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Preludio / “O” / Alpha Grace

From November 8 to 12, 2025, Aterballetto embarks on its first tour in South Africa.
TOUR

Dreamers
At the Teatro Sociale in Trento, on November 13 and 14, 2025, Aterballetto performs Dreamers, a triptych featuring choreographies by Tortelli, Kratz, and Pite.
Dreamers is a choreographic journey through three visions, three distinct poetics, which together form a single reflection on desire, memory, loss, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz, Crystal Pite, and Diego Tortelli — unfold like chapters of a single dream.
In An echo, a wave, Philippe Kratz draws inspiration from the sea as a metaphor for eternity, for encounter and separation. The waves, like the dancers’ bodies, carry with them stories, emotions, and continuous movement, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature, yet also of our capacity for beauty and connection.

© Festival de Granada | Fermín Rodríguez
With Preludio, Diego Tortelli creates a love letter to the body—its fragility and its strength, its constant state of transformation. Through the poetic and musical universe of Nick Cave, the work explores personal “creed,” the human need to give meaning and shape to emotions. On stage, the dancers are not individuals but emotional pulsations, inhabiting space with urgency and lyricism.
FND/Aterballetto – Preludio – ph. Claudio Montanari
Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage, one breathes the winter of the soul: time slows down, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity, Pite reflects on the themes of loss, the acceptance of change, and the mystery of resilience.
Dreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream, a mirror of our most intimate tensions, a memory of our deepest desires.
Duo d’Eden | Grosse Fugue

Maguy Marin’s dance arrives at Fonderia through the interpretation of the MM Contemporary Dance Company.
Directed by Michela Merola, the company presents for Danza in Fonderia two masterpieces by the multi-award-winning French choreographer Maguy Marin: Duo d’Eden, a duet of rare, almost mythical beauty, and the all-female quartet Grosse Fugue, Marin’s personal interpretation of Ludwig van Beethoven’s work, considered a milestone in the relationship between classical music and contemporary dance. After the performance, a short talk with a dance critic is scheduled.
The MM Contemporary Dance Company won the 2024 Danza&Danza Award for Repertoire Enhancement with Maguy Marin’s Grosse Fugue.
https://vimeo.com/480791125/2e8682f7fb
Dreamers
Al Teatro Sociale di Trento, il 13 e 14 novembre 2025, Aterballetto danza Dreamers, trittico composto dalle coreografie firmate da Tortelli, Kratz e Pite.
Dreamers è un viaggio coreografico in tre visioni, tre poetiche differenti, che insieme compongono un’unica riflessione sul desiderio, la memoria, la perdita e la forza del corpo come spazio emotivo e spirituale. Tre creazioni firmate da coreografi tra i più significativi della scena contemporanea — Philippe Kratz, Crystal Pite e Diego Tortelli — si susseguono come capitoli di un unico sogno.
In An echo, a wave Philippe Kratz parte dalla suggestione del mare come metafora dell’eternità, dell’incontro e della separazione. Le onde, come i corpi dei danzatori, portano con sé storie, emozioni e movimenti continui, in un flusso che richiama le infinite partenze e ritorni della nostra esistenza. Il Mediterraneo diventa così specchio del nostro essere effimeri, ma anche capaci di bellezza e connessione.

© Festival de Granada | Fermín Rodríguez
Con Preludio Diego Tortelli firma una dichiarazione d’amore al corpo, alla sua fragilità e potenza, al suo continuo trasformarsi. Attraverso l’universo poetico e musicale di Nick Cave, la creazione si interroga sul “credo” personale, sul bisogno umano di trovare senso e forma alle emozioni. In scena, i danzatori non sono individui, ma pulsazioni emotive che abitano lo spazio con urgenza e lirismo.

FND/Aterballetto – Preludio – ph. Claudio Montanari
Solo Echo di Crystal Pite si ispira a due sonate per violoncello e pianoforte di Johannes Brahms e ai versi profondi di Mark Strand. In scena si respira l’inverno dell’anima: il tempo rallenta, il corpo si fa veicolo di un’introspezione commossa e potente. Con delicatezza e intensità, Pite riflette sul tema della perdita, sull’accettazione del cambiamento e sul mistero della resilienza.
Dreamers è un incontro tra tre modi di sentire e raccontare il mondo, un invito a lasciarsi attraversare dalla danza come sogno lucido, specchio delle nostre tensioni più intime, memoria dei nostri desideri più profondi.
VISIONI DEL CORPO: MAURIZIO CATTELAN

Maurizio Cattelan Bidibidobidiboo 1996 photo Zeno Zotti copia (Palazzo Grassi, Venezia)
At PARC in Florence, three works by Maurizio Cattelan are the focus of the new edition of Visioni del corpo — discovering contemporary art through the lens of choreographic creation.

