Fonderia is the house of dance and art in Reggio Emilia.

  • Discover the companies, the artists and the choreographers of our dance season.
  • Attend the performances and the open rehearsals.
  • Enjoy, purely.

Mystery Sonata

Fonderia Reggio Emilia
10 November H 18.00

The Compagnia EgriBianco breaks down danza in Fonderia.

Tuesday 10 November 6.00 pm – open rehearsal and 8.30 pm – performance

MYSTERY SONATA is a “modular” performance, one that can be broken down and reassembled in relation to the spaces that host it. A performance with no true beginning or end, conceived in 2013 for the spaces of the Fondazione Sandretto Re Rebaudengo.

At the heart of the work are the co-presence of multiple realities and spatial dimensions and their mutual influence, together with the theme of spiritual heritage and its echo, whether direct or indirect.

The choreographer thus reflects on the boundaries of our actions: where do they begin and end, and what remains of us in others? What is the true nature of things and, above all, what relationship exists between the two?

https://www.youtube.com/watch?v=qMi_V7hsGxU&feature=youtu.be

Concept and choreography: Raphael Bianco
Music: F.I.Von Biber
Sound design: Ivan Bert
Costumes: Melissa Boltri
Set design: Alis-Filliol
Dancers: EgriBiancoDanza

Production Fondazione Egri – Centro di Rilevante Interesse Nazionale per la Danza
With the support of MIC – Ministero della Cultura, Regione Piemonte, Fondazione CRT
In collaboration with Fondazione Sandretto Re Rebaudengo

The Compagnia EgriBiancoDanza, directed by Susanna Egri and Raphael Bianco, was founded in Turin in 1999. Inheriting the more than thirty years of experience of the previous company “I Balletti di Susanna Egri,” it stands out for a repertoire of works rich in social and spiritual values, created by Raphael Bianco and by choreographers from the Italian and international arts scene. The Compagnia EgriBiancoDanza embodies some of the distinctive traits of the Fondazione Egri per la Danza: curiosity, roots and innovation, research and sharing — values that are asked of all the company’s artists. From theatrical performances to installations and site-specific works, EgriBiancoDanza is made up of permanent dancers drawn from high-level professional backgrounds and possesses a solid repertoire.

TICKETS

Open rehearsal Tuesday 10 November 6.00 pm

Full price: 3 euros
Free for under-6s

Performance Tuesday 10 November 8.30 pm

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

Mystery Sonata

Fonderia Reggio Emilia
10 November H 20.30

The Compagnia EgriBianco breaks down danza in Fonderia.

Tuesday 10 November 6.00 pm – open rehearsal and 8.30 pm – performance

MYSTERY SONATA is a “modular” performance, one that can be broken down and reassembled in relation to the spaces that host it. A performance with no true beginning or end, conceived in 2013 for the spaces of the Fondazione Sandretto Re Rebaudengo.

At the heart of the work are the co-presence of multiple realities and spatial dimensions and their mutual influence, together with the theme of spiritual heritage and its echo, whether direct or indirect.

The choreographer thus reflects on the boundaries of our actions: where do they begin and end, and what remains of us in others? What is the true nature of things and, above all, what relationship exists between the two?

https://www.youtube.com/watch?v=qMi_V7hsGxU&feature=youtu.be

Concept and choreography: Raphael Bianco
Music: F.I.Von Biber
Sound design: Ivan Bert
Costumes: Melissa Boltri
Set design: Alis-Filliol
Dancers: EgriBiancoDanza

Production Fondazione Egri – Centro di Rilevante Interesse Nazionale per la Danza
With the support of MIC – Ministero della Cultura, Regione Piemonte, Fondazione CRT
In collaboration with Fondazione Sandretto Re Rebaudengo

The Compagnia EgriBiancoDanza, directed by Susanna Egri and Raphael Bianco, was founded in Turin in 1999. Inheriting the more than thirty years of experience of the previous company “I Balletti di Susanna Egri,” it stands out for a repertoire of works rich in social and spiritual values, created by Raphael Bianco and by choreographers from the Italian and international arts scene. The Compagnia EgriBiancoDanza embodies some of the distinctive traits of the Fondazione Egri per la Danza: curiosity, roots and innovation, research and sharing — values that are asked of all the company’s artists. From theatrical performances to installations and site-specific works, EgriBiancoDanza is made up of permanent dancers drawn from high-level professional backgrounds and possesses a solid repertoire.

