{"id":26157,"global_id":"www.fndaterballetto.it\/en\/?id=26157","global_id_lineage":["www.fndaterballetto.it\/en\/?id=26157"],"author":"2","status":"publish","date":"2023-11-03 16:37:29","date_utc":"2023-11-03 15:37:29","modified":"2024-04-18 17:00:17","modified_utc":"2024-04-18 15:00:17","url":"https:\/\/www.fndaterballetto.it\/en\/event\/yeled-rhapsody-in-blue-secus\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/26157","title":"YELED \/ RHAPSODY IN BLUE \/ SECUS","description":"
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On the occasion of the opening of the 2024 Dance Season at the Teatro Regio di Parma<\/strong>, CCN\/Aterballetto presents a trilogy of creations, including the premiere of Rhapsody in Blue<\/strong><\/em><\/a><\/span>, a new original production by Iratxe Ansa<\/strong><\/a><\/span> and Igor Bacovich<\/span><\/strong><\/a>. Also featured are Yeled<\/a> <\/strong><\/span>by Eyal Dadon<\/span><\/a><\/strong> and Secus<\/a><\/strong><\/span>, a creation by Israeli choreographer Ohad Naharin<\/span><\/a><\/strong>.<\/p>\n

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In the desire to revitalize ParmaDanza<\/strong> through new and quality proposals, since my arrival at the Teatro Regio di Parma<\/strong>, I have intended to start from the excellences present in the territory, first and foremost the Fondazione Nazionale della Danza\/Aterballetto, the only National Choreographic Center<\/strong> recognized by the Italian Ministry of Culture.<\/span>
\nFor our Theater, it is essential to embrace contemporaneity and welcome new languages: CCN\/Aterballetto, year after year, confirms itself as an incubator of creativity, development, and experimentation, open to new artistic canons, with a constantly updated perspective.<\/span>These are the values that unite us and drive us to co-design and co-produce, relying on great names in international choreography and simultaneously working to spread and enhance the culture of dance in society.
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\nLuciano Messi<\/span><\/strong>
\nSuperintendent of the Teatro Regio di Parma<\/span><\/strong><\/p><\/blockquote>\n

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Starting a collaboration with the Teatro Regio di Parma<\/strong>, precisely coinciding with the start of the development and revitalization project that Superintendent Messi is carrying out, we together wondered what the best direction of work would be. And it came naturally to think of orienting ourselves towards a musically valuable piece. ‘Rhapsody in Blue’<\/strong> <\/em>is one of those rare pieces that have become an aesthetic, and even emotional, center of gravity of their time and country. And exactly one hundred years<\/strong> have passed since the creation of George Gershwin’s masterpiece.<\/span>Here we are, therefore, once again underlining how important it is to collaborate across different disciplines, promoting a more contemporary vision of artistic creation<\/strong>.<\/span><\/p>\n

Gigi Cristoforetti<\/span><\/strong>
\nGeneral and Artistic Director<\/span><\/strong>
\nNational Choreographic Center \/ Aterballetto<\/span><\/strong><\/p><\/blockquote>\n

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THE PROGRAM<\/span><\/h1>\n

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YELED – Eyal Dadon<\/strong><\/span><\/a><\/h5>\n

RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich<\/strong><\/span><\/a><\/h5>\n

\u00abRhapsody in Blue<\/span><\/em><\/strong> by George<\/em>“`html
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RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich<\/strong><\/span><\/a><\/h5>\n

\u00abRhapsody in Blue<\/span><\/em><\/strong> by George<\/em><\/p>\n

Gershwin’s “Rhapsody in Blue”<\/em><\/strong><\/span> has several attractive points for us. It’s beautiful music, well-known but not often listened to by younger generations. Introducing this work to young people is a good goal, and this piece can provide a less distant and less “American” view of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will naturally dictate the choreographic work, and the lively, sparkling changes it offers are fantastic. \u00bb<\/em> – Iratxe Ansa & Igor Bacovich<\/span><\/strong><\/p>\n