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DÉSIR MIMÉTIQUE

At the Fonderia, mimetic desires in contemporary dance are explored.

Saturday 28 November 3.00 pm and 5.00 pm

Sunday 29 October 3.00 pm and 5.00 pm

DÉSIR MIMÉTIQUE is a playful investigation into choreographic composition curated by Jacopo Jenna. The title is a free reference to the concept of “mimetic desire” theorised by the French anthropologist René Girard, who argued that human imitation lies at the root of many of the phenomena that characterise our behaviour. The project sets out to draw attention to the perception of certain elements linked to contemporary dance, starting from the concept of imitation as a basic element for the embodiment of dance and for cultural transmission, examining how particular kinds of information and qualities of movement are replicated or transferred from one person to another through a memetic process.

Within the workshop, then, a series of exercises is developed, focused on listening to the body and on the search for movement. Through the relationship with a series of static images, in which the body is represented in a particular form, various attempts at a mimetic relationship are explored, eliciting in the children different qualities of movement and physical representation.

Jacopo Jenna is a choreographer and director. His work investigates choreography as an extended practice, through a research that engages both dance and video, studying new possibilities for the embodiment of movement, ranging across various languages and generating multiple performative contexts. A graduate in Sociology from the University of Urbino, he developed his dance studies in the Netherlands at Codarts (Rotterdam Dance Academy). He works in training and educational programmes for various age groups, devising new strategies of relationship with the performing arts.

He has presented his projects at international festivals and institutions including Centrale Fies (Dro), La Democrazia del Corpo (Florence), Palazzo Strozzi (Florence), Centro Pecci (Prato), Fabbrica Europa (Florence), Short Theatre (Rome), Danae Festival (Milan), Dansem (Marseille), Bipod Festival (Beirut), CNBD (Bucharest), YPAM (Yokohama), Palazzo Grassi Punta della Dogana (Venice), Chantiers d’Europe – Théâtre de la Ville (Paris), Do Disturb – Palais de Tokyo (Paris), Mudam Contemporary Art Museum of Luxembourg, MAXXI (Rome), BMotion festival (Bassano del Grappa), MilanOltre Festival (Milan), Tanec Praha Festival (Prague), Belgrade Dance Festival, Tanzhaus nrw (Düsseldorf), Aerowaves Twenty22 and NID Platform (2022|2024).

His work is produced and supported by KLm – Kinkaleri, Le Supplici, mk.

TICKETS

To take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTATTI

Cell and WhatsApp 3341023554

DÉSIR MIMÉTIQUE

At the Fonderia, mimetic desires in contemporary dance are explored.

Saturday 28 November 3.00 pm and 5.00 pm

Sunday 29 October 3.00 pm and 5.00 pm

DÉSIR MIMÉTIQUE is a playful investigation into choreographic composition curated by Jacopo Jenna. The title is a free reference to the concept of “mimetic desire” theorised by the French anthropologist René Girard, who argued that human imitation lies at the root of many of the phenomena that characterise our behaviour. The project sets out to draw attention to the perception of certain elements linked to contemporary dance, starting from the concept of imitation as a basic element for the embodiment of dance and for cultural transmission, examining how particular kinds of information and qualities of movement are replicated or transferred from one person to another through a memetic process.

Within the workshop, then, a series of exercises is developed, focused on listening to the body and on the search for movement. Through the relationship with a series of static images, in which the body is represented in a particular form, various attempts at a mimetic relationship are explored, eliciting in the children different qualities of movement and physical representation.

Jacopo Jenna is a choreographer and director. His work investigates choreography as an extended practice, through a research that engages both dance and video, studying new possibilities for the embodiment of movement, ranging across various languages and generating multiple performative contexts. A graduate in Sociology from the University of Urbino, he developed his dance studies in the Netherlands at Codarts (Rotterdam Dance Academy). He works in training and educational programmes for various age groups, devising new strategies of relationship with the performing arts.

He has presented his projects at international festivals and institutions including Centrale Fies (Dro), La Democrazia del Corpo (Florence), Palazzo Strozzi (Florence), Centro Pecci (Prato), Fabbrica Europa (Florence), Short Theatre (Rome), Danae Festival (Milan), Dansem (Marseille), Bipod Festival (Beirut), CNBD (Bucharest), YPAM (Yokohama), Palazzo Grassi Punta della Dogana (Venice), Chantiers d’Europe – Théâtre de la Ville (Paris), Do Disturb – Palais de Tokyo (Paris), Mudam Contemporary Art Museum of Luxembourg, MAXXI (Rome), BMotion festival (Bassano del Grappa), MilanOltre Festival (Milan), Tanec Praha Festival (Prague), Belgrade Dance Festival, Tanzhaus nrw (Düsseldorf), Aerowaves Twenty22 and NID Platform (2022|2024).

His work is produced and supported by KLm – Kinkaleri, Le Supplici, mk.

TICKETS

To take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTATTI

Cell and WhatsApp 3341023554

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