{"id":30247,"global_id":"www.fndaterballetto.it\/en\/?id=30247","global_id_lineage":["www.fndaterballetto.it\/en\/?id=30247"],"author":"2","status":"publish","date":"2024-07-31 23:51:28","date_utc":"2024-07-31 21:51:28","modified":"2024-10-07 19:33:51","modified_utc":"2024-10-07 17:33:51","url":"https:\/\/www.fndaterballetto.it\/en\/event\/il-combattimento-di-tancredi-e-clorinda-8\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/30247","title":"Il Combattimento di Tancredi e Clorinda","description":"<p>One of the most extraordinary works by Claudio Monteverdi, the most universally renowned figure in Italian Baroque music, <span style=\"color: #d40000;\"><strong><em>Il Combattimento di Tancredi e Clorinda<\/em><\/strong><\/span>, which celebrates its 400th anniversary in 2024, becomes the foundation of an <strong>innovative multidisciplinary project, where music, singing, theater, and dance blend to create a seamless hybrid of performance languages.<\/strong> The choreography is by Philippe Kratz, while the direction is by Fabio Cherstich, whose work combines a strong focus on imagery and a passion for visual languages.<\/p>\n<blockquote><p>Chiesa di Sant&#8217;Agata &#8211; Museo Archeologico Nazionale e Teatro Romano di Spoleto<em><br \/>\n<\/em>12 September 2024 \u2013 7:00 PM and 9:00 PM<br \/>\nDuration of each performance: 25 minutes<\/p><\/blockquote>\n<p>Site-specific version Premiere<\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><img decoding=\"async\" class=\"alignnone wp-image-29725 \" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542.jpg\" alt=\"\" width=\"314\" height=\"71\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-66x15.jpg 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-177x40.jpg 177w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-200x45.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-300x68.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-320x73.jpg 320w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-400x91.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-460x104.jpg 460w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-540x123.jpg 540w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-600x136.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-669x152.jpg 669w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-700x159.jpg 700w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-768x174.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-800x181.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-940x213.jpg 940w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-1024x232.jpg 1024w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542-1200x272.jpg 1200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/Logo-Mic_DRM-Umbria_corretto_page-0002-e1722461760542.jpg 1221w\" sizes=\"(max-width: 314px) 100vw, 314px\" \/><\/p>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:var(--awb-color3);--awb-divider-hover-color:#222222;--awb-icon-color:var(--awb-color3);--awb-title-color:var(--awb-color3);--awb-content-color:var(--awb-custom11);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion--1\"><div class=\"fusion-panel panel-default panel-432fe4d27875bfdf4 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_432fe4d27875bfdf4\"><a aria-expanded=\"false\" aria-controls=\"432fe4d27875bfdf4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#432fe4d27875bfdf4\" href=\"#432fe4d27875bfdf4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">CREDITS<\/span><\/a><\/h4><\/div><div id=\"432fe4d27875bfdf4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_432fe4d27875bfdf4\"><div class=\"panel-body toggle-content fusion-clearfix\"><br \/>\nDirection and visuals: <strong>FABIO CHERSTICH<\/strong><br \/>\nChoreography and stage movements: <strong>PHILIPPE KRATZ<\/strong><br \/>\nMusic: <strong><em>IL COMBATTIMENTO DI TANCREDI E CLORINDA<\/em> by CLAUDIO MONTEVERDI<\/strong><br \/>\nDancers: <strong>GADOR LAGO BENITO, ALBERTO TERRIBILE<\/strong><\/p>\n<p>Coproduction: <strong>FONDAZIONE NAZIONALE DELLA DANZA \/ ATERBALLETTO, TEATRO REGIO DI PARMA \/ FESTIVAL VERDI, TORINODANZA FESTIVAL &#8211; TEATRO STABILE DI TORINO \u2013 TEATRO NAZIONALE, GHISLIERIMUSICA &#8211; CENTRO DI MUSICA ANTICA<\/strong><\/p>\n<p><em>Il Combattimento di Tancredi e Clorinda<\/em> is a project aimed at enhancing live performance activities within institutes and cultural sites, promoted by the <strong>Directorate General of Museums<\/strong> and co-financed by the <strong>Directorate General of Performing Arts<\/strong>.<\/p>\n<p>For the realization of the project, the <strong>National Museums of Perugia \u2013 Regional Directorate of National Museums of Umbria<\/strong> \u2013 and specifically the <strong>National Archaeological Museum and Roman Theatre of Spoleto<\/strong> \u2013 established, with the support of the Directorate General of Museums, a partnership shared by five other significant cultural sites: <strong>Villa Pisani in Stra<\/strong>, the <strong>Castle and Park of Racconigi<\/strong>, the <strong>Swabian Castle of Bari<\/strong>, the <strong>Charterhouse of San Martino in Naples<\/strong>, and the <strong>Archaeological Park of Venosa<\/strong>; joining them is <strong>Castel Sant\u2019Angelo in Rome<\/strong>, which will host the initiative as part of the summer festival <em>Sotto l\u2019angelo di