{"id":15948,"global_id":"www.fndaterballetto.it\/en\/?id=15948","global_id_lineage":["www.fndaterballetto.it\/en\/?id=15948"],"author":"2","status":"publish","date":"2022-06-14 10:22:56","date_utc":"2022-06-14 08:22:56","modified":"2022-06-14 10:30:54","modified_utc":"2022-06-14 08:30:54","url":"https:\/\/www.fndaterballetto.it\/en\/event\/human-behaviour\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/15948","title":"HUMAN BEHAVIOUR","description":"<p><img decoding=\"async\" class=\"alignnone size-full wp-image-15940\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN.jpg\" alt=\"\" width=\"1920\" height=\"814\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-200x85.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-300x127.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-400x170.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-600x254.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-768x326.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-800x339.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-940x400.jpg 940w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-1024x434.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-1200x509.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN-1536x651.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/HUMAN_BEHAVIOUR_FB_EN.jpg 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>The Greek National Opera Ballet presents a modern dance triptych composed of <strong><em>Point of No Return<\/em><\/strong> by<strong> Ioannis Mandafounis<\/strong>, <strong><em>Lieder ohne Worte<\/em><\/strong> by <strong>Konstantinos Rigos<\/strong>, director of the ensemble, and <em><strong>Plan B<\/strong><\/em> by <strong>Ermira Goro<\/strong>. The choreographies move between classical and modern styles, giving the dancers the opportunity to experiment with new dance forms, accompanied by the music of Giorgos Koumendakis, Dimitri Terzakis and Dimitra Trypani.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15934\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal.jpg\" alt=\"\" width=\"210\" height=\"68\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-200x65.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-300x97.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-400x130.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-600x195.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-768x249.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-800x260.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-1024x333.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal-1200x390.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/ELS_Logo_Blue_horizontal.jpg 1453w\" sizes=\"(max-width: 210px) 100vw, 210px\" \/><\/p>\n<p><em>Lead Donor of the Greek National Opera<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15936\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2.jpg\" alt=\"\" width=\"191\" height=\"78\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2-200x82.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2-300x123.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2-400x163.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2-600x245.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2-669x272.jpg 669w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-2.jpg 700w\" sizes=\"(max-width: 191px) 100vw, 191px\" \/><\/p>\n<p><em>Aegean Airlines<\/em><br \/>\n<em>Official Air Carrier<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15938\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB.jpg\" alt=\"\" width=\"194\" height=\"137\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-200x141.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-300x214.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-400x283.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-600x424.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-768x543.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-800x565.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-1024x724.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-1200x848.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB-1536x1086.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/AEG_Logo_Primary-Star-Alliance_Blue_RGB.jpg 1920w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><\/p>\n<blockquote><p>&nbsp;<\/p><\/blockquote>\n<blockquote><p>The performance is within the summer festival <strong>DANZA AI CHIOSTRI<\/strong> curated by Fondazione Nazionale della Danza \/ Aterballetto and Fondazione I Teatri di Reggio Emilia.<\/p><\/blockquote>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15861\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE.jpg\" alt=\"\" width=\"142\" height=\"36\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-200x51.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-300x76.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-400x101.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-600x152.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-768x195.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-800x203.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-1024x259.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-1200x304.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE-1536x389.