{"id":10003441,"global_id":"www.fndaterballetto.it\/en\/?id=10003441","global_id_lineage":["www.fndaterballetto.it\/en\/?id=10003441"],"author":"2","status":"publish","date":"2024-06-20 22:08:08","date_utc":"2024-06-20 20:08:08","modified":"2024-10-07 18:41:02","modified_utc":"2024-10-07 16:41:02","url":"https:\/\/www.fndaterballetto.it\/en\/evento\/il-combattimento-di-tancredi-e-clorinda-2\/2024-09-21\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/10003441","title":"Il Combattimento di Tancredi e Clorinda","description":"<p>One of Claudio Monteverdi&#8217;s most extraordinary works, <em>Il combattimento di Tancredi e Clorinda<\/em>, which is universally renowned as a masterpiece of Italian Baroque music, celebrates its 400th anniversary in 2024. It has become the foundation for an innovative multidisciplinary project where music, singing, theater, and dance converge in a harmonious blend of performative languages. Philippe Kratz handles the choreography, while Fabio Cherstich directs, bringing together his expertise in visual aesthetics and a passion for expressive languages.<\/p>\n<blockquote><p>TORINODANZA FESTIVAL<br \/>\nFONDERIE LIMONE \u2013 SALA PICCOLA | RING \u2013 MITO SettembreMusica<br \/>\n20 \u2013 21 September 2024 \u2013 7:30 PM and 10:15 PM<br \/>\nDuration of each performance: 20 minutes<br \/>\n<em>Preview of the theatrical version<\/em><\/p><\/blockquote>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:var(--awb-color3);--awb-divider-hover-color:#222222;--awb-icon-color:var(--awb-color3);--awb-title-color:var(--awb-color3);--awb-content-color:var(--awb-custom11);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion--1\"><div class=\"fusion-panel panel-default panel-432fe4d27875bfdf4 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_432fe4d27875bfdf4\"><a aria-expanded=\"false\" aria-controls=\"432fe4d27875bfdf4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#432fe4d27875bfdf4\" href=\"#432fe4d27875bfdf4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">CREDITS<\/span><\/a><\/h4><\/div><div id=\"432fe4d27875bfdf4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_432fe4d27875bfdf4\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>Direction and visuals: <strong>FABIO CHERSTICH<\/strong><br \/>\nChoreography and stage movements: <strong>PHILIPPE KRATZ<\/strong><br \/>\nMusic: <strong><em>IL COMBATTIMENTO DI TANCREDI E CLORINDA<\/em> by CLAUDIO MONTEVERDI<\/strong><br \/>\nDancers: <strong>GADOR LAGO BENITO, ALBERTO TERRIBILE<\/strong><\/p>\n<p>Coproduction: <strong>FONDAZIONE NAZIONALE DELLA DANZA \/ ATERBALLETTO, TEATRO REGIO DI PARMA \/ FESTIVAL VERDI, TORINODANZA FESTIVAL &#8211; TEATRO STABILE DI TORINO \u2013 TEATRO NAZIONALE, GHISLIERIMUSICA &#8211; CENTRO DI MUSICA ANTICA<\/strong><\/p>\n<p><em>Il Combattimento di Tancredi e Clorinda<\/em> is a project aimed at enhancing live performance activities within institutes and cultural sites, promoted by the <strong>Directorate General of Museums<\/strong> and co-financed by the <strong>Directorate General of Performing Arts<\/strong>.<\/p>\n<p>For the realization of the project, the <strong>National Museums of Perugia \u2013 Regional Directorate of National Museums of Umbria<\/strong> \u2013 and specifically the <strong>National Archaeological Museum and Roman Theatre of Spoleto<\/strong> \u2013 established, with the support of the Directorate General of Museums, a partnership shared by five other significant cultural sites: <strong>Villa Pisani in Stra<\/strong>, the <strong>Castle and Park of Racconigi<\/strong>, the <strong>Swabian Castle of Bari<\/strong>, the <strong>Charterhouse of San Martino in Naples<\/strong>, and the <strong>Archaeological Park of Venosa<\/strong>; joining them is <strong>Castel Sant\u2019Angelo in Rome<\/strong>, which will host the initiative as part of the summer festival <em>Sotto l\u2019angelo di Castello<\/em>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-29592\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png\" alt=\"\" width=\"511\" height=\"54\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-66x7.png 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-177x19.png 177w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-200x21.png 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-300x32.png 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-320x34.png 320w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-400x42.png 