{"id":14395,"date":"2022-01-18T14:00:02","date_gmt":"2022-01-18T13:00:02","guid":{"rendered":"https:\/\/www.fndaterballetto.it\/2022\/reflections-on-the-establishment-of-ccns-in-italy\/"},"modified":"2022-01-28T13:54:38","modified_gmt":"2022-01-28T12:54:38","slug":"reflections-on-the-establishment-of-ccns-in-italy","status":"publish","type":"post","link":"https:\/\/www.fndaterballetto.it\/en\/2022\/reflections-on-the-establishment-of-ccns-in-italy\/","title":{"rendered":"Reflections on the creation of the CCNs in Italy"},"content":{"rendered":"

A new cultural institution stimulates reflections on the missions and functions it will need to undertake. As well as on the role it will play in relation to issues such as the cultural complexity of our country, the relationship between artistic and productive areas, and the optimisation of the systems that the modern world would like to see more and more flexible.
\nFondazione Nazionale della Danza \/ Aterballetto takes its cue from the introduction of the National Choreographic Centres to start a workshop series. Aterballetto is available to stimulate further in-depth studies.<\/p>\n<\/div>

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First reflections \/\/ 13 November 2021<\/h2><\/div>
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Greetings: Azio Sezzi (President of Fondazione Nazionale della Danza \/ Aterballetto)<\/p>\n

Moderator: Federico Rampini (journalist, writer)<\/p>\n

Speakers:
\nLuca Vecchi (Mayor of Reggio Emilia)
\nGianni Cottafavi (Head of Servizio cultura e giovani of Emilia-Romagna Region)
\nLucio Argano (President of Consiglio Superiore dello spettacolo, scholar)<\/p>\n<\/div><\/div><\/div>

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This video is a summary of the meeting held in Reggio Emilia on 13 November 2021, attended by Raimondo Arcolai (ADEP President), Gian Mario Bandera (Centro Teatrale Bresciano Director), Anna Bandettini (journalist), Maria Luisa Buzzi (journalist and dance critic), Donatella Ferrante (Ministry of Culture – consultant), Valentina Marini (AIDAP President).<\/p>\n<\/div>

Bertrand Dicale ( journalist, director of News Tank Culture – Paris)<\/h5>\n
\n

The development of contemporary dance in France: the National Choreographic Centres<\/p>\n<\/blockquote>\n<\/div>

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Dance in contemporary culture and society \/\/ 14 January 2022<\/h2><\/div>
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\n

Led by Gigi Cristoforetti (General and Artistic Director of Fondazione Nazionale della Danza \/ Aterballetto)<\/p>\n

Institutional Greeting by Azio Sezzi (President of Fondazione Nazionale della Danza \/ Aterballetto)<\/p>\n

Introduction: Carlo Fontana (Agis President): The dance system towards the future.<\/p>\n

Conclusions: Onofrio Cutaia (General Manager Contemporary Creativity – MiC)<\/p>\n<\/div><\/div><\/div>

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Watch the full recording of the webinar<\/span><\/a><\/div>
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PASSCODE<\/h2><\/div>
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\n

zY9$%9T&<\/p>\n<\/div><\/div><\/div>

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<\/i><\/i><\/span>ANGELA VETTESE<\/span><\/a><\/h4><\/div>
\nBETWEEN VISUAL AND PERFORMING ARTS: OVERLAPPING IN THE PUBLIC SPACE.
\n<\/strong><\/span>
\nAngela Vettese provides an insight into the increasingly complex and interconnected universe of art, including dance.
\nShe is director and curator for public and private institutions in the field of contemporary art, as well as art historian and critic and professor at the IUAV University of Venice, where she coordinates the Visual Arts and Fashion course. Moreover, she works with Sole 24Ore since 1986.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>VITTORIO SALMONI<\/span><\/a><\/h4><\/div>
\nCULTURE AND PERFORMING ARTS FACING URBAN AND SOCIAL CHALLENGES IN THE CONTEMPORARY CITY.<\/p>\n

