- 14'20''
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- O
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- season january july 2025
- Season January-July 2020
- season january-may 2022
- season September-December 2021
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- Shoot me
- solo echo
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- Upper-East-Side
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- Yeled
- Yeled/Shoot me
Solo Echo / Rhapsody in Blue / Glory Hall
The CCN/Aterballetto dances in Bilbao, Spain, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
GLORY HALL – Diego Tortelli
Glory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space, suspended between light and darkness. In a black but never truly dark space, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine, creating a continuous interplay of pleasure, virtuosity, and the pursuit of a personal version of glory.
The performances in Bilbao are in partnership with Italian Institute of Culture in Madrid and Directorate-General for Public and Cultural Diplomacy of Ministry of Foreign Affairs and International Cooperation.
Made in Italy 34.0
Double performance:
Saturday, March 29 – 6:30 PM
Saturday, March 29 – 9:00 PM
The protagonists of the evening are the dancers of Agora Coaching Project, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers.
Solo Echo / Rhapsody in Blue / Glory Hall
The CCN/Aterballetto dances in Bilbao, Spain, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Shoot me by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
GLORY HALL – Diego Tortelli
Glory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space, suspended between light and darkness. In a black but never truly dark space, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine, creating a continuous interplay of pleasure, virtuosity, and the pursuit of a personal version of glory.
The performances in Bilbao are in partnership with Italian Institute of Culture in Madrid and Directorate-General for Public and Cultural Diplomacy of Ministry of Foreign Affairs and International Cooperation.
Made in Italy 34.0
Double performance:
Saturday, March 29 – 6:30 PM
Saturday, March 29 – 9:00 PM
The protagonists of the evening are the dancers of Agora Coaching Project, a high-level training project promoted and supported by MM Contemporary Dance Company and A.S.D Progetto Danza of Reggio Emilia, with artistic direction by Michele Merola and Enrico Morelli. Launched in 2010, the course is gaining full recognition in the European dance world and boasts collaborations with internationally renowned teachers and choreographers.
Solo Echo / Rhapsody in Blue / Glory Hall
The CCN/Aterballetto dances in Merignac, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Glory Hall by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
GLORY HALL – Diego Tortelli
Glory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space, suspended between light and darkness. In a black but never truly dark space, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine, creating a continuous interplay of pleasure, virtuosity, and the pursuit of a personal version of glory.
Solo Echo / Rhapsody in Blue / Glory Hall
The CCN/Aterballetto dances in Nantes, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Glory Hall by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
GLORY HALL – Diego Tortelli
Glory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space, suspended between light and darkness. In a black but never truly dark space, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine, creating a continuous interplay of pleasure, virtuosity, and the pursuit of a personal version of glory.
THE FRIDAS – PREVIEW
Danza in Fonderia, the CCN/Aterballetto series, hosts an exclusive preview of Sofia Nappi’s latest creation.
The Fridas is inspired by Frida Kahlo’s painting The Two Fridas and explores the complex theme of human identity through a relationship of complicity and contrast, going beyond simple dualism. Through gestures that reveal intimacy and vulnerability, challenging the conventions of masculinity, the two dancers on stage navigate emotional states and become an expressive vehicle for the countless facets contained within each individual.
After the performance, a talk with choreographer Sofia Nappi.
Choreography Sofia Nappi
in collaboration with dancers Paolo Piancastelli, Adriano Popolo Rubbio
Choreography assistant Glenda Gheller
Costume design Adriano Popolo Rubbio
Costume production Adriano Popolo Rubbio, Adelaide D’Ago
Lighting design Alessandro Caso
Music various artists
Production Komoco
Co-production Festival Danza in Rete – Teatro Comunale Città di Vicenza
With the support of Oriente/Occidente, Centro Coreografico Nazionale/Aterballetto
Project residency at the Centro di Rilevante Interesse Nazionale per la Danza Scenario Pubblico/CZD
Duration: approximately 25 minutes
The Fridas is a duet inspired by the painting The Two Fridas by Frida Kahlo. It explores the complex theme of human identity through a relationship of complicity and contrast between two dancers. Mirrored and divergent movements embody inner conflicts and harmonies, while physical expressiveness and the use of space (in the Komoco language, considered a living element capable of both uniting and dividing) represent two complementary and essential aspects of the research.
However, the relationship between the two characters on stage goes beyond simple dualism. Through gestures that reveal intimacy and vulnerability, challenging conventions of masculinity, the dancers navigate emotional states and become an expressive vehicle for the countless facets contained within each individual. The painting “explodes,” and the duet thus reflects the ambiguity and multiple personalities that also characterized Kahlo herself:
“Within me, multiple identities are hidden; I am a mélange. A mix between a Mexican and an Indigenous person, but also a Mexican and a European. I am a painter and a wife. I love both women and men […]. In my painting, I want to represent precisely this: all my ambiguity—no, not ambiguity, my many personalities, my complexity.” (From *The Secret Lover of Frida Kahlo* by Caroline Bernard).
Designed for both theatrical and unconventional or museum spaces, The Fridas can be observed from different perspectives, adding nuances to the exploration of human essence and celebrating its complexity. However, the ending invites an ironic acceptance of life’s chaos: through parodic movements, the dancers find in humor the balm to keep facing the challenges of existence.
