{"id":10004266,"date":"2025-12-22T11:26:18","date_gmt":"2025-12-22T10:26:18","guid":{"rendered":"https:\/\/www.fndaterballetto.it\/evento\/il-combattimento-di-tancredi-e-clorinda-14\/"},"modified":"2026-01-07T17:22:02","modified_gmt":"2026-01-07T16:22:02","slug":"il-combattimento-di-tancredi-e-clorinda-14","status":"publish","type":"tribe_events","link":"https:\/\/www.fndaterballetto.it\/en\/evento\/il-combattimento-di-tancredi-e-clorinda-14\/2026-01-25\/1\/","title":{"rendered":"Il combattimento di Tancredi e Clorinda"},"content":{"rendered":"<h1><strong><em>Il Combattimento di Tancredi e Clorinda <\/em>arrives at Palazzo Bentivoglio in Gualtieri.<\/strong><\/h1>\n<p><\/p>\n<p data-start=\"92\" data-end=\"146\"><strong data-start=\"92\" data-end=\"120\">Sunday, January 25, 2026<\/strong><br data-start=\"120\" data-end=\"123\" \/><strong data-start=\"123\" data-end=\"146\">3:00 PM and 5:00 PM<\/strong><\/p>\n<p><\/p>\n<p data-start=\"148\" data-end=\"540\">The <strong data-start=\"152\" data-end=\"188\">Fondazione Museo Antonio Ligabue<\/strong> has a dream: to transform the <strong data-start=\"219\" data-end=\"241\">Salone dei Giganti<\/strong> of Palazzo Bentivoglio into a living theatre. More than that, it envisions the frescoes depicting scenes from <em data-start=\"352\" data-end=\"374\">Gerusalemme liberata<\/em> by <strong data-start=\"378\" data-end=\"396\">Torquato Tasso<\/strong> coming to life through the dance of <em data-start=\"433\" data-end=\"474\">Il Combattimento di Tancredi e Clorinda<\/em>, curated by the <strong data-start=\"491\" data-end=\"539\">Centro Coreografico Nazionale \/ Aterballetto<\/strong>.<\/p>\n<p><\/p>\n<p data-start=\"542\" data-end=\"840\">This is not just a performance. It is a <strong data-start=\"582\" data-end=\"619\">one-of-a-kind site-specific event<\/strong>. The Sala dei Giganti houses the very frescoes that narrate the tragic duel between Tancredi and Clorinda. Painted art and performing art will face each other directly.<br data-start=\"788\" data-end=\"791\" \/>Myth will become <strong data-start=\"808\" data-end=\"839\">flesh, breath, and movement<\/strong>.<\/p>\n<h3><span style=\"color: #ff0000;\">Would you like to help make this ambitious dream a reality and become part of the myth?<\/span><\/h3>\n<p><\/p>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-6903852f-0f74-8330-bc80-0ca70bbf8fd3-15\" data-testid=\"conversation-turn-388\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"9b7dca52-5511-4a12-8764-a83cefa6914b\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\">\n<p data-start=\"931\" data-end=\"971\" data-is-last-node=\"\" data-is-only-node=\"\"><strong data-start=\"931\" data-end=\"971\" data-is-last-node=\"\">Join the crowdfunding campaign <a href=\"https:\/\/www.ideaginger.it\/progetti\/il-mito-prende-vita.html#tab_progetto\">here<\/a>!<\/strong><\/p>\n<\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/article>\n<\/div>\n<p>&nbsp;<\/p>\n<p>https:\/\/youtu.be\/mjZQdcn1fgc<\/p>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-6903852f-0f74-8330-bc80-0ca70bbf8fd3-16\" data-testid=\"conversation-turn-390\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"73ab532f-a750-40ae-83bf-18aa2fdf0787\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\">\n<p data-start=\"0\" data-end=\"310\">The theme of <strong data-start=\"13\" data-end=\"50\">love overwhelmed by war and death<\/strong>, inspired by the story of <strong data-start=\"77\" data-end=\"102\">Tancredi and Clorinda<\/strong> as told by <strong data-start=\"114\" data-end=\"132\">Torquato Tasso<\/strong> in <em data-start=\"136\" data-end=\"158\">Gerusalemme Liberata<\/em> (whose <strong data-start=\"166\" data-end=\"206\">450th anniversary of its first draft<\/strong> falls in 2025) and set to music by <strong data-start=\"242\" data-end=\"264\">Claudio Monteverdi<\/strong> (1624), retains a striking relevance today.