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-22-RESTATE.jpg 1772w\" sizes=\"(max-width: 142px) 100vw, 142px\" \/> \u00a0 \u00a0 \u00a0 \u00a0 <img decoding=\"async\" class=\"alignnone wp-image-15863\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri.jpg\" alt=\"\" width=\"340\" height=\"60\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-200x35.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-300x53.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-400x70.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-600x106.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-768x135.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-800x141.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-1024x180.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri-1200x211.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/logo-chiostri.jpg 1500w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/p>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#222222;--awb-divider-hover-color:#222222;--awb-icon-color:#222222;--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion--1\"><div class=\"fusion-panel panel-default panel-432fe4d27875bfdf4 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_432fe4d27875bfdf4\"><a aria-expanded=\"false\" aria-controls=\"432fe4d27875bfdf4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#432fe4d27875bfdf4\" href=\"#432fe4d27875bfdf4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POINT OF NO RETURN<\/span><\/a><\/h4><\/div><div id=\"432fe4d27875bfdf4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_432fe4d27875bfdf4\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>Choreographer, costume supervisor:<strong> Ioannis Mandafounis<br \/>\n<\/strong>Music: <strong>Giorgos Koumendakis<br \/>\n<\/strong>Lighting designer:<strong> Christos Tziogkas<\/strong><\/p>\n<p><div id=\"attachment_15942\" style=\"width: 1930px\" class=\"wp-caption alignnone\"><img decoding=\"async\" aria-describedby=\"caption-attachment-15942\" class=\"size-full wp-image-15942\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-200x113.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-300x169.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-400x225.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-600x338.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-768x432.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-800x450.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-1024x576.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-1200x675.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos-1536x864.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Point-of-No-Return_Photo-Andreas-Simopoulos.jpg 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><p id=\"caption-attachment-15942\" class=\"wp-caption-text\">Human Behaviour_Point of No Return_Photo Andreas Simopoulos<\/p><\/div><\/p>\n<p>In <em>Point of No Return<\/em>, the internationally recognised dancer and choreographer Ioannis Mandafounis composes a modern piece out of dance elements deeply rooted in the tradition of classical ballet. In tune with the music of Giorgos Koumendakis, the GNO Ballet dancers focus on the transparency and authenticity of their moves via the arsenal of classical ballet steps. <strong>Although the group experience of their bodies reveals an extremely classical choreographical approach, one may discern the personal identity of the performers as well as a particularly modern treatment of presence and interpretation of movement \u2013 obvious elements that indicate the choreographer\u2019s regular touch.<\/strong><\/p>\n<blockquote><p>\u201cGuided by the title <em>Point of No Return<\/em>, this dance piece highlights classical technique as performed by a dancer of today, without falsifying it. Joy, communication, complex choreography and performing immediacy are some of the elements presented by the dancers and shared with the public,\u201d according to Ioannis Mandafounis. Giorgos Koumendakis\u2019 music follows the example of the \u201canonymous\u201d folksong creators, \u201crecasting or recomposing traditional musical themes while retaining their energy and subtlety, the authenticity of their primordial model, their pulse and their soul.\u201d<\/p><\/blockquote>\n<p>The choreography <em>Point of No Return<\/em> is a co-production of the GNO and the CIE Ioannis Mandafounis. The CIE Ioannis Mandafounis benefits from the joint support of the City of Geneva, the State of Geneva and the Pro Helvetia \u2013 Swiss Art Council for the 2018-2023 period.<\/p>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-7a72a2f2fda851f1e fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7a72a2f2fda851f1e\"><a aria-expanded=\"false\" aria-controls=\"7a72a2f2fda851f1e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#7a72a2f2fda851f1e\" href=\"#7a72a2f2fda851f1e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Lieder ohne Worte<\/span><\/a><\/h4><\/div><div id=\"7a72a2f2fda851f1e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7a72a2f2fda851f1e\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>Choreographer, set designer: <strong>Konstantinos Rigos<\/strong><br \/>\nMusic: <strong>Dimitri Terzakis<\/strong><br \/>\nCostume designer: <strong>Yiorgos Mesimeris<\/strong><br \/>\nLighting designer:<strong> Christos Tziogkas<\/strong><br \/>\nAssociate architect: <strong>Mary Tsangari<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-15944\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-200x133.