TICKETS

Open rehearsal Tuesday 10 November 6.00 pm

Full price: 3 euros
Free for under-6s

Performance Tuesday 10 November 8.30 pm

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

MicroDanze

Santa Maria della Scala Siena
13 November H 18.00

At Festival Xenos, CCN/Aterballetto explores the Santa Maria della Scala museum complex in Siena with the MicroDanze.

Santa Maria della Scala, Friday 13 November 2026, 6.00 pm / 8.00 pm

On Friday 13 November the Santa Maria della Scala museum complex, as part of Festival Xenos, hosts 4 MicroDanze: Eppur si muove by Francesca Lattuada, Terra Piccola by Antonella Bertoni, Soft P. by Diego Tortelli and An Echo, A Wave by Philippe Kratz.

MicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate, almost confidential encounter.

Choreography Francesca Lattuada
Music Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)
Costumes Bruno Fatalot
Dancer Vittoria Franchina
Duration 5 minutes

Wrapped in Bruno Fatalot’s refined and impalpable costume, a dancer moves solemnly on a barrel-pedestal, drawn along by the sorrowful, mysterious motif of Beethoven’s Allegretto. Her dance captivates and seduces, as imposing as a song of prayer.

Choreography by Antonella Bertoni
Music Kleintierschaukel – Kidz of Tibet (feat. Badau)
Dancer Matilde Di Ciolo
A production by Fondazione Nazionale della Danza / Aterballetto

Duration 10 minutes

A body worked by the earth converses with distances, furiously in a trance, with abrupt halts; it bursts out, quivers, asks, beats, turns, runs away and laughs, leaps and flies. A compressed dance, closed within a geographical (and cultural) enclosure, that looks to the future in search of what is left of our humanity

Choreography Diego Tortelli
Music Tindersticks
Dancers Veronica Galdo, Matteo Capetola
A production by Fondazione Nazionale della Danza / Aterballetto
Duration 6 minutes

It is a dance conceived to inhabit ever-changing spaces, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable.

In being watched and in watching, a subtle, shared emotional tension arises, made of respect and mutual vulnerability. A closeness that does not intrude, but grazes.

"An Echo, a wave" by Philippe Kratz, the new Aterballetto pas de deux

Choreography by Philippe Kratz
Sound designer Tommaso Michelini
Dancers Gaia Mondini, Kiran Gezels
A production by Fondazione Nazionale della Danza / Aterballetto
Duration 10 minutes

A duet inspired by the Mediterranean as a symbolic space of encounters, departures and transformations, in which the dancers’ movement mirrors the unbroken flow of the sea and its contradictions: wonder and tragedy, closeness and distance.

 

MicroDanze

Santa Maria della Scala Siena
13 November H 20.00

At Festival Xenos, CCN/Aterballetto explores the Santa Maria della Scala museum complex in Siena with the MicroDanze.

Santa Maria della Scala, Friday 13 November 2026, 6.00 pm / 8.00 pm

On Friday 13 November the Santa Maria della Scala museum complex, as part of Festival Xenos, hosts 4 MicroDanze: Eppur si muove by Francesca Lattuada, Terra Piccola by Antonella Bertoni, Soft P. by Diego Tortelli and An Echo, A Wave by Philippe Kratz.

MicroDanze stems from an intuition of Gigi Cristoforetti for CCN/Aterballetto: to break down the invisible barrier of the stage and turn dance into an intimate, almost confidential encounter.

Choreography Francesca Lattuada
Music Ludwig Van Beethoven (Symphony No. 7 – Second movement – Allegretto)
Costumes Bruno Fatalot
Dancer Vittoria Franchina
Duration 5 minutes

Wrapped in Bruno Fatalot’s refined and impalpable costume, a dancer moves solemnly on a barrel-pedestal, drawn along by the sorrowful, mysterious motif of Beethoven’s Allegretto. Her dance captivates and seduces, as imposing as a song of prayer.