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-460x49.png 460w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png 482w\" sizes=\"(max-width: 511px) 100vw, 511px\" \/><\/p>\n<p><strong>SITE-SPECIFIC VERSION<\/strong><\/p>\n<ul>\n<li><em>Church of Sant&#8217;Agata &#8211; National Archaeological Museum and Roman Theatre of Spoleto (PG)<\/em> \u2013 12 September 2024 <strong>PREMIERE<\/strong><\/li>\n<hr \/>\n<li><em>Castel Sant\u2019Angelo in Rome<\/em> \u2013 13 September 2024<\/li>\n<hr \/>\n<li><em>Monumental Complex of the Castle and Park of Racconigi (CN)<\/em> \u2013 22 September 2024<\/li>\n<hr \/>\n<li><em>National Museum of Villa Pisani, Stra (VE)<\/em> \u2013 28 September 2024<\/li>\n<hr \/>\n<li><em>Charterhouse and Museum of San Martino, Naples<\/em> \u2013 03 October 2024<\/li>\n<hr \/>\n<li><em>Swabian Castle of Bari<\/em> \u2013 05 October 2024<\/li>\n<hr \/>\n<li><em>National Archaeological Museum &#8220;Mario Torelli&#8221; of Venosa (PZ)<\/em> \u2013 06 October 2024<\/li>\n<hr \/>\n<li><em>Kosmos \u2013 Museum of Natural History of the University of Pavia<\/em> \u2013 12 October 2024<\/li>\n<hr \/>\n<\/ul>\n<p><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><\/p>\n<p><strong>THEATRICAL VERSION<\/strong><\/p>\n<ul>\n<li><strong>PREVIEW:<\/strong> <em>Turin \u2013 Torinodanza Festival, Fonderie Limone<\/em> \u2013 20-21 September 2024<\/li>\n<hr \/>\n<li><strong>PREMIERE:<\/strong> <em>Parma \u2013 Festival Verdi, Teatro Farnese<\/em> \u2013 18-19 October 2024<\/li>\n<\/ul>\n<blockquote><p>The project is part of <em>Italia Danza<\/em>, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN\/Aterballetto for the promotion of Italy&#8217;s artistic heritage abroad.<\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-7a72a2f2fda851f1e fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7a72a2f2fda851f1e\"><a aria-expanded=\"false\" aria-controls=\"7a72a2f2fda851f1e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#7a72a2f2fda851f1e\" href=\"#7a72a2f2fda851f1e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">BODIES AS MIRRORS<\/span><\/a><\/h4><\/div><div id=\"7a72a2f2fda851f1e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7a72a2f2fda851f1e\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>In my vision of <em>Il Combattimento di Tancredi e Clorinda<\/em>, I imagine a confined and circular space where the proximity and resemblance of bodies play a crucial role. With choreographer Philippe Kratz, <strong>we explore the idea of bodies as mirrors, thus narrating a humanity in conflict with itself.<\/strong> <em>Eros<\/em> and <em>Thanatos<\/em> emerge as equally powerful forces, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.<\/p>\n<p>In conceiving this new creation, I draw explicit inspiration from body art, particularly the works of Marina Abramovi\u0107 and Ana Mendieta, which explore the connection between the body, the earth, and primordial rites and origins. <strong>I want the combat to reflect the protagonists&#8217; relationship with their surroundings, incorporating natural elements into their absurd dance of death.<\/strong><\/p>\n<p>A single voice will bring three characters to life: <strong>the text itself, Tancredi, and Clorinda will merge in the body and sound of a countertenor.<\/strong> This estranged sound, compelled by a circular path, creates a sensation of constant repetition, emphasizing the endless cycle of this love and death story, destined, unfortunately, to repeat through the centuries, reaching us with all its strength, the emanation of Tasso&#8217;s poetic power, and Monteverdi&#8217;s magnificent music.<\/p>\n<p style=\"text-align: right;\"><em>Fabio Cherstich, Director<\/em><\/p>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-61a42cc74bfa4c7d0 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_61a42cc74bfa4c7d0\"><a aria-expanded=\"false\" aria-controls=\"61a42cc74bfa4c7d0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#61a42cc74bfa4c7d0\" href=\"#61a42cc74bfa4c7d0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">INNER STRUGGLE<\/span><\/a><\/h4><\/div><div id=\"61a42cc74bfa4c7d0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_61a42cc74bfa4c7d0\"><div class=\"panel-body toggle-content fusion-clearfix\"><strong>From the Tasso&#8217;s tale, transposed into music by Claudio Monteverdi, the most obvious themes are the struggle between man and woman and religious conversion, but these are also aspects that I find less intriguing: adapting them into dance would lead to a narrative of mere circumstances.