{"id":32280,"global_id":"www.fndaterballetto.it\/en\/?id=32280","global_id_lineage":["www.fndaterballetto.it\/en\/?id=32280"],"author":"2","status":"publish","date":"2025-04-03 10:06:13","date_utc":"2025-04-03 08:06:13","modified":"2025-04-03 13:25:17","modified_utc":"2025-04-03 11:25:17","url":"https:\/\/www.fndaterballetto.it\/en\/event\/italia-danza-london\/","rest_url":"https:\/\/www.fndaterballetto.it\/en\/wp-json\/tribe\/events\/v1\/events\/32280","title":"ITALIA DANZA &#8211; London","description":"<p><strong><em>Italia Danza<\/em><\/strong>, thanks to the collaboration with the <strong>Italian Cultural Institute in London<\/strong>, arrives in the UK capital with the performance <em>Il Combattimento di Tancredi e Clorinda<\/em>.<\/p>\n<p>A cosmopolitan project, entrusted to the universal language of the body, promoted by the <strong>General Directorate for Public and Cultural Diplomacy of the Farnesina<\/strong>, and performed by <strong>CCN\/Aterballetto<\/strong>, thanks to its vast repertoire of <em>site-specific<\/em> creations, designed to inhabit palaces, monumental or urban spaces, and symbolic cultural sites.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-31919\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01.png\" alt=\"\" width=\"295\" height=\"76\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-200x52.png 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-300x78.png 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-400x103.png 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-600x155.png 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-768x199.png 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01-800x207.png 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/06\/MAECI-marchio-O-IT-01.png 971w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/> <img decoding=\"async\" class=\"alignnone wp-image-32270\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra.jpg\" alt=\"\" width=\"178\" height=\"118\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-200x133.jpg 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-300x200.jpg 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-400x267.jpg 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-600x400.jpg 600w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-768x512.jpg 768w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra-800x534.jpg 800w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2025\/04\/IIC-colore-londra.jpg 886w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/p>\n<blockquote><p><span style=\"font-size: 10pt;\"><strong><a href=\"https:\/\/www.vam.ac.uk\/event\/9j2oKko72k\/ater-balletto-april-2025?srsltid=AfmBOorrbz0h_ACZLqhtX8o_1Sah9Z7W9XXbugA5TDwVyVRhn_zYeuWZ\" target=\"_blank\" rel=\"noopener\">Victoria &amp; Albert Museum South Kensington &#8211; London, April 29, 2025, at 11 AM and 1 PM<\/a><br \/>\n<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">As part of the <strong>Performance Festival at the V&amp;A Museum<\/strong>, CCN\/Aterballetto celebrates <strong>International Dance Day<\/strong> with <strong><em>Il Combattimento di Tancredi e Clorinda<\/em><\/strong>, a dance and live music performance created in September 2024 to enhance Italian cultural heritage, co-designed with the General Directorate of Museums of the Ministry of Culture.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Within the stunning <strong>Raphael Gallery<\/strong> of the V&amp;A Museum, the story of love and death narrated by Torquato Tasso in <em>Gerusalemme Liberata<\/em> (1575) and set to music by Claudio Monteverdi (1624) will come to life. The performance, directed by <strong>Fabio Cherstich<\/strong> and <strong>Philippe Kratz<\/strong>, features dancers <strong>Gador Lago Benito<\/strong> and <strong>Alberto Terribile<\/strong>, tenor <strong>Matteo Straffi<\/strong>, and harpsichordist <strong>Deniel Perer.<\/strong> <\/span><\/p><\/blockquote>\n<div class=\"video-shortcode\"><iframe title=\"CCN\/Aterballetto - Il combattimento di Tancredi e Clorinda - Roma\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/mjZQdcn1fgc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:var(--awb-color3);--awb-divider-hover-color:#222222;--awb-icon-color:var(--awb-color3);--awb-title-color:var(--awb-color3);--awb-content-color:var(--awb-custom11);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion--1\"><div class=\"fusion-panel panel-default panel-432fe4d27875bfdf4 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_432fe4d27875bfdf4\"><a aria-expanded=\"false\" aria-controls=\"432fe4d27875bfdf4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#432fe4d27875bfdf4\" href=\"#432fe4d27875bfdf4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">CREDITS<\/span><\/a><\/h4><\/div><div id=\"432fe4d27875bfdf4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_432fe4d27875bfdf4\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<blockquote><p><span style=\"font-size: 10pt;\">Direction and visuals: <strong>FABIO CHERSTICH<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\">Choreography and stage movements: <strong>PHILIPPE KRATZ<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\">Music: <strong><em>IL COMBATTIMENTO DI TANCREDI E CLORINDA<\/em> by CLAUDIO MONTEVERDI<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\">Dancers: <strong>GADOR LAGO BENITO, ALBERTO TERRIBILE<br \/>\n<\/strong>Singer:<strong> MATTEO STRAFFI<br \/>\n<\/strong>Harpsichord:<strong> DENIEL PERER<br \/>\n<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Coproduction: <strong>FONDAZIONE NAZIONALE DELLA DANZA \/ ATERBALLETTO, TEATRO REGIO DI PARMA \/ FESTIVAL VERDI, TORINODANZA FESTIVAL &#8211; TEATRO STABILE DI TORINO \u2013 TEATRO NAZIONALE, GHISLIERIMUSICA &#8211; CENTRO DI MUSICA ANTICA<\/strong><\/span><\/p><\/blockquote>\n<p><em>Il Combattimento di Tancredi e Clorinda<\/em> is a project aimed at enhancing live performance activities within cultural institutions and heritage sites, promoted by the <strong>General Directorate of Museums<\/strong> and co-financed by the <strong>General Directorate for Performing Arts<\/strong>.