Spellbound Evening, choreographies by Mauro Astolfi

Fonderia Reggio Emilia
30 April H 00.00

Mauro Astolfi presents three choreographies created for his company at Danza in Fonderia.

On the occasion of International Dance Day, Fonderia hosts three choreographies by Mauro Astolfi for his company Spellbound Contemporary Ballet. On stage are Trust, If you were a man, and Holy Shift—three works that explore relationships, listening, and transformation through the language of dance.

Choreography and direction: Mauro Astolfi
Performers: Maria Cossu, Giuliana Mele
Music: Various artists

Trust is a short story about two women who do not really know how to behave towards one another. It is an attempt at a temporary agreement, based on the idea of mutual trust as a way of getting to know each other a little more quickly. A game woven from different personalities, yet driven by a subtle need to understand what the other is thinking, how she might stay close to you, how you might live beside her.

Trust is an infantile, mature, adolescent yet aware duet—a brief narrative, a suggestion about certain decisions that sometimes must be made quickly and that can change the course of life. The two vibrate together, in unison they hide within one another, they protect each other… and by moving forward they become friends; in the end, they discover that they can trust one another.

Choreography: Mauro Astolfi
Performers: Filippo Arlenghi, Roberto Pontieri, Alessandro Piergentili, Lorenzo Beneventano
Music: Various artists
Costumes: Anna Coluccia

A production by Spellbound

With the support of the Ministry of Culture

Co-production: Attraversamenti Multipli and Armonie d’Arte Festival

If you were a man is a study for four men on a profound reprogramming of listening. If the sounds produced by movement and breath could always be decoded in time, certain things might be avoided, might never happen, and one might learn to listen effectively to a body that does not speak.

The wonder of a silent dialogue carries unexpected results with it… even the smallest noises and the body’s strategies may reveal an imminent conflict in advance.

Rejection, suspicion, distrust, love, or fear are not always communicated in time for intervention, in time to receive precious information about others.

Choreography and direction: Mauro Astolfi
Performers: Maria Cossu, Marco Prete, Martina Staltari, Miriam Raffone, Filippo Arlenghi, Lorenzo Beneventano, Alessandro Piergentili, Anita Bonavida, Giuliana Mele
Lighting design: Marco Policastro
Original music: Davidson Jaconello
Costumes: Anna Coluccia
Choreography assistant: Elena Furlan

A production by Spellbound

With the support of the Ministry of Culture and Regione Lazio

In collaboration with Festival MilanOltre

Holy Shift is a rupture of the paradigm, the end of a linear dream.
A kind of “sacred” disorientation where it becomes better to stop searching for answers in familiar models and instead cultivate a new openness to change.

Sometimes we can find the sacred in ruin, in disintegration, where a new version of the “sacred” may be hidden.

Holy Shift is an inner displacement toward a new orientation—not toward power, but toward presence.
I do not believe the future will be built like a project…
rather, it will reveal itself to those who are able to remain listening to the void,
to inhabit uncertainty without fleeing it,
to recognise in chaos the hidden grammar of another possibility.

Mauro Astolfi

Mauro Astolfi is one of the most representative authors of the contemporary European dance scene. Active internationally as both choreographer and teacher, Astolfi has developed a distinctive and constantly evolving gestural language, the result of a personal reworking of different expressive forms within contemporary movement.

After a long stay in the United States, in 1994 he founded Spellbound Contemporary Ballet, a production project shared with Valentina Marini (Executive Director), today a leading presence on the international contemporary dance market.

In addition to the numerous productions created for Spellbound Contemporary Ballet, Astolfi has also been active in recent years as a freelance choreographer. Among his works are creations for Kitonb Extreme Theatre Company, the Theatre School Amsterdam (2004), Balletto di Roma (2009 and 2012), Szegedi Kortárs Balett in Hungary in 2009, and in the same year the choreography for the musical I Promessi Sposi – Opera moderna, directed by Michele Guardì. He also created works for Leipziger Ballett and River North Chicago Dance Company in 2011.

Also in 2011, he collaborated as choreographer with Israeli author Adi Salant, Associate Director of the Batsheva Dance Company, for the project Danza e/è cultura. Un ponte tra Italia e Israele, promoted and supported by the MIUR, Fondazione Flavio Vespasiano, and the Comune di Rieti.

In 2012 he was invited to create a new work for BalletX and a choreographic project titled Humanology – Site Specific Young Project, produced by the Oriente Occidente Festival. In 2013 he was one of five choreographers invited to create for the project MINUTEMADE at the Staatstheater am Gärtnerplatz in Munich.

In 2015 he created two works in Canada for Arts Umbrella in Vancouver and ProArteDanza in Toronto.

Since October 2009, he has also been Artistic Director of the modern-contemporary department at the Dance Arts Faculty (D.A.F. – International Project for Dance and Performing Arts) in Rome.

TICKETS | PERFORMANCE

Full price: €10
Reduced price (under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, CRAL Comune di Reggio Emilia members): €6
Reduced price (under 8): €3

TICKETS | OPEN REHEARSAL

€3 for everyone / free for children under 6

TICKET PURCHASE

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at Fonderia opens one hour before the start of the performance.

Tickets are unnumbered.