<\/p>\n<p data-start=\"312\" data-end=\"654\">The <strong data-start=\"316\" data-end=\"336\">CCN\/Aterballetto<\/strong> interprets this legacy through dance\u2014its privileged language for conveying the work\u2019s intensity and dramatic power\u2014in a performance created by <strong data-start=\"480\" data-end=\"499\">Fabio Cherstich<\/strong> and <strong data-start=\"504\" data-end=\"522\">Philippe Kratz<\/strong>, performed by dancers <strong data-start=\"545\" data-end=\"567\">Alessia Giacomelli<\/strong> and <strong data-start=\"572\" data-end=\"588\">Kiran Gezels<\/strong>, tenor <strong data-start=\"596\" data-end=\"614\">Matteo Straffi<\/strong>, and harpsichordist <strong data-start=\"635\" data-end=\"651\">Deniel Perer<\/strong>.<\/p>\n<p data-start=\"656\" data-end=\"916\" data-is-last-node=\"\" data-is-only-node=\"\">The performance is preceded and followed by talks by <strong data-start=\"709\" data-end=\"727\">Antonio Audino<\/strong>, theatre critic and journalist for <strong data-start=\"763\" data-end=\"778\">Radio Rai 3<\/strong>, who, with his characteristic clarity, will cast a contemporary light on what are considered \u201csacred texts\u201d of Italy\u2019s cultural heritage.<\/p>\n<\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/article>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:1em;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:var(--awb-color3);--awb-divider-hover-color:#222222;--awb-icon-color:var(--awb-color3);--awb-title-color:var(--awb-color3);--awb-content-color:var(--awb-custom11);--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:var(--awb-color3);--awb-title-font-family:&quot;Mulish&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-font-size:1.4em;--awb-content-font-family:&quot;Mulish&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion-10004266-1\"><div class=\"fusion-panel panel-default panel-89db57615f1c990f2 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_89db57615f1c990f2\"><a aria-expanded=\"false\" aria-controls=\"89db57615f1c990f2\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-10004266-1\" data-target=\"#89db57615f1c990f2\" href=\"#89db57615f1c990f2\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">CREDITS<\/span><\/a><\/h4><\/div><div id=\"89db57615f1c990f2\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_89db57615f1c990f2\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<blockquote>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none &#091;--shadow-height:45px&#093; has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) &#091;&amp;:has(&#091;data-writing-block&#093;)&gt;*&#093;:pointer-events-auto scroll-mt-&#091;calc(var(--header-height)+min(200px,max(70px,20svh)))&#093;\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-6903852f-0f74-8330-bc80-0ca70bbf8fd3-17\" data-testid=\"conversation-turn-392\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 &#091;--thread-content-margin:--spacing(4)&#093; @w-sm\/main:&#091;--thread-content-margin:--spacing(6)&#093; @w-lg\/main:&#091;--thread-content-margin:--spacing(16)&#093; px-(--thread-content-margin)\">\n<div class=\"&#091;--thread-content-max-width:40rem&#093; @w-lg\/main:&#091;--thread-content-max-width:48rem&#093; mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal &#091;.text-message+&amp;&#093;:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"0697f9d7-1734-4e67-b265-65c8185ee870\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-&#091;1px&#093;\">\n<div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\">\n<p style=\"padding-left: 40px;\" data-start=\"0\" data-end=\"294\">Direction and visuals: <strong data-start=\"23\" data-end=\"42\">Fabio Cherstich<\/strong><br data-start=\"42\" data-end=\"45\" \/>Choreography and stage movement: <strong data-start=\"78\" data-end=\"96\">Philippe Kratz<\/strong><br data-start=\"96\" data-end=\"99\" data-is-only-node=\"\" \/>Music: <em data-start=\"106\" data-end=\"147\">Il Combattimento di Tancredi e