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NOTTE MORRICONE

From March 10 to 15, 2026, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Biondo in Palermo.

“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer

It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza

Duration: 90 minutes
Find out more »

Preludio / An Echo, a Wave / Alpha Grace

Aterballetto performs at Scenario Pubblico / Compagnia Zappalà Danza in Catania on 7 and 8 March.

CCN/Aterballetto presents an evening that moves through body, soul, and memory, featuring three works that reflect on intimacy, human fragility, and the power of shared feeling. Preludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional triggers, embodying obsessions, addictions, and desires in a hymn to the body and its continuous transformation.

An Echo, A Wave by Philippe Kratz draws on the sea’s hypnotic motion—symbol of eternity and a place of encounters, departures, and returns: a poetic duet, fluid as a wave moving through time.

Finally, Alpha Grace, also by Kratz, is a reflection on empathy—on that ancient, sacred ability to recognise ourselves in others. Solitudes and individualities gradually transform into a chorus, into a harmony built on listening and sharing.

© Festival de Granada | Fermín Rodríguez

 

Breathing Room

Girls just wanna have…AIR

Breathing Room by Salvo Lombardo feat. Luna Cenere closes Dance Week, celebrating female creativity.

A performance that transforms breath into a poetic act: an expanded space in which to lose control, listen to the voice, and inhabit an environment in constant construction—between body, sound, and meditation.

Concept, texts, voice, and environment: Salvo Lombardo
Dramaturgy inspired by Il silenzio è cosa viva by Chandra Livia Candiani
Words offered as a gift by Fabio Acca, Michele Di Stefano, Carlo Lei, Cristina Kristal Rizzo, Alessandro Sciarroni, Alessandro Tollari
Featuring (in alphabetical order): Philippe Barbut, Marta Ciappina, Marco D’Agostin, Nicola Galli, Silvia Gribaudi, Matteo Marchesi, Francesca Pennini, Cristina Kristal Rizzo, Irene Russolillo
Sound design: Fabrizio Alviti
Musical quotations from Ira by Iosonouncane

Production: Chiasma
With the support of Lavanderia a Vapore (Collegno)
With the contribution of MIC – Ministry of Culture

Year: 2022
Duration: 45 minutes

What moves breath between things: that through-breathing, that narrow opening between taking and giving, between stealing fragments of the world and releasing breath back into a world in pieces?

With Breathing Room, Salvo Lombardo leans into breath, approaching it as a poetic act. The work primarily consists in the invention of an ideal, expanded space in which to “catch one’s breath” and to practice the loss of the artist’s control over the artistic act itself.

The dramaturgy—drawing inspiration from Il silenzio è cosa viva by Chandra Livia Candiani—is shaped by a series of prompts and suggestions that Salvo Lombardo has received over time as gifts from different people, colleagues, and friends. These contributions help train breath as a substance of meaning and as an open field of signification.

Conceived as an environment in constant construction, Breathing Room is a performance grounded in voice as well as in the body: a room, an ideal perimeter of relationship, informed by a voice that projects speech and evokes action—somewhere between oral meditation, guided practice, environmental sound installation, and performative podcast.

Each activation of this “breathing apparatus” constitutes a unique, non-reproducible event. It is based on an invitation to an artist from the field of dance and performance to inhabit this relational perimeter together with the audience, through the activation of a performance determined in real time—without rehearsals, previews, or future repetitions—made possible by the combination of suggestions from the ambient voice and those the performer receives through headphones, deciding how and whether to act upon them.

In this way, the invitation becomes an act of complicity as well as a radical expression of being-now, and an opportunity to question—through breathing—the principles of authority and individual power that underpin the art production system. An invitation to be carried along, an attitude of listening, an exercise in vulnerability and relationality that can suggest an act of mutual care.

Breathing Room is part of an ongoing reflection on “care” developed together with Lavanderia a Vapore in Collegno, where Salvo Lombardo is an associated artist.