Choreography by Antonella Bertoni
Music Kleintierschaukel – Kidz of Tibet (feat. Badau)
Dancer Matilde Di Ciolo
A production by Fondazione Nazionale della Danza / Aterballetto

Duration 10 minutes

A body worked by the earth converses with distances, furiously in a trance, with abrupt halts; it bursts out, quivers, asks, beats, turns, runs away and laughs, leaps and flies. A compressed dance, closed within a geographical (and cultural) enclosure, that looks to the future in search of what is left of our humanity

Choreography Diego Tortelli
Music Tindersticks
Dancers Veronica Galdo, Matteo Capetola
A production by Fondazione Nazionale della Danza / Aterballetto
Duration 6 minutes

It is a dance conceived to inhabit ever-changing spaces, places not designed to hold it but transformed by its presence. Sensuality becomes the device through which these spaces are traversed and made inhabitable.

In being watched and in watching, a subtle, shared emotional tension arises, made of respect and mutual vulnerability. A closeness that does not intrude, but grazes.

"An Echo, a wave" by Philippe Kratz, the new Aterballetto pas de deux

Choreography by Philippe Kratz
Sound designer Tommaso Michelini
Dancers Gaia Mondini, Kiran Gezels
A production by Fondazione Nazionale della Danza / Aterballetto
Duration 10 minutes

A duet inspired by the Mediterranean as a symbolic space of encounters, departures and transformations, in which the dancers’ movement mirrors the unbroken flow of the sea and its contradictions: wonder and tragedy, closeness and distance.

 

BOXES

Fonderia Reggio Emilia
14 November H 15.00

UnterWasser’s “boxed” micro-performances arrive at the Fonderia

Saturday 14 and Sunday 15 November at 3.00 pm and 7.30 pm

BOXES is a work of visual theatre and an installation made up of “boxes” that hold micro-performances and interactive games, to be experienced by one viewer at a time.

The audience is invited into an intimate, personal and dedicated experience. Looking through small slits and openings, viewers come into contact with small poetic worlds, gathered and protected inside the boxes.

BOXES is an open project, born from the reworking of Lambe Lambe theatre and from research into the effects and techniques of pre-cinema.

A project conceived and created by: Valeria Bianchi, Aurora Buzzetti, Giulia De Canio
with the participation of: Francesco Capponi
Software, circuit design and physical computing: Francesco Bianchi
Thanks to: Malu Costa, Romulo Chindelar, Lucas Popeta

Production: UnterWasser
Executive production: Pilar Ternera / NTC

With the support of Cambio Festival (Rio de Janeiro); Crossing the sea; Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)

UnterWasser is a theatre research group founded in 2014 by Valeria Bianchi, Aurora Buzzetti and Giulia De Canio. The company positions itself at the boundary between visual theatre and contemporary art, studying their mutual cross-influences and creating an original, poetic and imaginative language that becomes a tool for investigating the human and its many facets. With the performance UNTOLD it made its debut at the Biennale Teatro 2020. The company received the “Premio Valter Ferrara 2019” and the ANCT 2022 award.

TICKETS

Saturday free. The audience can view the installation on their own.
Sunday €3. The audience will be guided by the artists on a 30-minute journey.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

POP

Fonderia Reggio Emilia
14 November H 16.00

Play in Nicola Galli’s performance enlivens the season at the Fonderia.

Saturday 14 November 4.00 pm

Sunday 15 November 4.00 pm

POP is an event for children and families that places the body at the centre as a tool for exploring its expressive and communicative potential.

Through play, the interactive performance invites participants to experiment with different possibilities of movement and to take time to discover new perceptions, sensations and emotions connected to movement.

On a square platform covered in bubble wrap, the dancer bends and extends the joints, tracing figures and geometries. The audience is invited to interact with the material and with the performance space, sharing the pleasure of moving and exploring.

https://vimeo.com/852246747?fl=pl&fe=cm

Action and creation: Nicola Galli
Curated by: Nebula APS

Nicola Galli works in bodily research and is a choreographer, dancer, and lighting and costume designer.

