Soft P. is a work for two bodies and a close gaze. The audience watches from up close, entering into a direct, almost tactile relationship.

It is a dance conceived to inhabit ever-changing spaces, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable. In being observed and in observing, a subtle, shared emotional tension arises, made of mutual respect and vulnerability. A closeness that does not intrude but grazes. The dance is built in the pure movement of intertwining bodies, echoing the long fringes of the costumes: mobile lines that expand into the space, following every sway. The fringes stretch out into the air, prolonging the gesture, as if to caress — and at times to brush more intensely — the very bodies of the watching audience.