 

Salvo Lombardo is a performer, choreographer, multimodal artist, and curator of performative projects. Over the years, he has developed a research practice spanning dance, theatre, and visual arts, with particular attention to video languages and relational art. Since 2016, he has been Artistic Director of Compagnia Chiasma. He is currently an associated artist of the MilanOltre Festival and Lavanderia a Vapore.

His works and research projects have involved collaborations with numerous festivals, theatres, museums, and independent spaces in Italy and abroad, including the Théâtre National de Chaillot (FR), Attakkalari Dance Company (IN), Triennale Milano, Aura Dance Theatre (LT), Romaeuropa Festival, Teatro di Roma, Museo Ara Pacis, GAM Roma, MAXXI L’Aquila, Pirelli Hangar Bicocca, Museo del Novecento Milano, Museo Nazionale Scienza e Tecnologia, BE Festival (UK), Fondazione H401 (NL), La Briqueterie CDCN (FR), Dans Brabant (NL), Tanec Praha Festival (CZ), the Conservatoire national supérieur de musique et de danse de Paris (FR), Teatro Nazionale della Toscana, Aterballetto, Scenario Pubblico, ORBITA, MART, Short Theatre Festival, Polo del ‘900, Anghiari Dance Hub, Attraversamenti Multipli Festival, Kilowatt Festival, and Teatri di Vetro.

From 2012 to 2015, he was co-director and director of Clinica Mammut. He collaborated extensively with Fabbrica Europa until 2020. In 2017–2018, he was an associated artist of the Oriente Occidente Festival. From 2019 to 2021, he co-curated Resurface Festival, focused on decolonial practices and the relationship between colonial imaginaries and contemporary representations.

In 2020, he was among the founding members of Ostudio, an independent space for artistic cohabitation and multimedia research. Since 2021, he has been Artistic Director of Interazioni Festival. In 2021–2022, he was selected for the European project MMDD – Micro and Macro Dramaturgies in Dance. In 2021, he was selected by the European network BeSpectActive!, for which he conceived Punctum, a community-based and interactive work investigating large-scale spectatorship dynamics across 12 European countries. In 2022, he was among the artists involved in the May Town project at Schaubühne Lindenfels (DE), focusing on the postcolonial re-mediation of the 1897 Leipzig Industrial Exhibition. In 2023, he was invited by the Department of Humanities of the University of Turin to develop a research project around his works Excelsior – Amor – Sport.

TICKETS
Full price: €10
Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL Comune di Reggio Emilia members): €6
Reduced price (under 8): €3

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

INnaturale. Alla ricerca di strane creature

Girls just wanna have… MAGIC

INnaturale. Alla ricerca di strane creature (INnatural. In Search of Strange Creatures) by Emanuela Dall’Aglio is the family show selected for Dance Week, celebrating female creativity.

A thought-hunter will guide children through the spaces of La Fonderia, which will magically transform into an enchanted forest inhabited by mysterious animals. Who will dare to enter the den of the Black Wolf?

Ages 4 and up

Double performance: Sunday 8 March at 3:00 pm and 5:00 pm (duration: 50’)

 

https://www.youtube.com/watch?v=DCyEvo-MW-8

A project by Emanuela Dall’Aglio
Direction: Emanuela Dall’Aglio
Set design: Emanuela Dall’Aglio

With (alternating cast): Benedetta Brambilla, Stefano Pirovano, Sebastiano Sicurezza, Emanuela Dall’Aglio, Noemi Bresciani, Riccardo Paltenghi, Arianna Losi

Voices: Emanuela Dall’Aglio, Laura Cleri, Isabella Brogi, Sofia Bolognini
Sounds: Fabiano Fiorenzani
Sound design: Andrea Salvadori, Stefano Pirovano
Artistic collaboration: Michele Losi
Photos: Alvise Alessandro Crovato
Production: Lorenza Brambilla
Press office: Giulia Castelnovo
Distribution: Francesca Lateana

A production by Campsirago Residenza
With the contribution of Fondazione Cariplo

An unconventional scientist leads the audience on a quest to discover strange creatures and uncover their thoughts. Thus begins a mysterious journey that reveals the presence of imaginary animals: the brooder with her many eggs, the old mouse who weaves whiskers of catfish, dozens of “snail-hedgehogs,” and—for the bravest—the lair of the Black Wolf.