<\/strong><\/p>\n<p><strong>A more philosophical or psychoanalytic interpretation of this struggle, from which the two protagonists emerge defeated, deceived, and lonely, appears much more compelling to me.<\/strong> In the opposition of their roles lies a whole world: the seeking, the confronting, and the wounding of each other. The dynamic is that of a ritualistic and conflictual duel between two entities drawing near. The absurdity of the act is revealed when one of them loses their life, and we realize that the other, nevertheless, has not won&#8230; a deep and shared wound that remains on both bodies.<\/p>\n<p><strong>Are these then two individuals battling each other, or perhaps it is one person wrestling with themselves?<\/strong><\/p>\n<p style=\"text-align: right;\"><em>Philippe Kratz, Choreographer<\/em><\/p>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c2bd5db6ff67bb0fe fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c2bd5db6ff67bb0fe\"><a aria-expanded=\"false\" aria-controls=\"c2bd5db6ff67bb0fe\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#c2bd5db6ff67bb0fe\" href=\"#c2bd5db6ff67bb0fe\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">A NEW CULTURAL DIALOGUE<\/span><\/a><\/h4><\/div><div id=\"c2bd5db6ff67bb0fe\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c2bd5db6ff67bb0fe\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>The project of live dance and music in museums, <em>Il Combattimento di Tancredi e Clorinda<\/em>, marks a new milestone in the enhancement of cultural heritage through the integration of various art forms. Dance enriches the museum experience with its expressiveness and ability to engage, making it vibrant, dynamic, and accessible to all. The synergy among numerous institutions involved in the project allows us to present the performance in various cultural venues nationwide, establishing this initiative among the best practices of the National Museum System.<\/p>\n<p style=\"text-align: right;\"><strong><em>Massimo Osanna, Director General of Museums<\/em><\/strong><br \/>\n<strong><em>Ministry of Culture<\/em><\/strong><\/p>\n<p>We are pleased that from a project\u2014<em>Italia Danza<\/em>\u2014born from the General Directorate for Public and Cultural Diplomacy to promote Italian contemporary dance abroad, a bridge has been built to bring this format into Italian museums through collaboration between Aterballetto and the General Directorate of Museums. For us, this new partnership confirms the value and modernity of the work that the General Directorate I represent carries out daily to promote Italian culture abroad.<\/p>\n<p style=\"text-align: right;\"><strong><em>Filippo La Rosa, Deputy Director General for Public and Cultural Diplomacy<\/em><\/strong><br \/>\n<strong><em>Ministry of Foreign Affairs and International Cooperation<\/em><\/strong><\/p>\n<p>We are honored to lead such a virtuous project: building a national network to bring baroque melodrama, live music, dance, and contemporary direction into our museums is undoubtedly a valuable way to enhance our heritage. The Church of Sant&#8217;Agata, part of the National Archaeological Museum and Roman Theater of Spoleto, seemed the most suitable space to host <em>Il Combattimento di Tancredi e Clorinda<\/em>: a place capable of being an exceptional stage to offer viewers a unique experience of the convergence of past and present languages. The dancers will perform in an 11th-century environment, facing the new altarpiece created by artist Stefano di Stasio\u2014a dialogue between ancient and contemporary that complements this project beautifully.<\/p>\n<p style=\"text-align: right;\"><em><strong>Costantino D\u2019Orazio, Director of National Museums in Perugia \u2013<\/strong><\/em><br \/>\n<em><strong>Regional Directorate of National Museums Umbria<\/strong><\/em><\/p>\n<p><\/div><\/div><\/div><\/div><\/div>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-28724\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento.jpg\" alt=\"\" width=\"1080\" height=\"1080\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-66x66.jpg 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-150x150.jpg 150w, 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