{"id":29272,"global_id":"www.fndaterballetto.it\/en\/?id=29272","global_id_lineage":["www.fndaterballetto.it\/en\/?id=29272"],"author":"2","status":"publish","date":"2024-06-24 15:04:00","date_utc":"2024-06-24 13:04:00","modified":"2025-03-14 15:41:59","modified_utc":"2025-03-14 14:41:59","url":"https:\/\/www.fndaterballetto.it\/en\/event\/solo-echo-an-echo-a-wave-glory-hall\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/29272","title":"Solo Echo \/ Reconciliatio \/ Glory Hall","description":"<p>CCN\/Aterballetto dances at the Teatro Regio di Parma with a brand new triptych, destined to add new and unexpected nuances to the already eclectic repertoire of the company.<\/p>\n<p>The dancers of CCN\/Aterballetto are the protagonists of a production by the multi-award-winning <span style=\"color: #d40000;\"><strong>Crystal Pite<\/strong><\/span>, a Canadian choreographer now in the pantheon of dance. <span style=\"color: #d40000;\"><strong><em>Solo Echo<\/em><\/strong><\/span> is inspired by two sonatas for cello and piano by Johannes Brahms and the poem &#8220;Lines for Winter&#8221; by Mark Strand. As in Strand&#8217;s poem, <em>Solo Echo<\/em> invokes winter, music, and the moving body to express something essential about acceptance and loss.<\/p>\n<p><span style=\"color: #d40000;\"><em><strong>An echo, a wave<\/strong><\/em><\/span> by <span style=\"color: #d40000;\"><strong>Philippe Kratz<\/strong><\/span>, a former Aterballetto dancer and now a choreographer sought after by the most important companies, is a duet inspired by the hypnotic view of the sea and the concept of eternity that inspires us: two people dancing always go through different states of mind, contrasting emotions, closeness, and distance.<\/p>\n<p>The last choreography, <span style=\"color: #d40000;\"><strong><em>Glory Hall<\/em><\/strong><\/span>, is the new production by <span style=\"color: #d40000;\"><strong>Diego Tortelli<\/strong><\/span>, which gives the company and the audience a fresco of sensuality and overwhelming vitality.<\/p>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#222222;--awb-divider-hover-color:#222222;--awb-icon-color:#222222;--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion--1\"><div class=\"fusion-panel panel-default panel-432fe4d27875bfdf4 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_432fe4d27875bfdf4\"><a aria-expanded=\"false\" aria-controls=\"432fe4d27875bfdf4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#432fe4d27875bfdf4\" href=\"#432fe4d27875bfdf4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">CREDITS<\/span><\/a><\/h4><\/div><div id=\"432fe4d27875bfdf4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_432fe4d27875bfdf4\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<h3><span style=\"color: #ff0000;\"><em><strong>Solo Echo<\/strong><\/em><\/span><\/h3>\n<p><em>Choreography<\/em> Crystal Pite<br \/>\n<em>Music<\/em> Johannes Brahms <em>(Sonata for Cello and Piano in E Minor, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major, Op. 99: II. Adagio Affettuoso)<\/em><br \/>\n<em>Production and restaging<\/em> Fondazione Nazionale della Danza\/Aterballetto<br \/>\n<em>Coproduction<\/em> Teatro Comunale di Bologna<\/p>\n<h3><span style=\"color: #ff0000;\"><em><strong>An Echo, a Wave<\/strong><\/em><\/span><\/h3>\n<p><em>Choreography<\/em> Philippe Kratz<br \/>\n<em>Sound designer<\/em> Tommaso Michelini<br \/>\n<em>Production<\/em> Fondazione Nazionale della Danza\/Aterballetto<\/p>\n<h3><span style=\"color: #ff0000;\"><em><strong>Glory Hall<\/strong><\/em><\/span><\/h3>\n<p><em>Choreography<\/em> Diego Tortelli<br \/>\n<em>Music<\/em> Godspeed You! Black Emperor<br \/>\n<em>Production<\/em> Fondazione Nazionale della Danza\/Aterballetto<br \/>\n<em>Coproduction<\/em> Teatro Comunale di Bologna<br \/>\nNew creation<\/p>\n<p><\/div><\/div><\/div><\/div><\/div>\n<div id=\"attachment_31564\" style=\"width: 1930px\" class=\"wp-caption alignnone\"><img decoding=\"async\" aria-describedby=\"caption-attachment-31564\" class=\"wp-image-31563 size-full\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01.jpg\" alt=\"\" width=\"1920\" height=\"1079\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01-200x112.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01-300x169.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01-400x225.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01-600x337.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/01-768x432.jpg 768w, 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