His research takes shape in actions and devices that range from choreography to performance, from installation to graphic and visual design.

Starting from the natural sciences, geometry, astronomy, architecture and a passion for photography, his gaze is fascinated by human anatomy, by light and by sound — key elements that nourish the close relationship between the subjects inhabiting the stage in a perspective of interdependence.

His work embraces a cross-disciplinary scenic horizon, in which the body becomes the radiating centre of an artistic discourse that takes substance in a scenic sensibility devoted to exploring movement as a hybrid panorama of knowledge.

Nicola Galli started out as a competitive gymnast and came to contemporary languages with Teatro Nucleo, later dancing for the company CollettivO CineticO from 2010 to 2014.

Since 2010 he has developed a choreographic inquiry centred on the profound relationship between humankind and nature and on the analysis of the notions of “stratification” and “landscape.”

Alongside his more specifically artistic research, he leads training programmes for children, adults and young dancers in training, developing a personal method aimed at exploring movement, discovering new visions and perceptions of the body, and deepening one’s personal physical and communicative boundaries.

Since 2014 he has been an artist supported by the production body TIR Danza.

TICKETS

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

CUOR DI CONIGLIO

Fonderia Reggio Emilia
14 November H 18.00

The Compagnia Dimitri/Canessa dances in search of the lost heart at the Fonderia.

Saturday 14 November 6.00 pm

Sunday 15 November 6.00 pm

Cuor di Coniglio is a poetic modern fairy tale that explores fragility and the courage of self-acceptance. Vincent is a happy, imaginative child who, wounded by the cruel dragon of other people’s judgement, shuts himself away in his inner castle, losing touch with himself. With the help of Rosi, an eccentric and dancing rabbit, Vincent sets out on a symbolic and surreal journey in search of his lost heart. Through the language of physical theatre and clowning, the performance is an invitation to overcome the fear of judgement and to discover the beauty in fragility: a hymn to the freedom of being oneself, to look at the world from a new perspective and to show oneself, simply, for what one is.

https://vimeo.com/1082119951

Company: Dimitri/Canessa
Direction: Elisa Canessa
with Federico Dimitri and Francesco Manenti
Artistic collaboration: Giorgio Rossi
Lighting design: Marco Oliani
Sound designer: Tommaso Marzini Della Ragione
Set and costumes: Matilde Gori / Atelier scenografia Zaches

Production Associazione Sosta Palmizi, Pilar Ternera / Nuovo Teatro delle Commedie e Straligut Teatro
with residential support from Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro), Wintergarten – Atelier di teatro permanente e In Tel Fade

The Compagnia Dimitri/Canessa was founded in Livorno in 2013. Among its main productions are: Bruno (2013), a performance drawn from the works of Bruno Schulz, winner of the FIT, Festival Internazionale di Teatro di Lugano and named by MilanoTeatri among the best performances presented in Milan for the 2017/18 season; ..di Giulietta e del suo Romeo (2014), an Italian-Swiss co-production for teenage audiences; Hallo! I’m Jacket! il gioco del nulla (2016), a performance that received numerous accolades, an In-Box finalist, Premio Nazionale per il Teatro Contemporaneo 2017 and winner of the l’Italia dei Visionari call for Kilowatt Festival 2017; Ad esempio questo cielo (2019), a performance inspired by the life and works of Raymond Carver, produced with the support of the Theatherwerkstatt Gleis 5 (CH); Geppetto 201 (2022), a performance drawn from Fabio Stassi’s beautiful novel Mastro Geppetto (Ed. Sellerio) and produced in collaboration with Theaterwerkstatt Glai 5 (CH), Pilar Ternera/Nuovo Teatro delle Commedie, and Come alla fine di Casablanca, premiering in July 2027 within the Festival Inequilibrio. Alongside their production of work for contemporary audiences, Elisa Canessa and Federico Dimitri have for years been involved in theatre for children, collaborating as authors and performers with choreographer Giorgio Rossi/Sosta Palmizi. Their collaboration with Francesco Manenti is, moreover, a twenty-year artistic partnership that has seen them work side by side on many creations. Together, for young audiences, they have created Col Naso All’Insù (2016) and Esercizi di Fantastica (2020 – Jury and Audience Prize at the Vimercate Ragazzi Festival 2021; Special Mention at the “Emanuele Luzzati” Theatre for Young Audiences Prize, Municipality of Santa Margherita Ligure 2023). In 2022 the Compagnia Dimitri/Canessa produced, with the support of Pilar Ternera/Nuovo Teatro delle Commedie, the performance L’Orso Felice, winner of In-box verde 2023, Mention from the In-box Critical Observatory 2023 and Best Young and Kids Performance at the FIT, Festival Internazionale del Teatro di Lugano. In addition to its production activity, the company collaborates with two schools of advanced pedagogy in Zurich (Liceo Atelierschule and Liceo Raphaelschule), where it carries out a social theatre project with over 40 young people with disabilities. With them, directed by Federico Dimitri, the following performances have been created: Il verbo degli uccelli; Orfeo e Euridice; Antigone/Wir sind die Prinzessin; Perfect Place, Dreamland and La fattoria degli animali.