INnaturale is a roaming, site-specific performance—an adventure in search of fantastical beings, around which Emanuela Dall’Aglio has imagined new biographies. A poetic walk for all ages.

Costume and set designer Emanuela Dall’Aglio works across theatre productions, festivals, installations, and live events. Winner of the Ubu Award 2021 for the costumes of Naturae, she is also an author and director of animation theatre, creating itinerant performances, interactive installations, and a series of works inspired by classic fairy tales. From concept to realisation, Emanuela Dall’Aglio designs costumes and sets as well as masks, puppets, and sculptures.

TICKETS
€6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

INnaturale. Alla ricerca di strane creature

Girls just wanna have… MAGIC

INnaturale. Alla ricerca di strane creature (INnatural. In Search of Strange Creatures) by Emanuela Dall’Aglio is the family show selected for Dance Week, celebrating female creativity.

A thought-hunter will guide children through the spaces of La Fonderia, which will magically transform into an enchanted forest inhabited by mysterious animals. Who will dare to enter the den of the Black Wolf?

Ages 4 and up

Double performance: Sunday 8 March at 3:00 pm and 5:00 pm (duration: 50’)

 

https://www.youtube.com/watch?v=DCyEvo-MW-8

A project by Emanuela Dall’Aglio
Direction: Emanuela Dall’Aglio
Set design: Emanuela Dall’Aglio

With (alternating cast): Benedetta Brambilla, Stefano Pirovano, Sebastiano Sicurezza, Emanuela Dall’Aglio, Noemi Bresciani, Riccardo Paltenghi, Arianna Losi

Voices: Emanuela Dall’Aglio, Laura Cleri, Isabella Brogi, Sofia Bolognini
Sounds: Fabiano Fiorenzani
Sound design: Andrea Salvadori, Stefano Pirovano
Artistic collaboration: Michele Losi
Photos: Alvise Alessandro Crovato
Production: Lorenza Brambilla
Press office: Giulia Castelnovo
Distribution: Francesca Lateana

A production by Campsirago Residenza
With the contribution of Fondazione Cariplo

An unconventional scientist leads the audience on a quest to discover strange creatures and uncover their thoughts. Thus begins a mysterious journey that reveals the presence of imaginary animals: the brooder with her many eggs, the old mouse who weaves whiskers of catfish, dozens of “snail-hedgehogs,” and—for the bravest—the lair of the Black Wolf.

INnaturale is a roaming, site-specific performance—an adventure in search of fantastical beings, around which Emanuela Dall’Aglio has imagined new biographies. A poetic walk for all ages.

Costume and set designer Emanuela Dall’Aglio works across theatre productions, festivals, installations, and live events. Winner of the Ubu Award 2021 for the costumes of Naturae, she is also an author and director of animation theatre, creating itinerant performances, interactive installations, and a series of works inspired by classic fairy tales. From concept to realisation, Emanuela Dall’Aglio designs costumes and sets as well as masks, puppets, and sculptures.

TICKETS
€6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Preludio / An Echo, a Wave / Alpha Grace

Aterballetto performs at Scenario Pubblico / Compagnia Zappalà Danza in Catania on March 7 and 8.

CCN/Aterballetto presents an evening that journeys through body, soul, and memory, composed of three creations reflecting on intimacy, human fragility, and the power of shared feeling. Preludio by Diego Tortelli is a profane prayer inspired by the writing of Nick Cave: five dancers become emotional impulses, embodying obsessions, addictions, and desires in a hymn to the body and its constant transformation.