Castello<\/em>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-29592\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png\" alt=\"\" width=\"511\" height=\"54\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-66x7.png 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-177x19.png 177w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-200x21.png 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-300x32.png 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-320x34.png 320w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-400x42.png 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-460x49.png 460w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png 482w\" sizes=\"(max-width: 511px) 100vw, 511px\" \/><\/p>\n<p><strong>SITE-SPECIFIC VERSION<\/strong><\/p>\n<ul>\n<li><em>Church of Sant&#8217;Agata &#8211; National Archaeological Museum and Roman Theatre of Spoleto (PG)<\/em> \u2013 12 September 2024 <strong>PREMIERE<\/strong><\/li>\n<hr \/>\n<li><em>Castel Sant\u2019Angelo in Rome<\/em> \u2013 13 September 2024<\/li>\n<hr \/>\n<li><em>Monumental Complex of the Castle and Park of Racconigi (CN)<\/em> \u2013 22 September 2024<\/li>\n<hr \/>\n<li><em>National Museum of Villa Pisani, Stra (VE)<\/em> \u2013 28 September 2024<\/li>\n<hr \/>\n<li><em>Charterhouse and Museum of San Martino, Naples<\/em> \u2013 03 October 2024<\/li>\n<hr \/>\n<li><em>Swabian Castle of Bari<\/em> \u2013 05 October 2024<\/li>\n<hr \/>\n<li><em>National Archaeological Museum &#8220;Mario Torelli&#8221; of Venosa (PZ)<\/em> \u2013 06 October 2024<\/li>\n<hr \/>\n<li><em>Kosmos \u2013 Museum of Natural History of the University of Pavia<\/em> \u2013 12 October 2024<\/li>\n<hr \/>\n<\/ul>\n<p><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><\/p>\n<p><strong>THEATRICAL VERSION<\/strong><\/p>\n<ul>\n<li><strong>PREVIEW:<\/strong> <em>Turin \u2013 Torinodanza Festival, Fonderie Limone<\/em> \u2013 20-21 September 2024<\/li>\n<hr \/>\n<li><strong>PREMIERE:<\/strong> <em>Parma \u2013 Festival Verdi, Teatro Farnese<\/em> \u2013 18-19 October 2024<\/li>\n<\/ul>\n<blockquote><p>The project is part of <em>Italia Danza<\/em>, a co-project curated by the Directorate General for Public and Cultural Diplomacy of Maeci and CCN\/Aterballetto for the promotion of Italy&#8217;s artistic heritage abroad.<\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-7a72a2f2fda851f1e fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7a72a2f2fda851f1e\"><a aria-expanded=\"false\" aria-controls=\"7a72a2f2fda851f1e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#7a72a2f2fda851f1e\" href=\"#7a72a2f2fda851f1e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">BODIES AS MIRRORS<\/span><\/a><\/h4><\/div><div id=\"7a72a2f2fda851f1e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7a72a2f2fda851f1e\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>In my vision of Il Combattimento di Tancredi e Clorinda, I imagine a confined, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz, <strong>we explore the idea of bodies as mirrors, thus narrating the story of humanity in a struggle against itself.<\/strong> Eros and Thanatos emerge as equally powerful forces, creating a paradoxical atmosphere in this perfectly balanced fight between human beings.<\/p>\n<p>In conceiving this new creation, I explicitly draw inspiration from body art, particularly the work of Marina Abramovi\u0107 and Ana Mendieta, who explore the connection between the body, the earth, and primordial rites. <strong>I want the combat to reflect the protagonists&#8217; relationship with the surrounding space, incorporating natural elements into their absurd dance of death.<\/strong><\/p>\n<p style=\"text-align: left;\">A single voice will give life to three characters: <strong>the text itself, Tancredi, and Clorinda will merge into the body and sound of a countertenor.<\/strong> This estranged and forced sound, following a circular path, creates a sense of constant repetition, emphasizing the endless cycle of this love-and-death story, tragically destined to repeat itself through the centuries, reaching us in all its strength\u2014the emanation of the poetic power of Tasso\u2019s words and the magnificent music of Monteverdi.<\/p>\n<p style=\"text-align: right;\"><em>Fabio Cherstich, Director<\/em><\/p>\n<p style=\"text-align: left;\"><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-61a42cc74bfa4c7d0 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_61a42cc74bfa4c7d0\"><a aria-expanded=\"false\" aria-controls=\"61a42cc74bfa4c7d0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#61a42cc74bfa4c7d0\" href=\"#61a42cc74bfa4c7d0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">INNER STRUGGLE<\/span><\/a><\/h4><\/div><div id=\"61a42cc74bfa4c7d0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_61a42cc74bfa4c7d0\"><div class=\"panel-body toggle-content fusion-clearfix\">From Torquato Tasso\u2019s story, transposed into music by Claudio Monteverdi, the most obvious themes are the battle between woman and man, and religious conversion. However, these are the aspects I find least intriguing: translating them into dance would result in a narrative of mere circumstances.<\/p>\n<p><strong>A more philosophical or psychoanalytic reading of this struggle, from which both protagonists emerge defeated, deceived, and solitary, seems far more interesting to me.