Clorinda<\/em> by <strong data-start=\"151\" data-end=\"173\">Claudio Monteverdi<\/strong><br data-start=\"173\" data-end=\"176\" \/>Dancers: <strong data-start=\"185\" data-end=\"207\">Alessia Giacomelli<\/strong>, <strong data-start=\"209\" data-end=\"225\">Kiran Gezels<\/strong><br data-start=\"225\" data-end=\"228\" \/>Singer (tenor): <strong data-start=\"244\" data-end=\"262\">Matteo Straffi<\/strong><br data-start=\"262\" data-end=\"265\" \/>Harpsichord: <strong data-start=\"278\" data-end=\"294\">Deniel Perer<\/strong><\/p>\n<p style=\"padding-left: 40px;\" data-start=\"296\" data-end=\"525\">Co-production: <strong data-start=\"311\" data-end=\"362\">Fondazione Nazionale della Danza \/ Aterballetto<\/strong>, <strong data-start=\"364\" data-end=\"406\">Teatro Regio di Parma \/ Festival Verdi<\/strong>, <strong data-start=\"408\" data-end=\"478\">Torinodanza Festival \u2013 Teatro Stabile di Torino \u2013 Teatro Nazionale<\/strong>, <strong data-start=\"480\" data-end=\"525\">GhislieriMusica \u2013 Centro di Musica Antica<\/strong><\/p>\n<p data-start=\"296\" data-end=\"525\">Premiered in <strong data-start=\"540\" data-end=\"558\">September 2024<\/strong>, <em data-start=\"560\" data-end=\"601\">Il Combattimento di Tancredi e Clorinda<\/em> is a project aimed at enhancing live performance activities within cultural institutions and heritage sites, promoted by the <strong data-start=\"727\" data-end=\"762\">Directorate General for Museums<\/strong> and co-funded by the <strong data-start=\"784\" data-end=\"827\">Directorate General for Performing Arts<\/strong>.<\/p>\n<p data-start=\"830\" data-end=\"1501\" data-is-last-node=\"\" data-is-only-node=\"\">For the realization of the project, the <strong data-start=\"870\" data-end=\"954\">National Museums of Perugia \u2013 Regional Directorate of National Museums of Umbria<\/strong>\u2014and in particular the <strong data-start=\"977\" data-end=\"1040\">National Archaeological Museum and Roman Theatre of Spoleto<\/strong>\u2014established, with the support of the <strong data-start=\"1078\" data-end=\"1113\">Directorate General for Museums<\/strong>, a partnership shared with five other major cultural sites: <strong data-start=\"1174\" data-end=\"1198\">Villa Pisani in Stra<\/strong>, the <strong data-start=\"1204\" data-end=\"1236\">Castle and Park of Racconigi<\/strong>, the <strong data-start=\"1242\" data-end=\"1268\">Castello Svevo in Bari<\/strong>, the <strong data-start=\"1274\" data-end=\"1310\">Certosa di San Martino in Naples<\/strong>, and the <strong data-start=\"1320\" data-end=\"1353\">Archaeological Park of Venosa<\/strong>.<br data-start=\"1354\" data-end=\"1357\" \/><strong data-start=\"1357\" data-end=\"1387\">Castel Sant\u2019Angelo in Rome<\/strong> later joined the project, hosting the initiative as part of the summer program <em data-start=\"1467\" data-end=\"1500\">Sotto l\u2019angelo di Castello 2024<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/blockquote>\n<p><img decoding=\"async\" class=\"alignnone wp-image-29592\" src=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png\" alt=\"\" width=\"511\" height=\"54\" srcset=\"https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-66x7.png 66w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-177x19.png 177w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-200x21.png 200w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-300x32.png 300w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-320x34.png 320w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-400x42.png 400w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI-460x49.png 460w, https:\/\/www.fndaterballetto.it\/wp-content\/uploads\/2024\/07\/STRISCIA-LOGHI.png 482w\" sizes=\"(max-width: 511px) 100vw, 511px\" \/><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><span style=\"font-size: 10pt;\">The project is part of Italia Danza, a co-designed initiative by the Directorate General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs (MAECI) and CCN\/Aterballetto, aimed at promoting Italy\u2019s artistic heritage abroad.