Maurizio Cattelan, Him, 2001, ph Tom Lindboe (Blenheim) A
Dreamers
At the Teatro Cristallo in Bolzano, Aterballetto performs Dreamers, a triptych featuring choreographies by Tortelli, Kratz, and Pite.
Dreamers is a choreographic journey through three visions, three distinct poetics, which together form a single reflection on desire, memory, loss, and the strength of the body as an emotional and spiritual space. Three creations by some of the most significant choreographers on the contemporary scene — Philippe Kratz, Crystal Pite, and Diego Tortelli — unfold like chapters of a single dream.
In An echo, a wave, Philippe Kratz draws inspiration from the sea as a metaphor for eternity, for encounter and separation. The waves, like the dancers’ bodies, carry with them stories, emotions, and continuous movement, in a flow that recalls the endless departures and returns of our existence. The Mediterranean thus becomes a mirror of our ephemeral nature, yet also of our capacity for beauty and connection.

© Festival de Granada | Fermín Rodríguez
With Preludio, Diego Tortelli creates a love letter to the body—its fragility and its strength, its constant state of transformation. Through the poetic and musical universe of Nick Cave, the work explores personal “creed,” the human need to give meaning and shape to emotions. On stage, the dancers are not individuals but emotional pulsations, inhabiting space with urgency and lyricism.
FND/Aterballetto – Preludio – ph. Claudio Montanari
Solo Echo by Crystal Pite is inspired by two sonatas for cello and piano by Johannes Brahms and by the profound verses of Mark Strand. On stage, one breathes the winter of the soul: time slows down, and the body becomes a vessel for a moving and powerful introspection. With delicacy and intensity, Pite reflects on the themes of loss, the acceptance of change, and the mystery of resilience.
Dreamers is an encounter between three ways of sensing and narrating the world—an invitation to let oneself be carried by dance as a lucid dream, a mirror of our most intimate tensions, a memory of our deepest desires.
Author’s Evening

Opus Ballet Company presents the world premiere of its new “Choreographers’ Evening,” featuring works by Roberto Tedesco, Adriano Bolognino, and Giovanni Insaudo.

Stravaganze in sol minore

Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Metastasio in Prato from 26 to 29 November 2025.
Sotto un cespo di rose scarlatte (Under a bush of scarlet roses)
Offre il rospo tè caldo con latte (The toad serves hot tea with milk.)
Sotto un cespo di rose paonazze (Under a bush of purple roses)
Tocca al rospo sciacquare le tazze. (It’s the toad’s turn to rinse the cups.)
(Toti Scialoja, La mela di Amleto, 1984)
https://www.youtube.com/watch?v=Wouh0x0D4HQ
Il mare che ci unisce

For the first time at Danza in Fonderia, the company ArtgarageDanceCo, led by Emma Cianchi, takes part.

Stravaganze in sol minore

Stravaganze in sol minore by Francesca Lattuada arrives at the Teatro Metastasio in Prato from 26 to 29 November 2025.
Sotto un cespo di rose scarlatte (Under a bush of scarlet roses)
Offre il rospo tè caldo con latte (The toad serves hot tea with milk.)
Sotto un cespo di rose paonazze (Under a bush of purple roses)
Tocca al rospo sciacquare le tazze. (It’s the toad’s turn to rinse the cups.)
(Toti Scialoja, La mela di Amleto, 1984)
https://www.youtube.com/watch?v=Wouh0x0D4HQ
NOTTE MORRICONE
From November 27 to 30, 2025, Aterballetto performs Notte Morricone by Marcos Morau at the Teatro Comunale di Bolzano.
“I, Ennio Morricone, am dead,” wrote the composer before taking his leave. His music, however, cannot die. This is how creators and artists always leave us without ever truly leaving, and how memory takes care to keep them alive, to keep them safe. Notte Morricone is my gift, a devoted tribute to the beauty he gave to the world.
Notte Morricone unfolds in the twilight of an ordinary night in the life of a creative spirit who, alone and dazed before his papers, jots down notes and envisions melodies for films that do not yet exist, bringing stories back to life in the rarefied air of his room.
Marcos Morau – Director and Choreographer
It is impossible to describe Notte Morricone, a masterful work that washes over the spectator in waves, embraces them with emotional currents, and captivates them with the memory of timeless melodies that have long outlived the images that first inspired them. Equally enchanting is the finely chiselled, ever-poetic choreography, composed with meticulous attention to detail: legs and necks seem jointless, bending and snapping rhythmically like metronomes.
Maria Luisa Buzzi – Danza&Danza
Duration: 90 minutes
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