<\/strong> Within the opposition of the two roles, there is already an entire world: the seeking, the confrontation, and the mutual wounding. The dynamic follows the warlike and conflictual ritual of two entities approaching each other. The absurdity of the act manifests when one person loses their life, and we realize that the other, nevertheless, has not won\u2026 a strong, shared wound that remains on both bodies. <strong>So, are these two people fighting each other, or perhaps is one person fighting against themselves?<\/strong><\/p>\n<p style=\"text-align: right;\"><em>Philippe Kratz, Choreographer<\/em><\/p>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c2bd5db6ff67bb0fe fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c2bd5db6ff67bb0fe\"><a aria-expanded=\"false\" aria-controls=\"c2bd5db6ff67bb0fe\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#c2bd5db6ff67bb0fe\" href=\"#c2bd5db6ff67bb0fe\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">A NEW CULTURAL DIALOGUE<\/span><\/a><\/h4><\/div><div id=\"c2bd5db6ff67bb0fe\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c2bd5db6ff67bb0fe\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>The dance and live music project in museums <em>Il Combattimento di Tancredi e Clorinda<\/em> represents a new milestone in the enhancement of cultural heritage through the languages associated with all the arts. With its expressiveness and ability to engage, dance enriches the museum experience, making it vibrant, dynamic, and accessible to everyone. The synergy among the numerous institutions that have collaborated on the project allows us to present the performance in various cultural venues across the country, establishing this initiative among the best practices of the National Museum System.<\/p>\n<p style=\"text-align: right;\"><strong><em>Massimo Osanna, General Director of Museums<\/em><\/strong><br \/>\n<strong><em>Ministry of Culture<\/em><\/strong><\/p>\n<p>We are pleased that from a project \u2013 <em>Italia Danza<\/em> \u2013 born from the Directorate General for Public and Cultural Diplomacy to promote, in partnership with Aterballetto, contemporary Italian dance abroad, has created the bridge that has enabled this format to also be brought into Italian museums through a collaboration between Aterballetto and the Directorate General of Museums. For us, this new partnership confirms the value and modernity of the work that the Directorate General I represent pursues daily to promote Italian culture abroad.<\/p>\n<p style=\"text-align: right;\"><strong><em>Filippo La Rosa, Deputy General Director for Public and Cultural Diplomacy<\/em><\/strong><br \/>\n<strong><em>Ministry of Foreign Affairs and International Cooperation<\/em><\/strong><\/p>\n<p style=\"text-align: left;\">We are honored to lead such a virtuous project: building a national network capable of bringing baroque melodrama, live music, dance, and contemporary direction into our museums is undoubtedly a remarkable way to enhance our heritage.<br \/>\nThe Church of Sant&#8217;Agata, part of the National Archaeological Museum and Roman Theatre of Spoleto, seemed to us the most suitable space to host <em>Il Combattimento di Tancredi e Clorinda<\/em>: a place capable of providing an exceptional stage to offer spectators a unique experience of the convergence of languages, from the past to the present. The dancers will perform in an 11th-century environment, in front of the new altarpiece created by the artist Stefano di Stasio, a dialogue between the ancient and the contemporary that fits well with this project.<\/p>\n<p style=\"text-align: right;\"><em><strong>Costantino D\u2019Orazio, Director of the National Museums of Perugia \u2013 <\/strong><\/em><br \/>\n<em><strong>Regional Directorate of National Museums of Umbria<\/strong><\/em><\/p>\n<p style=\"text-align: left;\">\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-2a99b26097c9664e2 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_2a99b26097c9664e2\"><a aria-expanded=\"false\" aria-controls=\"2a99b26097c9664e2\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#2a99b26097c9664e2\" href=\"#2a99b26097c9664e2\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">INFO&amp;TICKETS<\/span><\/a><\/h4><\/div><div id=\"2a99b26097c9664e2\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_2a99b26097c9664e2\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p><strong>Admission to the show is free, with mandatory reservation at the email <\/strong><a href=\"mailto:drm-umb.segreteria@cultura.gov.it\"><strong>drm-umb.segreteria@cultura.gov.it<\/strong><\/a><strong>.<\/strong><\/p>\n<p>At 6:00 PM and 8:00 PM, guided tours will also be offered by reservation (<a href=\"mailto:drm-umb.segreteria@cultura.gov.it\"><strong>drm-umb.segreteria@cultura.gov.it<\/strong><\/a><strong>),<\/strong> upon purchase of the museum entry ticket.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><\/div><\/div><\/div><\/div><\/div>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-28724\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento.jpg\" alt=\"\" width=\"1080\" height=\"1080\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-66x66.jpg 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-150x150.jpg 150w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-200x200.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-300x300.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-400x400.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/1080x1080-combattimento-600x600.jpg 600w, 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