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-300x200.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-400x267.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-600x400.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-768x512.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-800x533.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-1024x683.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-1200x800.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2-1536x1024.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Lieder-ohne-Worte_Photo-Andreas-Simopoulos-2.jpg 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>The GNO Ballet director Konstantinos Rigos bases his choreography for the second part of this \u201calternative journey\u201d on three works by the accomplished Greek-German composer Dimitri Terzakis, inspired by modern Greek history and the legacy of ancient Greece. The delicate <em>Spr\u00fcche im Wind<\/em> consists of ten brief, succinct \u201chaikus\u201d for violin and piano. The work <em>Der H\u00f6lle Nachklang I<\/em> constitutes the composer\u2019s emotionally charged reaction to his unbearable childhood memories of the German Occupation of Greece during his early childhood in Athens in the years 1941-1944, while the third piece, <em>Lieder ohne Worte<\/em>, is an apotheosis of melody based on the musical system of antiquity.<\/p>\n<blockquote><p>The composer notes: \u201cTo present the infinitesimal melodic nuances and rapidly changing characters, the interpretation of this composition may and must be endlessly free, poetic, song-like, speech-like and, yes, \u2018old-fashioned\u2019 \u2013 like in the theatre of ancient Greece.\u201d<\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-61a42cc74bfa4c7d0 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_61a42cc74bfa4c7d0\"><a aria-expanded=\"false\" aria-controls=\"61a42cc74bfa4c7d0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#61a42cc74bfa4c7d0\" href=\"#61a42cc74bfa4c7d0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">PLAN B<\/span><\/a><\/h4><\/div><div id=\"61a42cc74bfa4c7d0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_61a42cc74bfa4c7d0\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>Choreographer:<strong> Ermira Goro<br \/>\n<\/strong>Music:<strong> Dimitra Trypani<br \/>\n<\/strong>Set &amp; costume designer: <strong>Christos Delidimos<br \/>\n<\/strong>Lighting designer:<strong> Christos Tziogkas<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-15946\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg\" alt=\"\" width=\"1920\" height=\"1279\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-200x133.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-300x200.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-400x266.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-600x400.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-768x512.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-800x533.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1024x682.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1200x799.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1536x1023.jpg 1536w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg 1920w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>Ermira Goro, a movement and dance theatre artist always in search for new forms of researching and communicating her ideas, says about the choreography of <strong><em>Plan B<\/em><\/strong>:<\/p>\n<blockquote><p>\u201cPlan B is a choreographic experiment on rigorously structured, asymmetrical sonic forms. The dancers move through space in a constantly shifting flux from the particular to the abstract and vice-versa. Plan B, because Plan A proved impossible and Plan C is already taking place.\u201d In tandem, the composer Dimitra Trypani likens her music to a \u201csonic impression of an imaginary videogame in a single-level environment which is to be traversed by the player. However, within this level, there are many \u2018trap-rooms\u2019 in quick, unexpected succession, often without warning. The player\u2019s goal, of course, is to survive until they exit the last \u2018trap-room\u2019 of the game.\u201d<\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c2bd5db6ff67bb0fe fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c2bd5db6ff67bb0fe\"><a aria-expanded=\"false\" aria-controls=\"c2bd5db6ff67bb0fe\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#c2bd5db6ff67bb0fe\" href=\"#c2bd5db6ff67bb0fe\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Info&amp;Tickets<\/span><\/a><\/h4><\/div><div id=\"c2bd5db6ff67bb0fe\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c2bd5db6ff67bb0fe\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>The performance takes place at the <strong>Chiostro Grande<\/strong> of the Chiostri di San Pietro complex.<\/p>\n<p><span style=\"color: #d40000;\"><strong>TICKETS<\/strong><\/span><br \/>\nSingle seat 10 \u20ac.<\/p>\n<p><em>The performances at the Chiostro Piccolo at h 19.30 entitle you to a reduction on the tickets for the performances of the review DANZA AI CHIOSTRI at the Chiostro grande: reduced ticket at \u20ac 8 instead of \u20ac 10<\/em><\/p>\n<p><span style=\"color: #d40000;\"><strong>INFO &amp; TICKET RESERVATION<\/strong><\/span><br \/>\n<a href=\"mailto:info@aterballetto.it\" target=\"_blank\" rel=\"noopener noreferrer\">info@aterballetto.it<\/a> \/ 0522 273016 \/ 334 1023554 (Whatsapp)<\/p>\n<p><span style=\"color: #d40000;\"><strong>TICKET PURCHASE<\/strong><\/span><br \/>\nOnline <a href=\"https:\/\/www.biglietteriafonderia39.it\/home.