An Echo, A Wave by Philippe Kratz draws inspiration from the hypnotic motion of the sea, a symbol of eternity and a place of encounters, departures, and returns: a poetic duet, as fluid as a wave crossing through time.

Finally, Alpha Grace, also by Kratz, is a meditation on empathy, on that ancient and sacred ability to recognize oneself in others. Solitudes and individualities gradually transform into togetherness—into a harmony built on listening and sharing.

© Festival de Granada | Fermín Rodríguez

 

EPIPHANĪA – Mi rendo manifesta

Girls just wanna have…THEIR OWN BODY 

EPIPHANĪA – Mi rendo manifesta by Antonella Bertoni and Michele Abbondanza is the heart of Dance Week, celebrating female creativity and the feminine universe.

Three dancers from the Compagnia Abbondanza/Bertoni lose themselves in a labyrinth of visual rooms, engaging in a meticulous exploration of the female body—between gender stereotypes and individual emancipation.
A true feminine manifesto.

 

https://vimeo.com/1088409387/b52b7d861d?fl=pl&fe=ti

By Michele Abbondanza and Antonella Bertoni
Concept, set, and costumes: Antonella Bertoni
With Sara Cavalieri, Valentina Dal Mas, Ludovica Messina Poerio
Original music: Sergio Beercock
Lighting design: Alessio Guerra
Technical direction: Claudio Modugno
Creation assistant: Eleonora Chiocchini
Tailoring: Manuela Gober
Organisation, strategy, and development: Dalia Macii
Administration and executive production: Francesca Leonelli
Communication: Erika Parise
Press office: Marilù Ursi

Production: Compagnia Abbondanza/Bertoni
Special thanks to Danio Manfredini
Additional thanks to Andrea Palamidese

“Like shadows of life, on a battlefield, the three dancers—suspended souls, poised in lucid sleepwalking—reveal themselves through visible and hidden layers in a symphony of actions that unfolds
like a forest of signs and meanings.
They are portraits suspended between identity display and visual exuberance. A carnal femininity, yet detached from the absolute protagonism of human matter, leaving room for the immaterial.
The subject becomes object, and only then is its sovereign status recognised.
Along the thread of detail and particularity, we brush traces, clots, and transparencies, disarticulating the sense that details embody within life.
Gesture points and suggests without stating—an expression of an almost pictorial thought, unsettling and charged with emotional intensity.
The dramaturgy concentrates on micro-moments; within an apparent chaos, it unfolds in chapters of an exploded book.
Appearances and disappearances, as if within a spatial trap, in a black that is the colour in which everything is generated—the colour from which we come into the world and to which we will return.
A non-place that is a room, a labyrinth of rooms dissolving into one another, an entire house, the world; hyper-frames that function through images and feed on pauses.”

Antonella Bertoni

Three women deep in my heart came to me.
A room of one’s own—the women’s corner. Scalene: needless to say. A testing box of total negation of secure grounding in space, where the female body manifests itself in an unconditional, shameless surrender to perspectival dystopia.
Women in pieces and pieces of women, inside a box of arts that—like a single organism—breathes, reproduces, and collapses: the disarmed creativity of bodies returned, in the end, becomes its sign.
From the trinity to the one, and from the one to a thousand feminine forms—far from flat, rich instead with folds and pleats that, like a pin-cushion, pierce the scene. Blade-bodies, glimmers, and coquetries compose a texture of appearance in which the warp becomes an act of seeing and fixing a first point—a cross-stitch, naturally—of beginning and stumbling, held together by a single thread of glory.
Now that women discover that man is no longer God, we hallucinate here an ideal recomposition of their scattered pieces.”

Three women deep in my heart came to me: thanks to the generosity and unconditional trust of Valentina, Ludovica, and Sara.”