<\/p>\n<p>To implement the project, the <strong>National Museums of Perugia \u2013 Regional Directorate of National Museums of Umbria<\/strong>\u2014specifically the <strong>National Archaeological Museum and Roman Theatre of Spoleto<\/strong>\u2014have established, with the support of the General Directorate of Museums, a partnership shared with five other significant cultural sites: <strong>Villa Pisani in Stra<\/strong>, <strong>Castello and Park of Racconigi<\/strong>, <strong>Swabian Castle of Bari<\/strong>, <strong>Certosa di San Martino in Naples<\/strong>, and the <strong>Archaeological Park of Venosa<\/strong>. Additionally, <strong>Castel Sant\u2019Angelo in Rome<\/strong> will host the initiative as part of the summer festival <em>Sotto l\u2019angelo di Castello<\/em>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-29592\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png\" alt=\"\" width=\"511\" height=\"54\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-66x7.png 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-177x19.png 177w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-200x21.png 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-300x32.png 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-320x34.png 320w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-400x42.png 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-460x49.png 460w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png 482w\" sizes=\"(max-width: 511px) 100vw, 511px\" \/><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><span style=\"font-size: 10pt;\">The project is part of <em>Italia Danza<\/em>, a co-designed initiative by the General Directorate for Public and Cultural Diplomacy of the Maeci and CCN\/Aterballetto to promote Italian artistic heritage abroad.<\/span><\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-7a72a2f2fda851f1e fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7a72a2f2fda851f1e\"><a aria-expanded=\"false\" aria-controls=\"7a72a2f2fda851f1e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#7a72a2f2fda851f1e\" href=\"#7a72a2f2fda851f1e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">BODIES AS MIRRORS<\/span><\/a><\/h4><\/div><div id=\"7a72a2f2fda851f1e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7a72a2f2fda851f1e\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>In my vision of <em>Il Combattimento di Tancredi e Clorinda<\/em>, I imagine a confined, circular space where the proximity and similarity of the bodies play a fundamental role. Together with choreographer Philippe Kratz, we explore <strong>the idea of bodies as mirrors, thus narrating a humanity in conflict with itself<\/strong>. <em>Eros<\/em> and <em>Thanatos<\/em> emerge as equally powerful forces, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings. In our vision, Tancredi and Clorinda are contemporary warriors, inextricably bound to one another, forced to fight and enact a story that has already been written.<\/p>\n<p>A single voice will bring three characters to life: the text itself, Tancredi, and Clorinda will merge into the body and sound of a singer. <strong>This estranged sound, constrained by a circular path, creates a sense of constant repetition, emphasizing the endless cycle of this tale of love and death<\/strong>, doomed to repeat itself through the centuries and reach us with all its force, as an emanation of the poetic power of Tasso\u2019s words and Monteverdi\u2019s sublime music.<\/p>\n<p><em>Fabio Cherstich, Director<\/em><\/p>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-61a42cc74bfa4c7d0 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_61a42cc74bfa4c7d0\"><a aria-expanded=\"false\" aria-controls=\"61a42cc74bfa4c7d0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion--1\" data-target=\"#61a42cc74bfa4c7d0\" href=\"#61a42cc74bfa4c7d0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">INNER STRUGGLE<\/span><\/a><\/h4><\/div><div id=\"61a42cc74bfa4c7d0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_61a42cc74bfa4c7d0\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<p>In Torquato Tasso\u2019s tale, set to music by Claudio Monteverdi, the most obvious themes are the battle between man and woman and religious conversion, yet these are the aspects I find least intriguing: adapting them into dance would risk falling into a mere narration of factual circumstances.<\/p>\n<p><strong>A more philosophical or psychoanalytical reading of this struggle, from which both protagonists emerge defeated, deceived, and alone, seems far more compelling to me.<\/strong> Within the opposition of these two roles, an entire world already exists: seeking each other, confronting each other, and wounding each other. The dynamic follows the ritualistic pattern of war and conflict, as two entities draw near. 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