BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Centro Coreografico Nazionale / Aterballetto - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.fndaterballetto.it/en/
X-WR-CALDESC:Events for Centro Coreografico Nazionale / Aterballetto
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241019T223000
DTEND;TZID=Europe/Rome:20241019T233000
DTSTAMP:20260505T095229
CREATED:20240620T220529Z
LAST-MODIFIED:20241017T112635Z
UID:10003552-1729377000-1729380600@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-19/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/06/20290916TORINODANZA_TancredieClorinda_Kratz_Cherstich_CCNAter_phandreamacchia_8745.jpg
GEO:44.805069515252;10.326008496004
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Farnese Piazza della Pilotta 15 Parma Italia;X-APPLE-RADIUS=500;X-TITLE=Piazza della Pilotta\, 15:geo:10.326008496004,44.805069515252
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241018T210000
DTEND;TZID=Europe/Rome:20241018T220000
DTSTAMP:20260505T095229
CREATED:20240620T220529Z
LAST-MODIFIED:20241017T112635Z
UID:10003446-1729285200-1729288800@www.fndaterballetto.it
SUMMARY:Il Combattimento di Tancredi e Clorinda
DESCRIPTION:One of Claudio Monteverdi’s most extraordinary works\, Il combattimento di Tancredi e Clorinda\, celebrating its 400th anniversary in 2024\, stands as a pinnacle of Italian Baroque music. It becomes the foundation for an innovative multidisciplinary project where music\, singing\, theater\, and dance blend harmoniously in a creative fusion of performative languages. Philippe Kratz handles the choreography\, while Fabio Cherstich directs\, bringing together his expertise in visual aesthetics and a passion for expressive languages. \nTEATRO FARNESE | PARMA – FESTIVAL VERDI\nFriday\, October 18\, 2024 – 9:00 PM\nSaturday\, October 19\, 2024 – 10:30 PM\nThe performance is part of the evening “Ramificazioni. Madrigali | Luigi Nono – Claudio Monteverdi”\nPremiere of the theatrical version \nCREDITS \nDirection and Visuals: FABIO CHERSTICH\nChoreography and Scenic Movements: PHILIPPE KRATZ\nMusic: IL COMBATTIMENTO DI TANCREDI E CLORINDA by CLAUDIO MONTEVERDI\nDancers: GADOR LAGO BENITO\, ALBERTO TERRIBILE \nGHISLIERI CONSORT\, COMPOSED OF STRINGS AND CONTINUO\nCARLO VISTOLI\, COUNTERTENOR\nCLAUDIO RADO\, ELENA ABBATI\, VIOLINS\nCORINNE RAYMOND-JARCZYK\, VIOLA\nGIULIO PADOIN\, CELLO\nMICHELE GALLO\, VIOLONE\nFRANCESCO OLIVERO\, THEORBO\nDENIEL PERER\, HARPSICHORD \nCo-production: FONDAZIONE NAZIONALE DELLA DANZA / ATERBALLETTO\, TEATRO REGIO DI PARMA / FESTIVAL VERDI\, TORINODANZA FESTIVAL – TEATRO STABILE DI TORINO – TEATRO NAZIONALE\, GHISLIERIMUSICA – CENTRO DI MUSICA ANTICA \nIl Combattimento di Tancredi e Clorinda is a project aimed at promoting live performance activities in cultural institutions and venues\, supported by the Directorate General of Museums and co-financed by the Directorate General for Performing Arts. \nFor the realization of the project\, the National Museums of Perugia – Regional Directorate of National Museums of Umbria – and in particular the National Archaeological Museum and Roman Theatre of Spoleto – have established\, with the support of the Directorate General of Museums\, a partnership shared by five other major cultural sites: Villa Pisani in Stra\, the Castle and Park of Racconigi\, the Swabian Castle of Bari\, the Certosa of San Martino in Naples\, and the Archaeological Park of Venosa. Additionally\, Castel Sant’Angelo in Rome will host the initiative as part of the summer program Sotto l’angelo di Castello. \n \nSITE-SPECIFIC VERSION \n\nChurch of Sant’Agata – National Archaeological Museum and Roman Theatre of Spoleto (PG) – 12 September 2024 PREMIERE\n\n\nCastel Sant’Angelo in Rome – 13 September 2024\n\n\nMonumental Complex of the Castle and Park of Racconigi (CN) – 22 September 2024\n\n\nNational Museum of Villa Pisani\, Stra (VE) – 28 September 2024\n\n\nCertosa and Museum of San Martino\, Naples – 03 October 2024\n\n\nSwabian Castle of Bari – 05 October 2024\n\n\nNational Archaeological Museum “Mario Torelli” of Venosa (PZ) – 06 October 2024\n\n\nKosmos – Museum of Natural History of the University of Pavia – 12 October 2024\n\n\n\n \nVERSIONE TEATRALE \n\nANTEPRIMA: Torino – Torinodanza Festival\, Fonderie Limone – 20-21 Settembre 2024\n\n\nPREMIERE: Parma – Festival Verdi\, Teatro Farnese – 18-19 Ottobre 2024\n\nIl