Michele Abbondanza

Michele Abbondanza and Antonella Bertoni. From their New York experience at Alwin Nikolais’s school to their studies in France with Dominique Dupuy, passing through the “poetic” improvisations of Carolyn Carlson and the study and practice of Zen, Michele Abbondanza (co-founder of Sosta Palmizi and lecturer at the Scuola di Teatro del Piccolo di Milano) and Antonella Bertoni founded Compagnia Abbondanza/Bertoni. The company is recognised as one of the most prolific artistic realities on the Italian scene, for its creations, its educational and pedagogical activity, and its contribution to the dissemination of contemporary dance theatre.

Compagnia Abbondanza/Bertoni is in residence at Teatro alla Cartiera di Rovereto (Trento, Italy) and is supported by:

  • Ministero della Cultura – Directorate-General for Live Performing Arts

  • Comune di Rovereto, Department of Culture

  • Provincia autonoma di Trento, Cultural Activities Service

  • Regione autonoma Trentino-Alto Adige

TICKETS
Full price: €10
Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL Comune di Reggio Emilia members): €6
Reduced price (under 8): €3

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Le Palestriti

Girls just wanna have… A MEDAL

Le Palestriti by Simona Bertozzi: for Dance Week celebrating female creativity, a performance that reflects on the power of women.

 

Four female performers transform gymnastic training into a collective celebration, creating a language of gestures, sounds, and bodies that honours strength, grace, and shared power.

 

 

 

 

 

 

Quattro performer donne trasformano l’allenamento ginnico in festa collettiva, creando un linguaggio di gesti, suoni e corpi che celebra forza, grazia e potenza condivisa.

Double performance

Friday 6 and Saturday 7 March, 7:00 pm

https://vimeo.com/1117882946?fl=pl&fe=sh

Project and choreography: Simona Bertozzi

Vocal coaching: Meike Clarelli

Created with and performed by: Arianna Brugiolo, Federica D’Aversa, Paola Drera, Valentina Foschi

Original music: Meike Clarelli, Davide Fasulo

Lighting design and technical assistance: Rocio Espana Rodriguez

Organisation: Miriana Erario

Press office: Michele Pascarella

Photo and video: Luca Del Pia

Production: Nexus 2024–2025

With the support of the Ministero della Cultura, Regione Emilia-Romagna, Comune di Bologna
With the support of Festival Danza Estate
In collaboration with ALMASTUDIOS Bologna

Le Palestriti takes shape within the ATHLETES project, opening up new possibilities for research and composition at the intersection of dance, sport, and vocality—foundational elements of the entire project.

The work is inspired by the mosaic of the Palestriti at the Villa del Casale, a rare ancient depiction of female athletic competition.

Here, the athletes, equipped with gymnastic tools, not only exalt the beauty and power of individual gestures, but also celebrate together, honouring the winner and transforming athleticism into an act of collective affirmation.

Within the choreographic frame of Le Palestriti, gathering and converging toward a shared, vertiginous bodily experience emerges as an essential necessity—both to train the anatomies and to let them erupt.

The performers disseminate a grammar of gestures, sounds, and vocal expressions in which the emergence of each individual presence becomes an opportunity to expand personal perception and transfigure it into an act of reciprocity and expansion of the collective body.

Le Palestriti develops a raw yet fluid physicality, with feral waves that transform the space—from a gym into a porous, hybrid territory, a crossroads of relationships, ritualities, and gestural alphabets suspended between strength and grace.

Within this dynamic, the stage becomes a playground of trajectories, where bodies move through a relentless practice of listening, elevating training and the care of gesture into practices of resistance and transformation.

Choreographer, dancer, and performer, Simona Bertozzi holds a degree from the Department of Arts, Music and Performing Arts at the University of Bologna. One of the pioneers of twentieth-century choreographic revolutions, Loïe Fuller, was the subject of her graduation thesis.

