{"id":32612,"date":"2025-04-14T12:43:40","date_gmt":"2025-04-14T10:43:40","guid":{"rendered":"https:\/\/www.fndaterballetto.it\/?p=32612"},"modified":"2025-04-15T12:18:36","modified_gmt":"2025-04-15T10:18:36","slug":"aterballetto-italia-danza-londra","status":"publish","type":"post","link":"https:\/\/www.fndaterballetto.it\/en\/2025\/aterballetto-italia-danza-londra\/","title":{"rendered":"Italia Danza arrives in London on April 29, 2025."},"content":{"rendered":"
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Sometimes, it seems that the intricate threads of history weave together distant destinies across time and space through delicate, almost invisible ties. And it is only pure chance\u2014the opportunity of the here and now\u2014hand in hand with curiosity, that opens our eyes and reveals the steps and figures of the dance we are unknowingly living in that very moment.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

Torquato Tasso<\/strong> is considered one of the most important poets in Italian literature. This comes as no surprise to anyone who sat in a classroom studying the heroic ottave of Gerusalemme liberata<\/em> (1575)<\/strong>. But few\u2014very few\u2014know that one of Tasso\u2019s greatest admirers was Elizabeth I, Queen of England, and just how deeply his life and work influenced the literary creations by Spenser, Milton, and Shakespeare, as well as the visual and musical arts by Van Dyck, Poussin, and H\u00e4ndel, eventually inspiring Lord Byron\u2019s composition The Lament of Tasso<\/em>.<\/p>\n

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As chance would have it\u2014and here, the invisible thread of universal history begins to reveal itself\u2014twenty years after its last performance in the British capital, and on the 450th anniversary of Gerusalemme liberata<\/em> (completed in 1575 by the author and later published without his consent), CCN\/Aterballetto returns to London to perform Il Combattimento di Tancredi e Clorinda<\/em>, one of the most celebrated episodes of Tasso\u2019s epic poem. This event is made possible thanks to the collaboration with the Istituto Italiano di Cultura in London, as part of Italia Danza<\/em>, a project curated together with the Direzione Generale per la diplomazia pubblica e culturale del MAECI.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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Victoria & Albert Museum, South Kensington \u2013 London
\nApril 29, 2025 \u2013 11:00 AM and 1:00 PM<\/a><\/span>
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As part of the Performance Festival at the V&A Museum<\/strong>, CCN\/Aterballetto celebrates International Dance Day<\/strong> with Il Combattimento di Tancredi e Clorinda<\/em><\/a><\/strong>, a dance and live music performance created in September 2024 to enhance Italian cultural heritage. The work was co-designed with the Direzione Generale Musei of the Italian Ministry of Culture and supported by the Direzione Generale Spettacolo dal vivo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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Set against the backdrop of the Raphael Gallery<\/strong> at the V&A Museum, the tale of love and death told by Torquato Tasso in Gerusalemme liberata<\/em> (1575) and set to music by Claudio Monteverdi (1624) will come to life. The performance, created by Fabio Cherstich<\/strong> and Philippe Kratz<\/strong>, features dancers Gador Lago Benito<\/strong> and Alberto Terribile<\/strong>, tenor Matteo Straffi<\/strong>, and harpsichordist Deniel Perer<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

https:\/\/youtu.be\/mjZQdcn1fgc<\/p>\n

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From Monteverdi\u2019s Music to Kratz\u2019s Dance<\/strong><\/h3>\n
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Four hundred years ago, Claudio Monteverdi gifted the world Il Combattimento di Tancredi e Clorinda<\/em><\/strong>, one of the masterpieces of the Italian Baroque, intertwined with the literary legacy of Torquato Tasso\u2019s Gerusalemme liberata<\/em>. Far from being a fixed monument of unchanging classicism, the composition was already recognized in 1624 for its experimental and daring nature\u2014a powerful innovation that opened new paths in the fusion of words and sound, offering a dramatic experience that transcended mere listening.<\/p>\n

Over the centuries, this work has continued to inspire interpretations that blend tradition and modernity, making it an ideal bridge between past and present.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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The Centro Coreografico Nazionale \/ Aterballetto, together with an impressive group of co-producers\u2014Teatro Regio di Parma \/ Festival Verdi, Torinodanza Festival \u2013 Teatro Stabile di Torino \u2013 Teatro Nazionale, and Ghislierimusica \u2013 Centro di Musica Antica\u2014has developed a project that weaves together multiple performing arts. The aim of this journey is to cast a contemporary light on what are considered \u201csacred texts\u201d of Italian cultural heritage.<\/p>\n