<\/span><\/p><\/blockquote>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-e1d1326cbe40a7440 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_e1d1326cbe40a7440\"><a aria-expanded=\"false\" aria-controls=\"e1d1326cbe40a7440\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-10004266-1\" data-target=\"#e1d1326cbe40a7440\" href=\"#e1d1326cbe40a7440\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">BODIES AS MIRRORS<\/span><\/a><\/h4><\/div><div id=\"e1d1326cbe40a7440\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_e1d1326cbe40a7440\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none &#091;--shadow-height:45px&#093; has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) &#091;&amp;:has(&#091;data-writing-block&#093;)&gt;*&#093;:pointer-events-auto scroll-mt-&#091;calc(var(--header-height)+min(200px,max(70px,20svh)))&#093;\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-6903852f-0f74-8330-bc80-0ca70bbf8fd3-19\" data-testid=\"conversation-turn-396\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 &#091;--thread-content-margin:--spacing(4)&#093; @w-sm\/main:&#091;--thread-content-margin:--spacing(6)&#093; @w-lg\/main:&#091;--thread-content-margin:--spacing(16)&#093; px-(--thread-content-margin)\">\n<div class=\"&#091;--thread-content-max-width:40rem&#093; @w-lg\/main:&#091;--thread-content-max-width:48rem&#093; mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal &#091;.text-message+&amp;&#093;:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"880cee15-a7cc-44c0-96d9-2dc554243bdf\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-&#091;1px&#093;\">\n<div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\">\n<p data-start=\"0\" data-end=\"641\">In my vision of <em data-start=\"16\" data-end=\"57\">Il Combattimento di Tancredi e Clorinda<\/em>, I imagine a <strong data-start=\"71\" data-end=\"99\">confined, circular space<\/strong>, where the proximity and resemblance of bodies play a fundamental role. Together with choreographer <strong data-start=\"200\" data-end=\"218\">Philippe Kratz<\/strong>, we explore the idea of bodies as <strong data-start=\"253\" data-end=\"264\">mirrors<\/strong>, thus narrating an humanity struggling against itself. <strong data-start=\"320\" data-end=\"341\">Eros and Thanatos<\/strong> emerge as equally powerful forces, creating a paradoxical atmosphere in this perfectly balanced struggle between human beings.<br data-start=\"468\" data-end=\"471\" \/>In our vision, Tancredi and Clorinda are <strong data-start=\"512\" data-end=\"537\">contemporary warriors<\/strong>, indissolubly bound to one another, forced to fight and to enact a story that has already been written.<\/p>\n<p data-start=\"643\" data-end=\"1141\">A <strong data-start=\"645\" data-end=\"661\">single voice<\/strong> brings three characters to life: the text itself, Tancredi, and Clorinda merge into the body and sound of a single singer. This estranged sound, constrained within a circular path, creates a sense of constant repetition, underscoring the endless cycle of this story of love and death\u2014tragically destined to repeat itself through the centuries and reach us today with all its force, as an emanation of the poetic power of <strong data-start=\"1083\" data-end=\"1100\">Tasso\u2019s words<\/strong> and the sublime music of <strong data-start=\"1126\" data-end=\"1140\">Monteverdi<\/strong>.