From a young age, she trained in artistic gymnastics and classical dance, later deepening her study of contemporary dance in Italy and in several other countries, including France, Spain, Belgium, and England. She has collaborated extensively as a performer, among others with choreographer Tomas Aragay (cia Societat Doctor Alonso – Spain) and, from 2005 to 2010, with Virgilio Sieni. She began her activity as a choreographer in 2005, developing a path of research and production working with professional dancers and performers, as well as with children, adolescents, amateurs, asylum seekers, and second-generation young immigrants.

Simona Bertozzi practices a form of dance in which choreography becomes a territory of events—a complex system inhabited by the body—resulting from practices, thoughts, and disciplines that make creation a layered entity in dialogue with the present. In 2007 she won the GD’A (Giovani Danzautori dell’Emilia-Romagna) choreographic competition, and in 2008 she founded Compagnia Simona Bertozzi | Associazione Culturale Nexus.

Over the years, her projects have received support and hosting from major regional, Italian, and European networks through co-productions and choreographic residencies, with national and international touring. In 2008, she was the Italian choreographer selected for the Aerowaves festival at The Place Theatre (London), and in the same year, with the solo Terrestre, she took part in the international project Choreoroam, supported by the British Council / The Place, Dansateliers (Rotterdam), and Bassano Opera Festival.

With the collective Gemelli Kessler (Simona Bertozzi, Marcello Briguglio, Celeste Taliani), she won Il Coreografo Elettronico 2009 for Best Independent Production with the video-dance work Terrestre – movement in still life. In 2012, the collective created I was wondering, a video-dance work produced for the centenary of the birth of Michelangelo Antonioni.

Over the years, significant collaborations have developed with artists and scholars including Francesco Giomi, Artistic Director of Tempo Reale; Enrico Pitozzi and Cristiana Natali, professors at the University of Bologna; Egle Sommacal, musician and guitarist of Massimo Volume; Angela Baraldi, actress and singer; and Tabea Martin, with whom she co-created This Is My Last Dance, a work that toured extensively across Europe, including the Swiss Dance Days.

TICKETS
Full price: €10
Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL Comune di Reggio Emilia members): €6
Reduced price (under 8): €3

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Pina!

Girls just wanna have… AN IDOL

Pina! by Monica Casadei is presented as an open rehearsal for Dance Week, celebrating female creativity.

 

Monica Casadei creates a personal tribute to Pina Bausch, a dialogue in which her own choreographic signature meets the poetic vision of the mother of Tanztheater.

 

 

 

 

 

 

Choreography: Monica Casadei
Video content from Un Secolo di Danza, written and created by Sonia Schoonejans
Production assistant: Mattia Molini
Dancers: Alfonso Donnarumma, Sofia Gentiluomo, Minami Michiwaki, Mattia Molini, Christian Pellino, Carlotta Quercetani

Production: Compagnia Artemis Danza
With the contribution of the Ministero della Cultura, Regione Emilia-Romagna – Department of Culture, Comune di Parma

Approximate duration: 20 minutes

An intense and personal tribute to Pina Bausch by Monica Casadei.
Inspired by the documentary Un secolo di danza by Sonia Schoonejans, the performance weaves video imagery and original choreography into a dialogue between historical memory and contemporary language. Moving through the physical, dynamic vocabulary that has long defined the style of Compagnia Artemis Danza, the work unfolds as a continuous play of echoes, evocations, and counterpoints, delving into Pina’s choreographic poetics and returning to the audience her visionary force and enduring ability to speak to us today.

Originally from Ferrara and graduating summa cum laude with a thesis on Plato and dance, Monica Casadei, after a competitive career in rhythmic gymnastics, devoted herself to the study of classical and modern dance—first in Italy, then in London, and finally in Paris. There she met choreographers Pierre Doussaint and Isabelle Doubouloz, as well as master André Cognard Hanshi So Shihan, with whom she still practices the martial art of Aikido.
She founded Compagnia Artemis Danza in France and moved with the company to Italy in 1997, launching an intense production activity that to date includes over forty original creations. From 1998 to 2007, the company was artist-in-residence at the Fondazione Teatro Due, while since 2014 it has held an artistic residency at the Teatro Comunale di Bologna. Artemis Danza has been invited to perform in major Italian theatres and festivals, as well as on numerous international tours and festival circuits.