Sofia Nappi is a choreographer and the artistic director of KOMOCO, a contemporary dance company based in Italy and active internationally, which she co-founded together with her first muses, Adriano Popolo Rubbio and Paolo Piancastelli. From the very beginning, Sofia’s early creations with KOMOCO won prestigious awards: the Partner Introdans Award (Rotterdam International Duet Choreography Competition 2021), and the 1st Prize, the Critics’ Prize, and the Production Prize at the 35th International Choreography Competition Hannover, awarded by the Tanja Liedtke Foundation and Marco Goecke (2021).
Currently, KOMOCO’s works choreographed by Sofia are presented in Italy and on international tours across Europe, as well as in Mexico, Canada, and Serbia, hosted by renowned institutions and international festivals. As an independent choreographer, Sofia also creates new works for internationally recognized dance companies and theaters, including Nederlands Dans Theater 2, Leipzig Ballet, Gauthier Dance//Dance Company Theaterhaus Stuttgart, Ballet BC, Göteborg Opera, National Theatre Mannheim, Staatsoper Hannover, and Scottish Dance Theatre.
In parallel, Sofia Nappi’s work extends to research and professional training at an international level, in close collaboration with the dancers of KOMOCO. Since 2022, she has been organizing the biannual company workshop “Komoco Intensive” in Florence, welcoming professional dancers from all over the world. Sofia graduated from the Alvin Ailey American Dance Theater in New York; her training has also been significantly influenced by her close connection with the Hofesh Shechter Dance Company and her study of Gaga, the movement language developed by renowned choreographer Ohad Naharin.
TICKETS
3 euros
PURCHASING TICKETS
- ONLINE: https://www.biglietteriafonderia39.it/home.aspx
- Fonderia Box Office: the box office opens one hour before the start of the performance (Via della Costituzione 39, Reggio Emilia).
Tickets are unnumbered.
CONTACTS FOR RESERVATIONS
Phone & WhatsApp: 3341023554
Solo Echo / Rhapsody in Blue / Glory Hall
The CCN/Aterballetto dances in Fousnant, France, the triptych composed of Rhapsody in Blue by Iratxe Ansa and Igor Bacovich, Solo Echo by Crystal Pite, and Glory Hall by Diego Tortelli.
SOLO ECHO – Crystal Pite
Love, loss, and acceptance are at the heart of Solo Echo by the Canadian choreographer Crystal Pite, inspired by two cello and piano sonatas by Johannes Brahms and the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo evokes winter, music, and the moving body to express something essential about acceptance and loss.
RHAPSODY IN BLUE – Iratxe Ansa & Igor Bacovich
«Rhapsody in Blue by George Gershwin has several attractive points for us. It is a splendid piece of music, well-known but not so frequently listened to by the younger generations. Introducing this work to young people is a good objective, and this piece can be a way to present a less distant and less “American” vision of Gershwin, going beyond the cultural context in which the rhapsody was created. The rhapsody will inevitably dictate the choreographic work, and the lively, sparkling changes with which to play are fantastic. » – Iratxe Ansa & Igor Bacovich
GLORY HALL – Diego Tortelli
Glory Hall by Diego Tortelli is a sensorial and rebellious journey in an in-between space, suspended between light and darkness. In a black but never truly dark space, the choreography unfolds as an ecstatic rite where sensuality and profane spirituality intertwine, creating a continuous interplay of pleasure, virtuosity, and the pursuit of a personal version of glory.
FELLINIANA – Omaggio a Fellini
FELLINIANA – Tribute to Fellini is a performance that evokes the universe of the great Maestro and his most famous films through the choreography of Monica Casadei.
The bodies of the Artemis Danza Company move between dance and contemporary circus, dream and reality, accompanied by the unforgettable music composed by Nino Rota for Federico Fellini. Euphoric and sparkling choreography, virtuosity, and an irresistible humanity animate this performance, making it a poetic and sensitive manifesto that celebrates the history of Italian cinema and music.
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
NOTTE MORRICONE
The National Choreographic Center/Aterballetto pays tribute to Ennio Morricone with a new production by Spanish choreographer Marcos Morau.
The Spanish artist, with his visionary power and ability to transform musical universes, presents a unique creation that intertwines the music of Academy Award winner Ennio Morricone with dance, visual arts, and cinematic inspirations.
Marcos Morau, the youngest choreographer to date to receive the National Dance Award, Spain’s highest honor in dance, constructs imaginary worlds and landscapes where image, text, movement, music, and space form a unique universe constantly nurtured by cinema, photography, and literature. Now, for his first collaboration with the CCN/Aterballetto, he has chosen to draw from iconic compositions of the cinematic landscape of the last seventy years: those of Academy Award winner Ennio Morricone.
The director says: “With classical training and an avant-garde vocation, Morricone has always been beyond the trends of his time. His music spans an entire century and has revived the works of many great masters. For this evening, I aim to build a universe based on his sensitivity, confirming that his legacy is more alive than ever, and, as he himself would say, ‘My music has a life of its own, which can live beyond the films for which it was created.'”
Discover more »
Duration 90′