<\/p>\n<p data-start=\"1143\" data-end=\"1172\" data-is-last-node=\"\" data-is-only-node=\"\"><strong data-start=\"1143\" data-end=\"1172\" data-is-last-node=\"\">Fabio Cherstich, Director<\/strong><\/p>\n<\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/article>\n<\/div>\n<p><\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-98e97c552cb787a42 fusion-toggle-has-divider\" style=\"--awb-title-color:var(--awb-color8);\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_98e97c552cb787a42\"><a aria-expanded=\"false\" aria-controls=\"98e97c552cb787a42\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-10004266-1\" data-target=\"#98e97c552cb787a42\" href=\"#98e97c552cb787a42\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">INNER STRUGGLE<\/span><\/a><\/h4><\/div><div id=\"98e97c552cb787a42\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_98e97c552cb787a42\"><div class=\"panel-body toggle-content fusion-clearfix\"><\/p>\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none &#091;--shadow-height:45px&#093; has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) &#091;&amp;:has(&#091;data-writing-block&#093;)&gt;*&#093;:pointer-events-auto scroll-mt-&#091;calc(var(--header-height)+min(200px,max(70px,20svh)))&#093;\" dir=\"auto\" tabindex=\"-1\" data-turn-id=\"request-6903852f-0f74-8330-bc80-0ca70bbf8fd3-20\" data-testid=\"conversation-turn-398\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 &#091;--thread-content-margin:--spacing(4)&#093; @w-sm\/main:&#091;--thread-content-margin:--spacing(6)&#093; @w-lg\/main:&#091;--thread-content-margin:--spacing(16)&#093; px-(--thread-content-margin)\">\n<div class=\"&#091;--thread-content-max-width:40rem&#093; @w-lg\/main:&#091;--thread-content-max-width:48rem&#093; mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal &#091;.text-message+&amp;&#093;:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"8d4383ca-4588-4a4c-8665-23e14a8cd866\" data-message-model-slug=\"gpt-5-2\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-&#091;1px&#093;\">\n<div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\">\n<p data-start=\"0\" data-end=\"304\">In Tasso\u2019s narrative, set to music by <strong data-start=\"38\" data-end=\"60\">Claudio Monteverdi<\/strong>, the most obvious themes are the struggle between woman and man and religious conversion. Yet these are also the aspects I find least intriguing: translating them into dance would risk reducing the work to a narrative of factual circumstances.<\/p>\n<p data-start=\"306\" data-end=\"908\">A more <strong data-start=\"313\" data-end=\"356\">philosophical or psychoanalytic reading<\/strong> of this struggle\u2014one from which both protagonists emerge defeated, deceived, and alone\u2014appears far more compelling to me. Within the opposition of the two roles there already exists an entire world: seeking one another, confronting one another, and wounding one another. The dynamic is that of a <strong data-start=\"653\" data-end=\"684\">warlike, conflictual ritual<\/strong> between two entities that draw closer. The absurdity of the act becomes evident when one of the two loses their life and we realize that the other, in any case, has not won\u2026 a deep, shared wound that remains on both bodies.<\/p>\n<p data-start=\"910\" data-end=\"1014\">So are these two people fighting each other, or is it perhaps <strong data-start=\"972\" data-end=\"1013\">one person struggling with themselves<\/strong>?<\/p>\n<p data-start=\"1016\" data-end=\"1049\" data-is-last-node=\"\" data-is-only-node=\"\">Philippe Kratz, Choreographer<\/p>\n<\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/div>\n<p><\/article>\n<\/div>\n<p><\/div><\/div><\/div><\/div><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gualtieri &#8211; Palazzo Bentivoglio<\/p>\n","protected":false},"author":2,"featured_media":32275,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[102,359,387],"class_list":["post-10004266","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-aterballetto-en","tribe_events_cat-combattimento-di-tancredi-e-clorinda","tribe_events_cat-stagione-25-26-en","cat_aterballetto-en","cat_combattimento-di-tancredi-e-clorinda","cat_stagione-25-26-en","tribe-recurring-event","tribe-recurring-event-parent"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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