Central to Monica Casadei’s artistic research are cross-pollination with different artistic, cultural, and geographical contexts, alongside the exploration of sites and urban spaces that become stages for performative actions.

Alongside its production activity, Artemis Danza supports, produces, and promotes emerging artists and carries out a wide range of audience development and educational initiatives.

TICKETS
€3 for all / free admission for children under 6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Enough

Girls just wanna have… ANOTHER POINT OF VIEW

For Dance Week, celebrating female creativity, Lara Guidetti presents an open rehearsal of her new duet Enough.

Lara Guidetti draws inspiration from Narcissus and Goldmund by Hermann Hesse for this new male duet—a work in progress exploring affinity and attraction as forces that generate continuous tension.

A co-production by SPACCA / Sanpapié and Drama Teatro
With the support of NEXT – laboratorio delle idee

Choreography and direction: Lara Guidetti
Dramaturgical consultancy: Saverio Bari
Choreography assistant and creative consultancy: Fabrizio Calanna
Set and costumes: Maria Barbara De Marco
Original music and sound design: Marcello Gori
Lighting design: Alessandro Barbieri
Performers: Michele Ho, Gabriel Interlando

Special thanks to Helga and Angelo

Enough is a male duet in development, conceived as an installative choreographic work—an observational device that investigates the nature of the double not as a binary opposition, but as the impossible cohabitation of two inner forces. The work draws inspiration from Narcissus and Goldmund by Hermann Hesse, understood as a symbolic rather than narrative field: a relationship founded on affinity, attraction, and the impossibility of fusion. The other is neither complement nor solution, but what is missing, what wounds, what triggers movement. Dance unfolds within this unstable threshold, where the desire for unity generates a tension that is never resolved, and where separation is not a negation, but a necessary condition for the very existence of the bond.

Lara Guidetti graduated in 2006 as a dancer and choreographer from the Theatre-Dance Atelier of the Scuola Paolo Grassi in Milan, studying with leading national and international masters. She continued her training in the fields of dance and performing arts, exploring various pedagogical methods and training practices through workshops and productions.

In 2008, she founded the Sanpapié company, where she serves as artistic director, choreographer, director, and performer, presenting works throughout Italy, Europe, China, and Saudi Arabia. In 2017, her performance LEI won the Premio Bonacina.

She collaborates with the JGM company in Lisbon, with Teatro alla Scala as a dancer and acrobat, and creates choreography for opera productions. She has taught at the Scuola Paolo Grassi and DanceHaus in Milan, as well as at the school of the Teatro Stabile di Torino.

Since 2022, she has been an associated artist of the MilanOltre Festival and a collaborator of CCN/Aterballetto as a choreographer and curator of site-specific projects and cultural welfare initiatives.

TICKETS
€3 for all / free admission for children under 6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Pina!

Girls just wanna have… AN IDOL

Pina! by Monica Casadei is presented as an open rehearsal for Dance Week, celebrating female creativity.

 

Monica Casadei creates a personal tribute to Pina Bausch, a dialogue in which her own choreographic signature meets the poetic vision of the mother of Tanztheater.

 

 

 

 

 

 

Choreography: Monica Casadei
Video content from Un Secolo di Danza, written and created by Sonia Schoonejans
Production assistant: Mattia Molini
Dancers: Alfonso Donnarumma, Sofia Gentiluomo, Minami Michiwaki, Mattia Molini, Christian Pellino, Carlotta Quercetani

Production: Compagnia Artemis Danza
With the contribution of the Ministero della Cultura, Regione Emilia-Romagna – Department of Culture, Comune di Parma

Approximate duration: 20 minutes

An intense and personal tribute to Pina Bausch by Monica Casadei.
Inspired by the documentary Un secolo di danza by Sonia Schoonejans, the performance weaves video imagery and original choreography into a dialogue between historical memory and contemporary language. Moving through the physical, dynamic vocabulary that has long defined the style of Compagnia Artemis Danza, the work unfolds as a continuous play of echoes, evocations, and counterpoints, delving into Pina’s choreographic poetics and returning to the audience her visionary force and enduring ability to speak to us today.