progetto si inserisce all’interno di Italia Danza\, coprogettazione a cura di Direzione Generale per la Diplomazia Pubblica e Culturale del Maeci e CCN/Aterballetto per la promozione del patrimonio artistico italiano all’estero. \nBODIES AS MIRRORS \nIn my vision of Il Combattimento di Tancredi e Clorinda\, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz\, we explore the idea of bodies as mirrors\, thus narrating a humanity in conflict with itself. Eros and Thanatos emerge as equally powerful forces\, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. \nIn conceiving this new creation\, I draw explicit inspiration from body art\, particularly the works of Marina Abramović and Ana Mendieta\, which explore the connection between the body\, the earth\, and primordial rites and origins. I want the combat to reflect the protagonists’ relationship with their surroundings\, incorporating natural elements into their absurd dance of death. \nA single voice will bring three characters to life: the text itself\, Tancredi\, and Clorinda will merge in the body and sound of a countertenor. This estranged sound\, compelled by a circular path\, creates a sensation of constant repetition\, emphasizing the endless cycle of this love and death story\, destined\, unfortunately\, to repeat through the centuries\, reaching us with all its strength\, the emanation of Tasso’s poetic power\, and Monteverdi’s magnificent music. \nFabio Cherstich\, Director \nINNER STRUGGLEFrom the Tasso’s tale\, transposed into music by Claudio Monteverdi\, the most obvious themes are the struggle between man and woman and religious conversion\, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances. \nA more philosophical or psychoanalytic interpretation of this struggle\, from which the two protagonists emerge defeated\, deceived\, and lonely\, appears much more compelling to me. In the opposition of their roles lies a whole world: the seeking\, the confronting\, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life\, and we realize that the other\, nevertheless\, has not won… a deep and shared wound that remains on both bodies. \nAre these then two individuals battling each other\, or perhaps it is one person wrestling with themselves? \nPhilippe Kratz\, Choreographer \nA NEW CULTURAL DIALOGUE \nThe project of live dance and music in museums\, Il Combattimento di Tancredi e Clorinda\, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage\, making it vibrant\, dynamic\, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide\, establishing this initiative among the best practices of the National Museum System. \nMassimo Osanna\, Director General of Museums\nMinistry of Culture \nWe are pleased that from a project—Italia Danza—born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad\, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us\, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad. \nFilippo La Rosa\, Deputy Director General for Public and Cultural Diplomacy\nMinistry of Foreign Affairs and International Cooperation \nWe are honored to lead such a virtuous project: building a national network to bring baroque melodrama\, live music\, dance\, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant’Agata\, part of the National Archaeological Museum and Roman Theater of Spoleto\, seemed the most suitable space to host Il Combattimento di Tancredi e Clorinda: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment\, facing the new altarpiece created by artist Stefano di Stasio—a dialogue between ancient and contemporary that complements this project beautifully. \nCostantino D’Orazio\, Director of National Museums in Perugia –\nRegional Directorate of National Museums Umbria
URL:https://www.fndaterballetto.it/en/evento/il-combattimento-di-tancredi-e-clorinda-3/2024-10-18/
LOCATION:Teatro Farnese\, Piazza della Pilotta\, 15\, Parma\, Italia
CATEGORIES:Aterballetto,Combattimento di Tancredi e Clorinda,Productions
ATTACH;FMTTYPE=image/jpeg:https://www.fndaterballetto.it/wp-content/uploads/2024/06/20290916TORINODANZA_TancredieClorinda_Kratz_Cherstich_CCNAter_phandreamacchia_8745.jpg
GEO:44.805069515252;10.326008496004
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Teatro Farnese Piazza della Pilotta 15 Parma Italia;X-APPLE-RADIUS=500;X-TITLE=Piazza della Pilotta\, 15:geo:10.326008496004,44.805069515252
END:VEVENT
END:VCALENDAR