<\/strong>Vittorio Salmoni describes the active and conscious contribution of culture and performing arts to the development of identity and the regeneration of urban, monumental or abandoned areas. <\/span>
\nHe is an architect, urban planner, lecturer, expert in Strategic Land Planning and Urban Regeneration and coordinator of the network of Italian UNESCO Creative Cities.<\/span>
\n<\/strong><\/span><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>NICOLAS BALLARIO<\/span><\/a><\/h4><\/div>
\nA NEW GRAMMAR TO LINK CREATIVITY AND COMMUNICATION.<\/strong><\/span><\/p>\n

Nicolas Ballario deals with contemporary art applied to the media. He currently hosts “The Square” on Sky Arte (an award-winning programme dedicated to art and culture) and “Te la do io l’arte” on Radio Uno Rai. He is a curator and journalist for various newspapers and institutions.
\nHe shares his thoughts on how creative and communicative paths can find a dialogue and a synthesis capable of bringing them both to a more effective and suitable expressive level for the contemporary world.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ROBERTO MONTANARI<\/span><\/a><\/h4><\/div>
\nTECHNOLOGICAL INNOVATION AND NEW OPPORTUNITIES FOR THE ARTISTIC PRODUCTION.<\/strong><\/span><\/p>\n

Roberto Montanari, professor of Human-Machine Interaction and Interaction Design at Suor Orsola Benincasa University in Naples, where he researches the relationship between human sciences and new technologies, examines the theme of technological innovation in the field of creation.
\nHe is also the head of research and development at RE: Lab, the technological partner of Fondazione Nazionale della Danza \/ Aterballetto.
\nHe explains how technologies and performing arts can dialogue, creating new dimensions of creativity.<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>FELICE SCALVINI<\/span><\/a><\/h4><\/div>
\nCULTURAL WELFARE FOR THE HARMONIOUS AND CREATIVE DEVELOPMENT OF SOCIETY AND ECONOMY.<\/span><\/strong><\/p>\n

Felice Scalvini, a leading figure at the national level for the legislation and development of the Third Sector, is president of the ASM Foundation and director of the Ravasi Garzanti Foundation in Milan (which deals mainly with issues related to ageing).
\nHe provides a reflection on the successful integration of social, cultural, economic and artistic issues, with a special focus on Cultural Welfare.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":13481,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[80],"tags":[],"class_list":["post-14395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education"],"yoast_head":"\nReflections on the creation of the CCNs in Italy - Centro Coreografico Nazionale \/ Aterballetto<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fndaterballetto.it\/en\/2022\/reflections-on-the-establishment-of-ccns-in-italy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reflections on the creation of the CCNs in Italy - Centro Coreografico Nazionale \/ Aterballetto\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fndaterballetto.it\/en\/2022\/reflections-on-the-establishment-of-ccns-in-italy\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Coreografico Nazionale \/ Aterballetto\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-18T13:00:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-28T12:54:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2021\/05\/FND_Aterballetto-MicroDanze-Afterimage-chor.-Philippe-Kratz-dancer-Thomas-Van-De-Ven-Palazzo-da-Mosto-ph-Alice-Vacondio-33.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1365\" \/>\n\t<meta property=\"og:image:height\" content=\"2048\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redazione\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redazione\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/\"},\"author\":{\"name\":\"Redazione\",\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/#\\\/schema\\\/person\\\/5c08dd159c4d4411458b34e7db77f409\"},\"headline\":\"Reflections on the creation of the CCNs in Italy\",\"datePublished\":\"2022-01-18T13:00:02+00:00\",\"dateModified\":\"2022-01-28T12:54:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/\"},\"wordCount\":1750,\"image\":{\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.fndaterballetto.it\\\/wp-content\\\/uploads\\\/2021\\\/05\\\/FND_Aterballetto-MicroDanze-Afterimage-chor.-Philippe-Kratz-dancer-Thomas-Van-De-Ven-Palazzo-da-Mosto-ph-Alice-Vacondio-33.jpg\",\"articleSection\":[\"Education\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/\",\"url\":\"https:\\\/\\\/www.fndaterballetto.it\\\/en\\\/2022\\\/reflections-on-the-establishment-of-ccns-in-italy\\\/\",\"name\":\"Reflections on the creation of the CCNs in Italy - 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