCONTACTS\nPhone and WhatsApp: 3341023554 \nEmail: biglietteria@aterballetto.it
URL:https://www.fndaterballetto.it/en/evento/form-0/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240424T200000
DTEND;TZID=Europe/Rome:20240424T223000
DTSTAMP:20260504T132407
CREATED:20240421T163740Z
LAST-MODIFIED:20240422T075048Z
UID:10003264-1713988800-1713997800@www.fndaterballetto.it
SUMMARY:HO CUORE
DESCRIPTION:&nbsp;\n<blockquote>Two showings: <strong>8:00 PM</strong> and <strong>9:30 PM</strong></blockquote>\nThe word Courage derives from the Latin <em>cor habeo</em>\, which means to have heart. \nA fragment of life.\nA fragment of life together.\nA fragment before going out and facing with courage together what will be theirs and between them living that important moment made of insecurities\, separations\, approaches\, and breaths in unison\, retracing a small part of their journey that led them to have courage for that choice decided and elaborated together. \nThe audience will be immersed in the lived fragment.\nOnly a few at a time will be able to live and breathe together with the performers their fragment. \nCREDITS \n<p>By Laura Matano</p>\n<p>Danced by Melissa Bortolotti\, Danilo Smedile</p>\n<p>Music by A.V.</p>\n<p>Lighting Design by Gessica Germini</p> \n<p>Co-Produced by Compagnia Simona Bucci</p> \n<p>Duration: 40 minutes</p> \nXL COMPANY \n<p>XL Company is a contemporary dance company based in Reggio Emilia\, under the artistic direction of Laura Matano and Emanuela Baratin. It aims to create projects where movement\, the body\, and gesture become material and surface for individual and collective expression\, tools for choreographic experimentation; collaborate with different choreographers and international realities. Some recent works include: Frau – Taulant Shehu (Germany); Light – Natalia Iwaniec (Poland/UK); Hurricane – Damian Munoz (Spain); Now – Laura Matano; Before Tomorrow – Laura Matano; If – Simona Bucci. The company participates in numerous cultural events\, also proposing dance and visual art projects\, video-dance\, and site-specific performances\, focusing on the importance of relationships and nonconformity.</p> \n\nINFO AND TICKETS \n<h2>TICKETS</h2>\n<p>Full price: 10 euros</p>\n<p>Reduced price for under 30\, dance schools\, Liceo Coreutico Matilde di Canossa\, over 65\, CRAL members of the Municipality of Reggio Emilia: 6 euros</p>\n<p>Reduced price for under 8: 3 euros</p> \n<h2>TICKET PURCHASE</h2>\n<p>Tickets can be purchased online at <a href=”http://www.biglietteriafonderia39.it”>www.biglietteriafonderia39.it</a></p>\n<p>The ticket office opens one hour before the start of the show</p>\n<p>Tickets are not numbered</p> \n<h2>CONTACTS</h2>\n<p>Phone and WhatsApp: 3341023554</p>\n<p>Email: <a href=”mailto:biglietteria@aterballetto.it”>biglietteria@aterballetto.it</a></p>
URL:https://www.fndaterballetto.it/en/evento/ho-cuore/
LOCATION:Fonderia\, via della Costituzione\, 39\, Reggio Emilia\, 42124\, Italy
CATEGORIES:Performances,Season,Season January - June 2024
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END:VCALENDAR