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">www.biglietteriafonderia39.it<\/a><br \/>\nAt the Chiostri San Pietro: from one hour before the start of the performance<\/p>\n<p><\/div><\/div><\/div><\/div><\/div>\n<p>&nbsp;<\/p>","excerpt":"<p>GREEK NATIONAL OPERA BALLET<\/p>","slug":"human-behaviour","image":{"url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg","id":15946,"extension":"jpg","width":1920,"height":1279,"sizes":{"medium":{"width":300,"height":200,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-300x200.jpg"},"large":{"width":1024,"height":682,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1024x682.jpg"},"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-150x150.jpg"},"medium_large":{"width":768,"height":512,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-768x512.jpg"},"1536x1536":{"width":1536,"height":1023,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1536x1023.jpg"},"portfolio-full":{"width":940,"height":400,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-940x400.jpg"},"portfolio-one":{"width":540,"height":272,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-540x272.jpg"},"portfolio-two":{"width":460,"height":295,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-460x295.jpg"},"portfolio-three":{"width":300,"height":214,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-300x214.jpg"},"portfolio-five":{"width":177,"height":142,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-177x142.jpg"},"blog-large":{"width":669,"height":272,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-669x272.jpg"},"blog-medium":{"width":320,"height":202,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-320x202.jpg"},"recent-posts":{"width":700,"height":441,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-700x441.jpg"},"recent-works-thumbnail":{"width":66,"height":66,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-66x66.jpg"},"0":{"width":200,"height":133,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg"},"1":{"width":400,"height":266,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-400x266.jpg"},"2":{"width":600,"height":400,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-600x400.jpg"},"3":{"width":800,"height":533,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-800x533.jpg"},"4":{"width":1200,"height":799,"mime-type":"image\/jpeg","url":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1-1200x799.jpg"}}},"all_day":false,"start_date":"2022-07-12 21:30:00","start_date_details":{"year":"2022","month":"07","day":"12","hour":"21","minutes":"30","seconds":"00"},"end_date":"2022-07-12 23:00:00","end_date_details":{"year":"2022","month":"07","day":"12","hour":"23","minutes":"00","seconds":"00"},"utc_start_date":"2022-07-12 19:30:00","utc_start_date_details":{"year":"2022","month":"07","day":"12","hour":"19","minutes":"30","seconds":"00"},"utc_end_date":"2022-07-12 21:00:00","utc_end_date_details":{"year":"2022","month":"07","day":"12","hour":"21","minutes":"00","seconds":"00"},"timezone":"Europe\/Rome","timezone_abbr":"CEST","cost":"\u20ac10","cost_details":{"currency_symbol":"\u20ac","currency_code":"","currency_position":"","values":["10"]},"website":"https:\/\/www.biglietteriafonderia39.it\/home.aspx","show_map":true,"show_map_link":true,"hide_from_listings":false,"sticky":false,"featured":false,"categories":[{"name":"Chiostri San Pietro 2022","slug":"chiostri-san-pietro-2022-en","term_group":0,"term_taxonomy_id":213,"taxonomy":"tribe_events_cat","description":"","parent":71,"count":11,"filter":"raw","term_order":"0","id":213,"urls":{"self":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/categories\/213","collection":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/categories","up":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/categories\/71"}},{"name":"Season","slug":"season","term_group":0,"term_taxonomy_id":71,"taxonomy":"tribe_events_cat","description":"","parent":0,"count":365,"filter":"raw","term_order":"0","id":71,"urls":{"self":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/categories\/71","collection":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/categories"}}],"tags":[],"venue":[],"organizer":[],"custom_fields":[],"json_ld":{"@context":"http:\/\/schema.org","@type":"Event","name":"HUMAN BEHAVIOUR","description":"&lt;p&gt;GREEK NATIONAL OPERA BALLET&lt;\/p&gt;\\n","image":"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2022\/06\/Human-Behaviour_Plan-B_Photo-Valeria-Isaeva-1.jpg","url":"https:\/\/www.fndaterballetto.it\/en\/event\/human-behaviour\/","eventAttendanceMode":"https:\/\/schema.org\/OfflineEventAttendanceMode","eventStatus":"https:\/\/schema.org\/EventScheduled","startDate":"2022-07-12T21:30:00+02:00","endDate":"2022-07-12T23:00:00+02:00","location":false,"offers":{"@type":"Offer","price":"10","priceCurrency":"EUR","url":"https:\/\/www.fndaterballetto.it\/en\/event\/human-behaviour\/","category":"primary","availability":"inStock","validFrom":"2022-06-14T00:00:00+00:00"},"performer":"Organization"},"is_virtual":false,"virtual_url":null,"virtual_video_source":""}