The dancers\u2019 bodies convey an intensity\u2014and sometimes a violence\u2014that speaks volumes about our own historical moment. It is precisely through physical action that a third level of perception can emerge, one that embraces the lines of the instruments and voices, completing the idea of representation that Monteverdi himself seemed to foresee in his work.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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The key concepts driving this interpretation also stem from the vision of Fabio Cherstich, who envisions a confined, circular stage space where the similarity of the bodies acts as a mirror\u2014reflecting a tension in which opposing forces, such as Eros and Thanatos, merge into a dynamic balance.<\/p>\n

In parallel, choreographer Philippe Kratz offers a reading of inner conflict and confrontation as moments within a ritual of combat, where the violence of the gesture inflicts a powerful, shared wound\u2014one that remains etched on both bodies.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The Story of Tancredi and Clorinda<\/h3>\n
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Two valiant warriors, Tancredi\u2014a Christian knight\u2014and Clorinda\u2014a Saracen fighter\u2014face each other in a fierce duel, shrouded in the darkness of night. Tancredi, blinded by the heat of battle, does not suspect that beneath his opponent\u2019s armor is Clorinda, the very woman he loves.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

Tancredi che Clorinda un uomo stima <\/em>
\nvuol ne l’armi provarla al paragone. <\/em><\/p>\n

Tancredi, thinking Clorinda to be a man,
\nwishes to test her in combat.<\/em><\/p>\n

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The drama unfolds in a crescendo of tension and pathos, where love, war, and fate become deeply intertwined. Through verses and words that evoke images of physical intimacy and intense contact, the combat begins to resemble a violent dance.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

Tre volte il cavalier la donna stringe <\/em>
\ncon le robuste braccia, ed altrettante<\/em>
\nda que’ nodi tenaci ella si scinge,<\/em>
\nnodi di fer nemico e non d’amante.<\/em><\/p>\n

Three times the knight squeezes the lady
\nwith strong arms, and each time
\nfrom that tenacious embrace she frees herself
\n\u2014the embrace of a fierce enemy, not a lover. <\/em><\/p>\n

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The battle is fierce, yet marked by an inescapable sense of fate: each blow brings Tancredi closer to the most painful discovery of his life. In a cruel twist of destiny, he deals the fatal strike to the very woman he loves\u2014turning heroism into remorse, and love into destruction.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

Misero, di che godi? Oh quanto mesti<\/em>
\nsiano i trionfi e infelice il vanto!<\/em>
\nGli occhi tuoi pagheran (s’in vita resti)<\/em>
\ndi quel sangue ogni stilla un mar di pianto.<\/em><\/p>\n

Wretched man, in what do you rejoice? How sad
\nwill be your triumphs, how unhappy your boasting!
\nyour eyes will pay, if living you remain,
\nfor each drop of that blood with a sea of tears. <\/em><\/p>\n

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After a long and relentless clash, Tancredi delivers a mortal wound to Clorinda. Only when he removes her helmet to see the face of his enemy does he realize the heartbreaking truth and discover the identity of his opponent.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

La vide e la conobbe: e rest\u00f2 senza<\/em>
\ne voce e moto. Ahi vista! ahi conoscenza!<\/em>
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\nHe saw her and recognized her and was struck
\nvoiceless and motionless. What vision! What revelation!<\/em><\/p>\n

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At the moment of death, Clorinda asks to be baptized, and Tancredi\u2014devastated by grief\u2014grants her final wish. Tancredi, who loved Clorinda so deeply in life, becomes the very agent of her death. And yet, in her final moments, it is he who offers her spiritual peace:<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

e in atto di morir lieta e vivace<\/em>
\ndir parea: “S’apre il ciel: io vado in pace”.<\/em><\/p>\n

And, at the moment of death, happy and full of live,
\nseemed to say: \u201cHeaven opens; I go in peace.\u201d<\/em><\/p>\n<\/div>

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<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

On the occasion of International Dance Day, the CCN\/Aterballetto presents “Il Combattimento di Tancredi e Clorinda” at the V&A Museum, thanks to the collaboration with the Istituto Italiano di Cultura in London.<\/p>\n","protected":false},"author":2,"featured_media":32575,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[130],"tags":[],"class_list":["post-32612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-special-projects-en"],"yoast_head":"\nItalia Danza arrives in London on April 29, 2025. - Centro Coreografico Nazionale \/ Aterballetto<\/title>\n<meta name=\"description\" content=\"In London, CCN\/Aterballetto celebrates International Dance Day with "Il Combattimento di Tancredi e Clorinda".\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fndaterballetto.it\/en\/2025\/aterballetto-italia-danza-londra\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Italia Danza arrives in London on April 29, 2025. - 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