TICKETS

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

BOXES

Fonderia Reggio Emilia
15 November H 15.00

UnterWasser’s “boxed” micro-performances arrive at the Fonderia

Saturday 14 and Sunday 15 November at 3.00 pm and 7.30 pm

BOXES is a work of visual theatre and an installation made up of “boxes” that hold micro-performances and interactive games, to be experienced by one viewer at a time.

The audience is invited into an intimate, personal and dedicated experience. Looking through small slits and openings, viewers come into contact with small poetic worlds, gathered and protected inside the boxes.

BOXES is an open project, born from the reworking of Lambe Lambe theatre and from research into the effects and techniques of pre-cinema.

A project conceived and created by: Valeria Bianchi, Aurora Buzzetti, Giulia De Canio
with the participation of: Francesco Capponi
Software, circuit design and physical computing: Francesco Bianchi
Thanks to: Malu Costa, Romulo Chindelar, Lucas Popeta

Production: UnterWasser
Executive production: Pilar Ternera / NTC

With the support of Cambio Festival (Rio de Janeiro); Crossing the sea; Centro di Residenza della Toscana (Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro)

UnterWasser is a theatre research group founded in 2014 by Valeria Bianchi, Aurora Buzzetti and Giulia De Canio. The company positions itself at the boundary between visual theatre and contemporary art, studying their mutual cross-influences and creating an original, poetic and imaginative language that becomes a tool for investigating the human and its many facets. With the performance UNTOLD it made its debut at the Biennale Teatro 2020. The company received the “Premio Valter Ferrara 2019” and the ANCT 2022 award.

TICKETS

Saturday free. The audience can view the installation on their own.
Sunday €3. The audience will be guided by the artists on a 30-minute journey.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

POP

Fonderia Reggio Emilia
15 November H 16.00

Play in Nicola Galli’s performance enlivens the season at the Fonderia.

Saturday 14 November 4.00 pm

Sunday 15 November 4.00 pm

POP is an event for children and families that places the body at the centre as a tool for exploring its expressive and communicative potential.

Through play, the interactive performance invites participants to experiment with different possibilities of movement and to take time to discover new perceptions, sensations and emotions connected to movement.

On a square platform covered in bubble wrap, the dancer bends and extends the joints, tracing figures and geometries. The audience is invited to interact with the material and with the performance space, sharing the pleasure of moving and exploring.

https://vimeo.com/852246747?fl=pl&fe=cm

Action and creation: Nicola Galli
Curated by: Nebula APS

Nicola Galli works in bodily research and is a choreographer, dancer, and lighting and costume designer.

His research takes shape in actions and devices that range from choreography to performance, from installation to graphic and visual design.

Starting from the natural sciences, geometry, astronomy, architecture and a passion for photography, his gaze is fascinated by human anatomy, by light and by sound — key elements that nourish the close relationship between the subjects inhabiting the stage in a perspective of interdependence.