CONTACTS

Mobile & WhatsApp: +39 334 102 3554

Solo Echo / Reconciliatio / Rhapsody in blue

Teatro Piccinni Bari
30 April H 19.30

Aterballetto performs at the Teatro Piccinni in Bari on 30 April 2026.

The CCN/Aterballetto presents a true dance concert. Solo Echo by Crystal Pite, set to Brahms’ sonatas for piano and cello, summons winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj, choreographed to Beethoven’s Moonlight Sonata. In An echo, a wave by Philippe Kratz, the dancers’ flowing movements evoke the motion of the sea, while Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a playful, spirited choreography, just like Gershwin’s iconic composition.

 

 

Dreamers

Teatro Politeama Greco Lecce
2 May H 20.30

Aterballetto performs Dreamers at the Teatro Politeama Greco in Lecce on 2 May 2026.

The CCN/Aterballetto performs a true dance concert. Solo Echo by Crystal Pite, set to Brahms’ sonatas for piano and cello, summons winter to express something essential about acceptance and loss. Reconciliatio is a delicate female duet by Angelin Preljocaj, choreographed to Beethoven’s Moonlight Sonata. In An echo, a wave by Philippe Kratz, the flowing movements of the two dancers evoke the motion of the sea, while Rhapsody in Blue by Iratxe Ansa and Igor Bacovich is a lively, playful choreography, just like Gershwin’s iconic composition.

 

 

NOTTE MORRICONE

Theater Magdeburg / Opernhaus Magdeburg
6 May H 19.30

Aterballetto performs Notte Morricone by Marcos Morau in Magdeburg, Germany.

“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer

It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza

Duration: 90 minutes
Find out more »

 

NOTTE MORRICONE

Teatro Massimo Cagliari
16 May H 20.30

Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Massimo in Cagliari on May 16 and 17, 2026.

“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer

It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza

Duration: 90 minutes
Find out more »

 

NOTTE MORRICONE

Teatro Massimo Cagliari
17 May H 19.00

Aterballetto danza Notte Morricone di Marcos Morau al Teatro Massimo di Cagliari il 16 e 17 maggio 2026.

“Io, Ennio Morricone, sono morto”, scrisse il compositore prima di congedarsi. La sua musica, invece, non può farlo. Ed è così che i creatori e gli artisti sempre ci lasciano senza lasciarci, ed è in questo modo che la memoria si preoccupa di tenerli vivi, di tenerli al sicuro. Notte Morricone è il mio regalo, un devoto tributo alla bellezza che ha donato al mondo.
Notte Morricone si svolge nel crepuscolo di una notte ordinaria nella vita di un creativo, che solo e stordito davanti ai suoi fogli, prende appunti e visualizza melodie per film che non esistono ancora, riportando in vita storie nell’aria rarefatta della sua stanza.
Marcos Morau – Regista e coreografo


Impossibile descrivere Notte Morricone, pezzo magistrale che arriva a flutti allo spettatore, lo abbraccia con onde emotive, lo cattura nella memoria di melodie intramontabili sopravvissute di gran lunga alle immagini che le hanno generate. Incantevole pure la coreografia cesellata e sempre poetica, composta con maniacale attenzione al dettaglio: gambe e collo sembrano privi di giunture, si flettono e scattano ritmicamente come metronomi.
Maria Luisa Buzzi – Danza&Danza

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Durata 90′

 

Solo Echo / Reconciliatio / Glory Hall

Teatro Comunale L. Pavarotti Modena
22 May H 20.30

Aterballetto performs Solo Echo, Reconciliatio, and Glory Hall at the Teatro Comunale Pavarotti in Modena on 22 May 2026.

The dancers of the CCN/Aterballetto take the stage in a production featuring works by acclaimed choreographers, including the multi-award-winning Crystal Pite, one of the most celebrated figures in contemporary dance. Solo Echo is inspired by two cello and piano sonatas by Johannes Brahms and by the poem “Lines for Winter” by Mark Strand. As in Strand’s poem, Solo Echo invokes winter — through music and movement — to express something essential about acceptance and loss.

Reconciliatio is a delicate female duet inspired by the Book of Revelation, created by one of the world’s leading choreographers, Angelin Preljocaj.

The evening concludes with Glory Hall, a new creation by Diego Tortelli, offering both the company and the audience a vivid fresco of sensuality and irresistible vitality.

https://youtu.be/erHGNRRz6sQ

Solo Echo

Coreografia: Crystal Pite
Musiche: Johannes Brahms (Sonata for Cello and Piano in E Minor, Op. 38: I. Allegro non troppo; Sonata for Cello and Piano in F Major, Op. 99: II. Adagio Affettuoso)
Produzione e riallestimento: Fondazione Nazionale della Danza / Aterballetto
Coproduzione: Teatro Comunale di Bologna

Reconciliatio

Coreografia: Angelin Preljocaj
Musica: Ludwig van Beethoven, Sonata al Chiaro di Luna
Produzione: Fondazione Nazionale della Danza / Aterballetto

Glory Hall

Coreografia: Diego Tortelli
Musica: Godspeed You! Black Emperor
Produzione: Fondazione Nazionale della Danza / Aterballetto
Coproduzione: Teatro Comunale di Bologna