{"id":10841,"global_id":"www.fndaterballetto.it\/en\/?id=10841","global_id_lineage":["www.fndaterballetto.it\/en\/?id=10841"],"author":"2","status":"publish","date":"2021-06-11 12:10:27","date_utc":"2021-06-11 10:10:27","modified":"2021-06-30 09:50:38","modified_utc":"2021-06-30 07:50:38","url":"https:\/\/www.fndaterballetto.it\/en\/event\/les-miserables-open-rehearsal-2\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/10841","title":"LES MISERABLES – OPEN REHEARSAL","description":"
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\u00a9Piero Tauro<\/p><\/div>\n

OPEN DRESS REHEARSAL_C&C Company<\/h4>\n

Ladies and Gentlemen! Consider the creature as God first made it; nothing, just nothing. Add civilization and see what you\u2019ve got: walks upright, wears trousers and carries a cane. It\u2019s all education, he\u2019s got animal brains, or rather: brainy animality, he\u2019s not the pig-stupid sort like some people \u2026 The monkey\u2019s already a soldier, though that\u2019s not saying much-the bottom-most species of human kind!<\/p>\n

Woyzeck – Georg Bu\u0308chner<\/p><\/blockquote>\n

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<\/i><\/i><\/span>Credits<\/span><\/a><\/h4><\/div>
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Original creation: Carlo Massari \/ C&C Company<\/strong>
\nOriginal cast: Martina La Ragione, Carlo Massari, Alice Monti, Daniele Monti<\/strong>
\nVocal coaching: Chiara Osella
\n<\/strong>Audio and lighting design: Francesco Massari
\n<\/strong><\/p>\n

Production: C&C Company<\/strong>
\nCo-production: Teatri di Vetro\/<\/strong>Triangolo Scaleno; Teatro Comunale Citt\u00e0 di Vicenza<\/strong>
\nProduction 2019\/2020<\/p>\n

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<\/i><\/i><\/span>Insights<\/span><\/a><\/h4><\/div>
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A ruthless and immoral fresco on today, a middle-class contemporary drama at times familiar, resonates, we are “involuntarily” complicit in it. An overview of stereotypes, of already seen, already said, acted upon. The little theatre of human misery: body and voice at the service of a painful chorus that echoes “The Frogs” by Aristophanes, or perhaps an operetta by Offenbach, or the famous Brechtian “Opera”. Staticity and immobility in response to the imminent, evident collapse (physical, political, social, environmental…). We can’t do anything about it, too late, game over; we watch helplessly, we take note of it, we shrug, sigh and turn around again.<\/p>\n

In the question “what is happening around us?” lies the genesis of this creation: a deepening of the international current affairs and the search for connections between the present forms of protest – rarely based on the idea of human evolution and revolution – and the historical Enlightenment (enlightened) vision, which puts Culture and Art at the centre of change.
\nA creation that once again leads the Company to investigate contemporary social issues, through an amphibious language of strong impact and a complex dramaturgical level in support of the work.<\/p>\n

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<\/i><\/i><\/span>C&C Company<\/span><\/a><\/h4><\/div>
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C&C Company<\/strong> was born from the union between Carlo Massari<\/strong> and Chiara Taviani<\/strong>, performers with an eclectic background, in the last decade on international stages as interpreters and creators of different companies. The debut of the first work in 2011: Corpo e Cultura (Body and Culture) immediately highlighted a strong vocation of the Company in search of a necessary physical language, strongly dramaturgical, in close relation with contemporary social issues. This was followed by the international debuts of: \u201cMaria Addolorata\u201d, \u201cTristissimo\u201d (AnticorpiXL), \u201c012\u201d, \u201cPeurbleue\u201d, \u201cDon\u2019t Be Afraid\u201d, \u201cDead Weight\u201d, \u201cBeast Without Beauty\u201d. They have received prestigious awards, among them: \u201c1st\u201d Hiver Oclytes\/Les Hivernales (F), \u201c2nd\u201d Hannover International Choreographers Competition (D), \u201c2nd\u201d Zawirowania Competition (PL), \u201cAudience Award\u201d Konzert Theater Berne (CH), \u201cFinalist\u201d Machol Shalem Dance Competition (I), \u201cSpecial Mention\u201d Premio Roma Danza (IT), \u201c2nd\u201d Corto in Danza (IT), Premio Palco Aperto (IT), \u201c1st\u201d E \u201cPremio del Pubblico\u201d CrashTest, \u201c1\u00b0\u201d Premio Twain.
\nIn these years, in parallel with the production activity, have taken life performative projects with public participation: ContaminAzioni, SpringRoll (RomaEuropa \u201916), Femminile Plurale. Currently the Company is engaged in the development of the extensive research \u201cBeast Without Beauty\u201d, which sees within it the alternation of social projects and international co-productions.
\nSince 2017 the artistic direction of the Company has been entrusted to Carlo Massari.<\/p>\n

ceccompany.org<\/a><\/p>\n

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<\/i><\/i><\/span>INFO & TICKETS<\/span><\/a><\/h4><\/div>
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TICKETS<\/strong>
\nFull price: 3 euro
\nUnder 6: free<\/p>\n

PURCHASING TICKETS<\/strong>
\nIn compliance with anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it<\/a> up to one hour before the performance.
\nTherefore tickets cannot be booked by phone or by e-mail.<\/p>\n

The ticket service in the Fonderia is suspended.<\/p>\n

Tickets are not numbered.<\/p>\n

ENTRANCE<\/strong>
\nYou can enter the Fonderia 15 minutes before the performance<\/strong>, showing your online purchase.
\nAt the entrance, the temperature will be tested and if the temperature exceeds 37.5\u00b0C, you will not be allowed to enter and you must fill in the Covid self-certification form.
\nIn order to avoid queues at the entrance, please download the Covid self-certification form (it must be submitted on paper) and fill it in beforehand. It must be signed and handed in at the entrance.<\/p>\n

Download Covid self-certification<\/a><\/p>\n

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