His work embraces a cross-disciplinary scenic horizon, in which the body becomes the radiating centre of an artistic discourse that takes substance in a scenic sensibility devoted to exploring movement as a hybrid panorama of knowledge.

Nicola Galli started out as a competitive gymnast and came to contemporary languages with Teatro Nucleo, later dancing for the company CollettivO CineticO from 2010 to 2014.

Since 2010 he has developed a choreographic inquiry centred on the profound relationship between humankind and nature and on the analysis of the notions of “stratification” and “landscape.”

Alongside his more specifically artistic research, he leads training programmes for children, adults and young dancers in training, developing a personal method aimed at exploring movement, discovering new visions and perceptions of the body, and deepening one’s personal physical and communicative boundaries.

Since 2014 he has been an artist supported by the production body TIR Danza.

TICKETS

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

CUOR DI CONIGLIO

Fonderia Reggio Emilia
15 November H 18.00

The Compagnia Dimitri/Canessa dances in search of the lost heart at the Fonderia.

Saturday 14 November 6.00 pm

Sunday 15 November 6.00 pm

Cuor di Coniglio is a poetic modern fairy tale that explores fragility and the courage of self-acceptance. Vincent is a happy, imaginative child who, wounded by the cruel dragon of other people’s judgement, shuts himself away in his inner castle, losing touch with himself. With the help of Rosi, an eccentric and dancing rabbit, Vincent sets out on a symbolic and surreal journey in search of his lost heart. Through the language of physical theatre and clowning, the performance is an invitation to overcome the fear of judgement and to discover the beauty in fragility: a hymn to the freedom of being oneself, to look at the world from a new perspective and to show oneself, simply, for what one is.

https://vimeo.com/1082119951

Company: Dimitri/Canessa
Direction: Elisa Canessa
with Federico Dimitri and Francesco Manenti
Artistic collaboration: Giorgio Rossi
Lighting design: Marco Oliani
Sound designer: Tommaso Marzini Della Ragione
Set and costumes: Matilde Gori / Atelier scenografia Zaches

Production Associazione Sosta Palmizi, Pilar Ternera / Nuovo Teatro delle Commedie e Straligut Teatro
with residential support from Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro), Wintergarten – Atelier di teatro permanente e In Tel Fade

The Compagnia Dimitri/Canessa was founded in Livorno in 2013. Among its main productions are: Bruno (2013), a performance drawn from the works of Bruno Schulz, winner of the FIT, Festival Internazionale di Teatro di Lugano and named by MilanoTeatri among the best performances presented in Milan for the 2017/18 season; ..di Giulietta e del suo Romeo (2014), an Italian-Swiss co-production for teenage audiences; Hallo! I’m Jacket! il gioco del nulla (2016), a performance that received numerous accolades, an In-Box finalist, Premio Nazionale per il Teatro Contemporaneo 2017 and winner of the l’Italia dei Visionari call for Kilowatt Festival 2017; Ad esempio questo cielo (2019), a performance inspired by the life and works of Raymond Carver, produced with the support of the Theatherwerkstatt Gleis 5 (CH); Geppetto 201 (2022), a performance drawn from Fabio Stassi’s beautiful novel Mastro Geppetto (Ed. Sellerio) and produced in collaboration with Theaterwerkstatt Glai 5 (CH), Pilar Ternera/Nuovo Teatro delle Commedie, and Come alla fine di Casablanca, premiering in July 2027 within the Festival Inequilibrio. Alongside their production of work for contemporary audiences, Elisa Canessa and Federico Dimitri have for years been involved in theatre for children, collaborating as authors and performers with choreographer Giorgio Rossi/Sosta Palmizi. Their collaboration with Francesco Manenti is, moreover, a twenty-year artistic partnership that has seen them work side by side on many creations. Together, for young audiences, they have created Col Naso All’Insù (2016) and Esercizi di Fantastica (2020 – Jury and Audience Prize at the Vimercate Ragazzi Festival 2021; Special Mention at the “Emanuele Luzzati” Theatre for Young Audiences Prize, Municipality of Santa Margherita Ligure 2023). In 2022 the Compagnia Dimitri/Canessa produced, with the support of Pilar Ternera/Nuovo Teatro delle Commedie, the performance L’Orso Felice, winner of In-box verde 2023, Mention from the In-box Critical Observatory 2023 and Best Young and Kids Performance at the FIT, Festival Internazionale del Teatro di Lugano. In addition to its production activity, the company collaborates with two schools of advanced pedagogy in Zurich (Liceo Atelierschule and Liceo Raphaelschule), where it carries out a social theatre project with over 40 young people with disabilities. With them, directed by Federico Dimitri, the following performances have been created: Il verbo degli uccelli; Orfeo e Euridice; Antigone/Wir sind die Prinzessin; Perfect Place, Dreamland and La fattoria degli animali.