Originally from Ferrara and graduating summa cum laude with a thesis on Plato and dance, Monica Casadei, after a competitive career in rhythmic gymnastics, devoted herself to the study of classical and modern dance—first in Italy, then in London, and finally in Paris. There she met choreographers Pierre Doussaint and Isabelle Doubouloz, as well as master André Cognard Hanshi So Shihan, with whom she still practices the martial art of Aikido.
She founded Compagnia Artemis Danza in France and moved with the company to Italy in 1997, launching an intense production activity that to date includes over forty original creations. From 1998 to 2007, the company was artist-in-residence at the Fondazione Teatro Due, while since 2014 it has held an artistic residency at the Teatro Comunale di Bologna. Artemis Danza has been invited to perform in major Italian theatres and festivals, as well as on numerous international tours and festival circuits.

Central to Monica Casadei’s artistic research are cross-pollination with different artistic, cultural, and geographical contexts, alongside the exploration of sites and urban spaces that become stages for performative actions.

Alongside its production activity, Artemis Danza supports, produces, and promotes emerging artists and carries out a wide range of audience development and educational initiatives.

TICKETS
€3 for all / free admission for children under 6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Enough

Girls just wanna have… ANOTHER POINT OF VIEW

For Dance Week, celebrating female creativity, Lara Guidetti presents an open rehearsal of her new duet Enough.

Lara Guidetti draws inspiration from Narcissus and Goldmund by Hermann Hesse for this new male duet—a work in progress exploring affinity and attraction as forces that generate continuous tension.

A co-production by SPACCA / Sanpapié and Drama Teatro
With the support of NEXT – laboratorio delle idee

Choreography and direction: Lara Guidetti
Dramaturgical consultancy: Saverio Bari
Choreography assistant and creative consultancy: Fabrizio Calanna
Set and costumes: Maria Barbara De Marco
Original music and sound design: Marcello Gori
Lighting design: Alessandro Barbieri
Performers: Michele Ho, Gabriel Interlando

Special thanks to Helga and Angelo

Enough is a male duet in development, conceived as an installative choreographic work—an observational device that investigates the nature of the double not as a binary opposition, but as the impossible cohabitation of two inner forces. The work draws inspiration from Narcissus and Goldmund by Hermann Hesse, understood as a symbolic rather than narrative field: a relationship founded on affinity, attraction, and the impossibility of fusion. The other is neither complement nor solution, but what is missing, what wounds, what triggers movement. Dance unfolds within this unstable threshold, where the desire for unity generates a tension that is never resolved, and where separation is not a negation, but a necessary condition for the very existence of the bond.

Lara Guidetti graduated in 2006 as a dancer and choreographer from the Theatre-Dance Atelier of the Scuola Paolo Grassi in Milan, studying with leading national and international masters. She continued her training in the fields of dance and performing arts, exploring various pedagogical methods and training practices through workshops and productions.

In 2008, she founded the Sanpapié company, where she serves as artistic director, choreographer, director, and performer, presenting works throughout Italy, Europe, China, and Saudi Arabia. In 2017, her performance LEI won the Premio Bonacina.

She collaborates with the JGM company in Lisbon, with Teatro alla Scala as a dancer and acrobat, and creates choreography for opera productions. She has taught at the Scuola Paolo Grassi and DanceHaus in Milan, as well as at the school of the Teatro Stabile di Torino.

Since 2022, she has been an associated artist of the MilanOltre Festival and a collaborator of CCN/Aterballetto as a choreographer and curator of site-specific projects and cultural welfare initiatives.

TICKETS
€3 for all / free admission for children under 6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

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