Fonderia is the house of dance and art in Reggio Emilia.
- Discover the companies, the artists and the choreographers of our dance season.
- Attend the performances and the open rehearsals.
- Enjoy, purely.
- All
- 14'20''
- Alpha Grace
- An echo a wave
- Another Story
- Antitesi
- Aterballetto
- Bach Project
- BLISS
- Chiostri San Pietro 2022
- Combattimento di Tancredi e Clorinda
- Dance Week 2025
- Don Juan
- Dreamers
- feeling good
- glory hall
- Golden Days
- In/Finito
- Kepler
- La stella nascosta
- Lorca sono tutti
- Lost in
- Meridiana
- MicroDanze
- Never odd or even
- Next Stop
- Nine Bells
- Notte Morricone
- O
- Open rehearsals
- Over Dance
- Pasiphae
- Performances
- Phoenix
- Productions
- Rain Dogs
- reconciliatio
- Rhapsody in Blue
- Season
- Season 2021
- Season January - June 2024
- season january july 2025
- Season January-July 2020
- season january-may 2022
- season September-December 2021
- Season September-December 2022
- Secus
- September - December 2024 season
- Shoot me
- solo echo
- special events
- Special projects
- Stabat Mater
- Stagione 25/26
- Stagione Faenza 2018-2019
- Stagione Forlì 2018-2019
- stagione gennaio giugno 2023
- Stagione gennaio-giugno 2019
- Stagione gennaio-giugno 2024
- stagione gennaio-giugno 2026
- Stagione settembre-dicembre 2018
- Stagione settembre-dicembre 2019
- Stagione settembre-dicembre 2023
- stagione settembre-dicembre 2025
- Stanze Rooms
- Storie
- Stravaganze in sol minore
- Streaming
- Tango Glaciale Reloaded
- Tempesta
- Trans Frontieres
- Upper-East-Side
- Upper-East-Side
- Wolf
- Yeled
- Yeled/Shoot me
Solo Echo / Reconciliatio / Glory Hall
CCN/Aterballetto performs at Teatro Bellini from 26 to 29 March 2026.
The dancers of CCN/Aterballetto take centre stage in a production by the award-winning Crystal Pite, a Canadian choreographer now firmly in the pantheon of dance. Solo Echo draws inspiration from two cello-and-piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo calls on winter, music, and the moving body to express something essential about acceptance and loss.
Reconciliatio is a delicate female pas de deux inspired by readings of the Book of Revelation, created by one of the most important choreographers on the international scene, Angelin Preljocaj.
The evening closes with Glory Hall, the new production by Diego Tortelli, offering the company and the audience a tableau of sensuality and overwhelming vitality.
Solo Echo
Coreography: Crystal Pite
Music: Johannes Brahms (Sonata for Cello and Piano in E Minor, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major, Op. 99: II. Adagio affettuoso)
Production and restaging: Fondazione Nazionale della Danza/Aterballetto
Co-production: Teatro Comunale di Bologna
Reconciliatio
Choreography: Angelin Preljocaj
Music: Ludwig van Beethoven, Moonlight Sonata
Production: Fondazione Nazionale della Danza/Aterballetto
Glory Hall
Choreography: Diego Tortelli
Music: Godspeed You! Black Emperor
Production: Fondazione Nazionale della Danza/Aterballetto
Co-production: Teatro Comunale di Bologna
Solo Echo / Reconciliatio / Glory Hall
CCN/Aterballetto performs at Teatro Bellini from 26 to 29 March 2026.
The dancers of CCN/Aterballetto take centre stage in a production by the award-winning Crystal Pite, a Canadian choreographer now firmly in the pantheon of dance. Solo Echo draws inspiration from two cello-and-piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo calls on winter, music, and the moving body to express something essential about acceptance and loss.
Reconciliatio is a delicate female pas de deux inspired by readings of the Book of Revelation, created by one of the most important choreographers on the international scene, Angelin Preljocaj.
The evening closes with Glory Hall, the new production by Diego Tortelli, offering the company and the audience a tableau of sensuality and overwhelming vitality.
Solo Echo
Coreography: Crystal Pite
Music: Johannes Brahms (Sonata for Cello and Piano in E Minor, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major, Op. 99: II. Adagio affettuoso)
Production and restaging: Fondazione Nazionale della Danza/Aterballetto
Co-production: Teatro Comunale di Bologna
Reconciliatio
Choreography: Angelin Preljocaj
Music: Ludwig van Beethoven, Moonlight Sonata
Production: Fondazione Nazionale della Danza/Aterballetto
Glory Hall
Choreography: Diego Tortelli
Music: Godspeed You! Black Emperor
Production: Fondazione Nazionale della Danza/Aterballetto
Co-production: Teatro Comunale di Bologna
NOTTE MORRICONE
As part of the Belgrade Dance Festival, Aterballetto performs Notte Morricone by Marcos Morau at the Serbian National Theatre in Novi Sad.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. And so it is that creators and artists always leave us without ever truly leaving — this is how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative mind — alone and dazed before his sheets of paper, jotting down notes and imagining melodies for films that do not yet exist, reviving stories in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that comes to the spectator in waves — embracing with emotional surges, capturing through the memory of timeless melodies that have long outlived the images that first inspired them. The choreography, too, is exquisite: finely crafted and always poetic, composed with meticulous attention to detail. Legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
NOTTE MORRICONE
On April 11, 2026, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Regio in Parma.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
Find out more »
NOTTE MORRICONE
From April 23 to 26, 2026, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Carignano in Turin for Torinodanza Extra.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
Find out more »
NOTTE MORRICONE
From April 23 to 26, 2026, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Carignano in Turin for Torinodanza Extra.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
Find out more »
NOTTE MORRICONE
Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.
“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo
Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza
Durata 90′
NOTTE MORRICONE
Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.
“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo
Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza
Durata 90′
NOTTE MORRICONE
Dal 22 al 26 aprile 2026 Aterballetto danza Notte Morricone di Marcos Morau al Teatro Carignano di Torino per il Torinodanza Extra.
“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo
Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza
Durata 90′
Solo Echo / Reconciliatio / Rhapsody in blue
Aterballetto performs at the Teatro Piccinni in Bari on 30 April 2026.
The CCN/Aterballetto presents a true dance concert. Solo Echo by Crystal Pite, set to Brahms’ sonatas for piano and cello, summons winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj, choreographed to Beethoven’s Moonlight Sonata. In An echo, a wave by Philippe Kratz, the dancers’ flowing movements evoke the motion of the sea, while Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a playful, spirited choreography, just like Gershwin’s iconic composition.
Dreamers
Aterballetto performs Dreamers at the Teatro Politeama Greco in Lecce on 2 May 2026.
The CCN/Aterballetto performs a true dance concert. Solo Echo by Crystal Pite, set to Brahms’ sonatas for piano and cello, summons winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj, choreographed to Beethoven’s Moonlight Sonata. In An echo, a wave by Philippe Kratz, the flowing movements of the two dancers evoke the motion of the sea, while Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively, playful choreography, just like Gershwin’s iconic composition.
NOTTE MORRICONE
Aterballetto performs Notte Morricone by Marcos Morau in Magdeburg, Germany.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
Find out more »