TICKETS

Full price: 10 euros
Reduced for under-30s, dance schools, Liceo Coreutico Matilde di Canossa, over-65s, members of the CRAL of the Municipality of Reggio Emilia: 6 euros
Reduced for under-8s: 3 euros

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

MEET THE COREOGRAPHER!

Fonderia Reggio Emilia
16 November H 16.30

Choreographic encounters for the Danza in Fonderia season.

From Monday 16 to Friday 20 November 4.30 pm

Saturday 21 November 10.30 am

Meet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning.

The title takes its cue from the expression Meet the Artist, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live, the project makes it possible to meet the choreographers through their works, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history, profoundly changing the use of the body and its relationship with movement.

The idea is to bring children closer not only to the individual works, but also to the context in which they were created, to the processes that made them possible, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia, the choreographer in focus will be William Forsythe.

Annika Pannitto (Italy, 1981) is a choreographer, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts, such as the Schouwburg theatre in Rotterdam, the Atelier Re.Al in Lisbon, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli, she has curated the publication Table Conversation since 2012. She lives and works in Madrid.

TICKETS

To take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554

MEET THE COREOGRAPHER!

Fonderia Reggio Emilia
17 November H 16.30

Choreographic encounters for the Danza in Fonderia season.

From Monday 16 to Friday 20 November 4.30 pm

Saturday 21 November 10.30 am

Meet the coreographer! is an educational project curated by Annika Pannitto for children aged 7 and over. The workshop unfolds across a series of encounters with some of the choreographers who have marked the evolution of dance over the past sixty years and have proposed an expansion of its traditional meaning.

The title takes its cue from the expression Meet the Artist, which usually denotes the moment when the artist is invited to talk with the audience to share the process behind a performance. Although not live, the project makes it possible to meet the choreographers through their works, to begin a journey of learning and to discover how dance and choreography have evolved and questioned their own history, profoundly changing the use of the body and its relationship with movement.

The idea is to bring children closer not only to the individual works, but also to the context in which they were created, to the processes that made them possible, and to the exercises and studies that the artists developed to build their own path and through which they contributed to the evolution of the live arts. For the autumn season of Danza in Fonderia, the choreographer in focus will be William Forsythe.

Annika Pannitto (Italy, 1981) is a choreographer, dancer and researcher in the field of contemporary choreography. For fifteen years she has also devoted herself to teaching in a variety of contexts, with students of all ages and levels. Her work deals with the relationship between dance and choreography and starts from the human body and its relationship with space and time. She qualified as a teacher and dancer at the National Academy of Dance in Rome, and as a choreographer in the Master of Choreography at the ArtEZ art institute in the Netherlands. Her works have been hosted in various European contexts, such as the Schouwburg theatre in Rotterdam, the Atelier Re.Al in Lisbon, the Diskurs Festival in Giessen and the Centro Danza Canal in Madrid. She collaborates regularly with artists from other disciplines to enrich her practice and learn from other artistic paths. Together with designer Erica Preli, she has curated the publication Table Conversation since 2012. She lives and works in Madrid.

TICKETS

To take part in the workshops you need to register by contacting the box office and purchase a ticket of your choice for one of the Dance Weekend performances.

PURCHASING TICKETS

Tickets can be purchased online at www.biglietteriafonderia39.it.

The box office at the Fonderia opens one hour before the start of the performance.

Tickets are not numbered.

CONTACTS

Mobile and WhatsApp 3341023554